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124 FIVE EASY PIECESColumbia, 1970PRINCIPAL CAST Jack Nicholson, Karen BlackDIRECTORBob RafelsonPRODUCERSBob Rafelson, Richard WechslerSCREENWRITERS Adrien Joyce, Bob RafelsonNicholson abandons a promising musical career for life as a blue-collar worker. Hecomes to terms with this life choice when he visits his ailing father, and eventuallyabandons everyone to hop a truck to Alaska. Nicholson’s alienation and rebellion hitjust the right note with the counter-culture of the 1960s especially when he orders“plain toast.”125 FORCE OF EVILMGM, 1948PRINCIPAL CASTDIRECTORPRODUCERSCREENWRITERSJohn Garfield, Thomas GomezAbraham PolonskyBob RobertsAbraham Polonsky, Ira WolfertIn this forceful, expressionist film, Garfield is on the wrong side of the law as acorrupt mob attorney. But this politically subversive film noir really hinges on twobrothers divided by the racketeering and the numbers game. “All that Cain did toAbel was murder him.”126 FORREST GUMPParamount, 1994PRINCIPAL CASTDIRECTORPRODUCERSSCREENWRITERTom Hanks, Robin Wright, Gary Sinise, Sally FieldRobert ZemeckisWendy Finerman, Steve Starkey, Steve TischEric RothForrest will tell his story to anyone who will listen. Mentally challenged, he seemsto be at the right place at the right time meeting everyone from JFK to Elvis to JohnLennon and doesn’t understand his good fortune. Breakthroughs in technologyallowed Zemekis to digitally alter history to fit the world of Forrest Gump.127 42ND STREETWarner Bros., 1933PRINCIPAL CASTDIRECTORPRODUCERSSCREENWRITERSWarner Baxter, Bebe Daniels, Ruby Keeler, Dick PowellLloyd BaconHal B. Wallis, Darryl F. ZanuckRian James, James SeymourThis quintessential backstage musical stars Keeler as the girl whose career beginswhen she stands in for the leading lady (“You’re going out there a youngster, butyou’ve got to come back a star!”), and saves the show from closing. It was the firstfilm to feature choreographer Busby Berkeley’s dizzying overhead shots of dancersin kaleidoscopic patterns.44 American Film Institute
128 THE FOUR HORSEMEN OF THE APOCALYPSEMetro, 1921PRINCIPAL CAST Rudolph Valentino, Alice TerryDIRECTORRex IngramSCREENWRITER June MathisMade famous by Valentino’s sensual and seductive tango in an Argentine café, thisfilm is really the story of an adulterous love affair in World War I France. Valentino’svision of the Four Horsemen forces him to join the army and sacrifice his life on thebattlefield.129 FRANKENSTEINUniversal, 1931PRINCIPAL CASTDIRECTORPRODUCERSCREENWRITERSBoris Karloff, Colin CliveJames WhaleCarl Laemmle, Jr.Garrett Fort, Francis Edward FaragohDr. Frankenstein is obsessed with creating a man from parts of dead people. “It’salive. It’s alive.” But the creature’s grotesque looks and strange manner cause himto be mistaken for a monster. Whale’s movie ushered in a new era of horror films,and Karloff was stuck with the image of the monster for the rest of his career.130 FREAKSMGM, 1932PRINCIPAL CASTDIRECTORSCREENWRITERSWallace Ford, Leila Hyams, Olga BaclanovaTod BrowningWillis Goldbeck, Leon Gordon, Edgar Allan Woolf,Al BoasbergBrowning’s cult horror film depicts life in a circus where a beautiful but duplicitoushigh-wire artist marries a fabulously rich midget and plans to kill him. This highlyunusual film is populated with real life sideshow characters—a man with no armsor legs, conjoined twins, and more.131 THE FRENCH CONNECTIONTwentieth Century-Fox, 1971PRINCIPAL CAST Gene Hackman, Roy Scheider, Fernando ReyDIRECTORWilliam FriedkinPRODUCERPhilip D’AntoniSCREENWRITER Ernest TidymanHackman’s Popeye Doyle is based on a NYC cop who busted a heroin-smugglingoperation with a French connection. His character is in sharp contrast with that of hisnemesis, the elegant and dapper Alain Charnier. They play a game of cat and mouseall over the Big Apple, culminating in one of the most gripping car chases on film.American Film Institute 45
