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the journal of cross border studies in ireland - The Centre for Cross ...

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and that <strong>the</strong> proximity to France andeven <strong>the</strong> <strong>border</strong>l<strong>in</strong>e itself that runsbetween France and Spa<strong>in</strong> through<strong>the</strong>se mounta<strong>in</strong>s belong to easy tradition<strong>in</strong> <strong>the</strong> same ways as <strong>the</strong> rituals <strong>of</strong> StJohn´s Eve <strong>in</strong> Isil do, or <strong>the</strong> idea <strong>of</strong>birth and marriage and death <strong>in</strong> <strong>the</strong>sevillages. It is easy to see <strong>the</strong> <strong>border</strong> <strong>in</strong>this undisturbed world as someth<strong>in</strong>gwhich belongs to nature as much asto culture, which is as fully acceptedand understood as <strong>the</strong> change <strong>in</strong> <strong>the</strong>seasons, someth<strong>in</strong>g not made byhistory, but made by more elemental<strong>for</strong>ces which have always been <strong>in</strong> place,or made <strong>in</strong>deed by God.But <strong>the</strong>n <strong>the</strong>re is a photograph. Andif that photograph had come to usuncaptioned it could be any group <strong>of</strong>villagers, all <strong>the</strong> generations, ga<strong>the</strong>red<strong>in</strong> front <strong>of</strong> a municipal build<strong>in</strong>g sometime <strong>in</strong> <strong>the</strong> first half <strong>of</strong> <strong>the</strong> twentiethcentury. <strong>The</strong> fact that <strong>the</strong>y all look soserious need not matter. In those years<strong>in</strong> <strong>for</strong>mal group photographs people sawno reason to smile. <strong>The</strong>y understood<strong>the</strong> camera as a serious <strong>in</strong>strument <strong>of</strong>record. But <strong>the</strong> caption gives us <strong>the</strong>date and <strong>the</strong> place and <strong>the</strong> orig<strong>in</strong> <strong>of</strong> <strong>the</strong>people. It is 1938, and it is ClermontFerrand on <strong>the</strong> French side <strong>of</strong> <strong>the</strong><strong>border</strong>, and <strong>the</strong> people, around eighty<strong>of</strong> <strong>the</strong>m rang<strong>in</strong>g from <strong>the</strong> very old to <strong>the</strong>very young, are from <strong>the</strong> village <strong>of</strong> Alosd´Isil, about four kilometers from Isil, <strong>the</strong>village described above. At first glance,<strong>the</strong>y could be <strong>the</strong> entire population <strong>of</strong><strong>the</strong> village until you notice <strong>the</strong> presence<strong>of</strong> very few men aged between eighteenand fifty. Recently, an historian, work<strong>in</strong>gwith this photograph, has been ableto identify most <strong>of</strong> <strong>the</strong> people <strong>in</strong> it, andhas been able to <strong>in</strong>terview some whowere <strong>in</strong> that photograph and who arestill alive, and has been thus able topiece toge<strong>the</strong>r what happened <strong>in</strong> thosemonths <strong>of</strong> 1938 to <strong>the</strong> quiet traditionallife <strong>in</strong> a village <strong>in</strong> Spa<strong>in</strong> close to <strong>the</strong>French <strong>border</strong> that caused most <strong>of</strong>its population to flee to France us<strong>in</strong>gmounta<strong>in</strong> paths.<strong>The</strong> new politics <strong>of</strong> memorySuch historical <strong>in</strong>vestigation has onlybeen possible <strong>in</strong> <strong>the</strong> past few years,<strong>in</strong> a time when <strong>the</strong> silent pact made <strong>in</strong>1975 on <strong>the</strong> death <strong>of</strong> Franco betweenboth sides not to re open old wounds,or put anyone on trial, or have a truthand reconciliation commission, nolonger seems necessary or useful. <strong>The</strong>silence had done its work, had alloweda democratic society to emerge from<strong>the</strong> shadows. In <strong>the</strong> past few years,however, <strong>the</strong>se very shadows and thatvery silence have come to seem likepoison from <strong>the</strong> past. Not only are <strong>the</strong>murdered dead <strong>of</strong> <strong>the</strong> war be<strong>in</strong>g dug upand identified from communal graves allover Spa<strong>in</strong>, but <strong>in</strong> <strong>the</strong> <strong>border</strong> area, <strong>in</strong> <strong>the</strong>Pyrenees which belong to both Franceand Spa<strong>in</strong>, <strong>the</strong> paths used <strong>in</strong> <strong>the</strong>seterrible years between 1936 and 1945have been re-opened <strong>in</strong> memory <strong>of</strong>those who were <strong>for</strong>ced to use <strong>the</strong>m.And <strong>in</strong> all <strong>the</strong> villages on <strong>the</strong> Spanish, orCatalan side, <strong>of</strong> <strong>the</strong> <strong>border</strong> last summer<strong>the</strong>re were lectures and exhibitions,with titles like ´<strong>The</strong> Path <strong>of</strong> Freedom´,´<strong>The</strong> Pallares Exile <strong>in</strong> France´, ´<strong>The</strong>Catalan Exile <strong>of</strong> 1939´. <strong>The</strong> exhibitionshave <strong>in</strong>cluded photographs <strong>of</strong> <strong>the</strong>landscape as it is now, and as it was<strong>the</strong>n, actual diaries <strong>of</strong> those who fleda<strong>cross</strong> <strong>the</strong> <strong>border</strong>, and mementoes22JOURNAL OF CROSS BORDER STUDIES IN IRELAND No.5

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