2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
2011 Annual Report - National Gallery of Art
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18 September <strong>2011</strong>–1 January 2012<br />
Edme Bouchardon<br />
>Cupid<br />
Jean-Marc Nattier<br />
>Joseph Bonnier de la Mosson<br />
Los Angeles, Los Angeles County<br />
Museum <strong>of</strong> <strong>Art</strong><br />
Cubes and Anarchy: Geometry in David<br />
Smith<br />
4 April <strong>2011</strong>–24 July <strong>2011</strong><br />
David Smith<br />
>Circle III<br />
>Blue Construction<br />
>Black-White Forward<br />
San Francisco, San Francisco Museum <strong>of</strong><br />
Modern <strong>Art</strong><br />
Eadweard Muybridge<br />
26 February <strong>2011</strong>–7 June <strong>2011</strong><br />
Circulated to: Tate Britain, London<br />
8 September <strong>2011</strong>–16 January <strong>2011</strong><br />
Eadweard Muybridge<br />
>Tenaya Canyon from Union Point, Valley<br />
<strong>of</strong> the Yosemite<br />
>Ruins <strong>of</strong> the Church <strong>of</strong> Santo Domingo-<br />
Panama<br />
>Phayne L. Running Stride, 19 ft., 9 in.,<br />
Plate XVI<br />
>Illustrations <strong>of</strong> the Paces Walking, Plate LX<br />
>Setting out a C<strong>of</strong>fee Plantation at Antigua<br />
de Guatemala<br />
The Steins Collect: Matisse, Picasso, and<br />
the Parisian Avant-Garde<br />
1 May <strong>2011</strong>–30 September <strong>2011</strong><br />
Pablo Picasso<br />
>Lady with a Fan *<br />
Henri Matisse<br />
>Postcard with a sketch <strong>of</strong> “The Painter’s<br />
Family”<br />
Santa Monica, Santa Monica Museum<br />
<strong>of</strong> <strong>Art</strong><br />
Al Taylor: Wire Instruments and Pet<br />
Stains<br />
21 January <strong>2011</strong>–16 April <strong>2011</strong><br />
Al Taylor<br />
>The Peabody Group #32<br />
New Britain, New Britain Museum <strong>of</strong><br />
American <strong>Art</strong><br />
The Tides <strong>of</strong> Provincetown: Pivotal<br />
Years in America’s Oldest Continuous<br />
<strong>Art</strong> Colony<br />
15 July <strong>2011</strong>–16 October <strong>2011</strong><br />
Mark Rothko<br />
>No. 5<br />
District <strong>of</strong> Columbia<br />
<strong>National</strong> Museum <strong>of</strong> American History<br />
The Price <strong>of</strong> Freedom<br />
14 January 2009–31 January 2012<br />
Charles Peale Polk<br />
>General Washington at Princeton *<br />
<strong>National</strong> Museum <strong>of</strong> Women in the <strong>Art</strong>s<br />
25th Year Anniversary Exhibition<br />
15 September <strong>2011</strong>–15 December 2012<br />
Georgia O’Keeffe<br />
>Jack-in-Pulpit-No. 2<br />
<strong>National</strong> Portrait <strong>Gallery</strong>, Washington<br />
America’s Presidents permanent<br />
collection exhibition<br />
15 December 2009–31 December <strong>2011</strong><br />
Chuck Close<br />
>President Clinton<br />
Wired: Portraits by Alexander Calder<br />
11 March <strong>2011</strong>–14 August <strong>2011</strong><br />
Alexander Calder<br />
>Curt Valentin<br />
Capital Portraits: Treasures from<br />
Washington Private Collections,<br />
1730-2000<br />
1 April <strong>2011</strong>–5 September <strong>2011</strong><br />
Chuck Close<br />
>Nat<br />
Smithsonian American <strong>Art</strong> Museum<br />
The Great American Hall <strong>of</strong> Wonders:<br />
