Product Catalogue - Hot Press

The Fine Art of Finishing

HOT OFF THE PRESSFor over 17 years, we at Hot Press have served the framing and photographicmarkets with a wide range of premium laminating fi lms, mounting adhesives andsubstrates. While our greatest claim to fame is undoubtedly the Hot Press brandof heated glass top vacuum presses, we think our hands-on technical support andlegendary customer service is what truly sets us apart.Naturally, we regard all this as nothing more than an opportunity to improve…andyou’ll fi nd ample evidence of that commitment in our new catalogue.Inside, you’ll encounter an expanded selection of materials, including newlaminates, adhesives and accessories. You’ll also fi nd the innovative PlaqDecorEdging System as well as a comprehensive range of tools, cutters and otherancillary accessories. We now offer such niche products as acrylic panels andmagnetic sheeting…and the list goes on.You’ll also fi nd practical technical resources in this catalogue: product applicationguides and processing tips to help you maximize the performance of our materialsand equipment. For additional help, rely on the Hot Press sales team or sign up forone of our frequently scheduled training seminars.At Hot Press, we believe our extensive knowledge of mounting and laminating - inpartnership with our worldwide network of distributors- allows us to provide the ultimate support forthe “Fine Art of Finishing.”COPYRIGHTAll rights reserved. No part of this publicationmay be reproduced or transmitted in any form orby any means, electronic or mechanical, includingphotocopying, recording, or any information storage andretrieval system now known or to be invented, without writtenpermission from an offi cer of Hot Press Limited.E and OE

4HEAT ACTIVATEDFILM ADHESIVESHEAT ACTIVATED FILM ADHESIVESHot Press offers a complete range of heat-activatedfilm adhesives, suitable for virtually any combination ofartwork and mounting substrate.TRIPRINTA Satin inkjet paper with an ink-receptive coating on the face and adry to the touch heatset adhesive on the back. It is ideal for mountingonto foam board, card and similar substrates.GICCEEMOUNTEngineered specifically for dry mounting fine art prints and photopapers. GicleeMount’s colourless adhesive will not yellow, making itideal for Giclee prints, photographs and other fine art pieces printedwith pigment inks. This dry mounting adhesive is also ideal for mountingon canvas, linen and other textured fabrics, boards and papers.DRY MOUNT FILM CLEARThe most aggressive film in the Hot Press range, Dry Mount FilmClear is coated with an acrylic-based tacky adhesive. Especiallyrecommended for wood, plastics and canvas, this adhesive will bondwell to any highly textured or very smooth surface.ACID FREE MOUNT FILMAcid Free Mount Film is a true conservation adhesive. The acid-freeadhesive melts as it is heated and bonds as it cools, therefore thebond can, in most instances, be released by re-heating the adhesive.Acid Free Mount Film also conforms to uneven surfaces such aswatercolour paper and fabrics, making it a highly versatile adhesivefor all types of artwork and substrates.

5TRIPRINTCodeSizeTP25200 635mm x 61m (25” x 200’)TP42200 1067mm x 61m (42” x 200’)TP50200 1270mm x 61m (50” x 200’)GICLEEMOUNTCodeSizeFT20082PP 520mm x 25m (20” x 82’)FT20164PP 520mm x 50m (20” x 164’)FT32082PP 820mm x 25m (32” x 82’)FT32164PP 820mm x 50m (32” x 164’)FT48082PP 1220mm x 25m (48” x 82’)HEAT ACTIVATED FILM ADHESIVESACID FREE MOUNT FILMCodeSizeH4326 620mm x 25m (24.5” x 82’)H43321020mm x 25m (40.2” x82’)H4335 1220mm x 25m (48.5” x 82’)DRY MOUNT FILM CLEARCodeSizeH4346 650mm x 25m (25.5” x 82’)H4348 650mm x 100m (25.5” x 328’)H4351 1040mm x 25m (41” x 82’)H4353 1040mm x 100m (41” x 328’)H4354 1300mm x 25m (51” x 82’)H4356 1300mm x 100m (51” x 328’)SPECIAL TIP:When using film adhesives with non-porous media or substrates e.g.R.C. photos or foam centred board; the mounting film must be piercedbefore application. If you are using either of the Dry Mount Films -remove one release liner before piercing the film. If you are using AcidFree Mount Film - take extra care when piercing.Note - Do not pierce Triprint.www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

6BASIC DRY MOUNTINGPROCEDUREBASIC DRY MOUNTING PROCEDUREDry mounting is the process of bonding an image to a mountingsubstrate. The process is simple and takes only a few minutes, butthere are a number of issues to be considered. For an in-depthunderstanding of dry mounting techniques, we invite you to attendone of our free training schools.In the meantime, the important fundamentals of dry mounting aresummarised below.Firstly, consider the artwork you wish to mount. How will it react toheat? Does it require pre–drying to remove excess moisture? Doesit require pre–pressing to remove any creases? Is the artwork cleanand free from dust / dirt / stickers or tape? Is the artwork porous?Does it have an image that may shift (as in the case of pastels)? Allthese points should be considered before proceeding. With a littleexperience they will become second nature.Secondly, determine what type of substrate is compatible with yourartwork. What is the optimum thickness? Is quality or price yourprimary objective? Will the substrate need to be pre–dried? Woulda smooth substrate benefit the artwork? Does the substrate need tobe coloured or textured? Is it porous?Based on these conclusions, identify the best adhesive for thiscombination of artwork and substrate. Please consult individualproduct descriptions, recommendations and charts to arrive at thebest match - or call us for more technical help.When you have decided on an adhesive, you can begin!• Set your press for the correct temperature (usually 90 ºC)and allow it to warm up.• Once the press has warmed up, pre-press your substrateor artwork if required. This process requires placing thematerial in the press and pressing it for two or three minutes.Remember to let it cool down again after the drying processhas been completed.• Cut the adhesive to size (normally 5mm (1/4”) bigger thanthe artwork).• Cut the substrate to size (normally 25mm (1”) bigger thanthe artwork).• Make sure you have silicone release film or paper availableto cover any exposed adhesive areas.• If you are going to use the timer, now is the time to set it.Don’t set it when your project is already in the press.• Now you can assemble your project!• Remember to check the front and back of all components fordust and dirt and make sure all the components are cool.Silicone Release Film or PaperArtworkAdhesiveSubstrateThe assembly should be set up as shown here, from top to bottom.If you are working with a hard or soft bed press, or if the projectneeds to be very precisely positioned, it may be necessary to “tack”the assembly together.Tacking is used to keep the components of an assembled projecttogether and stop them from moving around in relation to each other.Tacking may be performed in a variety of ways.SPRAYS – If you must use spray adhesive for tacking, spray afine short burst onto the substrate and position the tissue on top.Remember, your objective is to position the tissue, not actually bondit, so go easy on the spray. Then spray the top of the tissue andposition the artwork.NOTE: We do not recommend spray adhesives for mounting artwork.GLUE STICKS – The same procedure may be performed with gluesticks, but remember, only use a dab!TAPE – Assuming the board is the largest component and theartwork is the smallest, you can place a piece of masking tape at theedge of the print so it also covers the tissue and board.

7TACKING IRONAll the methods mentioned previously are “make do” ideas that dowork. However, anyone tacking on a regular basis should reallyconsider the use of a tacking iron. A tacking iron is a small spotheater and is used as shown below.STEP 1.First, tack the tissue to the back of the artwork. Place a smallpiece of silicone release paper in between the tissue and the ironhead to prevent the iron from becoming covered in glue. Tack thetissue onto the top third of the artwork as shown in Step 1.You can then trim away any excess tissue around the print beforetacking the print into position on the board.STEP 2.PROCESSINGThe following graph provides suggested processing times for basicdry mounting procedures. Times shown are in minutes. The graphshould only be used as a guide, as processing times will vary frompress to press and are dependant on the specific project. If in doubt,always ask for advice or run a test.Size1mm White Display Board2mm White Display Board5mm Foam Board10mm Foam Board1mm Easimount Card2mm Easimount Card3mm MDF6mm MDF9mm MDF203 x 254mm 1 1 2 2 2 2 1 2 3 4254 x 305mm 1 1 2 2 2 2 1 2 3 4305 x 406mm 2 2 3 3 3 3 2 3 4 5406 x 508mm 2 2 3 3 3 3 2 3 4 5508 x 762mm 2 2 3 3 3 3 2 3 4 5762 x 1016mm 3 3 4 4 N/A N/A 3 4 5 61016 x 1524mm N/A 3 4 4 N/A N/A 3 4 5 61219 x 2438mm N/A N/A 4 4 N/A N/A 3 4 5 618mm MDFBASIC DRY MOUNTING PROCEDURE* 25.4mm = 1 InchTrimming the excess tissue away is common when (1) a projectis to be displayed without a frame, or (2) when a picture will sit inthe middle of a board with other information on it or (3) any othersituation that would expose the tissue to the viewer.Having tacked your tissue onto the top third of the artwork, thetissue should next be tacked onto the bottom third of the board asshown in Step 2.STEP 3.SPECIAL NOTES – This time guide assumes that you are workingwith artwork that is porous and that you are using Unimount Classicdry mount tissue. For non-porous artwork such as R.C. photographs,add 25% more time. The guide assumes that when working withFoam Centred Board, you will be using a reduced pressure; againthe time recommendations are based on this assumption.When the time and temperature have been determined, you shouldplace the assembled job in the press. After checking that everythingis clean and lined up properly, processing should be started straightaway. When using a Hot Glass Press it is possible to view the workas it is processed. When processing has been completed, removethe finished job from the press and leave it to cool on a flat surface.Your dry mount is now complete!Only one tack should be used on each surface, so that all thecomponents, though secured to each other, are still free to floatacross each other. This method of tacking is often referred to asan “S” or “Z “ tack, because when viewed from the side the tissueforms an “S” or “Z” between the artwork and board. See Step 3.NOTE: Tacking in more than one place on the artwork or substratewill lead to tension in the tissue and cause creasing.www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

8HEATSEAL LAMINATESHEATSEAL LAMINATESAlthough this process is sometimes overlooked,the Hot Press range of laminates has manybenefits that can yield higher value orders forframers, photographers and print shops. Forone thing, all Hot Press laminates contain UVinhibitors to increase the fade resistance of theartwork. They also are unbreakable, easy to keepclean and come in a variety of popular finishes.GLOSS (LUSTRE) 50µFINE LINEN 90µThe most popular heatseal laminate, this film offers a unique finishthat conforms to the surface it is pressed against (under heat). Thenormal result is a lustre finish transferred from the surface of the foamblanket in the press, but other textures can easily be applied. This filmis also used as the top coating when prints are bonded to canvas.SATIN MATT 50µThis film is often used to laminate posters and prints, as its subtlefinish closely mimics that of the printed piece. The satin sheen finishreduces glare, but does not reduce contrast, as the film is relativelythin. Also suitable for canvas bonding.MATT 75µThis film is characterised by a full matt finish that completely eliminatesreflections. It offers additional UV protection when used behind glass,but is almost invisible. Matt film is most often used where lighting isunpredictable and uncontrollable, such as exhibition halls and otherpublic areas. Additional heat applied during processing will give thematt film a textured surface.SAND TEXTURE 90µThis film is ideal for graphics that will be subjected to prolongedexposure in public places. It displays a pleasing sandy texture thatis also scuff resistant. Sand Texture film is also ideal for socialphotographers who wish to show samples and copies to clients.This delicate, fabric-textured laminate is often preferred byphotographers wishing to offer a subtle yet decorative finish to theirwork. It is also useful for disguising minor creases and cracks inprints and posters.COARSE LINEN 90µThis film displays a mid-gauge fabric texture resembling roughcotton. It is often used on larger format artwork where a finer finishmay be lost. The rougher gauge of this film is capable of hidinglarge imperfections in prints and posters.CANVASTEX 190µDue to its heavy canvas texture, Canvastex is often used as aneconomical alternative to actual canvas bonding.DUE TO ITS THICKNESS THIS FILM IS UNPIERCED,BUT SHOULD BE PIERCED BEFORE USE.POLYESTER GLOSS 36µThis film has a heat-resistant gloss finish that is popular for theproduction of tablemats. It is also useful for imparting a gloss finishto paper prints. Please note that the heat resistance of this film isonly sufficient for hand-hot items, and not items just removed from ahot oven. For cork bases see Page 18.THIS FILM IS UNPIERCED and SHOULD NOT BE PIERCED,AS IT WILL NOT HEAL.All material comes pre-pierced as standard (unless otherwise stated).Un-pierced films are available on request.

