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2011 Annual Report - National Gallery of Art

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18 September <strong>2011</strong>–1 January 2012<br />

Edme Bouchardon<br />

>Cupid<br />

Jean-Marc Nattier<br />

>Joseph Bonnier de la Mosson<br />

Los Angeles, Los Angeles County<br />

Museum <strong>of</strong> <strong>Art</strong><br />

Cubes and Anarchy: Geometry in David<br />

Smith<br />

4 April <strong>2011</strong>–24 July <strong>2011</strong><br />

David Smith<br />

>Circle III<br />

>Blue Construction<br />

>Black-White Forward<br />

San Francisco, San Francisco Museum <strong>of</strong><br />

Modern <strong>Art</strong><br />

Eadweard Muybridge<br />

26 February <strong>2011</strong>–7 June <strong>2011</strong><br />

Circulated to: Tate Britain, London<br />

8 September <strong>2011</strong>–16 January <strong>2011</strong><br />

Eadweard Muybridge<br />

>Tenaya Canyon from Union Point, Valley<br />

<strong>of</strong> the Yosemite<br />

>Ruins <strong>of</strong> the Church <strong>of</strong> Santo Domingo-<br />

Panama<br />

>Phayne L. Running Stride, 19 ft., 9 in.,<br />

Plate XVI<br />

>Illustrations <strong>of</strong> the Paces Walking, Plate LX<br />

>Setting out a C<strong>of</strong>fee Plantation at Antigua<br />

de Guatemala<br />

The Steins Collect: Matisse, Picasso, and<br />

the Parisian Avant-Garde<br />

1 May <strong>2011</strong>–30 September <strong>2011</strong><br />

Pablo Picasso<br />

>Lady with a Fan *<br />

Henri Matisse<br />

>Postcard with a sketch <strong>of</strong> “The Painter’s<br />

Family”<br />

Santa Monica, Santa Monica Museum<br />

<strong>of</strong> <strong>Art</strong><br />

Al Taylor: Wire Instruments and Pet<br />

Stains<br />

21 January <strong>2011</strong>–16 April <strong>2011</strong><br />

Al Taylor<br />

>The Peabody Group #32<br />

New Britain, New Britain Museum <strong>of</strong><br />

American <strong>Art</strong><br />

The Tides <strong>of</strong> Provincetown: Pivotal<br />

Years in America’s Oldest Continuous<br />

<strong>Art</strong> Colony<br />

15 July <strong>2011</strong>–16 October <strong>2011</strong><br />

Mark Rothko<br />

>No. 5<br />

District <strong>of</strong> Columbia<br />

<strong>National</strong> Museum <strong>of</strong> American History<br />

The Price <strong>of</strong> Freedom<br />

14 January 2009–31 January 2012<br />

Charles Peale Polk<br />

>General Washington at Princeton *<br />

<strong>National</strong> Museum <strong>of</strong> Women in the <strong>Art</strong>s<br />