<strong>Art</strong>, Science, and Invention in the<br />
Nineteenth Century<br />
15 July <strong>2011</strong>–8 January 2012<br />
George Inness<br />
>The Lackawanna Valley<br />
American 19th Century<br />
>Man <strong>of</strong> Science *<br />
Rembrandt Peale<br />
>Rubens Peale with a Geranium<br />
The Phillips Collection<br />
David Smith Invents<br />
11 February <strong>2011</strong>–15 May <strong>2011</strong><br />
David Smith<br />
>Untitled (9/3/59)<br />
>Untitled (11-22-58)<br />
>Untitled<br />
From Drawing to Painting: Kandinsky’s<br />
Painting with White Border<br />
11 June <strong>2011</strong>–4 September <strong>2011</strong><br />
Wassily Kandinsky<br />
>Improvisation 31 (Sea Battle)<br />
Connecticut<br />
Greenwich, Bruce Museum <strong>of</strong> <strong>Art</strong>s Florida<br />
and Science<br />
Circus! <strong>Art</strong> and Science Under the Big Top<br />
Tampa, Museum <strong>of</strong> <strong>Art</strong><br />
Degas: Form, Movement, and the Antique<br />
24 September 2010–9 January <strong>2011</strong><br />
12 March <strong>2011</strong>–19 June <strong>2011</strong><br />
John Steuart Curry<br />
>Circus Elephants *<br />
Edgar Degas<br />
>Dancer with a Tambourine<br />
>Study <strong>of</strong> a Mustang<br />
NATIONAL GALLERY OF ART 79<br />
Georgia<br />
Savannah, Telfair Museum <strong>of</strong> <strong>Art</strong><br />
Twilight Visions: Surrealism,<br />
Photography, and Paris<br />
9 June 2010–10 October 2010<br />
Brassaï<br />
>Backstage at the Folies—Bergère, Paris<br />
>Magic City Dance Hall, Rue Cognacq—<br />
Jay, Paris<br />
>Pont des <strong>Art</strong>s<br />
Ilse Bing<br />
>“It Was So Windy in the Eiffel Tower,”<br />
Paris<br />
Illinois<br />
New York<br />
Chicago, David and Alfred Smart Museum Brooklyn, Brooklyn Museum<br />
<strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Chicago<br />
Seductive Subversion: Women Pop<br />
The Tragic Muse: <strong>Art</strong> and Emotion, <strong>Art</strong>ists, 1958-1968<br />
1700-1900<br />
15 October 2010–9 January <strong>2011</strong><br />
10 February <strong>2011</strong>–5 June <strong>2011</strong><br />
Circulated to: Tufts University <strong>Art</strong> <strong>Gallery</strong>,<br />
Edouard Manet<br />
Medford, Massachusetts<br />
>The Tragic Actor (Rouvière as Hamlet) 27 January <strong>2011</strong>–3 April <strong>2011</strong><br />
Maryland<br />
Vija Celmins<br />
>Pencil<br />
Hagerstown, Washington County Museum<br />
<strong>of</strong> Fine <strong>Art</strong>s<br />
Portraits in Miniature<br />
8 January <strong>2011</strong>–17 April <strong>2011</strong><br />
Angelica Kauffmann, Possibly Franciska<br />
Krasinska<br />
>Duchess <strong>of</strong> Courland *<br />
New York, The Grolier Club<br />
The Best <strong>of</strong> Both Worlds: Important<br />
Livres d’<strong>Art</strong>iste, Finely Printed,<br />
1910-2010<br />
17 May <strong>2011</strong>–27 July <strong>2011</strong><br />
Max Beckmann<br />
>The Apocalypse (Apokalypse)<br />
Massachusetts<br />
New York, The Metropolitan Museum<br />
Cambridge, Harvard <strong>Art</strong> Museums, <strong>Art</strong>hur <strong>of</strong> <strong>Art</strong><br />
M. Sackler Museum<br />
Jan Gossaert’s Renaissance<br />
Prints and the Pursuit <strong>of</strong> Knowledge in<br />
Early Modern Europe<br />
5 October 2010–17 January <strong>2011</strong><br />
