Annotated Bibliography of Renaissance Dance - Shadow Island ...

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38 Annotated Bibliography of Renaissance DanceBrainard, IngridBrainard, Ingrid. Dance III: Middle Ages and early Renaissance.(In The New Grove Dictionary of Music and Musicians.)Sutton, Julia Sutton, Julia. Dance IV: Late Renaissance and Baroque to 1700.(In The New Grove Dictionary of Music and Musicians.)Sadie, StanleySadie, Stanley (editor), and Tyrell, John (editor). The New Grove Dictionaryof Music and Musicians. 29 v. : ill. ; 27 cm. New York: Grove'sDictionaries, 2000.Reprint of The New Grove Dictionary of Music and Musicians, 1980.Santucci, Ercole Santucci, Ercole. Maestro da Ballo. 474 pp. 1614.Andrew Draskoy: A manuscript apparently intended for publication,written in Perugia by a Maestro di Ballo from there. Privately held in Romeuntil recently put on the market and purchased by the library. 474pp.containing 12 choreographies, and 214 regole intended for beginners. Thechoreographies are mostly by others, sometimes "modernized" by theauthor. In some cases earlier versions of the dances are extant. (e.g. inCaroso, Compasso). BarbaraSparti is preparing an edition. For more details on these points, see Sparti and Giordano.Schlundt,Christena LSchlundt, Christena L (editor). Proceedings of the Seventh AnnualConference of the Society of Dance History Scholars. Towson, MD: DanceHistory Scholars, 1984.Dils, Ann Dils, Ann. The Egg Dances. Towson, MD: Dance History Scholars, 1984.(In Proceedings of the Seventh Annual Conference of the Society of DanceHistory Scholars pp 119-135.)Lizbeth Langston: Traces the history of this popular amusement of the16th-18th C. "Egg dances can be grouped in two categories ofperformance, egg manipulation and egg avoidance. In both cases, aprimary concern of the dance is not to break the eggs."Sutton, JuliaSutton, Julia. Triple Pavans: Clues to Some Mysteries in 16th-CenturyDance. Towson, MD: Dance History Scholars, 1984.(In Proceedings of the Seventh Annual Conference of the Society of DanceHistory Scholars pp 136-144.)Wagner, AnnLouiseWagner, Ann Louise. Dance As Vice: A Continuing Analysis From theSixteenth Century English Courtesy Literature. Towson, MD: DanceHistory Scholars, 1984.(In Proceedings of the Seventh Annual Conference of the Society of DanceHistory Scholars pp 110-118.)
Annotated Bibliography of Renaissance Dance 39Schlundt,Christena LSchlundt, Christena L (editor). Proceedings of the Fifth Annual Conferenceof the Society of Dance History Scholars. Cambridge, MA: Dance HistoryScholars, 1982.Hardy, CamilleHardy, Camille. Ballet Comique De La Reine: A Primer on Subtext andSymbol. Cambridge, MA: Dance History Scholars, 1982.(In Proceedings of the Fifth Annual Conference of the Society of DanceHistory Scholars pp 137-147.)Ingber, Judith BrinIngber, Judith Brin. Jewish Wedding Dances of Europe During the MiddleAges and Renaissance. Cambridge, MA: Dance History Scholars, 1982.(In Proceedings of the Fifth Annual Conference of the Society of DanceHistory Scholars pp 69-77.)Keller, Kate VanWinkleKeller, Kate Van Winkle. Playford, Feuillet, and Apple II: New Techniquesof Indexing Music. Cambridge, MA: Dance History Scholars, 1982.(In Proceedings of the Fifth Annual Conference of the Society of DanceHistory Scholars pp 28-34.)Schlundt,Christena LSchlundt, Christena L. The Still Point of Perfection. Cambridge, MA: DanceHistory Scholars, 1982.(In Proceedings of the Fifth Annual Conference of the Society of DanceHistory Scholars pp 103-110.)Lizbeth Langston: discussion of the process of being a dance historian.Sharp, Cecil J Sharp, Cecil J. The Country Dance Book. Novello, 1909.John Forrest: Parts 2, 3, 4 & 6 are made up of Sharp's reconstructions ofnotations culled from a variety of editions of Playford. Many decisions thathe made have, in the light of more recent scholarship, been challenged,but it was this collection that began the revival of interest in Playforddances. Consequently, his reconstructions are still treated as authoritativeby many dancers despite their flaws. The set is accompanied by a series ofpiano scores from Sharp's pen.Sharp, Cecil JSharp, Cecil J, and Macilwaine, Herbert C. The Morris Book With aDescription of Dances As Performed By the Morris-Men of England.Yorkshire, England: EP Publishing, Limited, 1974.John Forrest: The first systematic notation of English morris dances basedon fieldwork with traditional dancers primarily in the South Midlands atthe beginning of the twentieth century. Sharp put forward the notion thatthese dances represented a continuous tradition from the Middle Ages andbeyond, but more recent analysis of the primary data indicates that morrisdances have undergone radical changes throughout their documentedhistory (starting in 1458). Thus the dances Sharp collected are a(reasonably) reliable index of nineteenth century traditions only.
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