25th Year Anniversary Exhibition<br />

15 September <strong>2011</strong>–15 December 2012<br />

Georgia O’Keeffe<br />

>Jack-in-Pulpit-No. 2<br />

<strong>National</strong> Portrait <strong>Gallery</strong>, Washington<br />

America’s Presidents permanent<br />

collection exhibition<br />

15 December 2009–31 December <strong>2011</strong><br />

Chuck Close<br />

>President Clinton<br />

Wired: Portraits by Alexander Calder<br />

11 March <strong>2011</strong>–14 August <strong>2011</strong><br />

Alexander Calder<br />

>Curt Valentin<br />

Capital Portraits: Treasures from<br />

Washington Private Collections,<br />

1730-2000<br />

1 April <strong>2011</strong>–5 September <strong>2011</strong><br />

Chuck Close<br />

>Nat<br />

Smithsonian American <strong>Art</strong> Museum<br />

The Great American Hall <strong>of</strong> Wonders:<br />

<strong>Art</strong>, Science, and Invention in the<br />

Nineteenth Century<br />

15 July <strong>2011</strong>–8 January 2012<br />

George Inness<br />

>The Lackawanna Valley<br />

American 19th Century<br />

>Man <strong>of</strong> Science *<br />

Rembrandt Peale<br />

>Rubens Peale with a Geranium<br />

The Phillips Collection<br />

David Smith Invents<br />

11 February <strong>2011</strong>–15 May <strong>2011</strong><br />

David Smith<br />

>Untitled (9/3/59)<br />

>Untitled (11-22-58)<br />

>Untitled<br />

From Drawing to Painting: Kandinsky’s<br />

Painting with White Border<br />

11 June <strong>2011</strong>–4 September <strong>2011</strong><br />

Wassily Kandinsky<br />

>Improvisation 31 (Sea Battle)<br />

Connecticut<br />

Greenwich, Bruce Museum <strong>of</strong> <strong>Art</strong>s Florida<br />

and Science<br />

Circus! <strong>Art</strong> and Science Under the Big Top<br />

Tampa, Museum <strong>of</strong> <strong>Art</strong><br />

Degas: Form, Movement, and the Antique<br />

24 September 2010–9 January <strong>2011</strong><br />

12 March <strong>2011</strong>–19 June <strong>2011</strong><br />

John Steuart Curry<br />

>Circus Elephants *<br />

Edgar Degas<br />

>Dancer with a Tambourine<br />

>Study <strong>of</strong> a Mustang<br />

NATIONAL GALLERY OF ART 79<br />

Georgia<br />

Savannah, Telfair Museum <strong>of</strong> <strong>Art</strong><br />

Twilight Visions: Surrealism,<br />

Photography, and Paris<br />

9 June 2010–10 October 2010<br />

Brassaï<br />

>Backstage at the Folies—Bergère, Paris<br />

>Magic City Dance Hall, Rue Cognacq—<br />

Jay, Paris<br />

>Pont des <strong>Art</strong>s<br />

Ilse Bing<br />

>“It Was So Windy in the Eiffel Tower,”<br />

Paris<br />

Illinois<br />

New York<br />

Chicago, David and Alfred Smart Museum Brooklyn, Brooklyn Museum<br />

<strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Chicago<br />

Seductive Subversion: Women Pop<br />

The Tragic Muse: <strong>Art</strong> and Emotion, <strong>Art</strong>ists, 1958-1968<br />

1700-1900<br />

15 October 2010–9 January <strong>2011</strong><br />

10 February <strong>2011</strong>–5 June <strong>2011</strong><br />

Circulated to: Tufts University <strong>Art</strong> <strong>Gallery</strong>,<br />

Edouard Manet<br />

Medford, Massachusetts<br />

>The Tragic Actor (Rouvière as Hamlet) 27 January <strong>2011</strong>–3 April <strong>2011</strong><br />

Maryland<br />

Vija Celmins<br />

>Pencil<br />

Hagerstown, Washington County Museum<br />

<strong>of</strong> Fine <strong>Art</strong>s<br />

Portraits in Miniature<br />

8 January <strong>2011</strong>–17 April <strong>2011</strong><br />

Angelica Kauffmann, Possibly Franciska<br />

Krasinska<br />

>Duchess <strong>of</strong> Courland *<br />

New York, The Grolier Club<br />

The Best <strong>of</strong> Both Worlds: Important<br />

Livres d’<strong>Art</strong>iste, Finely Printed,<br />

1910-2010<br />

17 May <strong>2011</strong>–27 July <strong>2011</strong><br />

Max Beckmann<br />

>The Apocalypse (Apokalypse)<br />

Massachusetts<br />

New York, The Metropolitan Museum<br />

Cambridge, Harvard <strong>Art</strong> Museums, <strong>Art</strong>hur <strong>of</strong> <strong>Art</strong><br />

