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2011 Annual Report - National Gallery of Art

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74<br />

During the fiscal year, 129 lenders from<br />

fifteen countries and thirteen states<br />

loaned 781 works <strong>of</strong> art to twenty-one<br />

exhibitions. The <strong>Gallery</strong> also worked on<br />

another thirty projects scheduled to open<br />

in the next five years and administered<br />

the tour <strong>of</strong> eight exhibitions. United<br />

States Government Indemnity was<br />

secured for six exhibitions on view in<br />

fiscal year <strong>2011</strong>, resulting in a savings <strong>of</strong><br />

$2,728,335 in insurance premiums.<br />

>From Impressionism to Modernism:<br />

The Chester Dale Collection<br />

Continued from previous fiscal year to<br />

2 January 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper and Kimberly Jones,<br />

curators<br />

Made possible by United Technologies<br />

Corporation<br />

Film made possible by the HRH<br />

Foundation<br />

>In the Tower: Mark Rothko<br />

Continued from previous fiscal year to 9<br />

January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper, curator<br />

Made possible by the generous support<br />

<strong>of</strong> the Aaron I. Fleischman Foundation<br />

Film made possible by the HRH<br />

Foundation<br />

>American Modernism: The Shein Collection<br />

Continued from previous fiscal year to<br />

2 January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Nancy Anderson and Charlie Brock,<br />

curators<br />

>German Master Drawings from the<br />

Wolfgang Ratjen Collection, 1580–1900<br />

Continued from previous fiscal year to<br />

2 January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Andrew Robison, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the STIFTUNG RATJEN,<br />

Liechtenstein<br />

>German Master Drawings from the<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, 1580–1900<br />

Continued from previous fiscal year to<br />

2 January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Andrew Robison, curator<br />

>Edvard Munch: Master Prints<br />

Continued from previous fiscal year to<br />

28 November 2010<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Andrew Robison, curator<br />

Made possible through the generous<br />

loans and support <strong>of</strong> the Epstein<br />

Family and Catherine Woodard and<br />

Nelson Blitz Jr.<br />

>Arcimboldo, 1526–1593: Nature and Fantasy<br />

Continued from previous fiscal year to<br />

9 January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

David Brown, Gretchen Hirschauer, and<br />

Sylvia Ferino-Pagden, curators<br />

Made possible by Louisa and<br />

Robert Duemling<br />

Sponsored by Altria Group<br />

Additional support provided by<br />

EXHIBITIONS AND LOANS<br />

The Exhibition Circle <strong>of</strong> the <strong>National</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from<br />

the Federal Council on the <strong>Art</strong>s and<br />

the Humanities<br />

>The Pre-Raphaelite Lens: British<br />

Photography and Painting, 1848–1875<br />

31 October 2010–30 January <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, in association with the<br />

Musée d’Orsay, Paris<br />

Diane Waggoner, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the Trellis Fund and the Ryna<br />

and Melvin Cohen Family Foundation<br />

and Marcella and Neil Cohen<br />

Early support for research provided<br />

by the Marlene Nathan Meyerson<br />

Family Foundation<br />

Supported by an indemnity from<br />

the Federal Council on the <strong>Art</strong>s and<br />

the Humanities<br />

>Larger Than Life: Ter Brugghen’s “Saint<br />

Sebastian Tended by Irene”<br />

21 January <strong>2011</strong>–15 May <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

<strong>Art</strong>hur Wheelock, curator<br />

Made possible through the generous<br />

support <strong>of</strong> Michael A. Glass<br />

>Venice: Canaletto and His Rivals<br />

20 February <strong>2011</strong>–30 May <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, and The <strong>National</strong><br />

<strong>Gallery</strong>, London<br />

David Brown, curator<br />

Made possible by the Bracco<br />

Foundation and through the generous<br />

support <strong>of</strong> the Anna-Maria and Stephen<br />

Kellen Foundation<br />

Additional support kindly provided by<br />

Sally Engelhard Pingree and The Charles<br />

Engelhard Foundation<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>Gauguin: Maker <strong>of</strong> Myth<br />

27 February <strong>2011</strong>–5 June <strong>2011</strong><br />

Organized by Tate Modern, London,<br />

in association with the <strong>National</strong> <strong>Gallery</strong><br />

<strong>of</strong> <strong>Art</strong>, Washington<br />

Mary Morton, curator<br />

Sponsored globally by Bank <strong>of</strong> America<br />

Made possible through the generous<br />

support <strong>of</strong> The Marshall B. Coyne<br />

Foundation through the Fund for<br />

the International Exchange <strong>of</strong> <strong>Art</strong><br />

Additional support provided by<br />

The Exhibition Circle <strong>of</strong> the <strong>National</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from<br />

the Federal Council on the <strong>Art</strong>s and<br />

the Humanities<br />

Film made possible by the HRH<br />

Foundation<br />

>In the Tower: Nam June Paik<br />

13 March <strong>2011</strong>–2 October <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper, curator<br />

Made possible by The Exhibition Circle<br />

<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

>Lewis Baltz: Prototypes/Ronde de Nuit<br />

20 March <strong>2011</strong>–31 July <strong>2011</strong><br />

Organized by The <strong>Art</strong> Institute<br />

<strong>of</strong> Chicago<br />

Matthew Wittkovsky, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the Trellis Fund<br />

>Gabriel Metsu, 1629–1667<br />

10 April <strong>2011</strong>–24 July <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong><br />

<strong>of</strong> Ireland, Dublin, in association with<br />

the Rijksmuseum, Amsterdam, and the<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, Washington<br />

