96 DESTRY RIDES AGAINUniversal, 1939PRINCIPAL CAST Marlene Dietrich, James StewartDIRECTORGeorge MarshallPRODUCERSJoe Pasternak, Islin AusterSCREENWRITERS Felix Jackson, Gertrude Purcell, Henry MyersIn a western town, peace-loving sheriff Stewart combats lawlessness with homiliesalong with some help from saloon singer Dietrich, who rallies the town’s womenfolkto take up their rolling pins in his support. The film’s See What the Boys in the BackRoom Will Have became Dietrich’s signature songs.97 THE DIARY OF ANNE FRANKTwentieth Century-Fox, 1959PRINCIPAL CAST Millie Perkins, Shelley Winters, Ed WynnDIRECTORGeorge StevensPRODUCERGeorge StevensSCREENWRITERS Frances Goodrich, Albert HackettBased on the diary of a young girl, the film recounts the lives of a small group ofDutch Jews who hide in an attic to avoid capture by the Nazis. Despite the inevitabledoom, the story is a touching and hopeful look at life through the eyes of an adolescent.98 DIE HARDTwentieth Century-Fox, 1988PRINCIPAL CAST Bruce Willis, Alan Rickman, Bonnie BedeliaDIRECTORJohn McTiernanPRODUCERSJoel Silver, Lawrence GordonSCREENWRITERS Jeb Stuart, Steven E. de SouzaWillis, a New York City cop who is hoping to reconcile with his estranged wife,is an unexpected guest at a Los Angeles high-rise office party when terroriststake over. Rickman’s intellectual madman matches wits with Willis’ scrappycop in this stunt spectacular.99 DIRTY HARRYWarner Bros., 1971PRINCIPAL CASTDIRECTORPRODUCERSCREENWRITERSClint EastwoodDon SiegelDon SiegelDean Riesner, Harry Julian Fink, Rita M. FinkEastwood is Harry Callahan, a policeman willing to go up against the code and inventhis own form of justice to capture a brutal killer. “You’ve got to ask yourself onequestion: ‘Do I feel lucky?’ Well, do ya, punk?”36 American Film Institute
100 DO THE RIGHT THINGUniversal, 1989PRINCIPAL CAST Danny Aiello, Spike Lee, John TurturroDIRECTORSpike LeePRODUCERSSpike Lee, Monty RossSCREENWRITER Spike LeeIt’s a sweltering summer day in the Bedford-Stuyvesant section of Brooklyn,and Sal’s Famous Pizzeria becomes a lightning rod for racial tensions. The muchdiscussedclose to the film presents different views on the conflict with quotes fromMartin Luther King, Jr., and Malcolm X.101 DOCTOR ZHIVAGOMGM, 1965PRINCIPAL CAST Omar Sharif, Julie Christie, Tom Courtenay, Rod SteigerDIRECTORDavid LeanPRODUCERCarlo PontiSCREENWRITER Robert BoltLean’s sweeping saga set against the Russian Revolution is the story of a youngdoctor/poet torn between two women. But it is his love for Lara that propels thefilm, memorable for its haunting music score and stunning cinematography. Leancollaborated with cinematographer Freddie Young for the second time.102 DODSWORTHUnited Artists, 1936PRINCIPAL CASTDIRECTORPRODUCERSCREENWRITERWalter Huston, Ruth Chatterton, Paul Lukas, Mary AstorWilliam WylerSamuel GoldwynSidney HowardSinclair Lewis’ novel was the basis for this story of a retired automobile tycoonwhose much younger, social-climbing wife drags him on an extended Europeanvacation. While she cavorts with younger men, he eventually finds happinesswith a down-to-earth American expatriate.103 DOG DAY AFTERNOONWarner Bros., 1975PRINCIPAL CAST Al Pacino, Chris SarandonDIRECTORSidney LumetPRODUCERSMartin Bregman, Martin ElfandSCREENWRITER Frank PiersonBased on a real incident in lower Manhattan, Pacino holds bank customers hostagein what he thinks will be a simple heist to get money for his lover’s sex changeoperation, but it turns into a major police and media incident. “Attica! Attica!”American Film Institute 37
- Page 1 and 2: OFFICIAL BALLOT