9GLOSS (LUSTRE)CodeSizeL1305 650mm x 25m (25.5” x 82’)L1307 650mm x 100m (25.5” x 328’)L1317 1040mm x 25m (41” x 82’)L1319 1040mm x 100m (41” x 328’)L1320 1300mm x 25m (51” x 82’)L1328 1300mm x 100m (51” x 328’)SATIN MATTCodeSizeL1435 650mm x 25m (25.5” x 82’)L1437 650mm x 100m (25.5” x 328’)L1447 1040mm x 25m (41” x 82’)L1449 1040mm x 100m (41” x 328’)L1450 1300mm x 25m (51” x 82’)L1458 1300mm x 100m (51” x 328’)MATTCodeSizeL1505 650mm x 25m (25.5” x 82’)L1507 650mm x 100m (25.5” x 328’)L1517 1040mm x 25m (41” x 82’)L1519 1040mm x 100m (41” x 328’)L1520 1300mm x 25m (51” x 82’)L1528 1300mm x 100m (51” x 328’)SAND TEXTURECodeSizeL1674 650mm x 25m (25.5” x 82’)L1673 1040mm x 25m (41” x 82’)L1677 1300mm x 25m (51” x 82’)L1679 1300mm x 100m (51” x 328’)FINE LINENCodeSizeL1608 650mm x 25m (25.5” x 82’)L1611 1300mm x 25m (51” x 82’)L1613 1300mm x 100m (51” x 328’)COARSE LINENCodeSizeL1643 650mm x 25m (25.5” x 82’)L1646 1300mm x 25m (51” x 82’)L1648 1300mm x 100m (51” x 328’)CANVASTEXCodeSizeL1713 650mm x 25m (25.5” x 82’)L1725 1300mm x 25m (51” x 82’)L1727 1300mm x 100m (51” x 328’)POLYESTER GLOSSCodeSizeL1574 650mm x 25m (25.5” x 82’)L1577 1300mm x 25m (51” x 82’)L1579 1300mm x 100m (51” x 328’)HEATSEAL LAMINATESwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

10HEATSEAL LAMINATING - THE HOWS AND WHYSHEATSEAL LAMINATING -THE HOWS AND WHYSOver-laminating artwork with heat-activated films is often referred to as heatsealing. Because many people neverconsider the true benefits of heatseal lamination, it is often overlooked as a method of protecting and enhancingartwork…and indeed as a way to increase revenue.WHY LAMINATE WITH HEATSEAL LAMINATES?SURFACE PROTECTIONMOISTURE RESISTANTLamination guards artwork against fingerprints, moisture, UV light,smudges, abrasion. ozone exposure and cigarette smoke. Laminatesalso protect artwork from damage due to handling, rolling and shipping.In high humidity or moisture areas such as in bathrooms, kitchens andaround swimming pools, laminating films are preferred to glass dueto the probability of condensation behind glass-protected pieces.ADDED VALUEFADE RESISTANTThere are a variety of heatseal surface finishes and texturesavailable with which to enhance artwork and graphics. In additionto gloss, satin matt and matt finishes, our selection also includeslinen, canvas and sand textures. Lamination can also deepen andbrighten the colours of your artwork as well as reduce glare underchallenging lighting conditions.UNBREAKABLEDue to the innate qualities of overlaminating film, unlike glass it cannotbe broken. Therefore where safety is a factor, especially in shoppingcentres, airports, schools, retirement homes, children’s rooms,hospitals and other public places, lamination is superior to glass.LIGHTWEIGHTAll of our heatseal laminates incorporate UV absorbers and UVstabilisers into the formulation, which prevent film degradation andimage fade.SPECIAL APPLICATIONSLamination is the only solution for artwork to be displayed without theuse of a frame - especially plaq-mounted images. (See page 32).PROFITABILITYLaminating films are more economical when compared to speciality(or even plain) glass, yet add a perceived value to the finishedartwork that means more profit for you.Ease of handling, particularly during shipping, makes laminatingfilms preferable to other protective media.

11HOW TO LAMINATE USING HEATSEAL LAMINATESSTEP 1 – Switch on your press and set it to 90°C. While the press warms up, set your timer. More information onprocessing times for different films is shown below. Make sure you have a sheet of silicone release film in the base of thepress and a sheet of vacufoam or foam plastic (dependant on machine type) over the silicone release film.STEP 2 – Measure the image to be laminated and cut a piece of heatseal film that is 15mm (1/2”) larger than the imageall the way round. For a 406mm x 508mm (16” x 20”) image, the film should be cut to 432mm x 533mm (17” x 21”).STEP 3 – Peel back the release liner of the heatseal film to expose about 25mm (1”) of adhesive and firmly creaseback the release liner. Place your artwork (face up) on a clean, flat and cool surface and position the film at the edge ofthe artwork. Move the film around until it completely covers the artwork. The creased release liner will hold the exposedadhesive away from the artwork while you position it. When you are satisfied with the positioning, press the leading edgeof exposed film down onto the artwork using very light pressure. Then slowly peel back the release paper, until the entireimage is covered by the film. Smooth out any wrinkles, lifting and repositioning the film from the corners if necessary.STEP 4 – Now trim off most of the waste film. Be careful not to trim too close to the image, as the film may shift. Takethe heatseal assembly and place it in your press, under a sheet of vacufoam or foam plastic and process it according tothe guide below.STEP 5 – When all the air has escaped from your heatseal assembly and the adhesive has been activated, remove theartwork from the press and allow it to cool thoroughly.STEP 6 – Any remaining film around the edge of the image should now be trimmed away with a straight edge and craftknife or scalpel.Note: When working with non-porous artwork (such as photographs and other plastic based media), It is necessary to usea pierced heatseal film. Hot Press provide most heatseal films in a pre-pierced variant. Due to its thickness, Canvastexneeds to be pierced by hand using a piercing tool.SUGGESTED PROCESSING TIMES FOR HEATSEAL LAMINATION FILMS254 x 305mm 305 x 406mm 406 x 508mm 508 x 762mm 762 x 1016mm 1016 x 1524mmGloss Lustre 5 5 6 7 8 10H/D Gloss Lustre 9 9 10 11 12 14Satin Matt 5 5 6 7 8 10Matt 8 8 9 10 11 13Sand Texture 9 9 10 11 12 14Fine Linen 9 9 10 11 12 14Coarse Linen 9 9 10 11 12 14Canvas Texture 15 15 18 19 20 22Polyester Gloss 4 4 5 6 7 8*25.4mm = 1 inchThe times shown above are in minutes and are based on artwork that is porous i.e. posters and prints. If your artwork isnon-porous then it is advisable to increase these times. The operating temperature is another key variable. As more heatis used, processing times decrease. Processing times increase with lower temperature settings. It is common for Fine andCoarse linen to be processed at lower temperatures (80°C) to maintain the texture of the weave pattern; the same appliesto Satin Matt and Matt, where a smooth finish is required.HEATSEAL LAMINATING - THE HOWS AND WHYSDue to its thickness and strong weave pattern, CanvasTexture is often processed at 110°C to decrease theprocessing time. Similarly Gloss (Lustre), Satin Matt andMatt are often processed at 100°C to obtain a heavy textureto their surface.Remember that Polyester Gloss film should not be pierced(as the holes will not heal) and is only suitable for porousartwork. This fact is reflected in its processing times.If you are laminating artwork that has already been mounted to aboard, the thickness, moisture content and porosity of the boardwill have an effect on processing times.Foam BlanketLaminating FilmPrintSilicone ReleaseFrom top to bottom the assemblyshould be set up as shown herewww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

12ANCILLARIESTo ensure that your mounting and laminating experience is profi table and problem-free, Hot Press offers a completerange of accessories to improve performance.ANCILLARIESSILICONE RELEASE PAPERA grid patterned paper, coated on one side with a standard qualitysilicone release agent. This economy grade product is used to coverexposed adhesives during pressing and can be used in all kinds ofmounting and laminating presses.CLEAR SILICONE RELEASE FILMA transparent fi lm coated on both sides with a superior quality siliconerelease agent. This product is used to cover exposed adhesivesduring processing. Though primarily designed for use withglass-topped presses, this fi lm can be used in any heated press. Itslife expectancy is over ten times that of silicone release paper.FOAM PLASTICA cream coloured 13mm thick foam used to cover heatseal laminatesduring pressing. This foam may be used with all heated press typesand is extremely durable.VACUFOAMA grey coloured 5mm thick foam used to cover heatseal laminatesduring pressing. This foam is only suitable for use in vacuum presses.OVERLAY FOILA clear high gloss acetate foil that has been traditionally used to coverglossy photographs in order to maintain gloss during mounting.VELCRO ®The “original” quality brand hook and loop fastener. Velcro is ideal forattaching moulding samples to nyloop covered wall boards and is anessential product for anyone creating re-useable graphic displays.TAC CLOTHSA slightly tacky, lint free cloth, used to clean mounting substrates,minimising imperfections left by surface contaminants. Tac Clothsare designed for use on foam board, MDF, hardboard and othermounting substrates. They are not suitable for cleaning printableinkjet media.ANTI-STATIC CLOTHA dry, lint-free cloth used to prepare prints prior to mounting orlaminating. This special material is composed of a knitted blend ofnon-toxic, soft synthetic fi bre incorporating a non-abrasive conductivefi lament.ANTI-STATIC GLOVESSpecial conductive fi bres on the gloves disperse electrostatic chargesand eliminate contamination. Gloves come in one-size to fi t all.STANDARD STRETCHER BARSInterlocking high quality wooden bars, which form a frame acrosswhich canvasses are stretched.Bars are supplied in packs of 20 pieces each, 35mm wide andapproximately 3mm under their nominal size to allow for the thicknessof the canvas.LUXURY STRETCHER BARSThese 45mm deep luxury stretchers are formed in the same way asour normal stretcher bars, but they are designed to be used withouta frame surround. The canvas artwork is wrapped around the edge& back of the stretcher frame & stapled on the rear face. With thecorners artistically folded and the image covering the face & allthe sides, the fi nished article is known as a “Studio” or “Gallery”- “Wrap”. The effect is modern & clean, whilst keeping costs down &profi ts high. To enhance this simple yet fi nished look, the stretchersare made from Tulip wood which is beautifully fi nished, strong & hasa weight that implies quality.

13SILICONE RELEASE PAPERCodeSizeA2004 650mm x 10m (25.5” x 33’)A2005 650mm x 25m (25.5” x 82’)A2010 1040mm x 10m (41” x 33’)A2011 1040mm x 25m (41” x 82’)A2020 1300mm x 10m (51” x 33’)A2021 1300mm x 25m (51” x 82’)CLEAR SILICONE RELEASE FILMCodeSizeA2058 622mm x 10m (24.5” x 33’)A2059 622mm x 25m (24.5” x 82’)A2062 1000mm x 10m (39.5” x 33’)A2063 1000mm x 25m (39.5” x 82’)A2064 1270mm x 10m (50” x 33’)A2065 1270mm x 25m (50” x 82’)FOAM PLASTICCodeSizeA2201 Full Sheet 2438mm x 1651mm x 13mmA2199 Half Sheet 1219mm x 1651mm x 13mmA2197 Quarter Sheet 1219mm x 825mm x 13mmVACUFOAMCodeSizeA2208 Full Sheet 2304mm x 1650mm x 5mmOVERLAY FOILCodeSizeA2189 622mm x 25m (24.5” x 82’)A2191 1245mm x 25m (49” x 82’)VELCRO ®CodeSizeA3010Hook 20mm x 25mA3030Loop 20mm x 25mA3115Hook 13mm dots (1450 per roll)A3125Loop 13mm dots (1450 per roll)TAC CLOTHSCodeSize & QuantityACC9602 Approx 241mm x 457mm ( 9.5” x 18”) - Pkt of 25ANTI-STATIC CLOTHCodeSizeACC9600 254mm x 457mm (10” x 18”)ANTI-STATIC GLOVESCodeSizeACC96052 Pairs - One Size Fits AllSTANDARD STRETCHER BARSCode Size (pack of 20)A2080 204mm (8”)A2084 254mm (10”)A2086 279mm (11”)A2088 305mm (12”)A2092 355mm (14”)A2094 381mm (15”)A2096 406mm (16”)A2104 508mm (20”)A2112 610mm (24”)A2124 762mm (30”)A2136 915mm (36”)A2144 1016mm (40”)A2146 1219mm (48”)A2148 1524mm (60”)LUXURY STRETCHER BARSCodeSize (per pair)A2151 204mm (8”)A2152 254mm (10”)A2153 305mm (12”)A2154 381mm (15”)A2155 406mm (16”)A2156 508mm (20”)A2157 584mm (23”)A2158 610mm (24”)A2159 635mm (25”)A2160 762mm (30”)A2161 813mm (32”)A2162 838mm (33”)A2163 1016mm (40”)A2164 1168mm (46”)ANCILLARIESwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

