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January-December 2010, vol. 1

January-December 2010, vol. 1

January-December 2010, vol. 1

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faded flowers stuffed into tiny vases, ashes walled up in tinyholes, walls forming narrow corridors. How different to the spotwhere the ashes of my mum and dad lie in southern Tasmania,a wide sweep of shallow bay on the D'Entrecasteux channel,where sun-kissed and wind-tossed, open and unbound, theirashes united in the sea which had played such a huge part intheir lives. I knew then that my parents had made a wonderfulchoice for all of us, not right or wrong, simply different, braveand bold.I don't want to let the Italian voices in my life grow silent, yetalready I can't quite remember the details of those storiesheard many times over. There are a hundred questions I wish Ihad asked. At the same time the facts don't really matter. Thethings left behind can speak for themselves, and inherently theyspeak more directly to the imagination and to the heart. It is inthis spirit that my sister and I have donated these things into thekeeping of the Italian Historical Society. I agree with the writerSalman Rushdie's statement that, "the past is a country fromwhich we have all migrated, that its loss is part of our commonhumanity." 10 Museum collections are a way of accessing this'country', only you don't want to spend too much time there.Dwelling too long in the country of the past makes it awfullydifficult to live in the present. Loss, in all its forms, is somethingwe all have to come to terms with, one way or another, as weall journey toward our own final homecomings.10 Salman Rushdie, Imaginary Homelands (London: Granta Books,1991), p. 12.24 | IHSJ ITALIAN HISTORICAL SOCIETY JOURNAL VOLUME 18 <strong>2010</strong>

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