2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
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74<br />
During the fiscal year, 129 lenders from<br />
fifteen countries and thirteen states<br />
loaned 781 works <strong>of</strong> art to twenty-one<br />
exhibitions. The <strong>Gallery</strong> also worked on<br />
another thirty projects scheduled to open<br />
in the next five years and administered<br />
the tour <strong>of</strong> eight exhibitions. United<br />
States Government Indemnity was<br />
secured for six exhibitions on view in<br />
fiscal year <strong>2011</strong>, resulting in a savings <strong>of</strong><br />
$2,728,335 in insurance premiums.<br />
>From Impressionism to Modernism:<br />
The Chester Dale Collection<br />
Continued from previous fiscal year to<br />
2 January 2012<br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Harry Cooper and Kimberly Jones,<br />
curators<br />
Made possible by United Technologies<br />
Corporation<br />
Film made possible by the HRH<br />
Foundation<br />
>In the Tower: Mark Rothko<br />
Continued from previous fiscal year to 9<br />
January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Harry Cooper, curator<br />
Made possible by the generous support<br />
<strong>of</strong> the Aaron I. Fleischman Foundation<br />
Film made possible by the HRH<br />
Foundation<br />
>American Modernism: The Shein Collection<br />
Continued from previous fiscal year to<br />
2 January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Nancy Anderson and Charlie Brock,<br />
curators<br />
>German Master Drawings from the<br />
Wolfgang Ratjen Collection, 1580–1900<br />
Continued from previous fiscal year to<br />
2 January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Andrew Robison, curator<br />
Made possible through the generous<br />
support <strong>of</strong> the STIFTUNG RATJEN,<br />
Liechtenstein<br />
>German Master Drawings from the<br />
<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, 1580–1900<br />
Continued from previous fiscal year to<br />
2 January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Andrew Robison, curator<br />
>Edvard Munch: Master Prints<br />
Continued from previous fiscal year to<br />
28 November 2010<br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Andrew Robison, curator<br />
Made possible through the generous<br />
loans and support <strong>of</strong> the Epstein<br />
Family and Catherine Woodard and<br />
Nelson Blitz Jr.<br />
>Arcimboldo, 1526–1593: Nature and Fantasy<br />
Continued from previous fiscal year to<br />
9 January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
David Brown, Gretchen Hirschauer, and<br />
Sylvia Ferino-Pagden, curators<br />
Made possible by Louisa and<br />
Robert Duemling<br />
Sponsored by Altria Group<br />
Additional support provided by<br />
EXHIBITIONS AND LOANS<br />
The Exhibition Circle <strong>of</strong> the <strong>National</strong><br />
<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Supported by an indemnity from<br />
the Federal Council on the <strong>Art</strong>s and<br />
the Humanities<br />
>The Pre-Raphaelite Lens: British<br />
Photography and Painting, 1848–1875<br />
31 October 2010–30 January <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, Washington, in association with the<br />
Musée d’Orsay, Paris<br />
Diane Waggoner, curator<br />
Made possible through the generous<br />
support <strong>of</strong> the Trellis Fund and the Ryna<br />
and Melvin Cohen Family Foundation<br />
and Marcella and Neil Cohen<br />
Early support for research provided<br />
by the Marlene Nathan Meyerson<br />
Family Foundation<br />
Supported by an indemnity from<br />
the Federal Council on the <strong>Art</strong>s and<br />
the Humanities<br />
>Larger Than Life: Ter Brugghen’s “Saint<br />
Sebastian Tended by Irene”<br />
21 January <strong>2011</strong>–15 May <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
<strong>Art</strong>hur Wheelock, curator<br />
Made possible through the generous<br />