14ACRYLIC PANELSACRYLIC PANELSHighly fashionable and creating a huge impact these 10mm thick, ultraclear acrylic panels are the ideal way to make a statement that is bothminimalist and modern. Panels come in a variety of popular sizesand include wall fi xings in the form of “satin” metal studs, which fi xthrough the pre-drilled corner apertures and allow your work to “fl oat”on the wall. The edges of each panel have been hand fi nished using atechnique known as “fl ame polishing” which gives a three dimensionalquality to your artwork. Images are applied to the rear of the panelusing Transparency Mount Film for an “invisible” mount which looks farsuperior to simply sandwiching an image between two pieces of plastic.Acrylic panels are ideal for all kinds of wall displays from modern art tocontemporary family portraiture. They also make fantastic signage formodern offi ces and turn any plain certifi cate into an “award”.ACRYLIC PANELSCodeSizeW5523 10mm polished acrylic 254mm x 254mm (10” x 10”)W5524 10mm polished acrylic 254mm x 305mm (10” x 12”)W5525 10mm polished acrylic 305mm x 305mm (12” x 12”)W5526 10mm polished acrylic 305mm x 406mm (12” x 16”)W5527 10mm polished acrylic 406mm x 406mm (16” x 16”)W5528 10mm polished acrylic 406mm x 508mm (16” x 20”)W5529 10mm polished acrylic 508mm x 508mm (20” x 20”)W5530 10mm polished acrylic 508mm x 610mm (20” x 24”)W5531 10mm polished acrylic 610mm x 610mm (24” x 24”)W5532A2W5533A1W5534A0TRANSPARENCY MOUNT FILMCodeSizeM3200 650mm x 25m (25.5” x 82’)

15CANVASPLAIN MOUNTING CANVASA heavy-duty beige cotton-based fabric used as the substrate for canvas-bondedphotographs and prints. This material should be usedin conjunction with clear dry mount film and is suitable for stretchingimages around stretcher frames. Three styles are available, each withits own unique appearance. The modern variant offers a very regularweave structure that is quite open and imparts a deep line pattern.The coarse variant is more irregular in its weave pattern, with a definiteslub* to the threads, producing a very heavy impression. The traditionalvariant also has a slub pattern, but with a closed weave. Thisversion imparts a softer, though still distinct impression.ADHESIVE COATED CANVASA cotton-based beige canvas, coated with a heat activated adhesive.This is used for canvas bonding images and comes in three weavetypes: coarse, modern and traditional.SUPER WHITE ADHESIVE CANVASSimilar in style to adhesive coated canvas, but bleached and starchedto produce a brilliant white base for canvas bonded work. This canvasis coated with a heat-activated adhesive, which is protected by a siliconerelease liner. It is preferred by photographers producing high keyor bridal work. Only available in coarse and modern weave.HEATSEAL BACKING CLOTHA fine white cotton-based fabric, coated with a heat-activated adhesiveand protected by a silicone release liner. This cloth can be usedfor the preservation of items that will be rolled or folded on a regularbasis. This product is often used for protecting maps and charts,but collectors of movie posters have discovered that adding backingcloth to their posters prevents damage to old and brittle artwork.Heatseal backing cloth can also be used to reline damaged fabric oroil paintings. It can also be used to hinge two substrates together.MPP CANVASThis new range of ‘heat-activated’ adhesive coated material consistsof 3 types of canvas, of varying thickness and texture. All 3 arecoated with a white heat-activated adhesive and unlike our regularcoated canvas this range is not protected by a release paper. Alsoavailable is a brown Jute material that is coated with a clear heatactivatedadhesive giving a unique finish to the edge of the ‘BoxCanvas’. Please call us for a sample of the range.PLAIN MOUNTING CANVASCode Type SizeC2508 Coarse 1270mm x 10m (50” x 33’)C2510 Modern 1270mm x 10m (50” x 33’)C2512 Traditional 1270mm x 10m (50” x 33’)ADHESIVE COATED CANVASCode Type SizeC2526 Coarse 635mm x 10m (25” x 33’)C2528 Coarse 1270mm x 10m (50” x 33’)C2529 Modern 635mm x 10m (25” x 33’)C2530 Modern 1270mm x 10m (50” x 33’)C2531 Traditional 635mm x 10m (25” x 33’)C2532 Traditional 1270mm x 10m (50” x 33’)SUPER WHITE ADHESIVE CANVASCode Type SizeC2546 Coarse 635mm x 10m (25” x 33’)C2548 Coarse 1270mm x 10m (50” x 33’)C2549 Modern 635mm x 10m (25” x 33’)C2550 Modern 1270mm x 10m (50” x 33’)HEATSEAL BACKING CLOTHCodeSizeC2564 622mm x 25m (24.5” x 82’)C2565 1245mm x 25m (49” x 82’)MPP 7oz. #569 ARTIST CANVASCodeSizeMC6201 1574mm x 5.5m (62” x 18’)*MC6200 1574mm x 27.4m (62” x 90’)*MC6211 1574mm x 91.4m (62” x 300’)*MPP 10oz. CANVASCodeSizeMC6203 1524mm x 5.5m (60” x 18’)*MC6205 1524mm x 27.4m (60” x 90’)*MC6212 1524mm x 91.4m (60” x 300’)*MPP 12oz. CANVASCodeSizeMC6208 1524mm x 5.5m (60” x 18’)*MC6209 1524mm x 27.4m (60” x 90’)*MC6213 1524mm x 91.4m (60” x 300’)*CANVAS* Slub = A soft thick nub in yarn that is either an imperfection or purposely set for a desired effect.MPP 10oz. JUTECodeSizeMC6214 1270mm x 27.4m (50” x 90’)www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

16THE CANVAS BONDING PROCESS FOR PAPER PRINTSTHE CANVAS BONDING PROCESSFOR PAPER PRINTSSTEP 1 – Set the press temperature to 90 °C. While it warms up, set the timer for 5 to 10 minutes. Make sure you use asheet of silicone release film in the base of the press and a sheet of vacufoam over the silicone release film.STEP 2 – Measure the image to be bonded and cut a piece of heatseal film that is 76mm (3”) larger than the image all theway round. For example, with a 406 x 508mm (16” x 20”) image, the film should be cut to 559 x 660mm (22” x 26”). GlossLustre, Satin Matt or Matt heatseal laminates may be used for this process.STEP 3 – Cut a piece of coated canvas to the same dimensions as the film.STEP 4 – Peel back the release liner of the film to expose about 102mm (4”) of adhesive. The film should be face downwith the adhesive face up. Line up your image so it is centred within the film (image faced down), then lightly tack down theleading edge of the image to the adhesive. Peel back more release film until the entire image is in contact with the adhesive.This should leave you with 76mm (3”) of film still attached to the release paper. Allow the free release paper to fall back andcover the back of the image and exposed edges of adhesive, smoothing as you go.STEP 5 – You now have a “heatseal envelope” with the image trapped between the film and its release liner. Place theenvelope into your press and under a sheet of vacufoam. Process it for 5 to 10 minutes at 90°C.STEP 6 – When all the air has escaped and the adhesive has activated, remove the envelope from the press; then removethe silicone release paper from the back.STEP 7 – Completely immerse the heatsealed image in a bath of room temperature water and soak it until the back of theimage turns a uniform grey. This will happen when the water has completely soaked into the image. Generally speaking,thicker prints and larger prints take longer to process. The whole procedure will require anywhere from around 3 minutes(for small thin images) up to an hour (for large thick prints that have been lightly crumpled).NOTE: Lightly crumpling the print before soaking will break the paper fibres and speed up the process, but do not overdo this.STEP 8 – While your print is soaking, prepare a work area with a smooth surface. The area should be larger than yourwhole assembly. Glass, Perspex, Melamine and Acrylic are all good working surfaces.STEP 9 – When your print is completely soaked, lay it on the smooth work area, picture face up, wet paper side down.Smooth the image onto the surface to remove any air, then lift a corner of the film. As the back-side of the wet print gripsthe smooth surface, you should find the picture is now starting to delaminate. Place your thumb on the delaminated cornerand peel the image and film back until it has completely delaminated from the paper backing.STEP 10 – Before proceeding further, allow your delaminated image to dry naturally, Do not force dry with heat. Whenthe image has dried, peel back 100mm (4”) of the release paper on your coated canvas and line up your image squarely.Remove more release paper about 50mm (2”) at a time. As you do this, smooth your image onto the exposed adhesive ofthe canvas, avoiding air bubbles and wrinkles as you go. When this process is complete, trim off 6mm (¼”) to 13mm (½”)all around the edge of the assembly and place it back in your press for 2 to 5 minutes. The assembly should be placed ontop of the foam, with the image face down and the back of the canvas facing up. This completes the process.

17TEXTURISING SYSTEMThis is a special system, which requires the use of a thermo plastictexturising film, in conjunction with either the use of a gloss or mattrelease film. The aim of the system is to provide extremely deeptextured surfaces to the face of flat artwork. The texturing filmsoftens under heat and becomes gelatinous and receptive to texture.The use of a release film over the top is to protect this surface.By placing textured objects on top of the release film, their texture isimpressed into the soft surface. Canvas, leaves and textured papersare just some of the things that can be used to create your ownunique finishes.TIP 1:Increase the heat of your press to 100°CTEXTURISING SYSTEMThe use of the matt release film gives a matt finish to the texture andthe gloss release obviously produces a gloss finish.The removal of the release film should only be undertaken once thefilm has completely cooled and solidified. It should be noted thatthough the texturising film is pierced, when used in conjunction withnon porous artwork, such as photographs, the matt release shouldbe used first, to set the film and release any air. This may then beexchanged for the gloss release, for a second pressing, when agloss finish is required.Foam BlanketEmbossing MaterialMatt Release FilmTexturing FilmArtworkSilicone ReleaseFrom top to bottom the assemblyshould be set up as shown hereACRYLIC TEXTURING GELFredrix brand acrylic gel is used for brushing a texture onto mountedphotos and prints to give that “original” oil paint look. This densemilky-white water -based gel applies with a brush and dries to clear,natural brush stroke appearance. Texture gel can be used on HotPress heatseal films and water-resistant inkjet canvas.TEXTURING FILMCodeSizeT5805 520mm x 25m (20.5” x 82’)T5806 520mm x 50m (20.5” x 164’)T5814 820mm x 25m (32.3” x 82’)T5815 820mm x 50m (32.3” x 164’)T5826 1220mm x 25m (48” x 82’)GLOSS RELEASE FILMCodeSizeT5855 622mm x 25m (24.5” x 82’)T5859 1245mm x 25m (49” x 82’)Matt RELEASE FILMCodeSizeT5868 540mm x 25m (21” x 82’)T5869 540mm x 50m (21” x 164’)T5870 840mm x 25m (33” x 82’)T5871 840mm x 50m (33” x 164’)T5876 1245mm x 25m (49” x 82’)TEXTURING GELCodeAH5030TIP 2:If you aren’t happy with the textured result, re-coverwith the Gloss or Matt release film, replace in thepress and start again.SizeQuart (6 pack)www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

18SUBSTRATESHot Press adhesives will adhere to many kinds of boards.For the best mounting results, however, we recommendusing boards that have been developed with mountingin mind. Hot Press specialise in over- sized boards andpopular cut sizes.MAGNETIC SHEETINGMagnetic sheeting is a magnetic material ideally suited for applyinggraphics to fridges, vehicles and other metal panels or objects.Remember to laminate your image fi rst before mounting it ontothe magnetic sheeting. Also, always use a carrier board under thematerial to stop it attaching to your mounting equipment.SUBSTRATESSTIKIBOARD SELF ADHESIVE BOARDAs its name implies, this 2000 micron board has a permanent,pressure-sensitive adhesive coating. For best performance, wesuggest that this board be used in conjunction with a JetMounteror other type of laminator. A laminator will help assure a strong bondand smooth fi nish, even on photographs and other smooth-backedartwork. A 1300 micron version is also available.FOAM CENTRED BOARDWHITE DISPLAY BOARDThis popular board has won a multitude of fans in recent years. WhiteDisplay Board is a 2000 micron board with a very dense core. Unlikemany mount boards - which are softer and more open structured -White Display Board does not absorb moisture, Additionally the coreis smoother than ordinary pulp boards, reducing the effect of orangepeel on glossy work. The clay-coated high white board liners actas a good key for adhesives and also help repel moisture. As withall Hot Press boards, White Display Board is a pH neutral product,priced competitively for such a specialised product. A 1250 micronversion is also available.EASYMOUNT DRY MOUNT CARDThis is a heat-activated board that really works! Easymount DryMount Card has the same properties and advantages as WhiteDisplay Board – with the addition of a dry adhesive coating.For high-gloss photography or situations where weight is aconsideration, we recommend our Foam Centred Board. Ourstandard version is 5mm thick, faced with high-quality clay coatedliners for a good adhesive key. The dense core of this board issuitable for processing in a glass top vacuum press.COASTER AND TABLE MAT BLANKSThis 3.6mm smooth-face hardboard is backed with 0.6mm corkbase. Available in coaster and table mat sizes.Please note that all substrates over 815 mm x 1120mm (32” x 44”)are available via 3 day delivery service only.The coating works best at 90ºC, the same as all other Hot Pressproducts. At this temperature your work has time to breathe, whichhelps prevent air becoming trapped beneath your artwork.

