Annotated Bibliography of Renaissance Dance - Shadow Island ...

Annotated Bibliography of Renaissance Dance 17Matt Larsen: Translation of an unknown French source appended to hispublication of a French grammar by Alexander Barclay. The introductoryto wryte and to pronounce Frenche. Only copy in Oxford, Bodleian Library(Douce B. 507). This source is very similar to some of the French sourcesfrom the fifteenth century, particularly Toulouze, Moderne, and theBrussels manuscript, although this source is somewhat more brief. Itincludes a number of the choreographies which appear in the othersources, although it contains no music and offers fewer choreographiesthan the French sources. The discussion is also more brief than that in theother sources, but the information which is there is very similar to parts inthe others.auto: There is a previous edition (year unknown) but it is not in thisbibliography.Domenico daPiacenzaDomenico da Piacenza, and Bianchi, Dante. De Arte Saltandi & ChoreasDucendi. Florence: 1963.Matt Larsen: Ms. in Paris, Bibliotheque Nationale (fonds it. 972). Italiandance of the fifteenth century is the earliest form of dance for whichwritten instructions have survived to the present. This is the earliest ofthose manuals, and according to some authorities, the best. Many of thedances described in this manual continue to appear in manuals up untilthe early sixteenth century, which gives an indication of their popularity.Italian dances of the time can be broken down into two general categories,bassadanza and balli. The difference between the two is primarily one oftempo and meter; bassadanza are always in 3/2 time, while the meter maychange in the middle of balli, from 4/4 to 3/2 to 3/4, etc. There are oftenseveral such changes in a ballo, sometimes as many as four or five. Ballialso tend to be more involved choreographically, including more complexsteps and figures. This manual consists of 56 relatively small pages. Thefirst thirteen of these contain instruction on how the dances and steps areto be performed, and the remainder of the manuscript consists ofchoreographies and their music. A total of fifteen choreographies areincluded.Dorian Longwind ofNeumesDorian Longwind of Neumes. Lord Longwind's Book of Dance Music.Albuquerqe, NM: Raymond's Quiet Press, 1985.Dennis Sherman: A collection of arrangements of dances popular in theSociety for Creative Anachronism. Mostly 3 and 4 part, arranged primarilyfor recorders.Dubruck, EdelgardEDubruck, Edelgard E (editor), and Goller, Karl Heinz (editor). Crossroads ofMedieval Civilization: The City of Regensburg and Its Intellectual Milieu.Michigan: Michigan Consortium for Medieval and Early Modern Studies,1984.