2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
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PRINTS<br />
Ademollo, Luigi, Italian, 1764–1849<br />
>The Ashes <strong>of</strong> Trajan Carried in a<br />
Triumphal Procession, etching and aquatint<br />
>The Body <strong>of</strong> Hadrian Laying in State next<br />
to His Mausoleum, etching and aquatint,<br />
2010.133.1, 2, Ailsa Mellon Bruce Fund<br />
Albertolli, Giocondo (author and<br />
designer), Italian, 1742–1839<br />
>Ornamenti diversi, (Milan, 1782)<br />
>Alcune decorazioni di nobili sale ed altri<br />
ornamenti, (Milan, 1787)<br />
>Miscellanea per i giovani studioso del<br />
disegno, (Milan, 1796), three bound<br />
volumes, with sixty-six engraved<br />
illustrations, three engraved titles, and two<br />
engraved dedications by Giacomo<br />
Mercoli, Swiss, b. 1745, Giuseppe Longhi,<br />
Italian, 1766–1831, Raffaele Albertolli,<br />
Swiss, 1770–1812, and Andrea de<br />
Bernardis, Italian, 1760–1837, after<br />
Giocondo Albertolli, <strong>2011</strong>.81.1.1–3,<br />
Ailsa Mellon Bruce Fund<br />
Albright, Ivan Le Lorraine, American,<br />
1897–1983<br />
>Fleeting Time, Thou Hast Left Me Old,<br />
1945, lithograph, <strong>2011</strong>.60.5, The John U.<br />
and Evelyn S. Nef Collection<br />
Aman-Jean, Edmond, French, 1860–1936<br />
>La Rieuse: Madame Albert Besnard, 1897,<br />
color lithograph, printed in brown and<br />
gold, <strong>2011</strong>.79.1, Ailsa Mellon Bruce Fund<br />
Amman, Jost, Swiss, 1539–1591<br />
>Earth (after Wenzel Jamnitzer I), 1568,<br />
etching [pro<strong>of</strong> without text]<br />
>Air (after Wenzel Jamnitzer I), 1568,<br />
etching [pro<strong>of</strong> without text]<br />
>Water after Wenzel Jamnitzer I), 1568,<br />
etching [pro<strong>of</strong> without text],<br />
<strong>2011</strong>.78.1–3, Ailsa Mellon Bruce Fund<br />
Arms, John Taylor, American, 1887–1953<br />
>Normandy Noon, 1936, etching on blue<br />
paper, <strong>2011</strong>.14.1, Gift <strong>of</strong> David F. Wright<br />
>Crystal and Jade, 1936–1940, etching<br />
with aquatint<br />
>Wasps, 1920, aquatint and etching<br />
>Birdman, 1919, aquatint and etching<br />
>Vermont, 1945, etching<br />
>The Pig Pen, 1936–1940, etching<br />
>Normandy, 1944, etching on blue paper<br />
>Triangular Bridge, Crowland, England,<br />
1941, etching<br />
>Shadow in Mexico, 1936–1940, etching<br />
>Patscuaro, Michoacán, Mexico,<br />
1941, etching on blue paper,<br />
<strong>2011</strong>.68.1–9, Gift <strong>of</strong> T. A. Cox<br />
Bartsch, Adam von, Austrian, 1757–1821<br />
>A Crouching Apostle (after a drawing<br />
formerly attributed to Albrecht Dürer),<br />
1785, etching and aquatint printed in<br />
brown, <strong>2011</strong>.86.1, Gift <strong>of</strong> Jane Tarleton<br />
Smith Moore<br />
Beuys, Joseph, German, 1921–1986<br />
>Creativity=Capital, 1983, lithograph<br />
and screenprint, <strong>2011</strong>.17.1, Gift <strong>of</strong><br />
Merrill C. and Dalia S. Berman in<br />
honor <strong>of</strong> Judith Brodie<br />
NATIONAL GALLERY OF ART 69<br />
Biard the Younger, Pierre, French,<br />
1592–1661<br />
>Venus with the Graces and Putti,<br />
1620s, etching, <strong>2011</strong>.73.1, Ailsa Mellon<br />
Bruce Fund<br />
Blooteling, Abraham, Dutch, 1640–1690,<br />
and Theodor Kerckring (author), Dutch,<br />
1640–1693<br />
>Spicilegium Anatomicum,<br />
(Amsterdam,1670), bound volume with<br />
one engraved title, one engraved halftitle,<br />
and thirty-nine etched and<br />
engraved illustrations, <strong>2011</strong>.55.1.a,<br />
William B. O’Neal Fund<br />
Bonnet, Louis-Marin, French, 1736–1793<br />
>Le Réveil de Venus (after François<br />
Boucher), 1769, pastel manner printed in<br />
black, red, blue, white, and yellow-brown<br />
on blue paper, 2010.125.1, Ailsa Mellon<br />
