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Annotated Bibliography of Renaissance Dance - Shadow Island ...

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52 <strong>Annotated</strong> <strong>Bibliography</strong> <strong>of</strong> <strong>Renaissance</strong> <strong>Dance</strong>MW: This CD, available in various forms...has a bunch <strong>of</strong> excellentlyuseful tracks, including some <strong>of</strong> the best branles I know.MH: Two nagging points here. The Haye Bransle does not have enoughrepetitions in the last section for a full three-person Haye. The HorsesBransle repeats the final section so, if you are dancing this, you mustrepeat the stomping-turn section twice to fit the music.LH: The selections on this are wonderful to simply listen to as well as todance to but most <strong>of</strong> them are very short! Program notes lead you directlyto Arbeau and state whether the musical version is his or from anothersource.Balli di FabrizioCaroso e CesareNegriOertel, Angelika Cassette: Benediktbeuren: Musikedition Grüneis, c/o R.Busch-H<strong>of</strong>er, Gasse 21, 83671.MD: This is a lute solo recording <strong>of</strong> high quality made by Angelika Oertel,who is a very good dancer also. A book was planned also, but I don't knowwhether it really exists.Balli e Balletti daBallare: Danses dela <strong>Renaissance</strong>ItalienAtelier Danse, and Flagel, Claude CD: ADDA Distribution, FM 581071,1987.Also distributed by Qualiton Imports as "Italian <strong>Dance</strong> Music <strong>of</strong> the<strong>Renaissance</strong>"Instruments: recorders, 7-course lute, bass curtal, cornetto, viola dagamba, harpsichord.Track Listing: Laura Suave, Furioso all'Italiania, Barriera Nuova, Passo eMezzo, Bizzarria d'Amore, Bassa Pompilia, So Ben Mi Chi Ha Bon Tempo,Pavana e Gagliarda, Il Canario, Ruota di Fortuna, Contrapasso Nuovo,Chiaranzana.JPD: <strong>Dance</strong> advisor was Andrea Francalanci. Apparently, there may exist acompanion book by Francalanci by the same name, which includesfacsimiles <strong>of</strong> the sources to encourage people to approach the workcritically and examine why various choices were made. The liner notes forthis state that they emphasized a correlation between the instrumentationand the choreography, so you may hear, for example, a cornettorepresenting the gentleman's part, and a recorder the Lady's. AestheticAppeal: **** Usability: ***.5

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