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- Page 5 and 6: AFI's 100 YEARS…100 MOVIESAmerica
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- Page 10 and 11: 1 ACE IN THE HOLEParamount, 1951PRI
- Page 12 and 13: 9 ALL QUIET ON THE WESTERN FRONTUni
- Page 14 and 15: 17 ANNIE HALLUnited Artists, 1977PR
- Page 16: 25 THE AWFUL TRUTHColumbia, 1937PRI
- Page 19 and 20: 30 THE BAND WAGONMGM, 1953PRINCIPAL
- Page 21 and 22: 38 THE BEST YEARS OF OUR LIVESRKO,
- Page 23 and 24: 46 BLADE RUNNERWarner Bros., 1982PR
- Page 25 and 26: 54 BRAZILUniversal, 1985PRINCIPAL C
- Page 27: 62 BROKEN BLOSSOMSUnited Artists, 1
- Page 30 and 31: 69 CASABLANCAWarner Bros., 1942PRIN
- Page 32 and 33: 77 CINDERELLADisney, 1950PRINCIPAL
- Page 34: 85 COOL HAND LUKEWarner Bros., 1967
- Page 37: 92 DEAD POETS SOCIETYTouchstone, 19
- Page 42 and 43: 108 E.T. THE EXTRA-TERRESTRIALUnive
- Page 44 and 45: 116 FANTASIADisney, 1940DIRECTORSPR
- Page 46 and 47: 124 FIVE EASY PIECESColumbia, 1970P
- Page 48: 132 THE FRESHMANPathé, 1925PRINCIP
- Page 51 and 52: 140 GHOSTBUSTERSColumbia, 1984PRINC
- Page 53 and 54: 148 GOING MY WAYParamount, 1944PRIN
- Page 55 and 56: 156 THE GRADUATEEmbassy, 1967PRINCI
- Page 57: 164 GUESS WHO’S COMING TO DINNERC
- Page 60 and 61: 171 HIGH NOONUnited Artists, 1952PR
- Page 62 and 63: 179 IN THE HEAT OF THE NIGHTUnited
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- Page 66 and 67: 190 JURASSIC PARKUniversal, 1993PRI
- Page 69 and 70: 197 L.A. CONFIDENTIALWarner Bros.,
- Page 71 and 72: 205 THE LION KINGDisney, 1994PRINCI
- Page 73: 213 LOST IN TRANSLATIONFocus, 2003P
- Page 76 and 77: 220 THE MAN WHO WOULD BE KINGColumb
- Page 78 and 79: 228 MEET ME IN ST. LOUISMGM, 1944PR
- Page 80 and 81: 236 MOONSTRUCKMGM, 1987PRINCIPAL CA
- Page 82: 244 MY MAN GODFREYUniversal, 1936PR
- Page 85 and 86: 250 THE NIGHT OF THE HUNTERUnited A
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256 ON GOLDEN PONDUniversal, 1981PR
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264 PATHS OF GLORYUnited Artists, 1
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272 A PLACE IN THE SUNParamount, 19
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280 PSYCHOParamount, 1960PRINCIPAL
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287 RAIN MANUnited Artists, 1988PRI
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295 REQUIEM FOR A DREAMArtisan, 200
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303 ROSEMARY’S BABYParamount, 196
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309 THE SCARLET EMPRESSParamount, 1
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317 SHANEParamount, 1953PRINCIPAL C
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325 SINGIN’ IN THE RAINMGM, 1952P
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333 THE SOUND OF MUSICTwentieth Cen
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341 A STAR IS BORNWarner Bros., 195
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349 SUNRISETwentieth Century-Fox, 1
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357 THELMA & LOUISEMGM, 1991PRINCIP
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365 TITANICParamount, 1997PRINCIPAL
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373 TRAFFICUSA Films, 2000PRINCIPAL
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379 UNFORGIVENWarner Bros., 1992PRI
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386 WHITE HEATWarner Bros., 1949PRI
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394 WOMAN OF THE YEARMGM, 1942PRINC
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Here's Johnny!Rosebud.I could’ve