Bruce Fund<br />
Bourgeois, Louise, French-American,<br />
born France, 1911–2010<br />
>He Disappeared into Complete Silence,<br />
1947, suite <strong>of</strong> nine engravings with text,<br />
2010.132.1–9, Purchased as the Gift <strong>of</strong><br />
Dian Woodner<br />
Boys, Thomas Shotter, British, 1803–1874<br />
>Picturesque Architecture in Paris, Ghent,<br />
Antwerp, Rouen Etc., (London, 1839),<br />
bound volume with twenty-nine<br />
chromolithographs, <strong>2011</strong>.82.1, William<br />
B. O’Neal Fund<br />
Bresdin, Rodolphe, French, 1822–1885<br />
>The Good Samaritan, 1861, lithograph,<br />
<strong>2011</strong>.41.2, Gift <strong>of</strong> David P. Becker<br />
Brock, Bazon, German, born 1936,<br />
Bernhard Jager, German, born 1935, and<br />
Thomas Bayrle, German, born 1937<br />
>Bloom Zeitung, 1963, newspaper printed in<br />
red and black with half-tone photographs,<br />
<strong>2011</strong>.77.1, Brodie Fund<br />
Brosamer, Hans, German, c. 1500–1552<br />
or 1554, Petrus Apianus (author),<br />
German, 1495–1592<br />
>Inscriptiones Sacrosanctae Vetustatis Non<br />
Ilae Quidem Romanae Sed Totius Fere<br />
Orbis Summo Studio, (Ingolstadt, 1534),<br />
bound volume with one title woodcut<br />
after Albrecht Dürer, seven woodcut<br />
initials and 134 half- or full-page<br />
woodcut illustrations, <strong>2011</strong>.94.1, Gift <strong>of</strong><br />
Vincent and Linda Buonanno<br />
Cage, John, American, 1912–1992<br />
>Not Wanting to Say Anything About<br />
Marcel (Plexigrams III) ), 1969, eight<br />
panels <strong>of</strong> screenprinted plexiglas with<br />
walnut base, <strong>2011</strong>.93.24, Gift <strong>of</strong> Eileen<br />
and Michael Cohen<br />
Carpioni, Giulio, Italian, c. 1613–1678<br />
>Saint Anthony <strong>of</strong> Padua, 1640s, etching,<br />
<strong>2011</strong>.73.3, The Washington Print<br />
Club Fund<br />
Chagall, Marc, Russian, 1887–1985<br />
>The <strong>Art</strong>ist’s Wife, 1971, lithograph<br />
>Abdullah Discovered before Him..., 1948,<br />
color lithograph<br />
>The Yellow Sun, 1968, color lithograph<br />
[artist’s pro<strong>of</strong>]<br />
>The Clown and the Flute I, 1970,<br />
color lithograph<br />
>A Woman with a Basket <strong>of</strong> Fruit, 1972,<br />
color lithograph [artist’s pro<strong>of</strong>]<br />
>The Little Harlequins, Paris, 1962,<br />
color lithograph<br />
>The <strong>Art</strong>ist at the Village I, 1972,<br />
color lithograph<br />
>Country Idyll, 1972, color lithograph<br />
[artist’s pro<strong>of</strong>]<br />
>Chagall: Lithographs IV (New York, 1974),<br />
bound volume with one lithograph<br />
>The Jerusalem Windows (Boston, 1963),<br />
bound volume with two lithographs<br />
and one drawing in blue felt-tip pen<br />
on title-page titled, Self-Portrait with<br />
Signature, 1968<br />
>Vitraux pour Jerusalem (Monte Carlo,<br />
1968), portfolio <strong>of</strong> seven original<br />
lithographs and one drawing in brush<br />
and ink with pastel titled, An Angel with<br />
the Tablets <strong>of</strong> the Law<br />
>Derriere le Miroir (France, 1972), bound<br />
volume with three lithographs and one<br />
drawing on title-page in blue pen titled,<br />
An <strong>Art</strong>ist with a Female Nude<br />
>Derriere le Miroir (France, 1964),<br />
unbound volume with one lithographic<br />
cover and one lithographic centerfold<br />
>Derriere le Miroir, (France, 1962),<br />
unbound volume with one lithographic<br />
cover and one lithographic centerfold<br />
>Marc Chagall: The Ballet (Paris, 1969),<br />
bound volume with one lithograph on<br />
frontispiece and one drawing in ink and<br />
color crayon on title-page titled, A<br />
Ballerina, 1971<br />
>Marc Chagall: Monotypes (Geneva, 1966),<br />
bound volume with one drypoint and<br />
