THOMAS HUTCHINSO - Early Television Foundation

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12 HERE IS TELEVISIONother method consisted of a rifle sight attached to the side of thecamera. The cameraman gauged his field of vision by lining thepicture up through this metal frame.These early arrangements were practical but they failed to givethe results attainable today. The cameraman sees in his viewfinder,the picture the audience at home is seeing, when his camera is on the air and consequently there is no question as toproper "framing" and "composition." The electronic view finderhas the added advantage sometimes in low light operation ofshowing more detail than the cameraman might see even withthe naked eye.A modern television camera.
THE CAMERA 13Cameras Must MoveThe box that houses the camera has a handle that turns thecamera on its base, that is pivots it in a circle (which in motion picture parlanceis known as "panning" from the word panorama).Another handle tilts itup or down and still another control allows the cameraman to keep the picture constantly in focus. Thiswhole arrangement of camera and controls is mounted on a movable base. Itmay be a pedestal on wheels or castors, or a motionpicturedolly. The last mentioned equipmentis the better as itenables the camera, in addition to being raised or lowered, to bedollied (moved in or out) closer to the object to be picked up fora close-up, or back for a long shot, without switching to anothercamera. These motion picture-dollies, however, are expensive,they take up room in the studio for their manipulation, and theyA close-up of a camera.
Page 1 and 2: THOMAS HUTCHINSO
Page 3: From the collection of thefd2 nmo P
Page 6 and 7: Artist's sketch of the multiple-use
Page 8 and 9: COPYRIGHT, 1946, 1948, 1950, BY THO
Page 10 and 11: viPREFACEAlthough in this analysis
Page 13 and 14: INTRODUCTIONIt was only a little ov
Page 15 and 16: INTRODUCTIONductions will present t
Page 17 and 18: CONTENTSPREFACEINTRODUCTIONvixCHAPT
Page 19 and 20: CONTENTSxvCHAPTERPAGE17 MUSICAL PRO
Page 21 and 22: PartOneTHE TOOLS OF TELEVISION
Page 23 and 24: 1THE TELEVISION STUDIOA visit to a
Page 25 and 26: THE TELEVISION STUDIO 5dios in Sche
Page 27 and 28: THE TELEVISION STUDIO 7bled, and in
Page 29 and 30: THE TELEVISION STUDIO 9studio (foot
Page 31: THE CAMERA 11swung, turned and tilt
Page 35 and 36: THE CAMERA 15be readily seen that t
Page 37 and 38: THE CAMERA50 mmComparative area cov
Page 39 and 40: THE CAMERA 19what ispicked up by th
Page 41 and 42: TELEVISION SOUND 21in the studio bu
Page 43 and 44: TELEVISION SOUND 23these lines, tha
Page 45 and 46: TELEVISION SOUND 25a table or desk,
Page 47 and 48: THE CONTROL ROOM 27
Page 49 and 50: THE CONTROL ROOM 29and the first ni
Page 51 and 52: THE CONTROL ROOM 31tor must be able
Page 53 and 54: THE CONTROL ROOM,33to his satisfact
Page 55 and 56: THE CONTROL ROOM 35A "split screen,
Page 57 and 58: THE CONTROL ROOM 37Each camera man,
Page 59 and 60: PROGRAM OPERATION 39During rehearsa
Page 61 and 62: PROGRAM OPERATION 41there is little
Page 63 and 64: Harry:PROGRAM OPERATION 43On what I
Page 65 and 66: PROGRAM OPERATION 45(#1 Holds on C.
