KEEPING THE MEMORY GREEN.LEADING CHURCHILL MYTHS(2) "An actor read <strong>Churchill</strong>'s wartime speeches over the wireless.'SIR ROBERT RHODES JAMESIn "Ampersand, "Finest Hour 110:47, ToddRonnei listed18 common <strong>Churchill</strong> myths, while in the letters columnWilliam Roeder suggested <strong>we</strong> undertake a booklet, <strong>Winston</strong><strong>Churchill</strong>: Setting the Record Straight. We continue hackingaway at the <strong>we</strong>ed growth. This article is adapted fromFH 92, including later information in FH 109.On June 4th, 1940 in the House <strong>of</strong> Commons, atthe darkest moment in British history, <strong>Winston</strong><strong>Churchill</strong> made one <strong>of</strong> the greatest speeches inthe annals <strong>of</strong> oratory. It galvanised a hitherto skepticalCommons, and its superb use <strong>of</strong> language and spirit <strong>of</strong>defiance affected not only his fellow-countrymen butechoed around the world, not least in the United States.Wars <strong>are</strong> not won by speeches, but <strong>they</strong> <strong>are</strong> by leadership,and that speech gave the authentic voice <strong>of</strong> a confidentleader who wanted to lead.It was his fourth speech as Prime Minister. Hisaccession to the position had been controversial, and infact was by default. He was vie<strong>we</strong>d with hostility in boththe principal political parties.It opened prosaically enough with a factualaccount <strong>of</strong> the French collapse, the evacuation atDunkirk, and preparations for home defence. But he thensaid his government was determined to "ride out thestorm <strong>of</strong> war, and to outlive the menace <strong>of</strong> tyranny, if necessaryfor years, if necessary alone."This single sentence hushed the Commons. He<strong>we</strong>nt on:Even though large tracts <strong>of</strong> Europe and many old andfamous States have fallen or may fall into the grip <strong>of</strong>the Gestapo and all the odious apparatus <strong>of</strong> Nazi rule,<strong>we</strong> shall not flag or fail. We shall go on to the end, <strong>we</strong>shall fight in France, <strong>we</strong> shall fight on the seas an<strong>do</strong>ceans, <strong>we</strong> shall fight with growing confidence andgrowing strength in the air, <strong>we</strong> shall defend our island,whatever the cost may be, <strong>we</strong> shall fight on thebeaches, <strong>we</strong> shall fight on the landing grounds, <strong>we</strong>shall fight in the fields, and in the streets; <strong>we</strong> shallnever surrender, and even if, which I <strong>do</strong> not for a mo-The late Sir Robert Rhodes James contributed to The <strong>Churchill</strong>Center's first <strong>Churchill</strong> Symposium, resulting in the book <strong>Churchill</strong> asPeacemaker. His <strong>Churchill</strong>: A Study in Failure 1900-1939 remains astandard work on <strong>Churchill</strong>'s pre-World War II parliamentary c<strong>are</strong>er.ment believe, this island or a large part <strong>of</strong> it <strong>we</strong>re subjugatedand starving, then our Empire beyond the seas,armed and guarded by the British Fleet, would carryon the struggle, until, in God's good time, the newworld, with all its po<strong>we</strong>r and might, steps forth to therescue and the liberation <strong>of</strong> the old.<strong>Churchill</strong> had made, and was to make, muchgreater speeches; but none <strong>of</strong> them had the impact <strong>of</strong> thisbrief peroration. His immediate audience was stunned,and then erupted into a prolonged ovation.From this great event a remarkable mythologyhas developed and prospered. Its origins came from DavidIrving in his malevolent <strong>Churchill</strong>'s War, Volume I, publishedin 1987, p. 313:That evening the BBC broadcast his speech after theNews. The whole nation thrilled, not knowing that<strong>Churchill</strong> had refused to repeat it before the microphone.A BBC actor — "Larry the Lamb" <strong>of</strong> the Children'sHour — had agreed to mimic the prime minister beforethe microphone, and nobody was any the wiser.The actor who claimed to have read the speechwas Norman Shelley. Irving's sole authority was Shelleyhimself, although, as it will be seen, under curious circumstances.It was a very dramatic allegation, particularlyfrom that source, and intrinsically deeply suspect, butsomehow it became an established fact, accepted un<strong>think</strong>inglyby later biographers and historians, including JohnCharmley, Clive Ponting and, astonishingly, even PhilipZiegler, who is in an entirely different league. In 1991Irving <strong>we</strong>nt even further, claiming that "several times in1940 millions <strong>of</strong> radio listeners <strong>we</strong>re tricked into believingthat <strong>they</strong> <strong>we</strong>re hearing <strong>Churchill</strong>'s voice"; Pontingrepeated Irving's app<strong>are</strong>ntly authoritative statement thatthis happened on several occasions.The sheer improbability <strong>of</strong> this story in itselfshould have alerted serious historians, but it was my lateAll Souls colleague D.J. Wenden who spotted the firstclues to this falsehood. For one thing, there was no<strong>Churchill</strong> broadcast on June 4th; the newsreader readextracts on the evening radio news.Then there was the interesting point that Irvingclaimed he had intervie<strong>we</strong>d Shelley in December 1981;but Shelley had died on 22 August 1980! Also, althoughFINEST HOUR 112/52