Page 1 and 2: OFFICIAL BALLOT
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Page 5 and 6: AFI's 100 YEARS…100 MOVIESAmerica
Page 7 and 8: OFFICIAL BALLOT(CIRCLE UP TO 100)TE
Page 10 and 11: 1 ACE IN THE HOLEParamount, 1951PRI
Page 12 and 13: 9 ALL QUIET ON THE WESTERN FRONTUni
Page 14 and 15: 17 ANNIE HALLUnited Artists, 1977PR
Page 16: 25 THE AWFUL TRUTHColumbia, 1937PRI
Page 19 and 20: 30 THE BAND WAGONMGM, 1953PRINCIPAL
Page 21 and 22: 38 THE BEST YEARS OF OUR LIVESRKO,
Page 23 and 24: 46 BLADE RUNNERWarner Bros., 1982PR
Page 25 and 26: 54 BRAZILUniversal, 1985PRINCIPAL C
Page 27: 62 BROKEN BLOSSOMSUnited Artists, 1
Page 30 and 31: 69 CASABLANCAWarner Bros., 1942PRIN
Page 32 and 33: 77 CINDERELLADisney, 1950PRINCIPAL
Page 34: 85 COOL HAND LUKEWarner Bros., 1967
Page 37 and 38: 92 DEAD POETS SOCIETYTouchstone, 19
Page 39 and 40: 100 DO THE RIGHT THINGUniversal, 19
Page 42 and 43: 108 E.T. THE EXTRA-TERRESTRIALUnive
Page 44 and 45: 116 FANTASIADisney, 1940DIRECTORSPR
Page 48: 132 THE FRESHMANPathé, 1925PRINCIP
Page 51 and 52: 140 GHOSTBUSTERSColumbia, 1984PRINC
Page 53 and 54: 148 GOING MY WAYParamount, 1944PRIN
Page 55 and 56: 156 THE GRADUATEEmbassy, 1967PRINCI
Page 57: 164 GUESS WHO’S COMING TO DINNERC
Page 60 and 61: 171 HIGH NOONUnited Artists, 1952PR
Page 62 and 63: 179 IN THE HEAT OF THE NIGHTUnited
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Page 66 and 67: 190 JURASSIC PARKUniversal, 1993PRI
Page 69 and 70: 197 L.A. CONFIDENTIALWarner Bros.,
Page 71 and 72: 205 THE LION KINGDisney, 1994PRINCI
Page 73: 213 LOST IN TRANSLATIONFocus, 2003P
Page 76 and 77: 220 THE MAN WHO WOULD BE KINGColumb
Page 78 and 79: 228 MEET ME IN ST. LOUISMGM, 1944PR
Page 80 and 81: 236 MOONSTRUCKMGM, 1987PRINCIPAL CA
Page 82: 244 MY MAN GODFREYUniversal, 1936PR
Page 85 and 86: 250 THE NIGHT OF THE HUNTERUnited A
Page 88 and 89: 256 ON GOLDEN PONDUniversal, 1981PR
Page 91 and 92: 264 PATHS OF GLORYUnited Artists, 1
Page 93 and 94: 272 A PLACE IN THE SUNParamount, 19
Page 95: 280 PSYCHOParamount, 1960PRINCIPAL
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287 RAIN MANUnited Artists, 1988PRI
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295 REQUIEM FOR A DREAMArtisan, 200
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303 ROSEMARY’S BABYParamount, 196
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309 THE SCARLET EMPRESSParamount, 1
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317 SHANEParamount, 1953PRINCIPAL C
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325 SINGIN’ IN THE RAINMGM, 1952P
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333 THE SOUND OF MUSICTwentieth Cen
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341 A STAR IS BORNWarner Bros., 195
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349 SUNRISETwentieth Century-Fox, 1
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357 THELMA & LOUISEMGM, 1991PRINCIP
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365 TITANICParamount, 1997PRINCIPAL
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373 TRAFFICUSA Films, 2000PRINCIPAL
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379 UNFORGIVENWarner Bros., 1992PRI
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386 WHITE HEATWarner Bros., 1949PRI
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394 WOMAN OF THE YEARMGM, 1942PRINC
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Here's Johnny!Rosebud.I could’ve
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