Index 237Kafka, F. 31Kaufman, Charlie 9, 14, 15, 107–26Keaton, Buster 33Kelly, Richard 15Kieslowski, Krzysztof 21, 36Kim, Jinhee 205Kim Kii Duk 15Kimura, Takuya 167Kinder, Marsha 116–17King, G. 22, 170King Kong 22Kiss Me Deadly 50Kittler, Friedrich 31Klein, A. 98knowledgeability 226–7, 229Koepnick, Lutz 140Kohn, N. 109Kraft, R. N. 77Krzywinska, T. 22, 170Kurosawa, Akira 16, 20Kwak, H. J. 206, 214Lady in the Lake 190Lady Vanishes, The 188Lang, Fritz 16, 20Last Year in Marienbad 20, 109Lau, Andrew 10, 151–65Lau, Andy 152Lau, Carina 168Lecter, Hannibal 14, 35Lee, Ang 187Lefebvre, Henri 129, 135, 137–9,143, 147nLeung, Tony 152, 168, 173, 179Levinas, E. 163, 165Li Bingbing 196Li, Gong 168Lim, D. 188limit-experience 129, 143, 148nlinear causality 18, 21Linklater, Richard 15Liquid Modernity 154Lloyd, Harold 33Locket, The 25Loftus, Elizabeth 65Lookeys 13, 15, 16, 30Lord of War 162Lost 33Lost Highway 5, 9, 14, 15, 17, 42–60Lu, Sheldon 155Lynch, David 9, 14, 30, 36, 42–60MacGuffin 188, 189, 196Madness and Civilization 32Mamet, David 18Man Who Knew Too Much, The 188Mann, P. 20Manovich, Lev 223martial arts genre 187Matrix, The 15, 17, 20, 153May, Joe 16, 77Maybury, John 14Medem, Julio 15melodrama 10, 167, 173–4, 175,178, 180–1Memento 5, 6, 14, 15, 17, 20, 25, 28,29, 87–105, 108Mendes, Sam 14mental rotation 96–8Metz, C. 112, 114Michon, P. 146Miller, G. 63mimesis 2, 5mimetic plot 5, 10Min, E. 206, 214Mind-Game Film, The 8mind-game films 8–9, 13–40Minority Report 17, 18, 25, 172mirrored structure 152mise-en-scène 16, 65, 80, 113, 168,173, 175, 177, 181, 193, 227, 230Mittell, Jason 19mnemonic devices 87–105Möbius strip 21, 56, 221, 230, 231n
238 IndexMontgomery, Robert 190morality 10, 156, 158, 159, 174, 175Morley, David 151morphemes 112Moss, Carrie-Anne 90Mota, M. 109Mulhall, S. 36Mulholland, Dr. 5, 14, 218multiple draft films/narratives 3, 5,11n, 19, 107, 134multiple entry-point 36–7multiple viewings 38Nabokov, V. 20, 144Nakamura, Toru 196Narration in the Fiction Film 6narratology 8Neale, S. 170necessity 5Negri, A. 32Nelson, Ted 23Neobaroque film 145New Korean <strong>Cinema</strong> 205–6New Yorker, The 203nihilism 24Noé, Gaspar 95, 108Nolan, Christopher 14, 87, 108non-linearity 6, 10North by Northwest 50, 188Oedipus 2–3Ohmann, R. 4–5Oldboy 10, 15, 217–32omniscient narration/narrator212–14, 227–9Orchid Thief, The 111Orlean, Susan 111, 112, 114Osment, Haley Joel 62Others, The 14, 17, 25, 35Pacquet, D. 217painting 23Palmer, J. 188Pantoliano, Joe 91parallel worlds 15, 19, 20paranoia 18, 25–6, 29–30Park Chan-wook 10, 15, 217–32Pasolini, P. P. 109Paycheck 14, 17Pearce, Guy 89Pehla, K. 16Penal Colony, The 31peplegmenos 2, 3Persona 20perspectivism 18, 20, 37 see alsofocalizationPinter, Harold 95Pitt, Brad 14plot 1, 2, 6, 7Poetics 1, 2Polanski, Roman 26post-classical cinema 37, 230postmodernism 145pragmatic poetics 208Prestige, The 147primacy 9, 62, 66–7, 70, 73, 75, 77,78, 89, 100, 103Primer 15priming 62, 66–7, 70, 75, 78, 89printed book 23–4prizes 16probability 5, 12n, 44, 45Production of Space, The 138Promise, The 187Proust, M. 20, 107, 116Psycho 51–2Pullman, Bill 43Purple Butterfly 10, 187–200puzzle plots, meaning 3, 6Rain Man 27Rashomon 20Ray, Nicholas 26Rear Window 187, 193
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ContentsList of ContributorsviiIntr
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List of ContributorsDaniel Barratt
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List of ContributorsixHollywood (20
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2 Warren BucklandAll poetic arts, a
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4 Warren BucklandIn reading Bordwel
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6 Warren Bucklandfilm again, rather
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8 Warren Bucklandprocess of narrati
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10 Warren BucklandAllan Cameron and
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12 Warren Buckland4 Eleftheria Than
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14 Thomas Elsaessergenre or a sub-g
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16 Thomas Elsaesserdetails that do
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18 Thomas Elsaesserturns out that t
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20 Thomas Elsaessersituations, and
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22 Thomas ElsaesserA countervailing
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24 Thomas Elsaesserwindows, refresh
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26 Thomas ElsaesserYet paranoia, on
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28 Thomas Elsaesserhim. Donnie Dark
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30 Thomas Elsaessersame time as the
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32 Thomas Elsaesserwriters such as
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34 Thomas Elsaesserand syndication
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36 Thomas ElsaesserIt would be inte
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38 Thomas Elsaesserconditions,” a
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40 Thomas Elsaessermachine of the v
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2Making Sense of Lost HighwayWarren
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44 Warren Bucklandoff-screen sounds
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46 Warren BucklandScene 5, the next
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48 Warren Bucklandview of events. T
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50 Warren Bucklanddream and Renee
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52 Warren Bucklandprotagonist up to
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54 Warren Bucklandpresents a series
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56 Warren Bucklandshe seems to retu
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58 Warren BucklandFred’s optical
