TWO-DIMENSIONALA story by Ahmed Essop, illustrated by Renee EngelbrechtAnil, a former pupil, came to live inmy street in Lenasia. I would see himsome mornings from my lounge window,going to the bus stop. He wasstill a good-looking youth, though hisface had lost its schoolboyish softness.His complexion was a burnt bronze; hishair carbon black. His lean body seemedto have remained a physical constant.At school, in Newtown, Anil had been aquiet and reserved boy, performing hisacademic work dutifully rather thanwith any relish. He sat at the back ofthe class-room, withdrawing himselfinto the limbo of virtual non-identity.As a consequence, he had never receivedthe attention that other pupils, morealert and extrovertly vocal, had received.Yet in the fluid glitter of hisdark eyes one saw a sensitive youth,an impression amplified when heresponded to oral questions by themellifluous cadence of his voice. Oncehe played a strange trick that earnedhim a brief period of notoriety. He lefta note on his desk which said that bythe time it was read he would be 'deadamong the reeds in the Zoo Lake'.Everyone searched frantically for himfor two days — his family distraughtwith anxiety and worry — but he wasnowhere to be found. He reappeared onthe third morning and refused to answerany questions. However, the relief feltat his reappearance quickly erased thememory of the incident. At the end ofthe year he matriculated with a secondclass pass and left school.One day I met Anil in the street. Iasked him what work he was doing. Hetold me that he was a clerk for a stockbrokerand that much of his time wasspent at the Johannesburg Stock Exchange.'The work must be interesting.''Like hell!' he snarled.'Why?''I feel I am a robot, a nobody.''Sure'You don't understand. I am just amachine doing all the dirty work for thewhite capitalists.'I was astonished, hardly prepared forthe sharp indictment from someonewho had been so reticent.'Well, I am sure you are learningsomething.''Learning? If you can call workingwith bandits learning.''I suppose you have a living to make.''You know, after I left school I wentto Wits University to do a B.A. I lefthalfway.''You left?''How I hated the place! You shouldsee those white liberal morons. They riga few protest placards and go on toparade like zombies. Afterwards theycrawl back into their pleasure domes.'Later, after we had parted, I thoughtabout what Anil had said. I felt unconvincedthat he had left the universityfor the reason he had given. Therewas restlessness within him, confusion,morbid hate for others as well as forhimself. I recalled the suicide incident atschool and realized that though at thattime it had been dismissed as some sortof schoolboy prank, it had been adesperate egotistical act to focus attentionon himself. But more seriously it40 STAFFRIDER, FEBRUARY <strong>1980</strong>
suggested a tendency to irrationalbehaviour rooted in psychological imbalance.Now, I wondered whether thebreak in his studies was not the result ofhis insecure psyche, or whether it hadbeen the result of some traumaticexperience.Anil was seated in the universitylibrary when he first saw her. She wasabout three tables away, head bowedover her book, her blond hair falling oneither side. He looked at her for a fewminutes, taking delight in his surreptitioussurvey. His eyes shifted from herhead to her breasts gently thrustingagainst a white blouse, then focusedbelow the table where her hands layclasped in her lap. Suddenly his entireconsciousness was sensually ignited: herclasped hands symbolic of the eroticparadise she could offer him. Shelooked up at him as though she hadcaught him in some act of guilt. He rosequickly from his chair, turned towards ashelf without looking at the title. Whenhe sat down and glanced at her table shehad vanished. Impulsively he hurriedout of the library in search of her.He stopped in the colonnaded porchoutside. She was standing beside acolumn, looking for something in herhandbag, the sunlight playing on herbeauty that exceeded Anil's first impression.From the waist down, herlithe body asserted itself through aclose-fitting marine-blue skirt. His veinsyeasty, surcharged, he could not move.She looked up at him.'Tired of studying?' she asked.'Yes,' he answered, feebly.'You are doing Arts, aren't you?''Yes,' he said, staring like a visionary.'Goodbye. See you again.'Her words failed to strike his auralsense immediately as he gazed at her goingdown the steps, walk away hurriedlyover the shrub-fringed tarmac and climba quartet of stone steps that led to thestreet, but came to him like an echoafterwards.He sat down on the steps for a whileto still the ebullition within him. Suddenly,in the claustrophobic atmosphereof the library, his being's pith seemed tohave undergone a mutation: he had becomestrongly conscious of himself as asensual being. There were so many girlsat the university — they flowered soprofusely in its environment — yet neverbefore had he found himself overwhelmedby the impulse and appetite ofyouthful passion.From then on he kept a searchingeye for her. Between lectures he soughther in corridors, in foyers, in porticos,on campus and in the library. He mether, but the encounters were invariablybrief, disjointed spells of academic chitchatabout lectures and courses. On oneof these occasions he saw a note-book inher hand. On the cover was her name:Caroline Seymour.One day she met him as he was rushingto a Milton lecture.'I was looking for you,' she said. 