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Download PDF - Zeitgeist - LIGANOVA

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2010/01


CONTENT<br />

Page 4 intro<br />

Page 6 hot Stuff<br />

Page 12<br />

Page 20 AfricAn Summer Shoot<br />

Page 8<br />

Page 26 Summer SpeciAl - BeAchweAr trenDS<br />

Fairs & Shows<br />

HYeres Festival feStiVAl De lA moDe & De lA photoGrAphie<br />

Page 18 tAxi riDe with mArkuS mAhren<br />

Page 34<br />

Designer Report<br />

ViVienne weStwooD / mAniSh ArorA<br />

Page 42 DAily fAShion report<br />

Page 50 liGAnoVAtion interView<br />

Page 82<br />

Designer Special<br />

AlexAnDer mcqueen<br />

Page 54:<br />

Event Designers Special<br />

the hotteSt eVentS worlDwiDe<br />

Page 74<br />

Artists<br />

Page 66<br />

Livin’ Large<br />

eDitoriAl<br />

4 ligavision 5<br />

ligavision


intro<br />

to Be honeSt – who neeDS intro<br />

copy? we Don’t hAVe one AnD we<br />

Don’t neeD one! juSt enjoy our<br />

lAteSt iSSue of liGAViSion.<br />

StAy tuneD for the next iSSue in<br />

fAll / winter 2010.<br />

your ligavision team<br />

Anne lotte, ellen, Alex<br />

6 ligavision 7<br />

ligavision


Basics<br />

hOT sTuff<br />

the troy lounGe ShortS from<br />

compAny of we Are 100% Soft<br />

cotton.<br />

BurBerry hAS come out with A Set<br />

of frAGrAnceS to compliment<br />

their new performAnce weAr<br />

collection of AppArel nAmeD<br />

BurBerry Sport. for men & women.<br />

the Dunhill chASSiS collection<br />

offerS BlAck leAther BAGS<br />

emBoSSeD with A cArBon fiBer<br />

pAttern.<br />

eViSu jeAnS hAS collABorAteD<br />

with common projectS to<br />

creAte new line of minimAl<br />

SneAkerS for Autumn winter<br />

2010. the line will conSiSt of two<br />

StyleS: low-top leAther SneAker<br />

AnD hiGh-top leAther SneAker<br />

the century olD GränSforS<br />

BrukS compAny hAS proDuceD<br />

theSe wooD chopperS in SweDen<br />

for people who ActuAlly uSe<br />

AxeS.<br />

type. A ViSuAl hiStory of<br />

typefAceS & GrAphic StyleS,<br />

1901-1938<br />

8 ligavision 9<br />

ligavision


Fairs & Shows<br />

sChEdulE 2010/11<br />

* dates to be confirmed<br />

may<br />

feStiVAl De cAnneS<br />

12-23 mAy, cAnneS<br />

www.festival-cannes.fr<br />

internAtionAl contemporAry<br />

furniture fAir<br />

15-18 mAy, new york<br />

www.icff.com<br />

june<br />

rcA fAShion Show<br />

10-11 june, lonDon *<br />

www.rca.ac.uk<br />

DeSiGn miAmi BASel<br />

15-19 june, BASel<br />

www.designmiami.com<br />

Art BASel<br />

16-20 june, BASel<br />

www.artbasel.com<br />

milAno moDA uomo S/S 2011<br />

19-23 june, milAn<br />

www.cameramoda.it<br />

men’S fAShion week S/S 2011<br />

24-27 june, pAriS<br />

www.modeaparis.com<br />

july<br />

DeSiGn pArADe<br />

2-5 july, hyèreS<br />

www.villanoailles-hyeres.com<br />

pAriS hAute couture<br />

5-8 july, pAriS<br />

www.modeaparis.com<br />

BreAD & Butter<br />

7-9 july, Berlin<br />

www.breadandbutter.com<br />

merceDeS-Benz fAShion week<br />

S/S 2011<br />

15-18 july, Berlin *<br />

www.mercedesbenzfashionweekberlin.com<br />

august<br />

tenDence<br />

27-31 AuGuSt, frAnkfurt<br />

www.tendence.messefrankfurt.com<br />

BiennAle Architecture<br />

29 AuGuSt - 21 noVemBer, Venice<br />

www.labiennale.org<br />

sePtember<br />

mAiSon et oBjet<br />

3-7 SeptemBer, pAriS<br />

