<strong>The</strong> <strong>Great</strong> <strong>Art</strong> page 54This Radical Balm is the ferment of Nature, which is scattered through the whole mass ofindividuals. It is an ineffaceable tincture, which has the property of multiplying and which penetrateseven its grossest detritus, since one employs it successfully to manure lands and to increase theirfertility.<strong>On</strong>e can rightly conjecture, that this basis, this root of the Mixts, which survives their destruction, isa part of the First Matter, the purest and indestructible portion stamped with the seal of Light fromwhich it received form. For the marriage of this First Matter with its form is indissoluble, and all theelements corporified as individuals derive their origin from it. Indeed was not such a matter necessaryto serve as the incorruptible basis, and as the cubic root to corruptible Mixts, to be able to be theirprinciple, constant, perpetual and yet material, around which would turn continually the vicissitudesand changes which material beings experience daily?If one was permitted to conjecture and to penetrate the obscurity of the future, would one not saythat this unalterable substance is the foundation of the material world, and the ferment of itsimmortality, by means of which it will exist even after its destruction, after having passed through thetyranny of fire, and after having been cleansed of its original defects, in order to be renewed and tobe<strong>com</strong>e incorruptible and unalterable for all eternity?It seems that Light has as yet worked only upon it, and that it has left the rest in shadows. So itpreserves always a spark of it, which it is only necessary to excite.But the Innate Fire is very different from Moisture. It partakes of the spirituality of Light, and theHumid Radical is of a nature midway between the extremely subtle and spiritual matter of Light, andgross, elementary, corporeal matter. It partakes of the nature of both, and connects these twoextremes. It is the seal of the visible and palpable treaty of light and shadows; the point of union andof <strong>com</strong>merce between the Heavens and the Earth.Thus one cannot, without error, confound this Humid Radical with Innate Fire. <strong>The</strong> latter is theinhabitant, the former the habitation, the dwelling. It is, in all the Mixts, the laboratory of Vulcan; thehearth on which is preserved that immortal Fire, the prime-motor created from all the faculties ofindividuals; the universal Balm, the most precious Elixir of Nature, the perfectly sublimated Mercuryof Life, which Nature distributes by weight and measure to all the Mixts. He who will know how toextract this treasure from the heart, and from the hidden center of the productions of this lower world,to despoil it of its thick elementary shell, which conceals it from our eyes; and to draw it from thedark prison in which it is enclosed and inactive, may boast of knowing how to make the mostprecious MEDICINE to relieve the human body.Of the Harmony of the Universe<strong>The</strong> superior and inferior bodies of the World having the same source, and the same matter as aprinciple, have preserved a sympathy which causes that the purest, the noblest, the strongest,
<strong>The</strong> <strong>Great</strong> <strong>Art</strong> page 55<strong>com</strong>municate to those who are less so all the perfection of which they are susceptible. But when theorgans of the Mixts are badly arranged, naturally or through accidents, this <strong>com</strong>munication ishindered: the order established for this <strong>com</strong>merce is deranged; the feeble, being less aided, be<strong>com</strong>esweaker, succumbs, and be<strong>com</strong>es the principle of its own ruin, mole ruit suâ. (Cosmop. Tract 2).<strong>The</strong> four qualities of Elements, cold heat, dryness and moisture, are we may say, the harmonic tonesin Nature. <strong>The</strong>y are not more contrary than the grave tone in music is to the acute; but they aredifferent, and separated by intervals, or middle tones, which connect the two extremes. Just as bythese middle tones a very beautiful harmony may be <strong>com</strong>posed, so Nature can <strong>com</strong>bine the qualitiesof the Elements, so that from them may result a temperament 41 which constitutes that of the Mixts.Of MovementProperly speaking, there is no repose in Nature, (Cosmop. Tract 4). She cannot remain idle; and ifshe should permit real repose to succeed Movement for a single instant, all the machinery of theUniverse would fall in ruin. Movement has, we may say, drawn it from nothingness; repose wouldreplunge it into nothingness. That to which we give the name repose, is only Movement less rapid,less sensible. Movement is then continual in each part as in the whole. Nature acts always in theinterior of the Mixts. Even corpses are not in repose, since they are corrupted, and since corruptioncannot take place without Movement.Order and uniformity reign in the manner of Movement, the machinery of the World; but there aredifferent degrees in this Movement, which is unequal and different in different and unequal things.Geometry even demands this law of inequality: and we may say that celestial bodies have an equalMovement in geometric ratio, namely in proportion to the difference of their size, their distance andtheir nature.We easily perceive in the course of the seasons that the methods which Nature employs differ onlyin appearance. During the winter she appears without Movement, dead, or at least torpid. Yet, it isduring this dead season, (morte saison), that she prepares, digests, covers the seeds, and disposesthem for generation. She gives birth, to speak thus, in the spring; she nourishes and rears in thesummer. She even ripens certain fruits; she keeps others for the autumn, when they have need of alonger digestion. At the end of this season everything decays, in order to be disposed for a newgeneration.Man experiences in this life the changes of the four seasons. His winter is not the time of old age, aswe usually say, it is that which he spends in the womb of his mother without action and in shadows,because he has not yet enjoyed the benefits of the solar light. Scarcely is he born when he begins togrow: he enters into his spring; which lasts until he is capable of ripening his fruits. <strong>The</strong>n his summersucceeds; he strengthens himself, he digests, he develops the principle of life which is to give it toothers. When his fruit is ripe, autumn takes possession of him, he dries up, he withers, he bendstowards the principle to which his nature draws him, he falls into it, he dies, he is no more.From the unequal and varies distance of the sun proceed the differences of the seasons. <strong>The</strong>Philosopher who wishes to imitate the processes of Nature in the operations of the <strong>Great</strong> Work, mustmeditate on them very seriously.41 Temperament, in Music, is the name given by the theorists of the XVIIIth century, to that which modern musicians callTonality, viz., “the ensemble of the mysterious laws which govern the rapports existing between sounds, whether heardsuccessively or simultaneously.”E.B.