Buckland-Warren-Puzzle-Films-Complex-Storytelling-Contemporary-Cinema

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Index12 Monkeys 17221 grams 22124 3339 Steps, The 187, 188300 222046 15, 167–85A Beautiful Mind 15, 17, 18, 27À recherche du temps perdu 107Abbas, Ackbar 156Adaptation 9, 14, 108, 109, 110–17Aldrich, Robert 50Almodovar, Pedro 15alternative endings 156Amenábar, Alejandro 14, 15American Beauty 14amnesia 18, 24, 28–9Amores Perros 221Angel Heart 17animation sequences 129, 131anterograde 88, 90Anti-Oedipus: Capitalism andSchizophrenia 32Aristotle 1, 35Aronson, E. 66, 68Arquette, Patricia 44, 52assumptions 66, 182‘atheistic’ narratologist 7attention 63–4, 68, 78, 82, 83,84nbackbeat 136–7backward narration 90, 95, 99, 103Baddeley, A. 63Bal, Mieke 109, 115, 116, 130Banquet, The 187Barnard, P. J. 77Barr, C. 188Barratt, Daniel 5, 62–84Bartlett, F. C. 65Bauman, Zygmunt 154‘Bear, The’ 4Being John Malkovich 14, 107, 108Beller, Jonathan 161Benjamin, Walter 31, 32, 158Benn, Gottfried 32Bergman, Ingmar 16, 20Berlin 129, 141–2, 143Betrayal 95Bettinson, Gary 10, 167–85Beyond Reasonable Doubt 20Bianco, J. S. 132, 145Bigger Than Life 26Bin-Jip (Three Iron) 15Bitter Moon 26Black, J. B. 65Blade Runner 17, 153, 172Blake, Robert 48Blind Chance 21block time 117Blow Up 20
234 IndexBoccaccio, Giovanni 20bookend structure 191Bordwell, David 1, 5, 6–7, 19, 21,36, 43, 50, 64, 65, 66, 73, 88, 100,107, 110, 129, 132–5, 139, 144, 175,185, 218, 219, 221, 226Borges, J. L. 20Boss of It All, The 13Bower, G. H. 65‘Brain Candy’ 33brain-teasers 13Branigan, Edward 1, 3, 8, 19, 36, 43,57, 77, 107, 175, 190Breaking the Waves 15Brunette, P. 179<strong>Buckland</strong>, <strong>Warren</strong> 22, 42–61, 60Buddhism 151, 159Bukatman, Scott 10, 153Buñuel, Luis 16, 20Bush, Vannevar 23Butterfly Effect, The 18Cabinet of Dr Caligari 19Caché 15, 25Cage, Nicholas 111Cameron, Allan 10, 19, 151–65Cannes Film Festival 218, 231ncanonical story format 7, 44, 45, 47,48, 49, 51Carruth, Shane 15Carruthers, M. 98Caught 25Cervantes, Miguel de 20Chang Chen 168change blindness 9, 84nChaplin, Charles 32Cheever, John 203Chen, Kelly 152Chen Kaige 187, 188Cheng, Sammi 152Chesterton, G. K. 20Cheung, Maggie 173, 179Choi Min-Sik 219Chomsky, Noam 4Chungking Express 15Cilliers, Paul 111cinematic iterative 114–15cinematic rhythm 9, 135Citizen Kane 20clairvoyance 18classical narratology/storytelling 1,11, 21, 189classical plot 3, 220Click 108Clooney, George 107Code Inconnu 15codes 153–4, 157, 158, 160cognitive model of narration 8cognitive theory of comprehension7, 10coincidence 181–2Cole, Nat King 183Collette, Toni 63communicativeness 169, 175–6, 180,226, 227, 229, 230complex narratives/storytelling 1, 3,5, 6, 10, 19–22, 40, 107, 167, 187,189–200complex plot 1–3, 6complicating action 45, 47computer games 22–4, 33, 130–1,147ncomputers 22, 23, 118–19, 153–4Confessions of a Dangerous Mind107Conrad, J. 20continuous hell 151, 161Coraci, Frank 100Crash 162, 209–15Critique of Everyday Life 138Cronenberg, David 15, 27Crouching Tiger 187Crowe, Cameron 15Cubitt, Sean 10, 145, 151–65
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Puzzle Films
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Puzzle FilmsComplex Storytelling in
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ContentsList of ContributorsviiIntr
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List of ContributorsDaniel Barratt
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List of ContributorsixHollywood (20
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2 Warren BucklandAll poetic arts, a
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4 Warren BucklandIn reading Bordwel
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6 Warren Bucklandfilm again, rather
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8 Warren Bucklandprocess of narrati
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10 Warren BucklandAllan Cameron and
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12 Warren Buckland4 Eleftheria Than
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14 Thomas Elsaessergenre or a sub-g
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16 Thomas Elsaesserdetails that do
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18 Thomas Elsaesserturns out that t
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20 Thomas Elsaessersituations, and
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22 Thomas ElsaesserA countervailing
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24 Thomas Elsaesserwindows, refresh
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26 Thomas ElsaesserYet paranoia, on
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28 Thomas Elsaesserhim. Donnie Dark
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30 Thomas Elsaessersame time as the
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32 Thomas Elsaesserwriters such as
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34 Thomas Elsaesserand syndication
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36 Thomas ElsaesserIt would be inte
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38 Thomas Elsaesserconditions,” a
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40 Thomas Elsaessermachine of the v
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2Making Sense of Lost HighwayWarren
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44 Warren Bucklandoff-screen sounds
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46 Warren BucklandScene 5, the next
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48 Warren Bucklandview of events. T
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50 Warren Bucklanddream and Renee
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52 Warren Bucklandprotagonist up to
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54 Warren Bucklandpresents a series
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56 Warren Bucklandshe seems to retu
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58 Warren BucklandFred’s optical
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60 Warren Bucklandsame way she did
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3“Twist Blindness”: The Role of
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64 Daniel Barratt(a) comprehension(
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66 Daniel Barrattsay Anna Crowe, pa
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68 Daniel BarrattFinally, two gener
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70 Daniel BarrattFigure 3.2The Sixt
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74 Daniel Barratt(b) Establishing t
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78 Daniel BarrattContrary to our in
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80 Daniel Barrattof the mise-en-sc
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82 Daniel Barrattbecause these emot
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84 Daniel Barrattplausible that thi
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86 Daniel BarrattMiller, G. 1956.