Page 67 and 68: PROGRAM OPERATION 47approximate his
Page 69 and 70: PROGRAM OPERATION 49#2 Camera#3 Cam
Page 71 and 72: THE PROJECTION BOOTH 51Quite obviou
Page 73 and 74: THE PROJECTION BOOTH 53Motion Pictu
Page 75 and 76: THE PROJECTION BOOTH 55many preciou
Page 77 and 78: THE PROJECTION BOOTH 57The film mon
Page 79 and 80: THE PROJECTION BOOTH 59readily and
Page 81 and 82: THE MOBILE UNIT 61junction with sil
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THE MOBILE UNIT 63with the truck ch
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THE MOBILE UNIT 65are being attaine
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THE MOBILE UNIT 67to the would-be i
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THE MOBILE UNIT 69race and then wal
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THE MOBILE UNIT 71he wants to take
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THE MASTER CONTROL ROOM 73really ad
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THE MASTER CONTROL ROOM 75with the
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THE MASTER CONTROL ROOM 77At nine t
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THE TELEVISION PICKUP TUBE 79electr
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ules.THE TELEVISION PICKUP TUBE 81W
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THE TELEVISION PICKUP TUBE 83Then w
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THE TELEVISION PICKUP TUBE 85synchr
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THE TELEVISION PICKUP TUBE 87ute, o
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THE TELEVISION PICKUP TUBE 89on par
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10THE TRANSMITTERThe television tra
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THE TRANSMITTER 93The CBS antenna i
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THE TRANSMITTER 95megacycles (or pe
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THE TRANSMITTER 97"the Kennelly-Hea
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THE TRANSMITTER 99bounces back to t
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THE TRANSMITTER 101that we do not k
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THE TELEVISION RECEIVER 103When wen
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THE TELEVISION RECEIVER 105except t
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THE TELEVISION RECEIVER 107A Vacuum
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THE TELEVISION RECEIVER 109size of
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PartTwoTELEVISION PROGRAMS
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12PROGRAMS IN GENERALSo far we have
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PROGRAMS IN GENERAL 115the medium f
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PROGRAMS IN GENER4L 117that televis
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13INTERVIEWSThe simplest form of li
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INTERVIEWS,121can be planned at reh
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INTERVIEWS 123when call letters are
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INTERVIEWS 125Many series of succes
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INTERVIEWS 127students their opinio
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INFORMATIVE PROGRAMS 129through tra
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INFORMATIVE PROGRAMS 131ExercisesCl
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INFORMATIVE PROGRAMS 133Wegave us j
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INFORMATIVE PROGRAMS 135youngsters
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INFORMATIVE PROGRAMS 137you'd like
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VARIETY PROGRAMS 139cess of the pro
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VARIETY PROGRAMS 141The Television
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VARIETY PROGRAMS 143LegerdemainMagi
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VARIETY PROGRAMS 145fervent vow no
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VARIETY PROGRAMS 147not possible, t
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VARIETY PROGRAMS 149for some imagin
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VARIETY PROGRAMS 151medium. Our big
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VARIETY PROGRAMS 153the studio. A s
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VARIETY PROGRAMS,155questionsin an
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DRAMA 157means that all we have to
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DRAMA 150the supposed click of high
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DRAMA 161dramatic climax in less th
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DRAMA 163narrator might be reading
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DRAMA 165give you the illusion of b
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and long shot.DRAMA 167If an exteri
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DRAMA 169wall of the studio and bec
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DRAMA,171overcome this limitation i
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DRAMA 173sets for the other acts in
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DRAMA 175cate how cameras will be u
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DRAMA,177actors are spread all over
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DRAMA,179behind us.Obviously we can
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DRAMA 181will depend almost as much
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DRAMA 183thing you have planned and
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MUSICAL PROGRAMS 185and they are th
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MUSICAL PROGRAMS 187interest to any
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MUSICAL PROGRAMS 189Penzance," "Top
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MUSICAL PROGRAMS 191Unquestionably
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MUSICAL PROGRAMS 193trio, the quart
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PUPPETS,195already brought puppetry
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PUPPETSt197preparation but the resu
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REMOTE PROGRAMS 199must be installe
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REMOTE PROGRAMS 201SportsAnd now we
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REMOTE PROGRAMS,203Track MeetsTrack
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REMOTE PROGRAMS 205of view? If they
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REMOTE PROGRAMS 207his individual i
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REMOTE PROGRAMS,209who can usually
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REMOTE PROGRAMS 211he is seeing, so
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REMOTE PROGRAMS 213our home, it wou
