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Annotated Bibliography of Renaissance Dance - Shadow Island ...

Annotated Bibliography of Renaissance Dance - Shadow Island ...

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<strong>Annotated</strong> <strong>Bibliography</strong> <strong>of</strong> <strong>Renaissance</strong> <strong>Dance</strong> 25La Rue, JanLa Rue, Jan (editor), and et al. (editor). Aspects <strong>of</strong> Medieval and<strong>Renaissance</strong> Music: a birthday <strong>of</strong>fering to Gustave Reese. New York:Norton, 1966.Heartz, DanielHeartz, Daniel. A 15th-Century Ballo: Rôti Bouilli Joyeux. New York:Norton, 1966.(In Aspects <strong>of</strong> Medieval and <strong>Renaissance</strong> Music: a birthday <strong>of</strong>fering toGustave Reese pp 359-375.)Southern, EileenSouthern, Eileen. Basse <strong>Dance</strong> Music in Some German Manuscripts <strong>of</strong> the15th Century. New York: [1966].(In Aspects <strong>of</strong> Medieval and <strong>Renaissance</strong> Music: a birthday <strong>of</strong>fering toGustave Reese pp 738-755.)Laban, Juana deLaban, Juana de (editor). Institute <strong>of</strong> Court <strong>Dance</strong>s <strong>of</strong> the <strong>Renaissance</strong> andBaroque Periods. New York: Committee on Research in <strong>Dance</strong>, 1972.Langston, AnnLizbethLangston, Ann Lizbeth. Italian Gagliarda <strong>Dance</strong> Movement in Four <strong>Dance</strong>sFrom Cesare Negri's Le Gratie D'amore (1602). Master's Thesis (University<strong>of</strong> California, Riverside), 1988.Abstract: This thesis focuses on the Late-<strong>Renaissance</strong> Italian gagliardadance type as a component <strong>of</strong> a dance suite within the context <strong>of</strong>choreographic descriptions in Cesare Negri's Le Gratie d'Amore (1602).Definitive materials for reconstruction <strong>of</strong> two dances, "Bassa Gioiosa" and"Laura Gentile," are derived from full execution in a studio situation.Preparatory materials for reconstruction are presented drawn from thedetailed analytical study <strong>of</strong> two other dances, "La Fedelta' d'Amore" and"La Galleria d'Amore." Negri provides rules for proper performance <strong>of</strong> stepunitsused in the duple-meter and triple-meter sections <strong>of</strong> dance suites. Tobetter understand the step-units performed in the dances, Negri'sdescriptions <strong>of</strong> the component step-units were interpreted in Labanotationand word notes. Thus, each detailed interpretation <strong>of</strong> a step-unit is <strong>of</strong>feredhere as one possible and very specific suggestion for use in interpretation<strong>of</strong> the choreographic descriptions in Le Gratie d'Amore.

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