AND THE RECORD ACCURATEa minor point, Shelley had not been "Larry the Lamb" in"Toytown," but "Dennis the Dachshund," as those <strong>of</strong> mygeneration could have told Irving.Problems then arise from the records, HaroldNicolson lamenting that it was necessary to bully<strong>Churchill</strong> into broadcasting, and, referring to a June 18thbroadcast, "he just sulked and read his House <strong>of</strong>Commons speech over again." Nicolson was InformationMinister at the time. <strong>Churchill</strong> never liked broadcasting,but there is no evidence whatever that he was replaced byanyone, and speech researchers have confirmed this.But Shelley consistently claimed that he hadmimicked <strong>Churchill</strong>'s voice for radio. The unlikelihood <strong>of</strong>the BBC's employing an actor to replace its outstandingteam <strong>of</strong> newsreaders was grotesquely improbable in itself.As Vita Sackville-West wrote to Nicolson <strong>of</strong> the June 4thspeech on the radio, "Even repeated by the announcer itsent shivers (not <strong>of</strong> fear) <strong>do</strong>wn my spine."Iwas immensely fortunate in getting to know C.H.Rolph, by correspondence only, alas, in the last year <strong>of</strong>his life. His wife had been a script-writer in the BBC'sFeatures and Drama Department, and, through her,Rolph had come to know Shelley <strong>we</strong>ll; indeed, Shelley wasRolph's best man at the latter's <strong>we</strong>dding in 1947.Shelley, whom Rolph regarded, but with someaffection, as something <strong>of</strong> a mountebank, fancied his<strong>Churchill</strong> impersonation, although Rolph thought itcomp<strong>are</strong>d poorly with the real thing. But a commercialcompany wanted a recording <strong>of</strong> the "fight on the beaches"speech, and asked Shelley to <strong>do</strong> it. <strong>Churchill</strong> was consulted:"He wasn't much interested," Rolph recalled, "butsaid he would raise no objection."The problem was compounded by the fact thatthe BBC bought the Shelley spo<strong>of</strong>. Rolph was astoundedto hear it when Robin Day chose it for one <strong>of</strong> his DesertIsland Discs. "I heard that," Rolph wrote, "and I know itwas Norman Shelley's voice. His <strong>Churchill</strong> impersonationwas never quite as good as he thought it was, and I recognised(for the umpteenth time) the spots where he failed.""This is the true version about the Shelley-<strong>Churchill</strong> thing," Rolph wrote. "Not very important, Isuppose, but it could <strong>we</strong>ll go <strong>do</strong>wn as yet another boguslittle version unexposed."The story surfaced again in 2000 in a column byunrepentant Communist Alexander Cockburn, and TheObserver reported that Shelley's son had uncovered an actual78 rpm BBC recording. The recording bore a homemadelabel dated 7 September 1942, but this did not stop TheObserver. "Pro<strong>of</strong> that some <strong>of</strong> <strong>Winston</strong> <strong>Churchill</strong>'s mostfamous radio speeches <strong>of</strong> the war <strong>we</strong>re delivered by a standinhas emerged with the discovery <strong>of</strong> a 78 rpm record...."Allen Packwood <strong>of</strong> the <strong>Churchill</strong> Archives Centrereplied that "there is simply nothing in our collections toprove it. But if Shelley recorded the speech on 7 September1942, as the record label says, why did he <strong>do</strong> it? <strong>Churchill</strong>originally delivered the speech over two years earlier, and didnot broadcast it (portions <strong>we</strong>re read by a BBC announcer).<strong>Churchill</strong> did record the speech himself—at Chart<strong>we</strong>ll afterthe war—and it was ultimately released by Decca Records....the time lag makes it clear that Shelley did not record thespeech to be broadcast when German invasion was imminent....Itis a huge leap to say, just because there is evidencehe recorded this <strong>Churchill</strong> speech in 1942, that he deliveredBBC broadcasts in the summer <strong>of</strong> 1940."Even this turned out to be the reddest <strong>of</strong> red herrings,as Mr. Packwood later related: "It now emerges thatthe [Shelley] recording is not the 'fight on the beaches'speech, but is concerned with events in North Africa in1942. I have tried, using Rhodes James's Complete Speeches,to match the text to an actual speech by <strong>Churchill</strong>, but havebeen unable to <strong>do</strong> so."Did Norman Shelley ever record the "fight on thebeaches" speech? In this issue (page 27) Stephen Bungaynotes that "<strong>Churchill</strong> was asked by the British Council laterin the war to make a recording for the U.S., and havingrather a lot on his plate, he suggested <strong>they</strong> use an actor instead.Shelley did the recording, <strong>Churchill</strong> heard it, wasmuch amused and gave his approval. Its subsequent fate isunknown, but there is no evidence <strong>of</strong> its having been used inBritain." Or anywhere else, as far as <strong>we</strong> can determine.C. H. Rolph was wrong in <strong>think</strong>ing that the storywas "not very important," because it has becomepart <strong>of</strong> the ugly tapestry <strong>of</strong> denigration <strong>of</strong><strong>Churchill</strong>, <strong>of</strong> which Irving was the first practitioner, hislead follo<strong>we</strong>d by others who also claim to be reputable historians.Some <strong>of</strong> this so-called "revisionism" is subtle,much <strong>of</strong> it less so, like the malicious and ludicrous exaggeration<strong>of</strong> his drinking, which ignores all the testimonyto the contrary by those who worked closely with him.Witnesses to the truth include a secretary who was withhim for 30 years; and Desmond Morton, whose associationwith <strong>Churchill</strong> <strong>we</strong>nt back to the First World War,during the inter-war years, and throughout the Second.<strong>Churchill</strong> was indeed fallible, and part <strong>of</strong> his fascinationfor historians and biographers lies in this very fact. Itwas true that he hated broadcasting, and, except on r<strong>are</strong>occasions, was not very good at it. A great actor needs anaudience; sitting alone in a studio in front <strong>of</strong> a microphonedid not inspire him. But the fact is that he did it,and no one else did it for him. $FINEST HOUR 112/53