one drawing in watercolor and ink on<br />
title-page titled, Two Lovers with a<br />
Bourgeoning Bouquet and a Bird<br />
>Chagall: Lithographe III (Boston, 1969),<br />
bound volume with two lithographs and<br />
one drawing in colored pencil and ink<br />
titled, The Man in the Moon with a Lover<br />
Below, 1971<br />
>Le Message Biblique Marc Chagall (Paris,<br />
1972), bound volume with one<br />
lithograph on first free endpaper and<br />
one drawing in colored crayon on titlepage<br />
titled, Moses Presenting the Tablets <strong>of</strong><br />
the Law to the Israelites, 1973<br />
>Chagall Monumental (Paris, 1973),<br />
bound volume with one lithograph and<br />
one drawing in pen and black ink with<br />
pastel on title-page titled, An <strong>Art</strong>ist at<br />
the Easel with a Female Nude and a<br />
Horse-Man, 1974<br />
>Marc Chagall: The Ceiling <strong>of</strong> the Paris<br />
Opera (France, 1966), bound volume<br />
with one lithograph by Chagall, six<br />
lithographs by Charles Sorlier after<br />
Chagall, and one drawing by Chagall<br />
in blue felt-tip pen on title-page titled,<br />
A Ceiling with an Angel Carrying a<br />
Bouquet, 1968<br />
>Chagall: Lithographe II (France, 1963),<br />
bound volume with eleven lithographs,<br />
one lithographic cover, and one drawing<br />
in felt-tip pen on title-page titled, Self-<br />
Portrait in Pr<strong>of</strong>ile, 1968<br />
>Chagall: Lithographe (France, 1960),<br />
bound volume with twelve lithographs<br />
and one drawing in felt-tip pen on titlepage<br />
titled, Self-Portrait, 1968,<br />
<strong>2011</strong>.60.25–32, 78–83, 86, 93, 95–99, 102,<br />
The John U. and Evelyn S. Nef Collection<br />
Conner, Bruce, American, 1933–2008<br />
>Applause, 1966, <strong>of</strong>fset lithograph,<br />
<strong>2011</strong>.93.25, Gift <strong>of</strong> Eileen and<br />
Michael Cohen<br />
Corinth, Lovis, German, 1858–1925<br />
>The Fall <strong>of</strong> Man, 1919, color woodcut<br />
[unique artist’s pro<strong>of</strong> in monotype<br />
wiped colors], 2010.129.1, Ailsa Mellon<br />
Bruce Fund<br />
Dietrich, Christian Wilhelm Ernst,<br />
German, 1712–1774<br />
>Nymphs Bathing in a Cave, 1741,<br />
etching, <strong>2011</strong>.83.1, Purchased as the Gift<br />
<strong>of</strong> Marion Deshmukh<br />
Doesburg, Theo van, Dutch, 1883–1931,<br />
and Kurt Schwitters, German, 1887–1948<br />
>Kleine Dada Soirée, 1922, lithographic<br />
poster/program, printed in red<br />
and black, 2010.124.1, Gift <strong>of</strong> the<br />
Collectors Committee<br />
Drevet, Pierre, French, 1663–1738<br />
>Frédéric Auguste III, roi de Pologne (after<br />
Francois de Troy), engraving [pro<strong>of</strong>],<br />
<strong>2011</strong>.87.1, Ailsa Mellon Bruce Fund<br />
Dufy, Raoul, French, 1877–1953<br />
>Machines in a Field, lithograph<br />
>Amphitrite, 1930, etching, <strong>2011</strong>.60.8, 18,<br />
The John U. and Evelyn S. Nef Collection<br />
Dufy, Raoul, French, 1877–1953,<br />
Guillaume Apollinaire (author), French,<br />
1880–1918<br />
>Le Poete Assassine, (Paris, 1962), bound<br />
volume with thirty-six lithographic<br />
illustrations, <strong>2011</strong>.60.84, The John U. and<br />
Evelyn S. Nef Collection<br />
Dunoyer de Segonzac, André, French,<br />
1884–1974<br />
>Reclining Nude 1920s, etching,<br />
<strong>2011</strong>.60.14, The John U. and Evelyn S.<br />
Nef Collection<br />
Dürer, Albrecht, German, 1471–1528<br />
>Saint Jerome Penitent in the Wilderness,<br />
c. 1496, engraving, <strong>2011</strong>.22.1, Joan and<br />
David Maxwell, Pepita Milmore<br />
Memorial, and The Ahmanson<br />
Foundation Funds<br />
Frink, Elisabeth, Dame, British,<br />
1930–1993<br />
>Baboon, color screenprint, 1990,<br />
<strong>2011</strong>.97.1, The John U. and Evelyn S.<br />
Nef Collection