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Annotated Bibliography of Renaissance Dance - Shadow Island ...

Annotated Bibliography of Renaissance Dance - Shadow Island ...

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<strong>Annotated</strong> <strong>Bibliography</strong> <strong>of</strong> <strong>Renaissance</strong> <strong>Dance</strong> 19Matt Larsen: Ms. (by the amanuensis Paganus Raudensis) in Paris,Bibliotheque Nationale (fonds it. 973). All <strong>of</strong> the manuals attributed toGuglielmo Ebreo are roughly similar in structure (note that by manual Imean a work which includes information on how the dances and steps areto be performed, not just choreographies). The discussion in each isbroken down into classifications in a similar fashion to Cornazano,including sections on Measure, Memory, Use <strong>of</strong> Space, etc. The differencesare primarily small changes in the exact wording, although some manualsinclude sections that are not in others, and some sections are moreextensive in some manuals. The primary difference between the manualsis how many choreographies each includes, and which they are. Anotherdifference is whether the manual includes music for the dances or not.This particular manuscript consists <strong>of</strong> one hundred and three small pages.The first forty three discuss steps and their performance. The remainder <strong>of</strong>the manual includes choreographies for thirty one dances, fourteenbassadanze and seventeen balli. The last few pages contain the music forthe dances.Ebreo, Guglielmo Ebreo, Guglielmo. Untitled MS: Fondo Palatino 1021, ff. 105r- 106v.Matt Larsen: Ms. fragment in Florence, Biblioteca Nazionale Centrale. Thisis a relatively minor source, being a pair <strong>of</strong> pages which are all that are left<strong>of</strong> a Guglielmo manual. They are from the section on how dances areperformed, so they are <strong>of</strong> some use in reconstructing steps. Their use islimited, however, by the fact that they are not that different from the morecomplete manuals, and by their brevity.Ebreo, GuglielmoEbreo, Guglielmo, and Zambrini, Francesco. De Praticha Seu Arte TripudiiVulgare Opsculum. Bologna: Presso Gaetano Romagnoli, 1873.Matt Larsen: Ms. in Florence, Biblioteca Nazionale Centrale (CodexMagliabecchiana-Strozziano XIX, 9, Nr. 88). Published as "Trattato dell'artedel ballo di Guglielmo Ebreo, pesarese". This manuscript contains theusual section discussing steps, and a total <strong>of</strong> thirty four dances, seventeenbassadanza and seventeen balli. As usual, most <strong>of</strong> the dances can befound in other sources. No music is included.Ebreo, GuglielmoEbreo, Guglielmo, and Sparti, Barbara. On the Practice <strong>of</strong> the Art <strong>of</strong>Dancing. Oxford: Oxford University Press, 1993.Del (D.Elson): A complete transcription and translation <strong>of</strong> Gugliemo's mainmanuscript, with appendices covering the new material from Ambrosio.Ebreo, GuglielmoEbreo, Guglielmo. Guglielmi Ebrei Pisaurienses De Pracha Seu ArtetripudiVulghare Opuschulam Feliciter Incipit Senper Chongratia Sia DidioSenper. c. 1470.

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