Index 239Rebecca 25recognition 2–3reconstructive memory 63, 75, 82–3Repulsion 26Resident Evil 22Resnais, Alain 16, 20, 109retardations 10reversal 2–3rhythmanalysis 129–46, 147n, 148nRilke, Rainer Maria 32Rings, G. 145Robinson, Michael 206role-play 174, 175, 176–7Romantics 32Rubin, M. 189Ruiz, Raul 107Run Lola Run 5, 9, 15, 20, 21,129–48, 155, 218Rushkoff, Douglas 36Ryall, T. 188Sabotage 188Sacks, Raphael 42Sangsoo, Hong 10Sankey, D. 17schemas/schemata 7, 57, 62–84,99–100, 174–5schematic distortion 65, 78schizophrenia 18, 26–8Schlipphacke, H. 142, 148nscience fiction 15, 167, 169–70, 171,172, 184, 186nScience of Sleep 108Scorsese, Martin 164Scott, Tony 108screenplay 107–26Secret Agent 187, 188Secret Beyond the Door 25self-consciousness 226, 227, 228,229sentences 4, 66–7, 123Se7en 14Shakespeare, William 152Shanghai Oriental Pearl Tower 193,194Shyamalan, M. Night 5, 62–84,89Silbergeld, Jerome 191, 193, 194,195, 200n, 201nSilence of the Lambs 14, 15, 35Silent Hill 22Simons, Jan 1, 22Simons, R. C. 72simple plots 2Sin City 22Singer, Bryan 14‘Sixth Generation’ directors 188Sixth Sense, The 14, 17, 18, 31,62–84, 89Sliding Doors 15, 21, 107, 221Sloterdijk, Peter 31Smith, Murray 21, 66, 185Sopranos, The 33sound effects 135Spanish Prisoner, The 18spatial montage 223spatio-temporal intervals 9, 129special effects 22, 37, 38spectators 7–8, 9, 13, 15–16, 30,37–8, 57Spellbound 26Spider 15, 27Spielberg, Steven 25split screens 225, 229Stage Fright 20Staiger, J. 1, 19Star Trek IV: The Voyage Home111Starling, Clarice 14Sternberg, C. 109, 110Sterne, Lawrence 20Stewart, G. 24still photography 129storylines, multiple 78–83, 169
240 IndexStranger Than Fiction 108Strangers on a Train 50Super City 191Suzhou River 10, 187–200Syriana 162syuzhet 7, 64–5, 75, 77, 111Tan, Ed 78techno soundtrack 137temporal linearity 10temporal relativity 111Tenant, The 26tenses 115, 116–17Teo, S. 155terminal identity 152–6terminal screen 10Thanouli, Eleftheria 10, 12n, 217–32Theweleit, Klaus 31Thompson, K. 21Three Burials of Melquiades Estrada,The 221thriller format/genre 10, 187, 188–9,191, 194, 196, 220Time Code 218time loops 6, 145, 131, 218Time Regained 107, 109time travel 15, 31, 111, 167, 171,172Tirard, L. 173title cards 112, 113, 114, 115, 116Todorov, Tzvetan 176Too Many Ways to be No. 1 21Total Recall 17, 153Töteberg, M. 129, 136, 140trailers 37transformational generative grammar4transformational rules 4–5Trier, Lars von 1, 13, 15, 30Truffaut, François 14, 170, 184Truman Show, The 14, 17Tsang, Eric 152, 158Tulving, Endel 89Turn of the Screw, The 25Turner, T. J. 65twist blindness 66, 68, 83, 84ntwisted narrative 11, 218, 229Two Mrs Carrolls 25Tykwer, Tom 15, 21, 129–48, 155upward mobility 159–60Usual Suspects, The 14, 20utopias 143–4V for Vendetta 22Vanilla Sky 15Vertigo 187, 193, 194Victorian Gothic 25video games 22, 130–1Village, The 15, 18, 25Virilio, P. 160Wachowski, Andy 15, 153Wachowski, Larry 15, 153Wahlberg, Donnie 68Wai Ka-Fai 21Waking Life 15Walters, B. 183Warriors of Heaven and Earth 187Wartenberg, T. 36Wedel, Michael 5, 9, 129–48Weir, Peter 14Welles, Orson 16, 20What Lies Beneath 25Williams, Olivia 63Willis, Bruce 62, 89Wilson, George 19, 35–6Woman in the Window 20Wong, Anthony 152Wong, Faye 168Wong Kar-wai 10, 15, 167–85Woo, John 14Woolf, Virginia 20wrong man 188, 196
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Puzzle Films
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Puzzle FilmsComplex Storytelling in
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ContentsList of ContributorsviiIntr
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List of ContributorsDaniel Barratt
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List of ContributorsixHollywood (20
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2 Warren BucklandAll poetic arts, a
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4 Warren BucklandIn reading Bordwel
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6 Warren Bucklandfilm again, rather
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8 Warren Bucklandprocess of narrati
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10 Warren BucklandAllan Cameron and
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12 Warren Buckland4 Eleftheria Than
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14 Thomas Elsaessergenre or a sub-g
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16 Thomas Elsaesserdetails that do
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18 Thomas Elsaesserturns out that t
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20 Thomas Elsaessersituations, and
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22 Thomas ElsaesserA countervailing
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24 Thomas Elsaesserwindows, refresh
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26 Thomas ElsaesserYet paranoia, on
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28 Thomas Elsaesserhim. Donnie Dark
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30 Thomas Elsaessersame time as the
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32 Thomas Elsaesserwriters such as
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34 Thomas Elsaesserand syndication
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36 Thomas ElsaesserIt would be inte
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38 Thomas Elsaesserconditions,” a
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40 Thomas Elsaessermachine of the v
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2Making Sense of Lost HighwayWarren
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44 Warren Bucklandoff-screen sounds
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46 Warren BucklandScene 5, the next
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48 Warren Bucklandview of events. T
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50 Warren Bucklanddream and Renee
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52 Warren Bucklandprotagonist up to
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54 Warren Bucklandpresents a series
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56 Warren Bucklandshe seems to retu
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58 Warren BucklandFred’s optical