19WHITE DISPLAY BOARDCode Size Thickness QuantityV5080 815mm x 1120mm (32” x 44”) 2000µ 10V5081 1040mm x 1550mm (41” x 61”) 2000µ 10V5018 204mm x 254mm (8” x 10”) 2000µ 20V5022 254mm x 305mm (10” x 12”) 2000µ 20V5024 279mm x 355mm (11” x 14”) 2000µ 20V5028 305mm x 406mm (12” x 16”) 2000µ 20V5032 406mm x 508mm (16” x 20”) 2000µ 20V5036 508mm x 610mm (20” x 24”) 2000µ 20V5085 815mm x 1120mm (32” x 44”) 1250µ 10EASYMOUNT DRY MOUNT CARDCode Size Thickness QuantityW5246 815mm x 1120mm (32” x 44”) 1000µ 10W5256 815mm x 1120mm (32” x 44”) 2000µ 10MAGNETIC SHEETINGCodeSizeDMS2450 619mm x 15m (24.4” x 50’)DMS3950 1000mm x 15m (39.4” x 50’)STIKIBOARD SELF ADHESIVE BOARDCode Size Thickness QuantityW5266 815mm x 1120mm (32” x 44”) 2000µ 5W5313 1040mm x 1550mm (41” x 61”) 2000µ 5W5274 204mm x 254mm (8” x 10”) 2000µ 20W5277 254mm x 305mm (10” x 12”) 2000µ 20W5278 279mm x 355mm (11” x 14”) 2000µ 20W5280 305mm x 406mm (12” x 16”) 2000µ 20W5284 406mm x 508mm (16” x 20”) 2000µ 20W5289 508mm x 610mm (20” x 24”) 2000µ 20W5310 815mm x 1120mm (32” x 44”) 1300µ 10FOAM CENTRED BOARDCode Size Thickness QuantityV5371 508mm x 762mm (20” x 30”) 5mm 25V5375 762mm x 1016mm (30” x 40”) 5mm 25V5380 1016mm x 1524mm (40” x 60”) 5mm 25COASTER AND TABLE MAT BLANKSCode Size QuantityV4001 Table Mat 241mm x 190mm (9.5” x 7.5”) 10V4002 Coaster 114mm x 89mm (4.5” x 3.5”) 10V4003 Table Mat 292mm x 203mm (11.5” x 8.5”) 10V4004 Coaster 95mm x 95mm (3.75” x 3.75”) 10SUBSTRATESwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

20PRESSURE SENSITIVEMOUNTING FILMSPRESSURE SENSITIVE MOUNTING FILMSSELF WOUND MOUNT FILMA “self-wound” 12 micron polyester carrier film, coated on both sides with astrong acrylic adhesive and protected by a single release liner. The liner issiliconised on both sides. As the roll is unwound, the adhesive is exposed.Self-wound films are intended for use with laminators that feature anunwind shaft.DOUBLE SIDED MOUNT FILMA pressure-sensitive adhesive coated on either side of a clear 50 micronPVC film. Each side is protected by a paper liner. This film is used inconjunction with the JetMounter or other laminators to pre-coat mountingboards in order to produce a self-adhesive mounting board. It is also suitablefor basic hand application and cuts easily into manageable sheets.TRANSPARENCY MOUNT FILMThis mount film features ultra-clear adhesives, coated to each side of anoptically clear polyester film. In order to maintain their smoothness, theadhesive layers are protected by high quality filmic release liners on bothsides. A primary application for this film is face-mounting images onto therear of acrylic panels.WINDOWTACA revolutionary mounting film with a host of uses. This film has a permanentsmooth adhesive on one side and a textured peelable adhesive on theother. Its primary use is as an adhesive for applying artwork and signageto glass and other transparent surfaces. The permanent side is appliedto the face of the artwork and then the textured side is hand applied tothe glass. The texture within the adhesive allows for any trapped air to beeasily pushed away and the peelable nature allows for accurate positioning.When required, the artwork can be removed cleanly from the glass withno residue being left behind. This film is also suitable for application tothe back of artwork or photographs that need accurate positioning withinalbums and a stronger bond can be achieved with the use of a hairdryerand hand roller to cure the adhesive.

21SELF WOUND MOUNT FILMCodeSizeM3005 650mm x 25m (25.5” x 82’)M3006 650mm x 50m (25.5” x 164’)M3007 650mm x 100m (25.5” x 328’)M3020 1040mm x 25m (41” x 82’)M3060 1040mm x 100m (41” x 328’)M3021 1300mm x 25m (51” x 82’)M3061 1300mm x 100m (51” x 328’)DOUBLE SIDED MOUNT FILMCodeSizeM3165 650mm x 25m (25.5” x 82’)M3167 650mm x 100m (25.5” x 328’)M3174 1040mm x 25m (41” x 82’)M3176 1040mm x 100m (41” x 328’)M3180 1300mm x 25m (51” x 82’ )M3182 1300mm x 100m (51” x 328’)PRESSURE SENSITIVE MOUNTING FILMSTRANSPARENCY MOUNT FILMCodeSizeM3200 650mm x 25m (25.5” x 82’)PSF41164 1040mm x 50m (41” x 164’)PSF51164 1300mm x 50m (51” x 164’)WINDOWTACCodeSizePWD25082 650mm x 25m (25.5” x 82’)PWD41164 1040mm x 50m (41” x 164’)PWD51164 1300mm x 50m (51” x 164’)www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

22TOP TIPS FORJETMOUNTER USERSTOP TIPS FOR JETMOUNTER USERS• Always make sure that you prepare your materials and artworkon a flat area. Never try to prepare your work on the laminator,as this will lead to poorly aligned jobs.• Always prepare your work on a clean surface, as dust or dirtcould become trapped in your job, leading to lumps and bumps.The best work surface is a professional cutting mat (page 38),which is blade proof, easy to keep clean and readily shows dirt.• Other great accessories for keeping your boards and printsclean are: Tac Cloths (page 12) for cleaning dust from boards,and the Dust Removal System roller for removing specs of dustfrom your artwork (see page 38).• When you are laminating, remember to include a waste edge oflaminate film along the leading edge of your work. Laminatesshould never be pressed directly onto your image, as fingermarks and air will be trapped in this leading edge.• Remember, when you mount and laminate images that areto be framed, you only need to purchase the frame itself. Thecost saving in terms of glass and frame backs “not-purchased”will enhance your profit margins.• When processing long prints on your JetMounter laminator,make sure you position yourself to the side of the machine soyou can easily remove silicone release liners. The silicone releaseliner should always be removed by pulling it back over theroller, while maintaining a tension in the film. If the print is reallybig, ask a helper to assist you until you are more experienced.• When working with linen finishes, take extra care to line up yourfilm’s “weave” with the edge of your images.• When using gloss finishes, such as Standard Gloss orUltra Gloss, it is pointless to mount to anything other than thesmoothest of boards.Foam Centred Board, Rigid PlasticBoard, Plexiglas, Aluminium and even smooth MDF are all recommendedsubstrates - mount board is not! Any board thatis even slightly textured will cause imperfections in your glosssurface. This is known as ‘orange peel’ and is most unflatteringto your work.• If you are using soft substrates with laminated images, rememberto always laminate the image first using a carrier board.If you attempt to laminate an image that has already beenmounted to foam centred board or mouse mat material, thesoft substrate will absorb all the pressure and result in a poorlylaminated image.• When you are opening a new roll of material, rememberto pull the special label off your box and insert it into the coreof your roll. It contains the batch number and product code foryour roll and saves time when you reorder.• Always keep your materials at room temperature (20°C).If pressure-sensitive materials are used below this temperature,their adhesive will be quite hard and may not flow properly.This may result in a weak bond. On laminates this can cause“silvering”, which is minute speckles of air that have not beenfilled with adhesive. Should you experience silvering, the conditioncan sometimes be “fixed” by allowing the piece to “cureitself out” in a warm place for a few hours. Try passing a hairdryerover the work, then process it through your JetMounteragain while it is hot. Pressure-sensitive materials only becomestronger when exposed to heat - so give it a go. Also, if youare working with lustred or stippled papers - warm the film upbefore applying it to the artwork.• When you are using roll materials, store the waste fromcut material inside the roll core. It will come in handy for smallerjobs and is often used by photographers for laminating prints infamily albums and Portfolio prints. You can even use off cuts toimprove the look of your business cards and hand-outs.• After using roll materials, make sure you tighten up the roll andtape it. Failure to do so may result in the materials picking upmoisture. Pressure-sensitive materials are made up of a combinationof plastics and papers. When moisture gets in, the paperswells, but the plastic doesn’t. This results in the paper liner(s)lifting from the film and causes “pipes”, making the materialsdifficult to work with. Why not make a Velcro ® reusable strap bysticking 650mm lengths of hook and loop Velcro back to back.As an extra protection, store your materials back in the originalplastic sleeve.• Remember to always leave your JetMounter rollersapart when the machine is not in use. Rollers left under pressuremay develop a “flat spot”, which can show on future work.• When not in use, the JetMounter is compact enough tobe removed from your work bench and stored on the floor or ina cupboard.• If you are working in a dusty environment it is advisable to coveryour JetMounter with a dust sheet.• To clean the rollers of your JetMounter we recommendlighter fluid, isopropyl alcohol or adhesive removers. Use a softcloth for cleaning.• Finally, remember that Hot Press provide the best technicalback-up of any adhesive supplier in the UK. With dealersnationwide, a team of on the road technical specialists and freetraining schools, we are here to make your JetMounter experiencea pleasurable and profitable one.