www.maison-objet.com<br />

merceDeS-Benz fAShion week<br />

S/S 2011<br />

9-16 SeptemBer, new york *<br />

www.mbfashionweek.com/newyork<br />

milAno moDA DonnA S/S 2011<br />

22-29 SeptemBer, milAn<br />

www.cameramoda.it<br />

monAco yAcht Show<br />

22-25 SeptemBer, monAco<br />

www.monacoyachtshow.com<br />

100% DeSiGn<br />

23-26 SeptemBer, lonDon<br />

www.100percentdesign.co.uk<br />

iAA motor Show<br />

23-30 SeptemBer, hAnoVer<br />

www.iaa.de<br />

pAriS fAShion week S/S 2011<br />

29 SeptemBer - 7 octoBer, pAriS<br />

www.modeaparis.com<br />

october<br />

ViennA DeSiGn week<br />

1-11 octoBer, ViennA<br />

www.viennadesignweek.at<br />

frAnkfurt Book fAir<br />

6-10 octoBer, frAnkfurt<br />

www.frankfurt-book-fair.com<br />

100% DeSiGn tokyo<br />

29 octoBer - 2 noVemBer, tokyo<br />

www.100percentdesign.jp<br />

november<br />

100% DeSiGn ShAnGhAi<br />

4-6 noVemBer, ShAnGhAi<br />

www.100percentdesign.com.cn<br />

pAriS photo<br />

18-21 noVemBer, pAriS<br />

www.parisphoto.fr<br />

millionAire fAir<br />

25-28 noVemBer, munich<br />

www.millionairefair.com<br />

december<br />

Seoul DeSiGn week<br />

1-5 DecemBer, Seoul*<br />

www.designfestival.co.kr<br />

Art miAmi<br />

1-5 DecemBer, miAmi<br />

www.art-miami.com<br />

DeSiGn miAmi<br />

2-5 DecemBer, miAmi<br />

www.designmiami.com<br />

Art BASel miAmi BeAch<br />

2-5 DecemBer , miAmi<br />

www.artbaselmiamibeach.com<br />

january 2011<br />

internAtionAl conSumer<br />

electroniS Show<br />

6-9 jAnuAry, lAS VeGAS<br />

www.cesweb.org<br />

miAmi internAtionAl Art fAir<br />

12-17 jAnuAry, miAmi<br />

www.mia.artfair.com<br />

lonDon Art fAir<br />

19-23 jAnuAry, lonDon<br />

www.londonartfair.co.uk<br />

SunDAnce film feStiVAl<br />

20-30 jAnuAry, pArk city<br />

www.sundance.org<br />

10 ligavision 11<br />

ligavision


Fairs & Shows<br />

ExhibiTiONs<br />

Yves Saint laurent<br />

„i only SpeAk three worDS french:<br />

yVeS SAint lAurent“<br />

two yeArS After hiS DeAth, pAriS<br />

iS DeDicAtinG monSieur ySl A exhi-<br />

Bition At pAriS petit pAlAiS<br />

www.ySlretroSpectiVe.com<br />

exhibitions runs till 29/08/2010<br />

Go for the cAtAloGue!<br />

exhiBition ShowS oVer 300 De-<br />

SiGnS AS well AS numerouS<br />

SktecheS, filmS AnD photoGrAphS<br />

in orDer to meDiAte the AmAzinG<br />

oeuVre of the couturier which<br />

BecomeS myth By DeSiGninG the<br />

pAntSuitS for women „le SmokinG“,<br />

connectinG Art AnD fAShion<br />

By pop Art inSpireD DreSSeS,<br />

ShowinG BlAck moDelS on the<br />

runwAyS, ADVertiSinG nAkeD AnD<br />

GAininG AcceSS to couture for<br />

All of uS By lAunchinG on-thepeG<br />

clothinG At riVe GAuche.<br />

ySl wAS AlwAyS At the forefront<br />

of (fAShion) innoVAtion, he<br />

rockeD with clotheS (DeSiGnS)<br />

thAt were fAShion forwArD,<br />

weArABle, perfectly cut AnD AB-<br />

Solutly fABouluS.<br />

Maison Martin<br />

Margiela<br />

After Antwerp AnD munich, mAi-<br />

Son mArtin mArGielA ‘20’ the exhiBition,<br />

iS moVinG to lonDon<br />

SomerSet emBAnkment GAllerieS<br />

celeBrAtinG 20 yeArS of one of<br />

contemporAry moSt influentiAl<br />

AnD eniGmAtic fAShion DeSiGnerS.<br />

exhibtion runs till 05/09/2010<br />

mArtin mArGielA formerly<br />

workeD AS DeSiGn ASSiStAnt to<br />

jeAn pAul GAultier Before ShowinG<br />

hiS firSt collection unDer<br />