support <strong>of</strong> Michael A. Glass<br />
>Venice: Canaletto and His Rivals<br />
20 February <strong>2011</strong>–30 May <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, Washington, and The <strong>National</strong><br />
<strong>Gallery</strong>, London<br />
David Brown, curator<br />
Made possible by the Bracco<br />
Foundation and through the generous<br />
support <strong>of</strong> the Anna-Maria and Stephen<br />
Kellen Foundation<br />
Additional support kindly provided by<br />
Sally Engelhard Pingree and The Charles<br />
Engelhard Foundation<br />
Supported by an indemnity from the<br />
Federal Council on the <strong>Art</strong>s and the<br />
Humanities<br />
>Gauguin: Maker <strong>of</strong> Myth<br />
27 February <strong>2011</strong>–5 June <strong>2011</strong><br />
Organized by Tate Modern, London,<br />
in association with the <strong>National</strong> <strong>Gallery</strong><br />
<strong>of</strong> <strong>Art</strong>, Washington<br />
Mary Morton, curator<br />
Sponsored globally by Bank <strong>of</strong> America<br />
Made possible through the generous<br />
support <strong>of</strong> The Marshall B. Coyne<br />
Foundation through the Fund for<br />
the International Exchange <strong>of</strong> <strong>Art</strong><br />
Additional support provided by<br />
The Exhibition Circle <strong>of</strong> the <strong>National</strong><br />
<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Supported by an indemnity from<br />
the Federal Council on the <strong>Art</strong>s and<br />
the Humanities<br />
Film made possible by the HRH<br />
Foundation<br />
>In the Tower: Nam June Paik<br />
13 March <strong>2011</strong>–2 October <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Harry Cooper, curator<br />
Made possible by The Exhibition Circle<br />
<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
>Lewis Baltz: Prototypes/Ronde de Nuit<br />
20 March <strong>2011</strong>–31 July <strong>2011</strong><br />
Organized by The <strong>Art</strong> Institute<br />
<strong>of</strong> Chicago<br />
Matthew Wittkovsky, curator<br />
Made possible through the generous<br />
support <strong>of</strong> the Trellis Fund<br />
>Gabriel Metsu, 1629–1667<br />
10 April <strong>2011</strong>–24 July <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong><br />
<strong>of</strong> Ireland, Dublin, in association with<br />
the Rijksmuseum, Amsterdam, and the<br />
<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, Washington<br />
<strong>Art</strong>hur Wheelock and Adriaan Waiboer,<br />
curator<br />
Made possible by the Hata Stichting<br />
Supported by an indemnity from<br />
the Federal Council on the <strong>Art</strong>s and<br />
the Humanities<br />
>Italian Master Drawings from the Wolfgang<br />
Ratjen Collection, 1525–1835<br />
8 May <strong>2011</strong>–27 November <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Margaret Morgan Grasselli, curator<br />
Made possible through the generous<br />
support <strong>of</strong> the STIFTUNG RATJEN,<br />
Liechtenstein<br />
>The Gothic Spirit <strong>of</strong> John Taylor Arms<br />
8 May <strong>2011</strong>–27 November <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Charles Ritchie, curator<br />
>Declaration <strong>of</strong> Independence: The Stone Copy<br />
28 May <strong>2011</strong>–5 September <strong>2011</strong><br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, Washington<br />
Deborah Chotner, curator<br />
Lent by David M. Rubenstein<br />
>The Capitoline Venus<br />
8 June <strong>2011</strong>–18 September <strong>2011</strong><br />
Organized by Roma Capitale,<br />
Sovraintendenza ai Beni Culturali–Musei<br />
Capitolini, and the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, with the partnership <strong>of</strong> the Knights<br />
<strong>of</strong> Columbus and the Embassy <strong>of</strong> the<br />
Republic <strong>of</strong> Italy, Washington<br />
Mary Levk<strong>of</strong>f, curator<br />