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60 Warren Bucklandsame way she did
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3“Twist Blindness”: The Role of
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64 Daniel Barratt(a) comprehension(
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66 Daniel Barrattsay Anna Crowe, pa
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68 Daniel BarrattFinally, two gener
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70 Daniel BarrattFigure 3.2The Sixt
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72 Daniel BarrattFigure 3.6The Sixt
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74 Daniel Barratt(b) Establishing t
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76 Daniel BarrattFigure 3.8The Sixt
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78 Daniel BarrattContrary to our in
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80 Daniel Barrattof the mise-en-sc
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82 Daniel Barrattbecause these emot
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84 Daniel Barrattplausible that thi
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86 Daniel BarrattMiller, G. 1956.
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88 Stefano Ghislottiemploy, and the
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90 Stefano Ghislotti(Carrie-Anne Mo
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92 Stefano GhislottiBW1-BW22Motel r
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94 Stefano GhislottiThe following s
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96 Stefano Ghislotticolor sequence
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98 Stefano Ghislotti← ...+ C3(e-2
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100 Stefano GhislottiFilm formMain
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Table 4.1 Mental images, memories a
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104 Stefano Ghislottiand that they
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106 Stefano GhislottiBibliographyBo
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108 Chris DzialoMoreover, it is tem
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110 Chris Dzialorunning time (24 fr
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112 Chris Dzialoshifting network of
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114 Chris DzialoIn this version, th
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116 Chris DzialoIn this version, th
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118 Chris Dzialo[T]he great asymmet
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120 Chris Dzialoinexorably forward,
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122 Chris DzialoShot of a smudge of
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124 Chris DzialoJOELWhat are you do
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126 Chris Dzialounmoored between a
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128 Chris DzialoMamber, S. 2003.
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130 Michael WedelThe Opening Sequen
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132 Michael WedelLola runs in three
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134 Michael Wedelnarratives tend to
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136 Michael WedelThis tension aroun
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138 Michael Wedelin opposition” b
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140 Michael Wedelthe nuns, the tram
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142 Michael Wedellonger’ and the
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144 Michael Wedelwithin the logic o
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146 Michael Wedelspiral as one of t
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148 Michael Wedel10 For Lefebvre’
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150 Michael WedelJenkins, H. 2004.
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152 Allan Cameron and Sean Cubittth
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154 Allan Cameron and Sean Cubittti
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156 Allan Cameron and Sean CubittIn
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158 Allan Cameron and Sean Cubittow
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160 Allan Cameron and Sean Cubittho
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162 Allan Cameron and Sean Cubittsa
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164 Allan Cameron and Sean Cubittmu
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166 Allan Cameron and Sean CubittBi
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168 Gary Bettinsonreclamation of lo
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170 Gary BettinsonAs the film progr
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172 Gary Bettinsonaction in the 204
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174 Gary BettinsonGradually, the pr
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176 Gary Bettinsonand retardation.
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178 Gary Bettinsonpresentation of t
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180 Gary Bettinsonnarration has mis
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182 Gary Bettinsonlevel, however, t
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184 Gary Bettinsonnarrations that h
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- Page 217 and 218: 206 Marshall DeutelbaumRecognizing
- Page 219 and 220: 208 Marshall Deutelbaumplace in Dec
- Page 221 and 222: 210 Marshall Deutelbaumthat he turn
- Page 223 and 224: 212 Marshall DeutelbaumCrash and Th
- Page 225 and 226: 214 Marshall Deutelbaumher, she mig
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- Page 229 and 230: 218 Eleftheria ThanouliOn first vie
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