hiS own lABel in 1988. employinG<br />

A ‘DeconStructiViSt’ ApproAch,<br />

mArGielA DiSplAyeD A rADicAlly<br />

new ViSuAl lAnGuAGe thAt DiAmetricAlly<br />

oppoSeD the power<br />

DreSSinG of the 1980S.<br />

two DecADeS on AnD mArGielA<br />

iS wiDely reGArDeD AS one of<br />

the reiGninG luminArieS of the<br />

current fAShion Scene. thiS<br />

AmBitiouS, multi-lAyereD Show<br />

cAptureS mArGielA’S unique AeSthetic<br />

AnD ViSion SpAnninG the<br />

pASt 20 yeArS, By incorporAtinG<br />

inStAllAtionS, photoGrAphy,<br />

ViDeo AnD film.<br />

12 ligavision 13<br />

ligavision


Festival Special<br />

fEsTival dE la mOdE<br />

& dE la phOTOgraphiE<br />

The Festival<br />

25e feStiVAl internAtionAl De<br />

moDe & De photoGrAphie VillA<br />

noAilleS,eVery yeAr SpotliGhtS<br />

ten younG fAShion DeSiGnerS &<br />

ten younG photoGrApherS unDer<br />

the pAtronAGe of An internAtionAl<br />

jury.<br />

on eVery eDition, the feStiVAl<br />

preSentS At the VillA noAilleS —<br />

the lAnDmArk cuBiSt VillA Built<br />

in the 1920’S By mAllet-SteVenS —<br />

SeVerAl exhiBitionS thAt explore<br />

the permeAtinG BounDArieS Between<br />

Art, photoGrAphy AnD<br />

fAShion:<br />

Fashion comPetition<br />

on the three DAyS of the feStiVAl,<br />

younG fAShion DeSiGnerS preSent<br />

to the puBlic their firSt collection<br />

their propoSAlS Are exAmineD<br />

AnD ASSeSeD By An AttentiVe<br />

jury of inDuStry profeSSionAlS.<br />

numerouS tAlentS reVeAleD By<br />

the pASt 20 eDitionS of the feSti-<br />

VAl'S fAShion competition hAVe<br />

Since Become eSSentiAl nAmeS in<br />

the worlD of fAShion: Viktor &<br />

rolf, henrik ViBSkoV, c-neeon,... to<br />

cite only A prominent few.<br />

the feStiVAl’S tiGht-knit BonDS<br />

with the fAShion inDuStry Are<br />

one of itS mAjor ASSetS: leADinG<br />

fAShion compAnieS SponSor All<br />

eVentS AnD AwArDS, AnD thuS<br />

mArk their enGAGement towArDS<br />

younG tAlent. DeSiGnerS thAt<br />

hAVe tAken pArt in the feStiVAl<br />

AS memBerS or the jury count<br />

john GAlliAno, mArtin mArGielA,<br />

Ann DemeulemeeSter, Apc, helmut<br />

lAnG, huSSein chAlAyAn, kArl lA-<br />

GerfelD, jeAn pAul GAultier, AnnA<br />

Sui, chriStiAn lAcroix AnD mAny<br />

more.<br />

the PhotograPhy comPetition<br />

ten yeArS AGo, the hyèreS feSti-<br />

VAl openeD itS DoorS to younG<br />

photoGrAphy with the SAme pAS-<br />

SioniSinG Spirit with which it ApproAcheS<br />

fAShion. competition<br />

iS AimeD to puSh photoGrApherS<br />

forwArD — ArtiSticAlly, eDitori-<br />

Ally, commerciAlly — AnD eVery<br />

yeAr it proDuceS A Different<br />

creAtiVe SynerGy thAt nouriSheS<br />

AnD reVitAlizeS fAShion photoGrAphy.<br />

it offerS creAtiVe younG tAlentS<br />

A opportunity to exhiBit<br />

their portflio to Art DirectorS,<br />

mAnAGerS of GAllerieS & Art in-<br />

StitutionS, eStABliSheD photoGrApherS<br />

AnD A wiDe VAriety of<br />

profeSSionAlS workinG with im-<br />

AGeS (AGentS, BrAnD repreSentAtiVeS,<br />

etc.).<br />

former memBerS of the photoGrAphy<br />

jury incluDe tom wAlker<br />

(photoGrpher) lucA Stoppini<br />

(VoGue itAliA), Alex wieDerin (Another<br />

mAGAzine), terry joneS (i-D<br />

mAGAzine), (photoGrApher), DenniS<br />

freeDmAn (w mAGAzine) AnD<br />

more.<br />

the exhibitions<br />

in ADDition, curAtor michel mAllArD<br />