23MAKING A CARRIER BOARDCarrier boards are essential tools for mounting and laminating. They areused to “carry” fragile or flimsy work through laminators. It is commonpractice for users to stock carrier boards in several different sizes onhand to accommodate various artwork formats. Whatever the size, theprocedure for making them is the same.If we assume we want to process work that is 406mm x 508mm (16” x20”) or smaller, we would need a carrier board that is at least 432mm x533mm (17” x 21”) - but ideally 457mm x 610mm (18” x 24”).Step 1 - Cut a piece of hard card or white display board (page 18) to theminimum or ideal size, as described above.Step 2 - Cut a piece of double-sided mount film (page 20), to the samesize as your card.FIGURE 1TOP TIPS FOR JETMOUNTER USERSStep 3 - Place the board between the rollers of the laminator and adjustthe pressure accordingly, then remove the board.Step 4 - Fold back 25mm (1”) of release paper on one side of the double-sidedmount film. Firmly crease the fold of the release paper andline up the film squarely on the board.FIGURE 2Step 5 - Attach the adhesive to the board, applying pressure from thecentre and then outwards towards the sides. (Always check to makesure your board is clean before applying any adhesive).Step 6 - Feed the leading edge of the board into the rollers, with the double-sidedmount film upper most. Feed until the rollers grip the board.Step 7 - With the double-sided mount film held firmly over the top roller,pass the assembly through the laminator, removing the release paperas it travels through.Step 8 - IMPORTANT - Do not dispose of the release liner you have justremoved, as you will need it to complete your carrier board. From thispoint on we will call this liner Release A. Figure 1FIGURE 3Step 9 - Fold back 25mm (1”) of the release paper covering the adhesive-coatedboard and crease it back to form a fold. From this point onwe will call this liner Release B.Step 10 - Using Release A siliconised side up (grid side down), carefullyline it up with the edges of the board. Attach it to the exposed adhesiveon the leading edge, applying pressure from the centre and then outwardsto the left and right.Step 11 - Feed the leading edge of the board into your laminator andpull Release A over the top roller. Pass the board through the laminator,maintaining a smooth tension against the roller with Release A, whilesimultaneously removing Release B. Figure 2You now have your siliconised carrier board. Figure 3www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

24PRESSURE SENSITIVE LAMINATESPRESSURE SENSITIVE LAMINATESThe Hot Press range of pressure-sensitive laminates isdesigned for use with the JetMounter and other qualityroller laminators. The films provide superior protectionfrom mechanical abrasion, moisture and pollutants. Allcontain UV stabilisers and absorbers to inhibit fading anddiscolouration from sunlight. Both decorative and plainfinishes are available.MATT 75µThis film is characterised by a full matt finish that completelyeliminates reflections. It offers additional UV protection when usedbehind glass, yet is almost invisible. Matt film is most often usedwhere lighting is unpredictable and uncontrollable, such as exhibitionhalls and other public areas.SATIN MATT 50µThis film is often used to laminate posters and prints, as its subtlefinish closely mimics that of the printed piece. The satin sheen finishreduces glare, but does not reduce contrast, as the film is relativelythin.STANDARD GLOSS 40µA polypropylene film with a gloss finish that is both strong, yeteconomical. It can be used to impart a gloss finish to any flatartwork, regardless of its original finish.ULTRA GLOSS 50µThis ultra gloss polyester laminate offers a finish similar toCibachrome prints. With the highest degree of gloss available, itdelivers an almost mirror-like finish. This film is preferred whereimpact and vibrant colours are the key elements of the artwork. Forbest results, it should be used only with ultra smooth boards.SPARKLE 50µA specialty polyester film with a digitized pixelated effect. It’sholographic nature is designed to create an impact and is thereforeideal for point of sale applications.SAND TEXTURE 90µThis glare-resistant film is ideal for graphics that will be subjectedto prolonged exposure in public places and exhibit halls. It displaysa pleasing sandy texture that is also scuff resistant. When used inconjunction with the right adhesives, it can be used to create durablefloor graphics.HEARTS 50µThis polyester film is notable for its holographic hearts effect. Providesprotection from mechanical abrasion, moisture and pollution.ICE 80µThis film has the same scuff-resistant properties as Sand Texture,but with a heavier, crystal-like finish, that resembles crushed ice.FINE LINEN 90µThis delicate, fabric-textured laminate is specified by photographerswishing to impart a subtle-yet-decorative finish to their work. It is alsouseful for disguising minor creases and cracks in prints and posters.COARSE LINEN 90µThis film displays a mid-gauge fabric texture resembling roughcotton. It is commonly used on larger format artwork where a finerfinish may be lost. The rougher gauge of this film is capable of hidinglarge imperfections in prints and posters.HESSIAN 80µA heavy-texture film, resembling hessian or canvas. The rough,embossed surface of this film is capable of hiding quite largeimperfections in prints and posters.CRUSH LEATHER 90µA soft PVC film embossed with a crushed leather finish. This filmoffers an opulent look and is widely used by wedding and portraitphotographers to enhance the quality and beauty of their work.KID LEATHER 90µA soft PVC film embossed with a kid leather finish, Kid Leather offersan attractive, elegant finish that is reminiscent of fine Italian leather.ANTIQUE LEATHER 80µA soft PVC film, embossed with an antique leather finish that impartsa luxurious look.STEEL 80µThis film imparts a unique brushed steel finish to your artwork and canbe used with modern style frames to create a contemporary feel.SHEENTEXSheentex is a textured satin overlaminating film with an acrylicadhesive. The built in texture gives added protection from abrasionand helps reduce glare. This is the closest finish to the heat-activatedfilm ‘Gloss Lustre’.

25MATTCodeSizeP3306 650mm x 25m (25.5” x 82’)P3320 1040mm x 25m (41” x 82’)P3322 1040mm x 100m (41” x 328’)P3330 1300mm x 100m (51” x 328’)PLM51082 1300mm x 25m (51” x 82’)SATIN MATTCodeSizeP3356 650mm x 25m (25.5” x 82’)P3358 650mm x 100m (25.5” x 328”)P3373 1040mm x 25m (41” x 82’)P3372 1040mm x 100m (41” x 328’)P3381 1300mm x 100m (51” x 328’)PLL51082 1300mm x 25m (51” x 82’)STANDARD GLOSSCodeSizeP3456 650mm x 25m (25.5” x 82’)P3471 1040mm x 25m (41” x 82’)P3473 1040mm x 100m (41” x 328’)P3482 1300mm x 100m (51” x 328’)POP51082 1300mm x 25m (51” x 82’)ULTRA GLOSSCodeSizeP3490 650mm x 25m (25.5” x 82’)P3496 1300mm x 50m (51” x 164’)SPARKLECodeSizeP3890 635mm x 25m (25” x 82’)PSK50082 1270mm x 25m (50” x 82’)SAND TEXTURECodeSizeP3798 650mm x 25m (25.5” x 82’)P3800 650mm x 100m (25.5” x 328’)P3805 1040mm x 25m (41” x 82’)P3806 1040mm x 100m (41” x 328’)P3812 1300mm x 100m (51” x 328’)PST51082 1300mm x 25m (51” x 82’)HEARTSCodeSizePHT25082 635mm x 25m (25” x 82’)PHT50082 1270mm x 25m (50” x 82’)ICECodeSizeP3815 635mm x 25m (25” x 82’)P3820 1300mm x 25m (51” x 82’)FINE LINENCodeSizeP3735 650mm x 25m (25.5” x 82’)P3750 1300mm x 25m (51” x 82’)P3752 1300mm x 100m (51” x 328’)COARSE LINENCodeSizeP3705 650mm x 25m (25.5” x 82’)P3720 1300mm x 25m (51” x 82’)P3722 1300mm x 100m (51” x 328’)HESSIANCodeSizeP3725 635mm x 25m (25” x 82’)P3730 1300mm x 25m (51” x 82’)CRUSH LEATHERCodeSizeP3854 650mm x 25m (25.5” x 82’)P3872 1300mm x 25m (51” x 82’)KID LEATHERCodeSizeP3838 650mm x 25m (25.5” x 82’)P3847 1300mm x 25m (51” x 82’)ANTIQUE LEATHERCodeSizeP3850 635mm x 25m (25” x 82’)P3860 1300mm x 25m (51” x 82’)STEELCodeSizeP3892 635mm x 25m (25” x 82’)P3897 1300mm x 25m (51” x 82’)SHEENTEXCodeSizePSTM-25082 650mm x 25m (25.5” x 82’)PSTM-25164 650mm x 50m (25.5” x 164’)PSTM-41164 1040mm x 50m (41” x 164’)PSTM-51164 1300mm x 50m (51” x 164’)PRESSURE SENSITIVE LAMINATESwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

26JETMOUNTERJETMOUNTER LAMINATORSJETMOUNTER Initially developed to offer a cost effective solution forfi nishing inkjet & other digital media, the Jetmounterrange of laminators has evolved to offer a completesolution for print fi nishing with machines to suit allbusiness types & sizes. Jetmounters are designedto be simple to operate, whilst producing work to thehighest professional standards & are compatible withour complete range of pressure sensitive adhesives &over lamination fi lms. Jetmounters can handle all typesof fl at artwork from photographs & paper posters todelicate plastics & vinyls. They are ideal for processing all kinds of board stock from simple card or foam centreboard to rigid plastic boards & perspex or even M.D.F. & Masonite. The features of the Jetmounter range have beenwell thought out to offer simplicity, without compromising versatility.OPERATING WIDTHSJetmounters come in a variety of sizes with maximum operating widths from 457mm up to 1630mm. The lengthof your work is only limited by your choice of board & your available workspace at the front & back of the machine.Small jobs can be processed on larger machines with ease, but it is important to consider the maximum width youwill require.FORWARD AND REVERSE OPERATIONJM18Though Jetmounters are designed to feed your workthrough from the front to the back, they incorporate auseful reverse operation switch that allows for accuratepositioning of precision jobs.VARIABLE SPEED CONTROLFor new laminator users the variable speed control is agreat feature which allows you to build your confi dence by using the machine at lower speeds. As your expertisegrows you can move to faster speeds & when producing work in volume the top speed will save you time & money.BOARD THICKNESS ADJUSTMENTTo maximize their versatility, Jetmounters are fi tted withvariable height adjusters. From the thinnest graphic to thethickest panel, it is simple to set up your Jetmounter to offerthe right amount of pressure, uniformly across your work.Please consult the specifi cation panel for more details.JM26

27AUTO OR FOOT OPERATIONJetmounters can be set to run automatically for the continuousfeed of boards, but foot switch operation is preferred by mostusers, as it allows you to stop & start the machine at will & withboth your hands free you can handle even large work with ease.JM44SAFETY FEATURESSafety in the workshop is vital & the Jetmounter range oflaminators use “magic eye” technology to stop the laminator whenthey detect possible obstructions entering the rollers. Additionally,emergency stop buttons & reset procedures ensure safe workingfor operators.MACHINE POSITIONINGJM54JETMOUNTERSmaller Jetmounters are designed to be operatedon any desk or work bench & are of a weight thatallows them to be “stowed away” when not in use.Larger laminators can be bench mounted or fi ttedto a custom designed stand that has wheels formoving the machine around the work area & afacility for storing extra rolls of fi lm. The largestJetmounter is built on a permanent stand thatoffers safe & rigid support, but allows the operatoraccess to the underside of the machine for easyset up of materials.JM63JETMOUNTER LAMINATORSModel JM18 JM26 JM44 JM54 JM63Code S6202 S6204 S6206 S6208 S6230Max Laminating Width 464mm (18.25”) 667mm (26.2”) 1121mm (44.12”) 1375mm (54.125”) 1630mm (64”)Width 648mm (25.5”) 845mm (33.25”) 1540mm (60.6”) 1790mm (70.5”) 2080mm (82”)Depth 299mm (11.75”) 310mm (12.2”) 480mm (18.9”) 480mm (18.9”) 820mm (32.3”)Height 330mm (13”) 312.5mm (12.3”) 480mm (18.9”) 480mm (18.9”) 1270mm (50”)Weight 23kg (51lbs) 24kg (53lbs) 110kg (242lbs) 150kg (330lbs) 420kg (925lbs)Roller Diameter 63.5mm (2.5”) 63.5mm (2.5”) 102mm (4”) 127mm (5”) 140mm (5.5”)Max Opening 19mm (0.75”) 19mm (0.75”) 25mm (1”) 25mm (1”) 50mm (2”)Speed Range76-305cm/min(2.5-10fpm)76-305cm/min(2.5-10fpm)91-550cm/min(3-18fpm)61-550cm/min(2-18fpm)0.5-10m/min(1.6-33fpm)www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

28HOT GLASS VACUUM PRESSESHOT GLASS VACUUM PRESSESBased on our unique, patented heating technology, Hot GlassVacuum Presses set the standard for excellence in mounting,heatsealing and canvas bonding. The top panel of the pressis comprised of two sheets of reinforced tempered glass. Theinner surface of the lower sheet has an invisible conductivefilm embedded in it. A controlled electric current is passedthrough this conductive film, creating a highly efficient heatingsystem. A sensor on the glass monitors and controls thetemperature by means of a digital thermostat. The result is aneven distribution of heat across the work surface, assuring theultimate in mounting and laminating performance.The transparent top panel provides a high level of operator confidence, as work can be viewed throughout mostbonding processes. The glass is extremely smooth and scratch resistant.The Hot Glass Vacuum Press handles a wide range of presentation materials - from foam board and wood to photos,art prints and delicate fabrics. All models feature:AUTOMATIC ELECTRONIC TIMERWith manual override switch.ADJUSTABLE TEMPERATURE CONTROLSo that all kinds of artwork can be mounted – even those that maybe subject to damage by heat.ADJUSTABLE TIMER CONTROLWhen processing large volumes of work, the programmable timercan be set to the minimum time required for each batch of work,increasing productivity.ADJUSTABLE PRESSURE CONTROLMinimises even heavy creases and wrinkles – while ensuring thatdelicate items such as foam board and embossed prints are notcrushed.DEDICATED VACUUM PUMPThe factory-matched vacuum pump ensures that pressure is neverpulled too quickly or slowly.