<strong>Art</strong>hur Wheelock and Adriaan Waiboer,<br />

curator<br />

Made possible by the Hata Stichting<br />

Supported by an indemnity from<br />

the Federal Council on the <strong>Art</strong>s and<br />

the Humanities<br />

>Italian Master Drawings from the Wolfgang<br />

Ratjen Collection, 1525–1835<br />

8 May <strong>2011</strong>–27 November <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Margaret Morgan Grasselli, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the STIFTUNG RATJEN,<br />

Liechtenstein<br />

>The Gothic Spirit <strong>of</strong> John Taylor Arms<br />

8 May <strong>2011</strong>–27 November <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Charles Ritchie, curator<br />

>Declaration <strong>of</strong> Independence: The Stone Copy<br />

28 May <strong>2011</strong>–5 September <strong>2011</strong><br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington<br />

Deborah Chotner, curator<br />

Lent by David M. Rubenstein<br />

>The Capitoline Venus<br />

8 June <strong>2011</strong>–18 September <strong>2011</strong><br />

Organized by Roma Capitale,<br />

Sovraintendenza ai Beni Culturali–Musei<br />

Capitolini, and the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, with the partnership <strong>of</strong> the Knights<br />

<strong>of</strong> Columbus and the Embassy <strong>of</strong> the<br />

Republic <strong>of</strong> Italy, Washington<br />

Mary Levk<strong>of</strong>f, curator<br />

Part <strong>of</strong> The Dream <strong>of</strong> Rome, a project<br />

initiated by the Mayor <strong>of</strong> Rome, Gianni<br />

Alemanno, to exhibit timeless<br />

masterpieces in the United States from<br />

<strong>2011</strong> to 2013, and Italy@150, a series <strong>of</strong><br />

events and activities around Washington<br />

and in the United States to celebrate the<br />

150th anniversary <strong>of</strong> Italy’s unification,<br />

under the high auspices <strong>of</strong> the President<br />

<strong>of</strong> Italy, Giorgio Napolitano<br />

>A New Look: Samuel F. B. Morse’s<br />

“<strong>Gallery</strong> <strong>of</strong> the Louvre”<br />

25 June <strong>2011</strong>–8 July 2012<br />

Made possible by the generous support<br />

<strong>of</strong> the Terra Foundation for American <strong>Art</strong><br />

and organized in partnership with the<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Nancy Anderson, curator<br />

>The Invention <strong>of</strong> Glory: Afonso V and the<br />

Pastrana Tapestries<br />

18 September <strong>2011</strong>–8 January 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, and the Fundación<br />

Carlos de Amberes, Madrid, in<br />

association with the Embassy <strong>of</strong> Spain,<br />

the Spain-USA Foundation, and the<br />

Embassy <strong>of</strong> Portugal and with the<br />

cooperation <strong>of</strong> the Embassy <strong>of</strong> Belgium<br />

and the Embassy <strong>of</strong> Morocco,<br />

Washington, as well as the Diocese<br />

<strong>of</strong> Sigüenza-Guadalajara and Church<br />

<strong>of</strong> Our Lady <strong>of</strong> the Assumption,<br />

Pastrana, Spain<br />

Julia Burke, Susan Arensberg, and<br />

Mary Levk<strong>of</strong>f, curators<br />

Made possible through the generous<br />

support <strong>of</strong> the government <strong>of</strong> Spain; the<br />

government <strong>of</strong> Portugal, Ministry <strong>of</strong><br />

Foreign Affairs, Instituto Camões; and<br />

the government <strong>of</strong> Belgium, Ministry <strong>of</strong><br />

Foreign Affairs<br />

Conservation <strong>of</strong> tapestries undertaken at<br />

the initiative <strong>of</strong> the Spanish Fundación<br />

Carlos de Amberes, with support from<br />

the Belgian InBev-Baillet Latour Fund,<br />

and the following Spanish institutions:<br />

Fundación Caja Madrid, Region <strong>of</strong><br />

Castilla—La Mancha, Provincial Council<br />

<strong>of</strong> Guadalajara, Diocese <strong>of</strong> Sigüenza-<br />

Guadalajara, and Church <strong>of</strong> Our Lady <strong>of</strong><br />

the Assumption, Pastrana<br />

>Warhol: Headlines<br />

25 September <strong>2011</strong>–2 January 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, in association with The<br />

Andy Warhol Museum, Pittsburgh, the<br />

Galleria nazionale d’arte moderna,<br />

Rome, and the Museum für Moderne<br />

Kunst, Frankfurt<br />

Molly Donovan, curator<br />

Sponsored by The Terra Foundation for<br />

American <strong>Art</strong><br />

Made possible by The Exhibition Circle<br />

<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from<br />

the Federal Council on the <strong>Art</strong>s and<br />

the Humanities<br />

LENDERS TO EXHIBITIONS<br />

Private Collections<br />

Mr. Michael D. Abrams<br />

Verónica E. Betancourt<br />

Mr. Michele Bonuomo<br />

The Honorable Henry Channon,<br />

the Honorable Georgia Fanshawe<br />

and Robin Howard<br />

Gary O. and Jean L. Cohen<br />

Madame Vittorio Coin<br />

John C. Bute<br />

Richard de Pelet<br />

Donny Deutsch<br />

Mrs. Sarah G. Epstein<br />

Viscount Fitzharris<br />

Gordon Getty<br />

Franck Giraud<br />

Greg Gooding<br />

John Gossage<br />

Ken Hakuta<br />

Thomas Kaplan<br />

Andrea Kayne Kaufman and<br />

Jacob J. Kaufman<br />

David Knaus<br />

Christopher Makos<br />

Francesca McLin<br />

Robert E. Meyerh<strong>of</strong>f<br />

Lord Mountbatten, <strong>of</strong> Burma

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