'Weare having a protest demonstration tomorrow. . . 'She stood close to him as she elaborated.He felt himself drawn into privilegedintimacy.Elated, he hurried to the lectureroom. He would meet her the next dayand stand alongside her in the protestdemonstration. His imagination glowedwith the promise of amorous possibilitiesin the future. The lecture was a failure:Lucifer's agony in hell failed totouch the happy centre of his being.The next day, punctually, he was atthe appointed place. He saw her amidsta crowd of students and went up to her.'I am so glad you came,' she said,handing him a placard attached to abroomstick. The placard screamed invermilion: 'We hate dictators!'The students paraded on campus andthen moved in procession to a busystreet on the university's boundary. Anillooked for Caroline, but she had movedahead of him. The students lined thepavement and displayed their placardsto pedestrians and motorists: somelooked indifferently at them, otherssmiled, some glared and a few made obscenegestures. One spat and shouted:'Red!' The police arrived with alsatiandogs and stood on the opposite pavement.Anil saw Caroline on his right, holdinga placard. For two happy hours hestood there, conscious of her and of hisidentification with her in the protest.Then the demonstration broke up. Helooked for her to give her the placard,but she had disappeared. He was leftalone, the placard in his hand.One evening Anil came to visit me.After some amiable talk, I said to him,'I have been thinking about what yousaid when we last met. Don't you thinkit's unreasonable to condemn all thestudents at Wits university?'Unreasonable? What do you mean?''Surely, some students are sincere intheir political commitment.''Sincere? To you, yes, because youhave been brainwashed.''Brainwashed?''Yes, by white thought and whiteculture.'Shocked by the allegation I did notreply.'What did you and the others teachus at school,' he went on, 'but everythingabout whites — their language,their history, their science. The whitesare your gods. But not for long, I amwarning you. We are going to destroythem.'I intended to protest that I did notprescribe the curriculum, but askedinstead:'Who is "we"?''We the oppressed. We shall destroythe white morons.'Anil was sitting in an arm-chair, hisface changed into a scowling mask.'Why are you working at the whiteStock Exchange?' I asked.'Because you are not working theredoes not mean you are with us,' heanswered evasively.He placed his elbows on his kneesand looked broodingly at the patternedcarpet, his mind captive to somethingimplacably calcified in his memory.'Anil, I think you should go on withyour studies privately,' I said.'I don't want a worthless Arts degree... In any case I am going away.''Going away? To Europe?''Europe! Whites!''Where then?'He did not answer, but looked at mein bitter contempt and resentment.'The whites at the Stock Exchangewill miss you,' I said in reflex.His body quivered, his arms tensedvengefully. But he only looked at me,then rose from the chair and left thehouse.Anil was sitting on a bench beside acamelia tree, several terraces separatinghim from the swimming pool thatspread a fluorescent blue haze on everythingaround. Behind him was theuniversity's small Fine Arts Library andGallery. He saw a figure in a blackswimming costume appear from theladies' change room and he recognizedCaroline at once. He watched her walkingup the steps to the diving platform— her bodily grace and definition ofform strongly presented in the sunlight— stand poised on the edge for a momentwith uplifted arms as thoughsupplicating some swimming pool deity,then plunge. He seemed to plunge withher into the pool and experienced,within the cyclone heart of eroticpassion, a self-annihilating orgasmicdeluge.When her head emerged above water,he rose from the bench, afraid that shewould see him gazing at her. He hurriedtowards the Fine Arts Library, hopingto find within its walls something to stillthe tumult within.Caroline's body dominated his consciousnessas the days passed. Herbeauty seemed to enrich his aestheticvision. The world of trees, shrubs andflowers that edged the campus lawnsbecame a newly discovered reality. HeSTAFFRIDER, FEBRUARY <strong>1980</strong> 41