THOMAS HUTCHINSO - Early Television Foundation

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Artist's sketch of the multiple-use television tower on the Empire State Building.
Here isTELEVISIONYour Window to the WorldBy<strong>THOMAS</strong> H.<strong>HUTCHINSO</strong>NWITHNINETY-FOURILLUSTRATIONSHASTINGS HOUSEPublishersNew York
Page 1 and 2: THOMAS HUTCHINSO
Page 3: From the collection of thefd2 nmo P
Page 8 and 9: COPYRIGHT, 1946, 1948, 1950, BY THO
Page 10 and 11: viPREFACEAlthough in this analysis
Page 13 and 14: INTRODUCTIONIt was only a little ov
Page 15 and 16: INTRODUCTIONductions will present t
Page 17 and 18: CONTENTSPREFACEINTRODUCTIONvixCHAPT
Page 19 and 20: CONTENTSxvCHAPTERPAGE17 MUSICAL PRO
Page 21 and 22: PartOneTHE TOOLS OF TELEVISION
Page 23 and 24: 1THE TELEVISION STUDIOA visit to a
Page 25 and 26: THE TELEVISION STUDIO 5dios in Sche
Page 27 and 28: THE TELEVISION STUDIO 7bled, and in
Page 29 and 30: THE TELEVISION STUDIO 9studio (foot
Page 31 and 32: THE CAMERA 11swung, turned and tilt
Page 33 and 34: THE CAMERA 13Cameras Must MoveThe b
Page 35 and 36: THE CAMERA 15be readily seen that t
Page 37 and 38: THE CAMERA50 mmComparative area cov
Page 39 and 40: THE CAMERA 19what ispicked up by th
Page 41 and 42: TELEVISION SOUND 21in the studio bu
Page 43 and 44: TELEVISION SOUND 23these lines, tha
Page 45 and 46: TELEVISION SOUND 25a table or desk,
Page 47 and 48: THE CONTROL ROOM 27
Page 49 and 50: THE CONTROL ROOM 29and the first ni
Page 51 and 52: THE CONTROL ROOM 31tor must be able
Page 53 and 54: THE CONTROL ROOM,33to his satisfact
Page 55 and 56: THE CONTROL ROOM 35A "split screen,
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THE CONTROL ROOM 37Each camera man,
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PROGRAM OPERATION 39During rehearsa
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PROGRAM OPERATION 41there is little
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Harry:PROGRAM OPERATION 43On what I
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PROGRAM OPERATION 45(#1 Holds on C.
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PROGRAM OPERATION 47approximate his
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PROGRAM OPERATION 49#2 Camera#3 Cam
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THE PROJECTION BOOTH 51Quite obviou
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THE PROJECTION BOOTH 53Motion Pictu
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THE PROJECTION BOOTH 55many preciou
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THE PROJECTION BOOTH 57The film mon
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THE PROJECTION BOOTH 59readily and
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THE MOBILE UNIT 61junction with sil
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THE MOBILE UNIT 63with the truck ch
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THE MOBILE UNIT 65are being attaine
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THE MOBILE UNIT 67to the would-be i
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THE MOBILE UNIT 69race and then wal
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THE MOBILE UNIT 71he wants to take
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THE MASTER CONTROL ROOM 73really ad
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THE MASTER CONTROL ROOM 75with the
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THE MASTER CONTROL ROOM 77At nine t
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THE TELEVISION PICKUP TUBE 79electr
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ules.THE TELEVISION PICKUP TUBE 81W
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THE TELEVISION PICKUP TUBE 83Then w
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THE TELEVISION PICKUP TUBE 85synchr
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THE TELEVISION PICKUP TUBE 87ute, o
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THE TELEVISION PICKUP TUBE 89on par
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10THE TRANSMITTERThe television tra
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THE TRANSMITTER 93The CBS antenna i
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THE TRANSMITTER 95megacycles (or pe
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THE TRANSMITTER 97"the Kennelly-Hea
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THE TRANSMITTER 99bounces back to t
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THE TRANSMITTER 101that we do not k
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THE TELEVISION RECEIVER 103When wen
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THE TELEVISION RECEIVER 105except t
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THE TELEVISION RECEIVER 107A Vacuum
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THE TELEVISION RECEIVER 109size of
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PartTwoTELEVISION PROGRAMS
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12PROGRAMS IN GENERALSo far we have
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PROGRAMS IN GENERAL 115the medium f
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PROGRAMS IN GENER4L 117that televis
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13INTERVIEWSThe simplest form of li
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INTERVIEWS,121can be planned at reh
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INTERVIEWS 123when call letters are
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INTERVIEWS 125Many series of succes
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INTERVIEWS 127students their opinio
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INFORMATIVE PROGRAMS 129through tra
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INFORMATIVE PROGRAMS 131ExercisesCl
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INFORMATIVE PROGRAMS 133Wegave us j
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INFORMATIVE PROGRAMS 135youngsters
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INFORMATIVE PROGRAMS 137you'd like
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VARIETY PROGRAMS 139cess of the pro
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VARIETY PROGRAMS 141The Television
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VARIETY PROGRAMS 143LegerdemainMagi
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VARIETY PROGRAMS 145fervent vow no
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VARIETY PROGRAMS 147not possible, t
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VARIETY PROGRAMS 149for some imagin
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VARIETY PROGRAMS 151medium. Our big
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VARIETY PROGRAMS 153the studio. A s
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VARIETY PROGRAMS,155questionsin an
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DRAMA 157means that all we have to
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DRAMA 150the supposed click of high
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DRAMA 161dramatic climax in less th
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DRAMA 163narrator might be reading
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DRAMA 165give you the illusion of b
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and long shot.DRAMA 167If an exteri
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DRAMA 169wall of the studio and bec
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DRAMA,171overcome this limitation i
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DRAMA 173sets for the other acts in
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DRAMA 175cate how cameras will be u
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DRAMA,177actors are spread all over
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DRAMA,179behind us.Obviously we can
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DRAMA 181will depend almost as much
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DRAMA 183thing you have planned and
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MUSICAL PROGRAMS 185and they are th
