52 <strong>Annotated</strong> <strong>Bibliography</strong> <strong>of</strong> <strong>Renaissance</strong> <strong>Dance</strong>MW: This CD, available in various forms...has a bunch <strong>of</strong> excellentlyuseful tracks, including some <strong>of</strong> the best branles I know.MH: Two nagging points here. The Haye Bransle does not have enoughrepetitions in the last section for a full three-person Haye. The HorsesBransle repeats the final section so, if you are dancing this, you mustrepeat the stomping-turn section twice to fit the music.LH: The selections on this are wonderful to simply listen to as well as todance to but most <strong>of</strong> them are very short! Program notes lead you directlyto Arbeau and state whether the musical version is his or from anothersource.Balli di FabrizioCaroso e CesareNegriOertel, Angelika Cassette: Benediktbeuren: Musikedition Grüneis, c/o R.Busch-H<strong>of</strong>er, Gasse 21, 83671.MD: This is a lute solo recording <strong>of</strong> high quality made by Angelika Oertel,who is a very good dancer also. A book was planned also, but I don't knowwhether it really exists.Balli e Balletti daBallare: Danses dela <strong>Renaissance</strong>ItalienAtelier Danse, and Flagel, Claude CD: ADDA Distribution, FM 581071,1987.Also distributed by Qualiton Imports as "Italian <strong>Dance</strong> Music <strong>of</strong> the<strong>Renaissance</strong>"Instruments: recorders, 7-course lute, bass curtal, cornetto, viola dagamba, harpsichord.Track Listing: Laura Suave, Furioso all'Italiania, Barriera Nuova, Passo eMezzo, Bizzarria d'Amore, Bassa Pompilia, So Ben Mi Chi Ha Bon Tempo,Pavana e Gagliarda, Il Canario, Ruota di Fortuna, Contrapasso Nuovo,Chiaranzana.JPD: <strong>Dance</strong> advisor was Andrea Francalanci. Apparently, there may exist acompanion book by Francalanci by the same name, which includesfacsimiles <strong>of</strong> the sources to encourage people to approach the workcritically and examine why various choices were made. The liner notes forthis state that they emphasized a correlation between the instrumentationand the choreography, so you may hear, for example, a cornettorepresenting the gentleman's part, and a recorder the Lady's. AestheticAppeal: **** Usability: ***.5
<strong>Annotated</strong> <strong>Bibliography</strong> <strong>of</strong> <strong>Renaissance</strong> <strong>Dance</strong> 53VS: Of the dances on it that I am familiar with, Bizzaria d'Amore works,Passo e Mezzo, the Pavane and Gagliard, and Il Canario are all clear andgood tempi. The Furioso all'Italiana, however, disagrees with thereconstruction I'm used to; the second "Alla Sciolta della Sonata" part <strong>of</strong>the dance only has enough music to be done once, not twice. Chiaranzanaalso seems usable, although I am not totally familiar with the dance. Itlasts 15 minutes, so long enough for the real dance. A:*** U:*** (because <strong>of</strong>the Furioso - if some one can point out that it was meant to be that wayfor reconstruction purposes, I'd up it to ****, but not being familiar withthe other dances, I can't be sure I trust all <strong>of</strong> them.)Calliope <strong>Dance</strong>s - A<strong>Renaissance</strong> RevelCalliope CD: Nonesuch, 79039-2, 1992.Reprint <strong>of</strong> <strong>Dance</strong>s: A <strong>Renaissance</strong> Revel, 1982.Carolingian <strong>Dance</strong>Tape, Version 2Fishman, Mark Cassette: Boston:, 1976.Track Listing: La Spagna, Le Moys de May, Verceppe, Gelosia, Hole in theWall, Belle Qui/tourdion, Galliard, Bransles: Single, Double, Burgundian,Charlotte, Scottish, Pease, Official, Maltese, Gay, Horses, Montarde,Torches.MW: The Carolingian <strong>Dance</strong> Tape, Version 2 (I've never seen or heardVersion 1, and I'm unconvinced that it really existed) was produced byMark Fishman (a friend <strong>of</strong> Patri's) in 1976. It's mostly Arbeau, with amodicum <strong>of</strong> assorted other stuff. Good tape.... It's still one <strong>of</strong> the moreuseful dance tapes around -- unfancy, but reasonably pleasant to listen toand entirely useful.Celeste GiglioFlowers <strong>of</strong> 16th-Century Italian<strong>Dance</strong> MusicLachrimae Ensemble CD: Erasmus Muziek Producties, WVH186, 1996.On line URL: http://utopia.ision.nl/users/dorothee/lachrimae.htmTrack Listing: Courante, Celeste Giglio, Chiara Stella, Ballo fatto da seiCavalieri, Il Bianco Fiore, Spagnoletta, Gagliarda detta la Lisfeltina diSantino, Gagliarda, La Battaglia, Villanella, Villanella (Bagpipe version), LaVolta, Improvisations on La Folia, Bassa Toscana, Brando detto AltaRegina, Alta Mendozza, Ballo del Fiore / Branle du Chandelier.DE: This recording, available through Dorothee Wortelboer in theNetherlands (see the URL) is a good, listenable, and danceable recording <strong>of</strong>16th C Italian dance tunes. I have to disagree with the speed <strong>of</strong> some <strong>of</strong>the recordings, but generally speaking a useful supplement to otherrecordings <strong>of</strong> music <strong>of</strong> the period. There are two companion booksavailable, one containing sheet music for some (not all) <strong>of</strong> the recordings,and one containing dance reconstructions.Cesare Negri - LeGratie d'AmoreEnsemble La Follia CD: Genoa, Italy: Dynamics r.l., S2001, 1997.Track Listing: Lo Spagnoletto, Brando di Cales, Leggiadra Marina,Bizzarria d'Amore, Il Grazioso, Il Torneo Amoroso, So ben mi chi ha bontempo, Il Bigara, Cortesia Amorosa, Bassa Gioiosa, Alta Somaglia, Ball<strong>of</strong>atto da sei Cavalieri, Il Bianco Fiore, Il Pastor Lieggiadro, Il Cesarino,Fedelta d'Amore