Part <strong>of</strong> The Dream <strong>of</strong> Rome, a project<br />
initiated by the Mayor <strong>of</strong> Rome, Gianni<br />
Alemanno, to exhibit timeless<br />
masterpieces in the United States from<br />
<strong>2011</strong> to 2013, and Italy@150, a series <strong>of</strong><br />
events and activities around Washington<br />
and in the United States to celebrate the<br />
150th anniversary <strong>of</strong> Italy’s unification,<br />
under the high auspices <strong>of</strong> the President<br />
<strong>of</strong> Italy, Giorgio Napolitano<br />
>A New Look: Samuel F. B. Morse’s<br />
“<strong>Gallery</strong> <strong>of</strong> the Louvre”<br />
25 June <strong>2011</strong>–8 July 2012<br />
Made possible by the generous support<br />
<strong>of</strong> the Terra Foundation for American <strong>Art</strong><br />
and organized in partnership with the<br />
<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Nancy Anderson, curator<br />
>The Invention <strong>of</strong> Glory: Afonso V and the<br />
Pastrana Tapestries<br />
18 September <strong>2011</strong>–8 January 2012<br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, Washington, and the Fundación<br />
Carlos de Amberes, Madrid, in<br />
association with the Embassy <strong>of</strong> Spain,<br />
the Spain-USA Foundation, and the<br />
Embassy <strong>of</strong> Portugal and with the<br />
cooperation <strong>of</strong> the Embassy <strong>of</strong> Belgium<br />
and the Embassy <strong>of</strong> Morocco,<br />
Washington, as well as the Diocese<br />
<strong>of</strong> Sigüenza-Guadalajara and Church<br />
<strong>of</strong> Our Lady <strong>of</strong> the Assumption,<br />
Pastrana, Spain<br />
Julia Burke, Susan Arensberg, and<br />
Mary Levk<strong>of</strong>f, curators<br />
Made possible through the generous<br />
support <strong>of</strong> the government <strong>of</strong> Spain; the<br />
government <strong>of</strong> Portugal, Ministry <strong>of</strong><br />
Foreign Affairs, Instituto Camões; and<br />
the government <strong>of</strong> Belgium, Ministry <strong>of</strong><br />
Foreign Affairs<br />
Conservation <strong>of</strong> tapestries undertaken at<br />
the initiative <strong>of</strong> the Spanish Fundación<br />
Carlos de Amberes, with support from<br />
the Belgian InBev-Baillet Latour Fund,<br />
and the following Spanish institutions:<br />
Fundación Caja Madrid, Region <strong>of</strong><br />
Castilla—La Mancha, Provincial Council<br />
<strong>of</strong> Guadalajara, Diocese <strong>of</strong> Sigüenza-<br />
Guadalajara, and Church <strong>of</strong> Our Lady <strong>of</strong><br />
the Assumption, Pastrana<br />
>Warhol: Headlines<br />
25 September <strong>2011</strong>–2 January 2012<br />
Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Art</strong>, Washington, in association with The<br />
Andy Warhol Museum, Pittsburgh, the<br />
Galleria nazionale d’arte moderna,<br />
Rome, and the Museum für Moderne<br />
Kunst, Frankfurt<br />
Molly Donovan, curator<br />
Sponsored by The Terra Foundation for<br />
American <strong>Art</strong><br />
Made possible by The Exhibition Circle<br />
<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />
Supported by an indemnity from<br />
the Federal Council on the <strong>Art</strong>s and<br />
the Humanities<br />
LENDERS TO EXHIBITIONS<br />
Private Collections<br />
Mr. Michael D. Abrams<br />
Verónica E. Betancourt<br />
Mr. Michele Bonuomo<br />
The Honorable Henry Channon,<br />
the Honorable Georgia Fanshawe<br />
and Robin Howard<br />
Gary O. and Jean L. Cohen<br />
Madame Vittorio Coin<br />
John C. Bute<br />
Richard de Pelet<br />
Donny Deutsch<br />
Mrs. Sarah G. Epstein<br />
Viscount Fitzharris<br />
Gordon Getty<br />
Franck Giraud<br />
Greg Gooding<br />
John Gossage<br />
Ken Hakuta<br />
Thomas Kaplan<br />
Andrea Kayne Kaufman and<br />
Jacob J. Kaufman<br />
David Knaus<br />
Christopher Makos<br />
Francesca McLin<br />
Robert E. Meyerh<strong>of</strong>f<br />
Lord Mountbatten, <strong>of</strong> Burma