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2011 Annual Report - National Gallery of Art

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The Center for Advanced Study in the<br />

Visual <strong>Art</strong>s, founded in 1979, sponsors the<br />

study <strong>of</strong> the visual arts in each <strong>of</strong> its four<br />

program areas: fellowships, publications,<br />

scholarly meetings, and research.<br />

During its thirty-first academic year, the<br />

Center welcomed fellows from France,<br />

Germany, Italy, Spain, Belgium, Switzerland,<br />

the United Kingdom, and the United States.<br />

The topics <strong>of</strong> their research ranged from<br />

votive panel paintings in Renaissance Italy to<br />

the lives <strong>of</strong> ancient Maya sculptures, from<br />

scenes <strong>of</strong> Arcadia to images <strong>of</strong> the Passion,<br />

from a social history <strong>of</strong> the London square to<br />

the historiography <strong>of</strong> Leonardo da Vinci, and<br />

from the topographical imaging <strong>of</strong> Udaipur,<br />

India, and its environs to the sculpture <strong>of</strong><br />

Isa Genzken and Thomas Hirschhorn.<br />

In the program <strong>of</strong> publications, two volumes<br />

in the series Studies in the History <strong>of</strong><br />

<strong>Art</strong> appeared. The first, Romare Bearden,<br />

American Modernist (volume 71), was edited<br />

by Ruth Fine and Jacqueline Francis. It<br />

includes essays delivered at the 2003 symposium<br />

<strong>of</strong> the same name, which coincided<br />

with the exhibition The <strong>Art</strong> <strong>of</strong> Romare<br />

Bearden. The publication was marked by a<br />

lecture by noted Bearden scholar Mary<br />

Schmidt Campbell, dean, Tisch School <strong>of</strong><br />

the <strong>Art</strong>s, New York University. The second<br />

publication, <strong>Art</strong> and the Early Photographic<br />

Album (volume 77), was edited by Stephen<br />

Bann, and gathers papers presented at a<br />

symposium held in 2007.<br />

In the program <strong>of</strong> special meetings, the<br />

Center cosponsored, with University <strong>of</strong><br />

Maryland, the forty-first Middle Atlantic<br />

Symposium in the History <strong>of</strong> <strong>Art</strong>. This<br />

year’s biennial Wyeth conference, supported<br />

by the Wyeth Foundation for American <strong>Art</strong>,<br />

was dedicated to the topic “Landscape in<br />

American <strong>Art</strong>, 1940–2000.”<br />

Victor I. Stoichita, the Center’s eighth<br />

Edmond J. Safra Visiting Pr<strong>of</strong>essor, initiated<br />

two events during his residency this spring; a<br />

two-day Robert H. Smith Colloquy on the<br />

subject <strong>of</strong> the <strong>Gallery</strong>’s painting Two Women at<br />

a Window by Bartolomé Esteban Murillo and a<br />

lecture for the scholarly public entitled “The<br />

NATIONAL GALLERY OF ART 37<br />

CENTER FOR ADVANCED<br />

STUDY IN THE VISUAL ARTS<br />

Don Quixote Effect: Pictorial Fiction and<br />

Aesthetic Borders in Murillo and Beyond.”<br />

The sixtieth A. W. Mellon Lectures in the<br />

Fine <strong>Art</strong>s were delivered by Mary Beard <strong>of</strong><br />

the University <strong>of</strong> Cambridge on “The<br />

Twelve Caesars: Images <strong>of</strong> Power from<br />

Ancient Rome to Salvador Dalí.” Helen<br />

Vendler’s A. W. Mellon Lectures, the fiftysixth<br />

in the series, and Mary Miller’s, the<br />

fifty-ninth in the series, were made available<br />

as podcasts (www.nga.gov/podcasts/mellon).<br />

The Center is working to make the Mellon<br />

Lectures more widely available this way, and<br />

plans to include images to the extent possible.<br />

The Moment <strong>of</strong> Caravaggio, based on<br />

Michael Fried’s A. W. Mellon Lectures, the<br />

fifty-first in the series, appeared in print.<br />

Edited, revised, and fully illustrated versions<br />

<strong>of</strong> the Mellon Lectures will continue to be<br />

published in the Bollingen Series by<br />

Princeton University Press, according to the<br />

wishes <strong>of</strong> Paul and Mary Mellon.<br />

The Center’s ongoing research projects<br />

are designed to provide primary research<br />

materials and tools. Dean Elizabeth Cropper<br />

continued her work on the critical edition<br />

and translation <strong>of</strong> Carlo Cesare Malvasia’s<br />

Felsina pittrice (Bologna, 1678). Keywords in<br />

American Landscape Design, directed by<br />

Associate Dean Therese O’Malley, and published<br />

in 2010 jointly by Yale University<br />

Press and the <strong>Gallery</strong>, was awarded the <strong>2011</strong><br />

John Brinckerh<strong>of</strong>f Jackson Book Prize from<br />

the Foundation for Landscape Studies. The<br />

volume also received a <strong>2011</strong> Council on<br />

Botanical and Horticultural Libraries Award<br />

for a Significant Work in Botanical or<br />

Horticultural Literature.<br />

With the support <strong>of</strong> a Digital Resources<br />

Grant from the Samuel H. Kress Foundation,<br />

Associate Dean Peter M. Lukehart traveled to<br />

Europe and throughout the United States to<br />

present his digital humanities project, “The<br />

History <strong>of</strong> the Accademia di San Luca, c.<br />

1590–1635: Documents from the Archivio di<br />

Stato di Roma” (www.nga.gov/casva/accademia).<br />

For more on the Center’s programs, see<br />

the annual report, Center 31, available<br />

online at www.nga.gov/resources/casva.shtm.

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