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REMOTE PROGRAMS 215ming hole." Any
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NEWS,217Sam Hill you are doing?You
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NEWSt219one. We are happy to have y
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NEWS 221regular radio on the spot n
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NEWS 223Back in the early experimen
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NEWS 225print into the system by me
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NEWS 227speakers.Our fourth camera
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NEWS 229bers of Congress and Govern
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PROGRAMS ON FILM 2311936 virtually
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PROGRAMS ON FILM 233If these two pr
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PROGRAMS ON FILM 235of thisnothing
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PROGRAMS ON FILM 237That is not an
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PROGRAMS ON FILM 239she was selling
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PROGRAMS ON FILM 241States isgoing
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22VISUAL EFFECTSIn the early days o
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VISUAL EFFECTS 245The Use of Miniat
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VISUAL EFFECTS 247tus used is descr
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VISUAL EFFECTS 249programs should b
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VISUAL EFFECTS 251style are importa
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TELEVISION RIGHTS ,253various title
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TELEVISION RIGHTS 255don literary a
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TELEVISION RIGHTS 257the metropolit
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TELEVISION RIGHTS 259secure from th
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OTHER PRODUCTION PROBLEMS 261maps,
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Usually a purchaserOTHER PRODUCTION
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OTHER PRODUCTION PROBLEMS 265looked
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OTHER PRODUCTION PROBLEMS 267announ
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OTHER PRODUCTION PROBLEMS 269Other
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PartThreeTHE COMMERCIAL ASPECT
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274 HERE IS TELEVISIONprospective c
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276 HERE IS TELEVISIONestablish fri
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278 HERE IS TELEVISIONjob? Even tod
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280 HERE IS TELEVISIONas yet comple
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282 HERE IS TELEVISIONCommercial An
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284 HERE IS TELEVISIONwhat the prod
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286 HERE IS TELEVISIONNine" sponsor
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288 HERE IS TELEVISIONsion program
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290 HERE IS TELEVISIONwhile some of
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292 HERE IS TELEVISIONthe broadcast
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294 HERE IS TELEVISIONentertainment
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296 HERE IS TELEVISIONof that numbe
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298 HERE IS TELEVISIONChanging the
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300 HERE IS TELEVISIONhave two thir
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302 HERE IS TELEVISIONSpaceMaster C
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304 HERE IS TELEVISIONExterior of G
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306 HERE IS TELEVISIONfootball stad
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308 HERE IS TELEVISION25. Boom Man
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310 HERE IS TELEVISIONrelease, the
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312 HERE IS TELEVISIONonly a good i
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314 HERE IS TELEVISIONWhen a cable
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316 HERE IS TELEVISIONMountain top
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318 HERE IS TELEVISIONand there are
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320 HERE IS TELEVISIONFederal Commu
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322 HERE IS TELEVISIONanswers to th
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324 HERE IS TELEVISIONLive Dramatic
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326 HERE IS TELEVISIONfrom the Empi
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328 HERE IS TELEVISIONCamerasAs tel
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330 HERE IS TELEVISIONor if he want
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332 HERE IS TELEVISIONthe slide fro
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334 HERE IS TELEVISIONnow? When exp
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336 HERE IS TELEVISIONOperationJust
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338 HERE IS TELEVISIONDirectorsMany
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340 HERE IS TELEVISIONspeed of the
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342 HERE IS TELEVISIONforget all ab
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344 HERE IS TELEVISIONthe first tim
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346 HERE IS TELEVISIONIn the meanti
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348 HERE IS TELEVISIONFranceIn Fran
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350 HERE IS TELEVISIONThe change in
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A TELEVISION SCRIPTThe following te
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354 HERE IS TELEVISIONLAP DISSOLVE
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356HERE IS TELEVISIONcouch and door
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358 HERE IS TELEVISIONCAMERA #2 M.S
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360 HERE IS TELEVISIONCAMERA #3 C.U
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362CAMERA #3 C.U. OF BILLOVER HELEN
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364 HERE IS TELEVISION(#2 moves to
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366 HERE IS TELEVISIONDOLLY A wheel
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368 HERE IS TELEVISIONWALK THROUGH
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Affiliated Photo-ConwayAboutthe Aut
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THOMAS HUTCHINSO - Early Television Foundation

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