M. Sackler Museum<br />

Jan Gossaert’s Renaissance<br />

Prints and the Pursuit <strong>of</strong> Knowledge in<br />

Early Modern Europe<br />

5 October 2010–17 January <strong>2011</strong><br />

Circulated to: The <strong>National</strong> <strong>Gallery</strong>,<br />

6 September <strong>2011</strong>–10 December <strong>2011</strong> London<br />

Virgil Solis<br />

>Astrologia (Astrology)<br />

><strong>Art</strong>ihmetria (Arithmetic)<br />

>Geometria (Geometry)<br />

23 February <strong>2011</strong>–30 May <strong>2011</strong><br />

Jacopo de’ Barbari<br />

>Nude Woman Holding a Mirror (Allegory<br />

<strong>of</strong> Vanitas)<br />

Martin Schongauer<br />

>Elephant<br />

>Saint Jerome Penitent [left panel]<br />

>Saint Jerome Penitent [right panel]<br />

Augustin Hirschvogel<br />

>Portrait <strong>of</strong> a Merchant<br />

>Self-Portrait<br />

>Madonna and Child<br />

>Mars and Venus<br />

Jan Gossaert<br />

>Two Kings and a Woman Leaving an<br />

Elaborate Palace<br />

North Adams, Massachusetts Museum <strong>of</strong><br />

Contemporary <strong>Art</strong><br />

Sol LeWitt: A Wall Drawing<br />

Retrospective<br />

14 November 2008–14 November 2033<br />

Sol LeWitt<br />

>Wall Drawing No. 681 C/A wall divided<br />

vertically into four equal squares separated<br />

and bordered by black bands. Within each<br />

square, bands in one <strong>of</strong> four directions, each<br />

with color ink washes superimposed.<br />

Williamstown, Sterling and Francine Clark<br />

<strong>Art</strong> Institute<br />

Pissarro’s People<br />

12 June <strong>2011</strong>–2 October <strong>2011</strong><br />

Camille Pissarro<br />

>Two Women Chatting by the Sea,<br />

St. Thomas *<br />

>The Gardener—Old Peasant with Cabbage<br />

Maine<br />

Portland, Portland Museum <strong>of</strong> <strong>Art</strong><br />

John Marin: Late Work<br />

23 June <strong>2011</strong>–9 October <strong>2011</strong><br />

John Marin<br />

>Grey Sea<br />

>The Written Sea<br />

New Jersey<br />

Princeton, Princeton University <strong>Art</strong> Museum<br />

Gauguin’s Paradise Remembered: The<br />

Noa Noa Prints<br />

25 September 2010–2 January <strong>2011</strong><br />

Paul Gauguin<br />

>Nave Nave Fenua (Delightful Land)<br />

>Te Po (The Long Night)<br />

>The Universe is Created (L’Univers est créé)<br />

>The Universe is Created (L’Univers est cree)<br />

>Manao Tupapau (She is Haunted by a Spirit)<br />

Rooms with Views: The Open Window<br />

in the 19th Century<br />

28 March <strong>2011</strong>–4 July <strong>2011</strong><br />

Carl Wilhelm Götzl<strong>of</strong>f<br />

>Antiquities by a Balcony Overlooking the<br />

Gulf <strong>of</strong> Naples<br />

Stieglitz, Steichen, Strand<br />

8 November 2010–10 April <strong>2011</strong><br />

Alfred Stieglitz<br />

>Paul Strand<br />

New York, Museum <strong>of</strong> Biblical <strong>Art</strong><br />

Passion in Venice: Crivelli to Tintoretto<br />

and Veronese: The Man <strong>of</strong> Sorrows in<br />

Venetian <strong>Art</strong><br />

15 February <strong>2011</strong>–15 June <strong>2011</strong><br />

Albrecht Dürer<br />

>The Man <strong>of</strong> Sorrows Mocked by a Soldier<br />

>The Man <strong>of</strong> Sorrows with Arms<br />

Outstretched<br />

Veneto region 16th Century<br />

>Christ Attended in the Tomb by Four Angels<br />

Edouard Manet<br />

>Dead Christ with Angels (Christ aux anges)<br />

Bartolomeo Bellano<br />

>The Dead Christ with Two Angels<br />

Moderno<br />

>The Dead Christ Supported by the Virgin<br />

and Saint John<br />

Probably Venetian 16th Century<br />

>Dead Christ Supported by Two Angels

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