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2. Kevin JUSTUS, Independent Scholar, “The illustrious Kings of Franceor the Strapping Hercules ....Louis XV, the Salon d’Hercule, Identityand the Creation of an Abstract Portrait”3. John WHALE, University of Leeds, “Creating a New Face <strong>for</strong> the City:William Roscoe’s Liverpool, 1770-1830”LCD PROJECTOR7. “Gender and Homosociality in the Long <strong>Eighteenth</strong> <strong>Century</strong>”Alvarado GChair: Heidi STROBEL, University of Evansville1. Jennifer GERMANN, Ithaca College, “Women’s Networks and ArtisticSurvival: The Case of Marie-Éléonore Godefroid”2. Amber LUDWIG, Boston University, “Re-Evaluating Vigée-Lebrun’sPortrait of Lady Hamilton as a Sybil”LCD PROJECTOR8. “Blurring Boundaries: Class, Gender, Race, and Sexuality in the<strong>Eighteenth</strong> <strong>Century</strong>” Suite 518Chair: Hazel GOLD, Emory University1. Lisa ROURKE, Brandeis University, “The Marriage Act of 1753: AnEconomic Argument <strong>for</strong> the Continued Commodification of theLaboring Poor”2. Charlie BONDHUS, University of Massachusetts, Amherst, “ImperialGothic: Travel, Discourse, and the European Other”3. Mehl PENROSE, University of Maryland, College Park, “Queer Camp:Ramón de la Cruz’s Sainetes”LCD PROJECTOR9. “Portraits and Money” Alvarado HChair: Brad<strong>for</strong>d MUDGE, University of Colorado, Denver1. Susan EGENOLF, Texas A&M University, “Narrative as Commodityin the Marketing of Wedgwood’s Fine Heads”2. Megan PEISER, Texas Tech University, “A Picture of Commodity:The Culture of Miniatures in Ann Radcliffe’s The Mysteries ofUdolpho”3. Tatiana SENKEVITCH, University of Toronto, “The Flip Side of theAncient Coin: Du Bos on the Portraiture of the King”LCD PROJECTOR10. “Adam Smith’s Theory of Moral Sentiments and <strong>Eighteenth</strong> <strong>Century</strong>Fiction”ChapelChair: Corey E. ANDREWS, Youngstown State University1. Heather KING, University of Redlands, “”From Spectacle to Spectator:Adam Smith, Eliza Haywood, and Moral Observation”3

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