29HOT GLASS VACUUM PRESSESModel HGP260 HGP360 HGP560Weight 72 kgs 111 kgs 210 kgsWidth 975mm 1194mm 1422mmDepth 1300mm 1800mm 2615mmHeight 160mm 160mm 950mm inc. standTime to vacuum (secs) 20 30 30Time to Temperature (mins) 12 12 15Working dimension 890 x 1195mm 1095 x 1705mm 1276 x 2496mmPacked Weights and DimensionsWeight 90 kgs 145 kgs 447 kgsWidth 1400mm 1920mm 2800mmDepth 1150 mm 1360 mm 1620 mmHeight 320 mm 320 mm 620 mmVoltage 230 V 50/60 Hz 230 V 50/60 Hz 230 V 50/60 HzWattage 2500 W 4200 W 5750 WCurrent (amps) 11 18 25HOT GLASS VACUUM PRESSESCode S6030 S6050 S6064Vacuum Press Stands HGP260 HGP360 HGP560Code S6130 S6135 Stand includedwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

30SPECIALIST PRESSESCOLD GLASS VACUUM PRESSSPECIALIST PRESSESA basic vacuum press, designed for mounting artwork with the aid ofwet adhesives or aerosol sprays. Ideal for lower volume operations,our cold glass press utilises many of the same quality componentsas the hot glass press. In this system, pressure is applied to squeezethe air from between the artwork and substrate layers, thus bondingthe image to board. Please note that a cold glass press will notremove creasing from artwork and is not suitable for lamination.PRESS STANDSHot Press offer a range of custom-built stands for use with both hotand cold glass presses. These easy-to-assemble units are shipped flatpacked, and are designed to reliably support the weight of a press.HEATED RE - LINING TABLEThis specialist machine is engineered to meet the exacting needs ofrestorers and conservators. Mainly used for repairing fabrics andoil paintings, this equipment features a heated glass bed, vacuumair removal system and integrated cooling system - all of whichcombine to enable delicate work to be processed safely.Please note that all specialist presses are built to order.COLD GLASS VACUUM PRESSESCode Model SizeS6105 CGP260 890mm x 1195mm (35” X 47”)S6110 CGP360 1095mm x 1705mm (43” X 67”)PRESS STANDSCodeFor ModelsS6130 CGP 260S6135CGP 360 / HRT360HEATED RE-LINING TABLECode Model SizeS6057 HRT360 1095m x 1705mm (43” X 67”)

31HYDRAULIC PRESSSpecifi cally designed for high volume production and large format work, this heavydutyHydraulic Press is reliable and extremely effi cient. Generating more than twicethe pressure of a standard vacuum press, this work horse signifi cantly reducesdwell time. Durable platens distribute heat and pressure evenly and consistently,resulting in a perfect fi nish each time.The press is easy to control, with an electric timer and automatic opening feature.Adjustable pressure and temperature settings accommodate a wide variety ofmounting substrates.Safety features include a perimeter trip wire for emergency shut-off, dual closeswitches and a manual release valve.SPECIALIST PRESSESTECHNICAL SPECIFICATIONSModel: 5151Total ThrustMaximum Hydraulic Pressure50 tons3300 psi (240 bar)Platen Size 1300mm x 1300 mm (51” x 51”)Maximum Work Piece1300mm (51”) by any length in multiple insertionsStroke 305mm (12”)No. of Rams/ Diameter 4 @ 70mm (2.75”)PumpSafety FeaturesVoltageWattageCurrentWeight-net/ shipping1 hp 2 stagePerimeter trip wire for emergency shut off, Dual close switches,manual release valve220/240v;1 phase;50/60 Hz3750 watts – single platen20 amps – single platen1350 kg (3000 lbs) / 1590 kg (3500 lbs)Dimensions Length 156cm (61.5”) Width 156cm (61.5”) Height 156cm (72”)Model: 5198Specifi cations as above except:-Platen Size 1300mm x 2500 mm (51” x 98”)Maximum Work PieceWattageCurrentWeight-net/ shipping2440mm (96”) by any length in multiple insertions6500 Watts – single platen 11000 Watts – dual platens20 amps – single platen 50 amps – dual platens2722 kg (6000 lbs) / 2954 kg (6500 lbs)Dimensions Length 300cm (118”) Width 156cm (61.5”) Height 183cm (72”)www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

32PLAQDECOR ® PLAQDECOR ® FLUSH MOUNT FLOAT MOUNTPLAQDECOR ®PlaqDecor ® is a profitable new way to createstunning visual presentations from artwork ofalmost any kind. This imaginative process is aless expensive alternative to framing, but withan elegant, yet understated visual impact.Virtually anything that can be framed is suitablefor PlaqDecor ® : photographs, prints,posters,drawings, certificates… Unusual typesof art and novel visual subjects are perfectfor PlaqDecor ® , for example 3D items such asleaves and flowers.PRODUCING PLAQDECOR ®Creating a PlaqDecor ® is a two step process:1. A subject is dry mounted to 9 mm MDF and protectedby a clear or textured overlaminate film. For mid-volumeproduction environments, PlaqDecor® can be mountedusing the Hot Glass Vacuum Press. For mid-volume tohigh-volume commercial businesses or for large formatproduction work, PlaqDecor® can be fabricated using eitherthe 5198 Hydraulic Press or the 5151 Hydraulic Press.2. The edges are then simultaneously bevelled and finishedwith foils, which are available in solid colours, wood grains,marble and other specialty patterns. For the most consistentlyprofessional look, finishing foils achieve the best result, butfor low volume projects paint can be manually applied.PlaqDecor ® offers a clean professional look,and a wide range of possible surface finishesand textures. For challenging display applicationin, for example, museums and galleries, Plaq-Decor ® allows specific lighting conditions to beaccommodated with special textured effects.Unlike glass- faced artwork, PlaqDecor ® is safefor shopping centres, schools, medical hospitalsand similar locations. It is ideal in high humidityenvironments such as kitchens and bathrooms,as there is no problem with condensation, whichcan build up behind glass frames.Interior designers, property managers and highvolume customers increasingly choose PlaqDecor® for its combination of pleasing visual characteristicsand reasonable cost.PLAQDECOR ® VARIATIONSFloat and flush mount presentations expand the possibilitiesfor custom plaque products. Both concepts use 3 mm (1/8”)tempered hardboard as a substrate, minimising total weightfor larger images.Float mount – This method creates the illusion that theimage is floating away from the wall. This is achieved byglueing two or more strips of 2.5 cm or 5 cm pine or MDF tothe back of the substrate.Flush Mount – A MDF boxframe is attached to the back ofthe tempered hardboard, flush with the edges, creating athree- dimensional effect. After adhering the MDF frame,foil is applied in one pass to the edge and beveled surfacesof both hardboard and frame.

33PLAQDECOR ® EDGING SYSTEMThe DES-1 Edge Finishing System is a unique productionsystem for mid-volume to high-volume work. Simplyinsert the mounted plaque, the DES-1 system bevels theedges and then applies the coloured edge foil creatinga professional end product. The continuous feed unit iseasy to set up and operate, performing both shaping andfoil application steps in a single pass. The in-line DES-1fi rst trims and bevels the mounting substrate, then appliesthe thermal set decorative edge foil.• Specifi cally designed for highvolume production• Spent foil rewinds on 76mm (3”) corefor easy disposal• Key safety features protect operator• Infrared thermocouple monitorsfor consistent heat• Quick and easy adjustment forthickness and bevel depth• High speed shaper eliminates sawchatter marks on the substrate• Allows 30 second setup for the accommodation ofvarying substrate thickness• Works on 220 v single phase power.• Adjustable support rail accommodatesoversize formatsNumber of Carbide BladesShaper speedShaper Motor4 top 20mm (0.787”);4 bottom 30mm (1.18”)7200 RPM3450 RPM, 220 V, 60 HZMaximum Thickness Of Cut 32mm (1.19”)Conveyer Belt SpeedTemperature Range5.5m (18 feet) per minuteRoom temperature to204°C (400°F)Rewind Mechanism Torque Range 0 – 100%Safety FeaturesDust Collection RequirementsVoltageWattageCurrentWeight Net/ ShippingEmergency and master stopillumination buttonsHood and 76mm (3”) ODmanifold furnished forconnection to customer’sdust collection system220 Volts – 60 Hz – singlephase (supplied with HUBBELPLUG #HBL2621CN 250V 30A)3584 W30 amps service required430 kg (950 lbs) /477 kg (1050 lbs)Space Requirements 762mm x 2286mm (30” x 90”)Ground Clearance102mm (4”) may be movedwith standard pallet truckPLAQDECOR ®• Accommodates substrates 5mm – 32mm• Blades are easily replacedwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

34CUTTERSFSC MULTI SUBSTRATE CUTTERCUTTERSThe FSC (Fletcher substrate cutter) facilitatesquick and accurate cutting of a wide variety ofsubstrates including glass, aluminium, acrylic,Dibond, polystyrene and much more. Engineered fortoughness and durability, the FSC will provide years offl awless cutting performance. A unique cutting processensures virtually no debris making it a perfect matchfor any fl at bed printer.GEMINI PRO PANEL CUTTERSThe Gemini Pro is our most accurate cutting and trimming product; laser aligned and guaranteedstraight within 0.2mm over its length. Quick release magnetic blade magazine offers multipleblade adjustment to cut materials up to ½” thick. This time-tested and proven open magazinedesign combined with state-of-the-art cutting head will not jam in any environment.ATLAS CUTTING TABLEThe Atlas workbench is designed to provide a strong, straight andstable foundation for all of your cutting and trimming needs.Specifi cally designed and constructed to work with the Gemini andGemini Pro cutter and trimmer, the Atlas clamp mechanisms offera unique lift and shift process to switch from cutting to trimming inseconds. When accuracy counts, you can rely on the Atlas. Unlikewood workbenches, the Atlas won’t warp or bow.INGLET CUTTERSThis range of vertical circular saw cutters is designed to make easywork of MDF, Hardboard, Acrylic, Rigid PVC’s, Aluminium CompositeBoards such as Dibond and many other types of substrates – mostup to 22mm thick. As well as the materials mentionedabove, with the addition of the Pneumatic cutter, foamboard and card stock can also be easily trimmeddown. This machine is available in four sizes, allof which use the same circular saw design. Thetwo smaller models (122cm and 157cm ) have amanually operated cutting head while the largermachines (244cm & 305cm) machines areelectrically operated. For unusual shapeditems or when very accurate trimming isrequired, we recommend the optionallaser cutter. For very large peices of workthe extension arm may be needed. Adust collector and compressor areessential tools for the operation ofthis machine.