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88 Stefano Ghislottiemploy, and the
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90 Stefano Ghislotti(Carrie-Anne Mo
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92 Stefano GhislottiBW1-BW22Motel r
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94 Stefano GhislottiThe following s
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96 Stefano Ghislotticolor sequence
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98 Stefano Ghislotti← ...+ C3(e-2
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100 Stefano GhislottiFilm formMain
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Table 4.1 Mental images, memories a
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104 Stefano Ghislottiand that they
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106 Stefano GhislottiBibliographyBo
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108 Chris DzialoMoreover, it is tem
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110 Chris Dzialorunning time (24 fr
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112 Chris Dzialoshifting network of
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114 Chris DzialoIn this version, th
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116 Chris DzialoIn this version, th
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118 Chris Dzialo[T]he great asymmet
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120 Chris Dzialoinexorably forward,
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122 Chris DzialoShot of a smudge of
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124 Chris DzialoJOELWhat are you do
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126 Chris Dzialounmoored between a
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128 Chris DzialoMamber, S. 2003.
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130 Michael WedelThe Opening Sequen
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132 Michael WedelLola runs in three
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134 Michael Wedelnarratives tend to
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136 Michael WedelThis tension aroun
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138 Michael Wedelin opposition” b
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140 Michael Wedelthe nuns, the tram
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142 Michael Wedellonger’ and the
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144 Michael Wedelwithin the logic o
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146 Michael Wedelspiral as one of t
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148 Michael Wedel10 For Lefebvre’
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150 Michael WedelJenkins, H. 2004.
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152 Allan Cameron and Sean Cubittth
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154 Allan Cameron and Sean Cubittti
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156 Allan Cameron and Sean CubittIn
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158 Allan Cameron and Sean Cubittow
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160 Allan Cameron and Sean Cubittho
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162 Allan Cameron and Sean Cubittsa
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164 Allan Cameron and Sean Cubittmu
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166 Allan Cameron and Sean CubittBi
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168 Gary Bettinsonreclamation of lo
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170 Gary BettinsonAs the film progr
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172 Gary Bettinsonaction in the 204
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174 Gary BettinsonGradually, the pr
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176 Gary Bettinsonand retardation.
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178 Gary Bettinsonpresentation of t
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180 Gary Bettinsonnarration has mis
Page 193 and 194: 182 Gary Bettinsonlevel, however, t
Page 195 and 196: 184 Gary Bettinsonnarrations that h
Page 197 and 198: 186 Gary Bettinsone.g., Chow’s ne
Page 199 and 200: 188 Yunda Eddie FengLou has been ca
Page 201 and 202: 190 Yunda Eddie Fengnarrative progr
Page 203 and 204: 192 Yunda Eddie FengDialogue emanat
Page 205 and 206: 194 Yunda Eddie FengCuriously, desp
Page 207 and 208: 196 Yunda Eddie Fengher dead body).
Page 209 and 210: 198 Yunda Eddie FengSegment 5 (2:05
Page 211 and 212: 200 Yunda Eddie FengXinxia. Even if
Page 213 and 214: 202 Yunda Eddie FengBibliographyBar
Page 215 and 216: 204 Marshall Deutelbaumgenesis, is
Page 217 and 218: 206 Marshall DeutelbaumRecognizing
Page 219 and 220: 208 Marshall Deutelbaumplace in Dec
Page 221 and 222: 210 Marshall Deutelbaumthat he turn
Page 223 and 224: 212 Marshall DeutelbaumCrash and Th
Page 225 and 226: 214 Marshall Deutelbaumher, she mig
Page 227 and 228: 216 Marshall DeutelbaumKwak, H. J.
Page 229 and 230: 218 Eleftheria ThanouliOn first vie
Page 231 and 232: 220 Eleftheria Thanouliactions set
Page 233 and 234: 222 Eleftheria Thanouliin an expres
Page 235 and 236: 224 Eleftheria ThanouliFigure 11.4O
Page 237 and 238: 226 Eleftheria Thanouliscene not on
Page 239 and 240: 228 Eleftheria Thanoulihand, helps
Page 241 and 242: 230 Eleftheria Thanoulisome of the
Page 243: 232 Eleftheria Thanoulia good knowl
Page 247 and 248: 236 Indexfoveal vision 63fragmented
Page 249 and 250: 238 IndexMontgomery, Robert 190mora
Page 251 and 252: 240 IndexStranger Than Fiction 108S
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Buckland-Warren-Puzzle-Films-Complex-Storytelling-Contemporary-Cinema

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