Circulated to: The <strong>National</strong> <strong>Gallery</strong>,<br />
6 September <strong>2011</strong>–10 December <strong>2011</strong> London<br />
Virgil Solis<br />
>Astrologia (Astrology)<br />
><strong>Art</strong>ihmetria (Arithmetic)<br />
>Geometria (Geometry)<br />
23 February <strong>2011</strong>–30 May <strong>2011</strong><br />
Jacopo de’ Barbari<br />
>Nude Woman Holding a Mirror (Allegory<br />
<strong>of</strong> Vanitas)<br />
Martin Schongauer<br />
>Elephant<br />
>Saint Jerome Penitent [left panel]<br />
>Saint Jerome Penitent [right panel]<br />
Augustin Hirschvogel<br />
>Portrait <strong>of</strong> a Merchant<br />
>Self-Portrait<br />
>Madonna and Child<br />
>Mars and Venus<br />
Jan Gossaert<br />
>Two Kings and a Woman Leaving an<br />
Elaborate Palace<br />
North Adams, Massachusetts Museum <strong>of</strong><br />
Contemporary <strong>Art</strong><br />
Sol LeWitt: A Wall Drawing<br />
Retrospective<br />
14 November 2008–14 November 2033<br />
Sol LeWitt<br />
>Wall Drawing No. 681 C/A wall divided<br />
vertically into four equal squares separated<br />
and bordered by black bands. Within each<br />
square, bands in one <strong>of</strong> four directions, each<br />
with color ink washes superimposed.<br />
Williamstown, Sterling and Francine Clark<br />
<strong>Art</strong> Institute<br />
Pissarro’s People<br />
12 June <strong>2011</strong>–2 October <strong>2011</strong><br />
Camille Pissarro<br />
>Two Women Chatting by the Sea,<br />
St. Thomas *<br />
>The Gardener—Old Peasant with Cabbage<br />
Maine<br />
Portland, Portland Museum <strong>of</strong> <strong>Art</strong><br />
John Marin: Late Work<br />
23 June <strong>2011</strong>–9 October <strong>2011</strong><br />
John Marin<br />
>Grey Sea<br />
>The Written Sea<br />
New Jersey<br />
Princeton, Princeton University <strong>Art</strong> Museum<br />
Gauguin’s Paradise Remembered: The<br />
Noa Noa Prints<br />
25 September 2010–2 January <strong>2011</strong><br />
Paul Gauguin<br />
>Nave Nave Fenua (Delightful Land)<br />
>Te Po (The Long Night)<br />
>The Universe is Created (L’Univers est créé)<br />
>The Universe is Created (L’Univers est cree)<br />
>Manao Tupapau (She is Haunted by a Spirit)<br />
Rooms with Views: The Open Window<br />
in the 19th Century<br />
28 March <strong>2011</strong>–4 July <strong>2011</strong><br />
Carl Wilhelm Götzl<strong>of</strong>f<br />
>Antiquities by a Balcony Overlooking the<br />
Gulf <strong>of</strong> Naples<br />
Stieglitz, Steichen, Strand<br />
8 November 2010–10 April <strong>2011</strong><br />
Alfred Stieglitz<br />
>Paul Strand<br />
New York, Museum <strong>of</strong> Biblical <strong>Art</strong><br />
Passion in Venice: Crivelli to Tintoretto<br />
and Veronese: The Man <strong>of</strong> Sorrows in<br />
Venetian <strong>Art</strong><br />
15 February <strong>2011</strong>–15 June <strong>2011</strong><br />
Albrecht Dürer<br />
>The Man <strong>of</strong> Sorrows Mocked by a Soldier<br />
>The Man <strong>of</strong> Sorrows with Arms<br />
Outstretched<br />
Veneto region 16th Century<br />
>Christ Attended in the Tomb by Four Angels<br />
Edouard Manet<br />
>Dead Christ with Angels (Christ aux anges)<br />
Bartolomeo Bellano<br />
>The Dead Christ with Two Angels<br />
Moderno<br />
>The Dead Christ Supported by the Virgin<br />
and Saint John<br />
Probably Venetian 16th Century<br />
>Dead Christ Supported by Two Angels