35FSC MULTI PANEL CUTTERCodeSize - Max. cutting lengthS6524 165cm (65”)GEMINI PRO PANEL CUTTERSCodeSizeS6501 1m (40”)S6502 1.5m (60”)S6503 2m (80”)S6504 2.5m (100”)S6505 3m (120”)ATLAS CUTTING TABLECodeSizeS6515 1m (40”)S6516 1.5m (60”)S6517 2m (80”)S6518 2.5m (100”)S6519 3m (120”)CUTTERSINGLET CUTTERSCodeSizeS65401220mm (48”) Basic machineS6541 1220mm (48”) Optional pneumatic cutterS65421570mm (62”) Basic machineS6543 1570mm (62”) Optional pneumatic cutterS65442440mm (96”) Basic machineS6545 2440mm (96”) Optional pneumatic cutterS65463050mm (120”) Basic machineS6547 3050mm (120”) Optional pneumatic cutterACCESSORIESS6548S6549S6550S6551Optional Laser GuideOptional 1m (120”) Extension ArmDust CollectorSilent Compressorwww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

36TOOLS OF THE TRADETOOLS OF THE TRADEHot Press offer a comprehensive range of finishing toolsdesigned to make mounting and laminating easier andmore efficient.TACKING IRONUsed to tack Dry MountingTissue to the back of prints and then to a substrate.The small shoe iron is pre- set at a fixed temperature.PIERCING TOOLCUTTING MATSThis cutting mat is a tri-layered,self-healing PVC (vinyl) matdesigned to protect your worksurface from blades or knives.Ideal for covering all of yourworktables, this anti-slip, PVC (vinyl) surface self-heals scars andscratches and helps to keep cutting tools and perforators sharp.THE BIG PURPLE RULERA metal roller with perforatingspikes, used to create pin- sized holes in unpierced PVCfilms, allowing moisture and airto escape during the laminating process.DUST REMOVAL SYSTEM ROLLER & PADSA great tool for any mounting or finishing room, the Dust RemovalSystem (DRS) roller removes dust and dirt from prints, substratesor film without leaving a tacky residue. Theroller is durable with a steel handle and canbe cleaned easily by rolling over a specialadhesive pad (sold separately).OLFA KNIVESHot Press offers twodifferent types ofcutting knives:an ergonomicallydesigned heavy duty cuttingknife featuring rubber grip inserts, and amore economical standard utility knife. Both usereplaceable snap-off blades.ANTI-STATIC BRUSHA special cleaning brush with conductive fibres, which gently whiskaway harmful dust, lint and dirt and dissipate static.Used to clean prints priorto lamination.A Grounding cordis included.A cutting edge safety ruler idealfor trimming. Its non skid padsprevent twisting and keep thetrim straight and a safety guardprevents the cutting blade from riding up ontofingers and hands. The bright purple colour makes it easy to find.STRETCHER PLIERSMetal jawed pliers used to clampthe canvas when applying it to stretcher bars.MULE AND WHIPThe Mule is a safe and convenient mobile storage cart, which canhold up to 12 rolls of Hot Press laminatingfilms, mounting adhesives canvases andspecialty media. It fits throughstandard commercial doors (36”,914 mm), holds up to 800 lbs.(363 kg) and accommodates 2”and 3” (51mm and 76mm) cores.The Hot Press Whip can be usedin conjunction with the Mule toallow easy lifting of heavy rolls oflaminate and media from either the Mule or the floor.MAGNETIC LAMINATOR CADDYKeeps gloves, eraser blocks, tapemeasures, Zippy Cutter and pencilsclose at hand, yet away from thelaminator nip and emergency stops.Strong rubber-covered magnetsattach the black basket firmly whileprotecting the surface finish.

37TACKING IRONCodeA2226A2228PIERCING TOOLCodeA2236ProductTacking IronTacking Iron StandProductPiercing Tool 5 wheelsDUST REMOVAL SYSTEM ROLLER AND PADSCodeSizeACC9050 DRS Roller 305mm (12”)PCRPAD DRS Replacement Pads (50)OLFA KNIVESCodeZC8020ZC8021ZC8030ZC8031ANTI-STATIC BRUSHCodeProductStandard KnifeSpare Blades - Standard (10 pkt)Heavy Duty KnifeSpare Blades - H.D. (10 pkt)SizeACC9610 279m (11”)TRAINING DVDSJETMOUNTER 18/26CUTTING MATSCodeSizeA2174 620mm x 900mm (24.4” x 35.5”)A2176 1000mm x 1500mm (39” x 59”)A2179 1000mm x 2000mm (39” x 78”)THE BIG PURPLE RULERCodeSizeACC9058 710mm x (28”)ACC9065 1016mm x (40”)ACC9068 1320mm x (52”)ACC9075 1625mm x (64”)ACC9080 2438mm x (96”)STRETCHER PLIERSCodeA2241MULE AND WHIPCodeMUL0012HOK0012MAGNETIC LAMINATOR CADDYCodeACC6000This instructional DVD helps you to set up and operate desk top laminators, specifi callythe Jetmounter 18 and Jetmounter 26.ProductStretcher PliersProductMuleWhipProductOne sizeTRAINING DVDSSubjects covered include:• Mounting to various board types• Mounting of various art types• Various methods of over-lamination• Face mounting to Perspex• Creating fl oater frames and image wraps on MDF• Mounting images within wedding albumsThis is an essential for anyone wanting to maximize their work and revenue fl ow.JETMOUNTER 44/54This instructional DVD covers the set up and operation of larger laminators, with rollfeed and take up bars, specifi cally the Jetmounter 44 and Jetmounter 54.Subjects covered include:• Setting up a laminator for continuous feed mounting• Setting up a laminator for continuous feed laminating• Using removable fi lms for creating temporary displays• Mounting to various board types• Mounting to various art types• Various methods of over-laminating• Face mounting to PerspexThis is an invaluable guide for anyone who is new to large laminator operations.HOT GLASS PRESSESThis unique DVD covers the set up and operation of heated vacuum presses,specifi cally the HGP260/ HGP360 and HGP560.Subjects covered include:• Setting up a press and control feature explanation• Overview of essential accessories and tools needed for successful operation• Mounting techniques for various board and artwork combinations• Various over-laminating techniques• Canvas bonding of photographs and paper prints• Protection of inkjet canvases by the application of ultra thin laminateswww.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

38TRAININGTRAININGHOT PRESS UK TRAINING SCHOOLSHave you ever attended the famous “Hot Press Training School”? Do you want to be able to get more from your press thanjust beautifully mounted prints? Are you up to date with all the latest techniques for adding value to your work? Do you havestaff members that want to learn about mounting - laminating and more? Well this is their chance and yours!!!If you have a hot press of virtually any description it can be used for a whole host of things. Mounting and laminatingtechniques are constantly being improved and new techniques are being developed all the time. So with this new catalogue,we thought it would be a great time to remind everyone about our free training opportunities. We cover everything – from basicmounting and laminating – to fabric wrapping of mounts and transferring photographs or paper posters to canvas.With such a comprehensive range it is easy to miss products that could make your life so much simpler and increase the valueof the products that you produce. Additionally, we will guide you through the maze of artwork types that you may encounter– telling you how to approach each kind of media and offer valuable tips that will improve the quality of your work.Many companies experience staff changes from time to time and vital knowledge is often lost when people move on. Allowus to train your staff how to use your machinery to its full potential. Training is a great motivator and shows your people thatthey are valued members of your team.“Seeing is believing” as they say – but watching and doing are two very different things. In our hands on sessions youwill learn how to tackle all kinds of projects and then actually produce them for yourself. We provide everything you need– including lunch – so why not take the time to catch up on all the latest products and techniques, on our superb training days.For details of your nearest training school - please consult our website at www.hotpress.co.uk. Then, simply go to the trainingsection and view the current dates available.If you have any specifi c questions about what is covered in our training schools just call our customer service departmentand ask. If you want to learn about something that is not normally covered then we would be pleased to try and add it intoyour session.We look forward to seeing you there.Steve GoodallHot PressFANTASTICNEW TRAININGFACILITIESOPENINGSEPTEMBER2007

39NOTESNOTESCONVERSION FACTORSTo convert to metric, multiply by the factor shown.To convert from metric, divide by the factor.LengthFeet : MetresInches : MillimetresInches : CentimetresVolumeCubic Feet : Cubic MetresCubic Inches : Cubic CentimetresMassPounds : KilogramsOunces : Grams0.304825.42.540.028316.38710.453628.3495LIMITED WARRANTY AND LIABILITYAll statements, technical information and recommendations in this catalogue are based on ourresearch and are believed to be accurate, but do not construe a guarantee or warranty. (Note:All specifications are subject to change without notice.) All Hot Press products are sold with theunderstanding that the purchaser has independently determined the suitability of suchproducts for their particular purpose under their own operating conditions. The purchaserassumes all risk and liability whatsoever in connection with their use of any Hot Press product.The products in this catalogue are sold without any warranty as to merchantability or fitness fora particular use, or any other warranty expressed or implied. No Hot Press employee orrepresentative has any authority to waive or change the foregoing provisions, and no statementor recommendation not contained herein shall have any force or effect unless made in writingand manually signed by a director of Hot Press Ltd.The following is made in lieu of all warranties, expressed or implied: Hot Press’s only obligationshall be to replace or credit such quantity of the product proven to be defective at its discretion.In no event shall Hot Press be responsible for any incidental or consequential damageswhether foreseeable or not, caused by defects in such product and whether or not suchdamage is caused by Hot Press’s negligence.TRADEMARKSTM trademarks of Drytac Corporation, Drytac Canada, Drytac Europe Ltd, or their respectivemanufacturers. ® trademarks of Hot Press Limited and Drytac Corporation, Drytac Canada,Drytac Europe Ltd or their respective manufacturers.www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

