The Annual Meeting of the ASECS 0th NWSECS Annual Meeting0th3. “Print and Per<strong>for</strong>mance” Alvarado BChair: Katherine MANNHEIMER, University of Rochester40th 1. NWSECS David A. BREWER, Annual Meeting The Ohio State University, “Polly Honeycombe,Lydia Languish, and the ‘Ever-Green Tree’ of Print, Per<strong>for</strong>mance, andPersonhood”2. Bryan HURT, University of Southern Cali<strong>for</strong>nia, “The MetafictionalMousetrap: Hamlet, Henry Fielding, and the Per<strong>for</strong>mance ofAuthorship in The History of Tom Jones”3. Jennifer WILSON, Appalachian State University, “Tumble-Down Tom:The Afterpiece in Fielding’s Fiction”4. Darryl P. DOMINGO, University of Toronto, “‘A Dance between theActs’: or, Digression as Divertissement in An Apology <strong>for</strong> the Life ofColley Cibber, &c.”LCD PROJECTOR4. “Theories of Visual Experience and Artists’ Writings about Art in the<strong>Eighteenth</strong> <strong>Century</strong>”Alvarado CChair: Maureen HARKIN, Reed College1. Hector REYES, Northwestern University, “Drawing History: Dialecticsof Visual Experience in the Comte de Caylus’ Recueil”2. Lyrica TAYLOR, University of Maryland, “Portrait of the Artist: JohnFrancis Rigaud’s Vision of the Role of the Artist in <strong>Eighteenth</strong>-<strong>Century</strong>England”3. Abigail ZITIN, University of Chicago, “Hogarth’s Drawing Lesson:Technique and Gender in The Analysis of Beauty”LCD PROJECTOR5. “Beyond Locke: Mind, Matter, Sex, and Soul in <strong>Eighteenth</strong>-<strong>Century</strong>Literature and Culture” Suite 318Chair: Kristin M. GIRTEN, University of Nebraska, Omaha1. Kathleen LUBEY, St. John’s University, “Reading Minds: Imagination,Abstraction, and Empirical Fictions”2. Natalie PHILLIPS, Stan<strong>for</strong>d University, “Distraction and the<strong>Eighteenth</strong>-<strong>Century</strong> Mind”3. Helen THOMPSON, Northwestern University, “Grandison’s Form”Respondent: Jonathan KRAMNICK, Rutgers UniversityOVERHEAD6. “Constructing a Public Face: Image Creation in the Long <strong>Eighteenth</strong><strong>Century</strong>”Alvarado FChair: Janet R. WHITE, University of Nevada, Las Vegas, School ofArchitecture1. Yasser Derwiche DJAZAERLY, Sam Houston State University, “Le RoiSans Souci: Friedrich II and his Palace”2
2. Kevin JUSTUS, Independent Scholar, “The illustrious Kings of Franceor the Strapping Hercules ....Louis XV, the Salon d’Hercule, Identityand the Creation of an Abstract Portrait”3. John WHALE, University of Leeds, “Creating a New Face <strong>for</strong> the City:William Roscoe’s Liverpool, 1770-1830”LCD PROJECTOR7. “Gender and Homosociality in the Long <strong>Eighteenth</strong> <strong>Century</strong>”Alvarado GChair: Heidi STROBEL, University of Evansville1. Jennifer GERMANN, Ithaca College, “Women’s Networks and ArtisticSurvival: The Case of Marie-Éléonore Godefroid”2. Amber LUDWIG, Boston University, “Re-Evaluating Vigée-Lebrun’sPortrait of Lady Hamilton as a Sybil”LCD PROJECTOR8. “Blurring Boundaries: Class, Gender, Race, and Sexuality in the<strong>Eighteenth</strong> <strong>Century</strong>” Suite 518Chair: Hazel GOLD, Emory University1. Lisa ROURKE, Brandeis University, “The Marriage Act of 1753: AnEconomic Argument <strong>for</strong> the Continued Commodification of theLaboring Poor”2. Charlie BONDHUS, University of Massachusetts, Amherst, “ImperialGothic: Travel, Discourse, and the European Other”3. Mehl PENROSE, University of Maryland, College Park, “Queer Camp:Ramón de la Cruz’s Sainetes”LCD PROJECTOR9. “Portraits and Money” Alvarado HChair: Brad<strong>for</strong>d MUDGE, University of Colorado, Denver1. Susan EGENOLF, Texas A&M University, “Narrative as Commodityin the Marketing of Wedgwood’s Fine Heads”2. Megan PEISER, Texas Tech University, “A Picture of Commodity:The Culture of Miniatures in Ann Radcliffe’s The Mysteries ofUdolpho”3. Tatiana SENKEVITCH, University of Toronto, “The Flip Side of theAncient Coin: Du Bos on the Portraiture of the King”LCD PROJECTOR10. “Adam Smith’s Theory of Moral Sentiments and <strong>Eighteenth</strong> <strong>Century</strong>Fiction”ChapelChair: Corey E. ANDREWS, Youngstown State University1. Heather KING, University of Redlands, “”From Spectacle to Spectator:Adam Smith, Eliza Haywood, and Moral Observation”3
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