AlSo StriVeS to comBine the<br />

workS of younG tAlentS<br />

(2 winerS of the lASt feStiVAl)<br />

AnD fAmouS eStABliSheD ArtiStS.<br />

www.VillAnoAilleS-hyereS.com<br />

14 ligavision 15<br />

ligavision


Festival Special<br />

fEsTival dE la mOdE<br />

& dE la phOTOgraphiE<br />

Carlo Van Der Roer<br />

“the portrAit mASchine project”<br />

VAn De roer’S portrAit mAchine<br />

project exploreS the iDeA thAt A<br />

portrAit photoGrAph cAn reVeAl<br />

An otherwiSe unSeen AnD<br />

AccurAte inSiGht into the SuBject’S<br />

chArActer. uSinG A polAroiD<br />

AurA cAmerA DeVelopeD in<br />

the 1970‘S By An AmericAn ScientiSt,<br />

VAn De roer hAS AttempteD<br />

to recorD whAt A pSychic miGht<br />

See.<br />

Robin Schwartz<br />

“AmeliAS worlD”<br />

hilAriouS, touchinG AnD DiSturBinG<br />

SerieS lookinG At the relAtionShip<br />

Between SchwArtz’S<br />

DAuGhter AnD VAriouS AnimAl<br />

frienDS.<br />

16 ligavision 17<br />

ligavision


Festival Special<br />

fEsTival dE la mOdE<br />

& dE la phOTOgraphiE<br />

Matthieu Lavanchy<br />

“mr SchuhlmAnn”<br />

„we liVe in An AGe when we Are<br />

BomBArDeD By Violent AnD<br />

DrAmAtic imAGeS from the mASS<br />

meDiA AnD the entertAinment in-<br />

DuStry. theSe DiSturBinG imAGeS<br />

Slowly Become pArt of our eVeryDAy<br />

life, creAtinG An ineScAp-<br />

ABle climAte of feAr. in liGht of<br />

thiS, i imAGineD the chArActer of<br />

mr. SchuhlmAnn. he iS Someone<br />

whoSe inner StAte of emerGency<br />

AffectS hiS whole life. in hiS<br />

minD, the outSiDe worlD iS An imminent<br />

threAt; An intruDer thAt<br />

muSt Be repelleD By Any meAnS.<br />

he creAteS DeViceS to protect<br />

himSelf from fAntASiSeD AnD<br />

irrAtionAl DAnGerS, iSolAtinG<br />

himSelf in A phySicAl, But moStly<br />

pSycholoGicAl fortreSS.“<br />

check our report of the<br />

winnerS on our BloG.<br />

AVAilABle miD mAy 2010<br />

BloG.liGAnoVA.com<br />

18 ligavision 19<br />

ligavision


People<br />

a Taxi ridE wiTh...<br />

Markus Mahren<br />

Who are you?<br />

An AeSthete<br />

What are you doing?<br />

i loVe life!<br />

What does Fashion mean to you?<br />

BlAck!<br />

What does liFestyle mean to<br />

you?<br />

life itSelf!<br />

What do you dislike?<br />

enVy, hAte, mAleVolence!<br />

What best characterizes your<br />

design?<br />

hiGheSt quAlity Down to the<br />

Very DetAilS<br />

What´s your most imPortant<br />

goal?<br />

to life A hAppy AnD fulfilleD life<br />

What´s on your mind While<br />

designing?<br />

BeAutiful thouGhtS<br />

What do you consider more<br />

imPortant – creativity or<br />

exPerience?<br />

Both Are equAlly importAnt to<br />

the work we Do<br />

What is more imPortant: Process<br />

or outcome?<br />

At the enD of the DAy it iS reSultS<br />

thAt mAtter. in termS of creAtiVity<br />

the proceSS iS eSSentiAl AS<br />

well.<br />

What is your deFinition oF<br />

beauty?<br />

“you only See with the heArt. the<br />

eSSentiAl iS inViSiBle to the eyeS.”<br />

( from: “Der kleine prinz”)<br />

What is your PhilosoPhy?<br />

„we juSt cAn Do SmAll thinGS<br />

with A GreAt heArt!“<br />

(mother thereSA)<br />

What is the most imPortant<br />

lesson you´ve learned?<br />

i hAVe nothinG But thiS one life<br />

to ShAre joyfully<br />

(hAiku of life)<br />

20 ligavision 21<br />

ligavision