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MUSICAL PROGRAMS 187interest to any
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MUSICAL PROGRAMS 189Penzance," "Top
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MUSICAL PROGRAMS 191Unquestionably
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MUSICAL PROGRAMS 193trio, the quart
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PUPPETS,195already brought puppetry
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PUPPETSt197preparation but the resu
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REMOTE PROGRAMS 199must be installe
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REMOTE PROGRAMS 201SportsAnd now we
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REMOTE PROGRAMS,203Track MeetsTrack
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REMOTE PROGRAMS 205of view? If they
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REMOTE PROGRAMS 207his individual i
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REMOTE PROGRAMS,209who can usually
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REMOTE PROGRAMS 211he is seeing, so
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REMOTE PROGRAMS 213our home, it wou
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REMOTE PROGRAMS 215ming hole." Any
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NEWS,217Sam Hill you are doing?You
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NEWSt219one. We are happy to have y
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NEWS 221regular radio on the spot n
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NEWS 223Back in the early experimen
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NEWS 225print into the system by me
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NEWS 227speakers.Our fourth camera
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NEWS 229bers of Congress and Govern
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PROGRAMS ON FILM 2311936 virtually
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PROGRAMS ON FILM 233If these two pr
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PROGRAMS ON FILM 235of thisnothing
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PROGRAMS ON FILM 237That is not an
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PROGRAMS ON FILM 239she was selling
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PROGRAMS ON FILM 241States isgoing
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22VISUAL EFFECTSIn the early days o
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VISUAL EFFECTS 245The Use of Miniat
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VISUAL EFFECTS 247tus used is descr
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VISUAL EFFECTS 249programs should b
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VISUAL EFFECTS 251style are importa
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TELEVISION RIGHTS ,253various title
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TELEVISION RIGHTS 255don literary a
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TELEVISION RIGHTS 257the metropolit
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TELEVISION RIGHTS 259secure from th
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OTHER PRODUCTION PROBLEMS 261maps,
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Usually a purchaserOTHER PRODUCTION
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OTHER PRODUCTION PROBLEMS 265looked
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OTHER PRODUCTION PROBLEMS 267announ
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OTHER PRODUCTION PROBLEMS 269Other
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PartThreeTHE COMMERCIAL ASPECT
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274 HERE IS TELEVISIONprospective c
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276 HERE IS TELEVISIONestablish fri
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278 HERE IS TELEVISIONjob? Even tod
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280 HERE IS TELEVISIONas yet comple
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282 HERE IS TELEVISIONCommercial An
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284 HERE IS TELEVISIONwhat the prod
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286 HERE IS TELEVISIONNine" sponsor
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288 HERE IS TELEVISIONsion program
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290 HERE IS TELEVISIONwhile some of
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292 HERE IS TELEVISIONthe broadcast
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294 HERE IS TELEVISIONentertainment
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296 HERE IS TELEVISIONof that numbe
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298 HERE IS TELEVISIONChanging the
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300 HERE IS TELEVISIONhave two thir
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302 HERE IS TELEVISIONSpaceMaster C
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304 HERE IS TELEVISIONExterior of G
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306 HERE IS TELEVISIONfootball stad
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308 HERE IS TELEVISION25. Boom Man
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310 HERE IS TELEVISIONrelease, the
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312 HERE IS TELEVISIONonly a good i
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314 HERE IS TELEVISIONWhen a cable
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316 HERE IS TELEVISIONMountain top
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318 HERE IS TELEVISIONand there are
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320 HERE IS TELEVISIONFederal Commu
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322 HERE IS TELEVISIONanswers to th
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324 HERE IS TELEVISIONLive Dramatic
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326 HERE IS TELEVISIONfrom the Empi
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328 HERE IS TELEVISIONCamerasAs tel
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330 HERE IS TELEVISIONor if he want
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332 HERE IS TELEVISIONthe slide fro
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334 HERE IS TELEVISIONnow? When exp
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336 HERE IS TELEVISIONOperationJust
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338 HERE IS TELEVISIONDirectorsMany
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340 HERE IS TELEVISIONspeed of the
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342 HERE IS TELEVISIONforget all ab
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344 HERE IS TELEVISIONthe first tim
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346 HERE IS TELEVISIONIn the meanti
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348 HERE IS TELEVISIONFranceIn Fran
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350 HERE IS TELEVISIONThe change in
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A TELEVISION SCRIPTThe following te
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354 HERE IS TELEVISIONLAP DISSOLVE
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356HERE IS TELEVISIONcouch and door
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358 HERE IS TELEVISIONCAMERA #2 M.S
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360 HERE IS TELEVISIONCAMERA #3 C.U
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362CAMERA #3 C.U. OF BILLOVER HELEN
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364 HERE IS TELEVISION(#2 moves to
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366 HERE IS TELEVISIONDOLLY A wheel
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368 HERE IS TELEVISIONWALK THROUGH
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Affiliated Photo-ConwayAboutthe Aut
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THOMAS HUTCHINSO - Early Television Foundation

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