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Savile Row may be better known for well-cut su<strong>it</strong>s than for<br />
cutting-edge art, but that looks set <strong>to</strong> change w<strong>it</strong>h the opening<br />
of Hauser & Wirth at number 23.<br />
Occupying more than 15,000sq ft, the Eric Parry<br />
development is Hauser & Wirth’s fourth gallery in the area and<br />
<strong>it</strong>s most amb<strong>it</strong>ious yet.<br />
One of the world’s leading contemporary galleries, the<br />
Zurich-based dealership has had a strong <strong>Mayfair</strong> presence<br />
since first opening on Piccadilly in 2003. Hauser & Wirth<br />
Colnaghi launched on Old Bond Street in 2006, followed soon<br />
after by the Outdoor Sculpture at Southwood Gardens, St<br />
James’s Church.<br />
“W<strong>it</strong>hout question, this is where the gallery is most rooted,”<br />
says London direc<strong>to</strong>r Gregor Muir. “<strong>Mayfair</strong> has always been an<br />
important centre for what we do and I think <strong>it</strong>’s fair <strong>to</strong> say that<br />
“It’s a major<br />
Bourgeois<br />
statement and<br />
and a stunning,<br />
museum-qual<strong>it</strong>y<br />
show”<br />
Gregor Muir<br />
Su<strong>it</strong>ed <strong>to</strong> art<br />
when Savile Row opens, Hauser & Wirth’s presence in <strong>Mayfair</strong><br />
will be very clear.”<br />
Those in any doubt of the gallery’s amb<strong>it</strong>ions should look no<br />
further than the opening show at Savile Row, which is<br />
dedicated <strong>to</strong> the grande dame of contemporary art, Louise<br />
Bourgeois.<br />
The exhib<strong>it</strong>ion brings <strong>to</strong>gether 70 fabric drawings made<br />
between 2002 and 2008, plus four large-scale sculptures.<br />
Curated by Germano Celant, the display has travelled from the<br />
Fondazione Vedova, Venice and was the last project Bourgeois<br />
worked on before passing away in June 2010, aged 98.<br />
“It’s a major Bourgeois statement and and a stunning,<br />
museum-qual<strong>it</strong>y show,” says Muir. “It’s going <strong>to</strong> be glorious<br />
and, I think, qu<strong>it</strong>e uplifting <strong>to</strong> see.”<br />
The plan post-Bourgeois is <strong>to</strong> show a rotating programme<br />
of exhib<strong>it</strong>ions by gallery artists such as Martin Creed, Roni<br />
Horn, Paul McCarthy and Wilhelm Sasnal.<br />
“Its going <strong>to</strong> be a balancing act between the two main<br />
spaces,” says Muir. “We can’t begin <strong>to</strong> compete w<strong>it</strong>h ourselves,<br />
so <strong>it</strong>’s a matter of spreading things out and pacing the shows<br />
across the galleries.”<br />
As for competing w<strong>it</strong>h the neighbours, Muir is of the belief<br />
that what’s good for London is “generally acknowledged <strong>to</strong> be<br />
useful <strong>to</strong> everyone”.<br />
“The more major attractions London has, the better <strong>it</strong> is for<br />
us all, and I hope this falls in <strong>to</strong> that category of being a major<br />
attraction for vis<strong>it</strong>ing collec<strong>to</strong>rs, cura<strong>to</strong>rs and artists,” he says.<br />
“<strong>Mayfair</strong> is continuing <strong>to</strong> grow year in, year out in terms of<br />
art and I think the arrival of this gallery will ultimately cement<br />
<strong>Mayfair</strong> as an art destination.”<br />
Louise Bourgeois: The Fabric Works runs from Oc<strong>to</strong>ber 15-<br />
December 18 at Hauser & Wirth, 23 Savile Row.<br />
www.hauserwirth.com<br />
SAVILE ROW IS<br />
THE PERFECT FIT<br />
FOR HAUSER &<br />
WIRTH’S NEW<br />
GALLERY SPACE,<br />
DIRECTOR<br />
GREGOR MUIR<br />
TELLS SOPHIE<br />
BISHOP<br />
ABOVE: UNTITLED, LOUISE<br />
BOURGEOIS, 2005<br />
© LOUISE BOURGEOIS TRUST<br />
COURTESY HAUSER & WIRTH<br />
PHOTO: CHRISTOPHER BURKE<br />
LEFT: UNTITLED, LOUISE<br />
BOURGEOIS, 2007<br />
© LOUISE BOURGEOIS TRUST<br />
COURTESY HAUSER & WIRTH<br />
PHOTO: CHRISTOPHER BURKE<br />
21<br />
art