40HOT PRESS LIMITED - STANDARD CONDITIONS OF SALEN.B. THESE CONDITIONS CONTAIN LIMITATIONS AND EXCLUSIONS OF LIABILITYTERMS AND CONDITIONS1. Interpretation1.1 In the Contract (as defined below) the following terms will have the following meanings:“Conditions” the standard terms and conditions for the supply of goods set out in this document and (unless the context otherwise requires) including any special terms and conditions agreed in writing by HotPress and the Customer;“Contract” the contract for the sale and purchase of the Goods comprising these Conditions and either a quotation of Hot Press for the supply of goods which is accepted by the Customer or an order for thesupply of goods which is accepted by Hot Press;“Customer” the person who accepts a quotation of Hot Press for the sale of Goods or whose order for Goods is accepted by Hot Press;“Hot Press” Hot Press Limited (registered in England number 1580451) whose trading address is Hot Press House, Filwood Road, Fishponds, Bristol BS16 3RYl;“Goods” the goods (including any instruction manual or other documentation to be supplied with them) which Hot Press is to supply in accordance with these Conditions.1.2 In the Contract, unless the context otherwise requires:1.2.1 any reference to a person will be construed as a reference to any person, firm, company, corporation, government, state or agency of a state or any association or partnership(whether or not having separate legal personality) or one or more of the foregoing;1.2.2 any reference in the Contract to any legislation or provision of any legislation will be construed as a reference to that legislation or provision as amended, re-enacted or extended atthe relevant time;1.2.3 any reference to the singular will include the plural and vice versa;1.2.4 any reference to the masculine gender will include the feminine and neuter and vice versa;1.2.5 the headings in the Contract are for convenience only and will not affect its interpretation.2. Basis of the Contract2.1 Hot Press will supply and the Customer will purchase the Goods in accordance with any quotation of Hot Press which is accepted by the Customer or any order of the Customerwhich is accepted by Hot Press, subject in either case to these Conditions which will govern the Contract to the exclusion of any other terms and conditions. No conduct by Hot Press will constitute acceptanceof any terms put forward by the Customer.2.2 No variation to the Contract will be binding unless agreed in writing between the authorised representatives of the Customer and Hot Press.2.3 The Contract will constitute the entire agreement and understanding between the parties with respect to all matters which are referred to in it and the subject matter of it and willsupersede any previous agreement(s), prior drafts, undertakings, representations, warranties and arrangements of any nature whatsoever whether or not in writing between the parties in relation to the mattersreferred to in the Contract or in connection with the subject matter of it.2.4 The Customer acknowledges and agrees that it has not been induced to enter into the Contract in reliance upon, and waives all remedies in respect of, any warranty, representation,statement, agreement or undertaking of any nature whatsoever other than as expressly set out in the Contract. Save for any advice given in any written instructions supplied with the Goods, or any other advicethat Hot Press expressly confirms in writing that the Customer may rely on, the Customer agrees that it will not rely on, and that Hot Press will not be liable for, any advice or recommendations given by Hot Pressor any of its representatives in relation to the storage, application or use of the Goods.3. Orders and Specification3.1 No order submitted by the Customer is to be treated as having been accepted by Hot Press unless and until confirmed in writing by an authorised representative of Hot Press. In thecase of any written quotation submitted by Hot Press, authorisation to proceed with the delivery of the Goods, whether verbal or in writing, will constitute the Customer’s acceptance of the Contract.3.2 The Customer is responsible for ensuring the accuracy of any order submitted to Hot Press and must give Hot Press any necessary information relating to the Goods within asufficient time to enable Hot Press to perform the Contract in accordance with its terms.3.3 No order which has been accepted by the Hot Press may be cancelled by the Customer except with the written agreement of Hot Press and on terms that the Customer will indemnifyHot Press in full against all loss (including loss of profit), costs (including the costs of all labour and materials used), damages, charges and expenses Hot Press incurs as a result of cancellation.4. Prices4.1 The price of the Goods will be the price stated in the agreed quotation or order form or, where no price is stated (or a quoted price is no longer valid), the price listed in Hot Press’spublished price list as at the date on which the Contract is made. All prices stated in any quotation given by Hot Press, but not yet agreed by the Customer, are valid for 30 days only, after which time they maybe altered by Hot Press without giving notice to the Customer.4.2 Hot Press reserves the right, by giving notice to the Customer at any time before delivery, to increase any prices for Goods to reflect any increase in the cost to Hot Press of supplyingthe Goods which is due to:4.2.1 any factor beyond the control of Hot Press (such as, without limitation, any foreign exchange fluctuation, significant increase in the costs of labour, raw materials or other costs ofmanufacture); and/or4.2.2 any change in delivery dates, quantities or specifications for the Goods which is requested by the Customer; and/or4.2.3 any delay caused by any instructions of the Customer or failure of the Customer to comply with Clause 3.2 above.4.3 Unless otherwise agreed in writing between the Customer and Hot Press:4.3.1 all prices for Goods include packaging but are otherwise given by Hot Press on an “ex works” basis;4.3.2 where Hot Press agrees to deliver the Goods otherwise than at Hot Press’s premises, the Customer must reimburse Hot Press in respect of all transportation costs incurred by it,including, but not limited to all freight and related shipping and carrier charges, insurance, customs clearance, payment of any taxes and duties payable on the Goods, warehousing and storage in transit;4.3.3 all prices and any other amounts payable by the Customer are expressed exclusive of any value added tax or other applicable sales tax.5. Terms of Payment5.1 Hot Press will be entitled to invoice the Customer for the price of the Goods on or at any time after delivery of the Goods in accordance with Clause 6.1 above.5.2 The Customer will pay the price of the Goods within 30 days of the end of the month in which Hot Press’s invoice was raised. The time of payment of the price will be of the essenceof the Contract.5.3 If the Customer fails to make any payment on the due date then Hot Press will be entitled (but without prejudice to any other right or remedy it may have) to:5.3.1 terminate the Contract or (without prejudice to its right to terminate subsequently) suspend any further deliveries of Goods to the Customer; and/or5.3.2 appropriate any payment made by the Customer to such of the Goods (or the goods supplied under any other contract between the Customer and Hot Press) as Hot Press maythink fit (notwithstanding any purported appropriation by the Customer); and/or5.3.3 charge the Customer interest (both before and after any judgement) on the amount unpaid, at the rate of 8 per cent per annum above the Barclays Bank base rate from time to timefrom the due date until the date of actual payment in cleared funds.5.4 The Customer must pay all sums due under or in connection with the Contract without deduction, set-off or counterclaim of any description.6. Delivery of Goods6.1 The supply by Hot Press of the Goods will be on an “ex works”, Bristol basis and accordingly delivery of any consignment of Goods by Hot Press will be made by Hot Press makingavailable the consignment at Hot Press’s premises for collection by the Customer at the time specified by the Customer in its order or otherwise notified by Hot Press to the Customer giving reasonable advancewarning.6.2 In relation to delivery time-scales:-6.2.1 Hot Press will use its reasonable endeavours to meet any delivery dates specified by the Customer in its order (subject to clause 3.1), but subject to Hot Press having used suchendeavours, it will not be liable to the Customer for any failure to meet such dates;6.2.2 for the avoidance of doubt, time for delivery will not be of the essence;6.2.3 any consignment of Goods may be delivered by Hot Press in advance of the delivery date specified in the relevant order upon Hot Press giving reasonable notice to the Customer.6.3 If the Customer fails to take delivery of any consignment of Goods (except where the failure was the result of a default by Hot Press) then, without prejudice to any other right orremedy that Hot Press may have, Hot Press may:6.3.1 store the Goods until actual delivery and charge the Customer for the reasonable costs (including insurance) of storage; and/or6.3.2 after more than 28 days, sell the Goods at the best price readily obtainable and (after deducting all reasonable storage and selling expenses) account to the Customer for the excessover the price or charge the Customer for any shortfall below the price.6.4 Where the Goods are to be delivered in instalments, each delivery will constitute a separate contractual obligation. Failure by Hot Press to deliver any one or more of the instalmentsin accordance with these Conditions, or any claim by the Customer in respect of any one or more instalments, will not give the Customer the right to treat the Contract as a whole as repudiated

7. Risk and Property in Goods7.1 Risk of damage to or loss of the Goods will pass to the Customer on delivery (as determined by Clause 6.1 above).7.2 Notwithstanding delivery and the passing of risk in the Goods or any other provision of the Contract, the legal title to the Goods will not pass to the Customer until Hot Press has received in clearedfunds payment in full of the price of the Goods and any other sums due to Hot Press from the Customer (whether under this Contract or otherwise).7.3 Until such time as the legal title to the Goods passes from Hot Press, the Customer will hold the Goods as Hot Press’s fiduciary agent and bailee, and will keep the Goods:17.3.1 separate from those of the Customer and any third parties;17.3.2 properly stored, protected and insured; and17.3.3 clearly identified as Hot Press’s property;but (for the avoidance of doubt) the Customer will be entitled to resell or use the Goods provided that resale or use is in the ordinary course of its business.7.4 Until such time as the title in the Goods passes from Hot Press, Hot Press may at any time require the Customer to deliver up the Goods to Hot Press and, if the Customer fails to do so forthwith,enter upon any premises of the Customer or any third party where the Goods are stored and repossess the Goods.7.5 The Customer must not pledge or in any way charge by way of security for any indebtedness any of the Goods which remain the property of Hot Press.7.6 Hot Press will be entitled to maintain an action for the price of the Goods, notwithstanding that the legal title to them has not passed to the Customer.7.7 Without prejudice to any other rights Hot Press may have, if the Customer fails to comply with Clauses 7.3. 7.4 or 7.5 above, all sums owing by the Customer to Hot Press will immediately becomedue and payable.8. Warranties and Liability8.1 Hot Press warrants that the Goods will be of satisfactory quality at the time of delivery but does not warrant that the Goods will be suitable for any particular purpose and all other warranties,conditions or terms implied by statute or common law are excluded to the fullest extent permitted by law.8.2 Hot Press will not be liable to the Customer in respect of any defect in the Goods that arises, at any time after delivery of the Goods, out of fair wear and tear, wilful damage or negligence,inappropriate or abnormally hard use, failure to follow Hot Press’s instructions (whether oral or in writing), or alteration or repair of the Goods without Hot Press’s approval.8.3 The Customer will notify any defect in or damage to the Goods to Hot Press in writing:-18.3.1 in the case of any defect or damage which should have been apparent on delivery, within 48 hours of delivery;18.3.2 in the case of any defect or damage which was not apparent on delivery, promptly and in any event within 14 days of that defect or damage becoming apparent or 12 months of delivery,whichever is the earlier;failing which all liability on Hot Press’s part in respect of such defect or damage is excluded.8.4 For the avoidance of doubt, save as provided by Clause 8.5 or otherwise expressly agreed in writing by Hot Press, the Customer will have no right to reject any Goods delivered by Hot Press orotherwise to return any Goods to Hot Press.8.5 In respect of any defect in or damage to the Goods for which Hot Press is liable to the Customer (whether under Clause 8.1 or otherwise), Hot Press’s liability to the Customer will be limited, atHot Press’s discretion, to:18.5.1 the repair or replacement of the defective or damaged Goods (or any parts) in question; and/or18.5.2 a refund or credit of the price, or a proportion of the price, attributable to the defective or damaged Goods.8.6 Hot Press will not be liable to the Customer by reason of any negligence or any other tortious action or any representation (unless fraudulent), or any implied warranty, condition or other term, orunder the express terms of the Contract, for any:18.6.1 loss of anticipated revenues; or18.6.2 loss of anticipated savings; or18.6.3 loss of profits; or18.6.4 loss of contracts or business opportunities; or18.6.5 loss of goodwill; or18.6.6 damage to reputation; or18.6.7 indirect, special or consequential loss or damage, costs, expenses or other such claims for compensation whatsoever;(whether caused by the negligence of Hot Press, its employees or agents or otherwise) which arises out of or in connection with the Contract.8.7 The entire liability of Hot Press in respect of any and all claims made against it by the Customer under or in connection with the Contract will not in any event exceed the total price payable underthe Contract.8.8 Nothing in this Contract will be deemed to limit or exclude either party’s liability for death or personal injury caused by its negligence, or for fraud.18.9 Hot Press will not be liable to the Customer or be deemed to be in breach of this Contract in respect of any delay in performing, or failure to perform, any of its obligations under this Contractwhere the delay or failure was caused by circumstances beyond its reasonable control, including (but not limited to) any shortage of raw materials.9. Termination9.1 This Clause applies if:19.1.1 the Customer makes any voluntary arrangement with its creditors or (being an individual) becomes bankrupt or (being a firm) one of the partners becomes bankrupt or (being a bodycorporate) enters administration or goes into liquidation (otherwise than for the purposes solvent of amalgamation or reconstruction); or19.1.2 an encumbrancer takes possession, or a receiver or administrative receiver is appointed, over all or any of the property or assets of the Customer; or19.1.3 anything analogous to any of the foregoing occurs to the Customer under the law of any jurisdiction; or19.1.4 the Customer ceases, or threatens to cease, to carry on business; or19.1.5 Hot Press reasonably believes that any of the events described above is about to occur; or19.1.6 the Customer commits any material breach of any of the provisions of the Contract and in the case of a breach capable of remedy fails to remedy the same within 30 days (or such othernotice period as Hot Press thinks fit) after receipt of a written notice specifying the breach and requiring it to be remedied.9.2 If this Clause 9 applies then, without prejudice to any other right or remedy available to Hot Press:19.2.1 Hot Press will be entitled to terminate the Contract or suspend any further deliveries of Goods without any liability to the Customer; and19.2.2 if any of the Goods have been delivered, but not paid for, the price payable by the Customer under the Contract will become immediately due and payable notwithstanding any previousagreement or arrangement to the contrary.10. General10.1 Any notice under the Contract will be in writing and will be sent by first class registered post, hand delivery or fax to the address/number for the relevant party as stated in the Contract or otherwisenotified to the other party for this purpose. Any such notice shall be deemed to have been duly received (provided it was sent to the proper address/number):110.1.1 if despatched by first class, registered post - 48 hours from the time of posting;110.1.2 if delivered by hand - at the time of actual delivery;110.1.3 if despatched by fax - 24 hours after the time of the despatch10.2 The Customer will not be entitled to assign or sub-contract or otherwise dispose of any of its rights or obligations under the Contract without the prior written consent of Hot Press. Hot Press mayassign, sub-contract or otherwise dispose of any of its rights and obligations under the Contract without the consent of the Customer.10.3 Hot Press will be entitled to perform any of the obligations undertaken by it and to exercise any of the rights granted to it under the Contract through any holding company or subsidiary or anyother subsidiary of any such holding company but any act or omission of any such company shall for the purposes of the Contract be deemed to be the act or omission of Hot Press.10.4 No delay or failure on the part of Hot Press in enforcing any provision in the Contract will be deemed to be a waiver or create a precedent or in any way prejudice Hot Press’s rights under theContract. The rights and remedies provided in the Contract are cumulative and are additional to any rights or remedies provided by law.10.5 The Customer will keep confidential any confidential information relating to the Goods and/or to Hot Press and its business affairs.10.6 All intellectual property rights of whatever kind subsisting in, on or in relation to the Goods are to remain, as between Hot Press and the Customer, the absolute property of Hot Press.10.7 If any provision in the Contract is declared void or unenforceable by any court or other body of competent jurisdiction, or is otherwise rendered so by any applicable law, such provision will to theextent of such invalidity or unenforceability be deemed severable and all other provisions of the Contract not affected by such invalidity or unenforceability will remain in full force and effect.10.8 Unless expressly stated in the Contract, nothing in the Contract will confer any rights on any person under the Contracts (Rights of Third Parties) Act 1999.10.9 The Contract will be governed by and construed in accordance with English law and will be subject to the exclusive jurisdiction of the English Courts, to which each of the parties irrevocablysubmits.www.hotpress.co.uk tel: 0845 0700660 or +44 (0)117 958 6500

HOT PRESS LtdFilwood RoadFishpondsBristolBS16 3RYTel: 0117 958 6500Fax: 0117 965 4411www.hotpress.co.ukinfo@hotpress.co.uk