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The Screenplays of Charlie Kaufman 127BibliographyArnheim, R. 1986. “A stricture on time and space.” New Essays on the Psychologyof Art. Berkeley: University of California Press, pp. 78–89. (Original work published1978.)Bal, M. 1997. Narratology: Introduction to the Theory of Narrative, 2nd edn.Toronto: University of Toronto Press.Barbour, J. 1999. The End of Time: The Next Revolution in Physics. Oxford: OxfordUniversity Press.Bordwell, D. 2002. “Film futures.” Substance #97, 31, 1: 88–104.Bordwell, D. 1985. Narration in the Fiction Film. Madison: University ofWisconsin Press.Bordwell, D. 2006. The Way Hollywood Tells It: Story and Style in Modern Movies.Berkeley: University of California Press.Branigan, E. 2002. “Nearly true: Forking plots, forking interpretations. A responseto David Bordwell’s ‘Film futures’.” SubStance #97, 31, 1: 105 –14.Cilliers, P. 1998. <strong>Complex</strong>ity & Postmodernism: Understanding <strong>Complex</strong> Systems.London: Routledge.Davies, P. 2006. “That mysterious flow.” Scientific American, 16, 1: 6–11.Doane, M. A. 2002. The Emergence of <strong>Cinema</strong>tic Time: Modernity, Contingency, theArchive. Cambridge, MA: Harvard University Press.Feld, R. 2004. “Q & A with Charlie Kaufman,” in C. Kaufman (ed.), Eternal Sunshineof the Spotless Mind: The Shooting Script. New York: Newmarket, pp. 131–45.Genette, G. 1980. Narrative Discourse: An Essay in Method (trans. J. E. Lewin). Ithaca,NY: Cornell University Press. (Original work published 1972.)Henderson, B. 1999. “Tense, mood, and voice in film: (notes after Genette),” inB. Henderson and A. Martin (eds), Film Quarterly: Forty Years – A Selection.Berkeley: University of California Press, pp. 55–75. (Original work published1983.)Hunter, L. 1993. Lew Hunter’s Screenwriting 434: The Industry’s Premier TeacherReveals the Secrets of the Successful Screenplay. New York: Perigee Books.Kaufman, C. 2004. Eternal Sunshine of the Spotless Mind: The Shooting Script. NewYork: Newmarket Press.Kaufman, C., and Kaufman, D. 2002. Adaptation: The Shooting Script. New York:Newmarket Press.Kinder, M. 1999. “The subversive potential of the pseudo iterative,” in B.Henderson and A. Martin (eds), Film Quarterly: Forty Years – A Selection.Berkeley: University of California Press), pp. 127–48. (Original work published1989–90.)Kohn, N. 2000. “The screenplay as postmodern literary exemplar: Authorial distraction,disappearance, dissolution.” Qualitative Inquiry, 6, 4: 489–510.

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