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sharing the past - Auckland Museum

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Sharing <strong>the</strong> Past<br />

The oxygen free environment will minimize photooxidation<br />

of <strong>the</strong> susceptible organic materials<br />

and reduced lighting levels will fur<strong>the</strong>r decrease<br />

deterioration. Likewise mould and insect attack<br />

will not be a threat in controlled conditions such<br />

as <strong>the</strong>se.<br />

The <strong>Museum</strong>'s team of conservators has had many<br />

years of specialised training. The training for conservation<br />

is a degree in <strong>the</strong> Conservation of<br />

Cultural Materials and at present is not available<br />

in NZ. Our conservators trained in Australia and<br />

Canada. They are Objects Conservators which<br />

means that <strong>the</strong>y have an understanding of <strong>the</strong><br />

makeup of all sorts of materials e.g. <strong>the</strong> mummy<br />

is a combination of organic (wood, textile, gums,<br />

resins, human remains) and inorganic substances<br />

(pigment, clay, calcite). Conservation involves<br />

both remedial work, i.e. treatments -which prima-<br />

TE TOKI A TAPIRI<br />

13 Teacher Background<br />

<strong>Auckland</strong> <strong>Museum</strong><br />

Te Papa Whakahiku<br />

rily involve preservation through stabilising <strong>the</strong><br />

deteriorative factors, and preventative, which<br />

encompasses things like control of environmental<br />

conditions (temperature, humidity, pollution, pests),<br />

correct handling, etc. At times it can be dangerous<br />

because of <strong>the</strong> necessary use of chemicals,<br />

and residual materials left on objects from <strong>past</strong><br />

treatments, but <strong>the</strong>y take safety precautions like<br />

wearing gloves, goggles, masks and work in <strong>the</strong><br />

fume cupboard when necessary. Conservation<br />

training also involves <strong>the</strong> study of materials, and<br />

this includes not only <strong>the</strong> chemical and physical<br />

makeup of objects, but of adhesives, solvents and<br />

o<strong>the</strong>r chemicals that <strong>the</strong>y may use so that <strong>the</strong>y<br />

know how things are going to be affected by various<br />

materials.<br />

Our brave conservators don't seem to believe in<br />

<strong>the</strong> mummy's curse!!! Stoic but foolish people.<br />

Te Toki a Tapiri is <strong>the</strong> last of <strong>the</strong> great Maori war canoes. With<br />

<strong>the</strong> hull adzed out of a single huge totara log, <strong>the</strong> canoe is<br />

25m long and can carry 100 warriors. It was built about<br />

1836 for Te Waka Tarakau of Ngati Kahungunu, who lived near<br />

Wairoa in Hawkes Bay. Its name commemorates Tapiri, a famous<br />

ancestor of Tarakau. Before it was finished, <strong>the</strong> canoe was<br />

exchanged for a famous cloak.<br />

After <strong>the</strong> prow, stern and side strakes were<br />

carved <strong>the</strong> canoe was presented to Tamati Waka<br />

Nene and his bro<strong>the</strong>r Patuone of Ngapuhi. In<br />

1853 Te Toki a Tapiri was sold to members of<br />

Ngati Ata. In 1863, following <strong>the</strong> outbreak of<br />

war in <strong>the</strong> Waikato, Government forces seized<br />

<strong>the</strong> waka, even though Ngati Te Ata had not taken<br />

part in <strong>the</strong> fighting. Ngati Te Ata accepted crown<br />

compensation for this transgression.<br />

A British sailor made an unsuccessful attempt to<br />

blow up <strong>the</strong> canoe while it lay on a beach at<br />

Onehunga. In 1869 <strong>the</strong> canoe was restored, and<br />

teacher background<br />

became <strong>the</strong> highlight of a regatta on <strong>the</strong><br />

Waitemata Harbour organised for <strong>the</strong> visit of<br />

Prince Alfred, Duke of Edinburgh.<br />

Ngati Whatua of Orakei later looked after <strong>the</strong><br />

canoe until it was presented to <strong>Auckland</strong> <strong>Museum</strong><br />

by <strong>the</strong> New Zealand Government in 1885. To<br />

move <strong>the</strong> canoe from its Orakei landing place to<br />

<strong>the</strong> Princess street building required cunning strategy.<br />

Firstly a cart was wheeled onto <strong>the</strong> beach at<br />

low tide over a corduroy slab track. At <strong>the</strong> next<br />

high tide <strong>the</strong> floating canoe was manoeuvred<br />

onto <strong>the</strong> cart and dragged inland at low tide. Its

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