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60 Warren Bucklandsame way she did
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3“Twist Blindness”: The Role of
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64 Daniel Barratt(a) comprehension(
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66 Daniel Barrattsay Anna Crowe, pa
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68 Daniel BarrattFinally, two gener
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70 Daniel BarrattFigure 3.2The Sixt
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72 Daniel BarrattFigure 3.6The Sixt
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74 Daniel Barratt(b) Establishing t
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76 Daniel BarrattFigure 3.8The Sixt
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78 Daniel BarrattContrary to our in
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80 Daniel Barrattof the mise-en-sc
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82 Daniel Barrattbecause these emot
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84 Daniel Barrattplausible that thi
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86 Daniel BarrattMiller, G. 1956.
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88 Stefano Ghislottiemploy, and the
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90 Stefano Ghislotti(Carrie-Anne Mo
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92 Stefano GhislottiBW1-BW22Motel r
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94 Stefano GhislottiThe following s
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96 Stefano Ghislotticolor sequence
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98 Stefano Ghislotti← ...+ C3(e-2
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100 Stefano GhislottiFilm formMain
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Table 4.1 Mental images, memories a
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104 Stefano Ghislottiand that they
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106 Stefano GhislottiBibliographyBo
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108 Chris DzialoMoreover, it is tem
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110 Chris Dzialorunning time (24 fr
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112 Chris Dzialoshifting network of
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114 Chris DzialoIn this version, th
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116 Chris DzialoIn this version, th
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118 Chris Dzialo[T]he great asymmet
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120 Chris Dzialoinexorably forward,
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122 Chris DzialoShot of a smudge of
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124 Chris DzialoJOELWhat are you do
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126 Chris Dzialounmoored between a
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128 Chris DzialoMamber, S. 2003.
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130 Michael WedelThe Opening Sequen
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132 Michael WedelLola runs in three
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134 Michael Wedelnarratives tend to
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136 Michael WedelThis tension aroun
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138 Michael Wedelin opposition” b
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140 Michael Wedelthe nuns, the tram
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142 Michael Wedellonger’ and the
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144 Michael Wedelwithin the logic o
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146 Michael Wedelspiral as one of t
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148 Michael Wedel10 For Lefebvre’
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150 Michael WedelJenkins, H. 2004.
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152 Allan Cameron and Sean Cubittth
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154 Allan Cameron and Sean Cubittti
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156 Allan Cameron and Sean CubittIn
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158 Allan Cameron and Sean Cubittow
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160 Allan Cameron and Sean Cubittho
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162 Allan Cameron and Sean Cubittsa
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164 Allan Cameron and Sean Cubittmu
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166 Allan Cameron and Sean CubittBi
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168 Gary Bettinsonreclamation of lo
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170 Gary BettinsonAs the film progr
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172 Gary Bettinsonaction in the 204
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174 Gary BettinsonGradually, the pr
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176 Gary Bettinsonand retardation.
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178 Gary Bettinsonpresentation of t
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180 Gary Bettinsonnarration has mis
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182 Gary Bettinsonlevel, however, t
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184 Gary Bettinsonnarrations that h
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186 Gary Bettinsone.g., Chow’s ne
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- Page 213 and 214: 202 Yunda Eddie FengBibliographyBar
- Page 215 and 216: 204 Marshall Deutelbaumgenesis, is
- Page 217 and 218: 206 Marshall DeutelbaumRecognizing
- Page 219 and 220: 208 Marshall Deutelbaumplace in Dec
- Page 221 and 222: 210 Marshall Deutelbaumthat he turn
- Page 223 and 224: 212 Marshall DeutelbaumCrash and Th
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- Page 229 and 230: 218 Eleftheria ThanouliOn first vie
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