22 ligavision 23<br />

ligavision


PATTERns<br />

24 ligavision 25<br />

ligavision


moDel: miSGhAnA hABteAB<br />

photoGrAphy: Anne lotte BippuS<br />

hAir & mAke up: miSGhAnA hABteAB & ellen kächele<br />

StylinG: Anne lotte BippuS & ellen kächele<br />

retouchinG: mArcel BorrmAnn & AlexAnDer hornBAcher<br />

26 ligavision 27<br />

ligavision


Summer Special<br />

bEaChwEar TrENds<br />

28 ligavision 29<br />

ligavision


glamour<br />

meet the DiVA on the BeAch<br />

30 ligavision 31<br />

ligavision


sliced<br />

rAzor-ShArp BeAchweAr<br />

32 ligavision 33<br />

ligavision


maritim<br />

A pASSion for SAilinG. clASSic.<br />

34 ligavision 35<br />

ligavision


Designers Report<br />

puNK, NEw wavE & luxury<br />

Vivienne Westwood<br />

wAS Born ViVienne iSABel Swire<br />

on 8 April 1941. She StuDieD At<br />

the hArrow School of Art, tAkinG<br />

fAShion AnD SilVerSmithinG,<br />

But left. ViVienne BecAme A primAry<br />

School teAcher. ViVienne<br />

met Derek weStwooD AnD on 21<br />

july 1962. She mArrieD him AnD<br />

ViVienne mADe her own weDDinG<br />

DreSS for the ceremony.<br />

upon meetinG mAlcolm mclAren,<br />

it SiGnifieD the enD of weStwooD’S<br />

mArriAGe to Derek. weStwooD<br />

AnD mclAren liVeD in A<br />

council flAt in clAphAm AnD<br />

weStwooD continueD to teAch<br />

until 1971, when mAlcolm DeciDeD<br />

to open A Boutique At 430<br />

kinG’S roAD - let it rock (AlSo<br />

known AS Sex, too fASt to liVe<br />

too younG to Die, SeDitionArieS).<br />

weStwooD BeGAn to Sell her outrAGeouS<br />

AnD outlAnDiSh DeSiGnS<br />

in the Shop, which Drew inSpirAtion<br />

from BikerS, fetiShiStS AnD<br />

proStituteS. DurinG thiS perioD,<br />

mclAren BecAme mAnAGer of the<br />

punk BAnD Sex piStolS AnD SuBSequently<br />

the two GArnereD Attention,<br />

AS the BAnD often wore<br />

weStwooD’S DeSiGnS AnD ShoppeD<br />

At 430 kinG’S roAD. whilSt liVinG<br />

in their flAt in clAphAm, weStwooD<br />

AnD mclAren hAD A chilD,<br />

Another Son nAmeD joSeph<br />

corré. weStwooD wAS heAVily<br />

intereSteD By the punk fAShion<br />

phenomenA of the 1970S, SAyinG “i<br />

wAS meSSiAnic ABout punk, SeeinG<br />

if one coulD put A Spoke in the<br />

SyStem in Some wAy”. weStwooD<br />

Still ownS thiS Shop, which iS<br />

now known AS worlD’S enD, from<br />

which She SellS her AnGlomAniA<br />

lABel.<br />

the “punk Style” incluDeD BDSm<br />

fAShion, BonDAGe GeAr, SAfety<br />

pinS, rAzor BlADeS, Bicycle or lAV-<br />

Atory chAinS on clothinG AnD<br />

SpikeD DoG collArS for jewellery,<br />

AS well AS outrAGeouS mAkeup<br />

AnD hAir. eSSentiAl DeSiGn elementS<br />

incluDe the ADoption of<br />

trADitionAl elementS of ScottiSh<br />

DeSiGn Such AS tArtAn fABric.<br />

AmonGSt the more unuSuAl<br />

elementS of her Style iS the uSe<br />

of hiStoricAl 17th AnD 18th century<br />

cloth cuttinG principleS,<br />

AnD reinterpretinG theSe in, for<br />

inStAnce, rADicAl cuttinG lineS<br />

to menS trouSerS. uSe of theSe<br />

trADitionAl elementS mAke the<br />

oVerAll effect of her DeSiGnS<br />

more ShockinG.<br />

36 ligavision 37<br />

ligavision


Designers Report<br />

COllECTiON s/s 2010<br />

Vivienne Westwood<br />

www.ViVienneweStwooD.com<br />

ViVienne weStwooD on fAceBook<br />

38 ligavision 39<br />

ligavision


Designers Report<br />

frOm NEw dElhi TO paris<br />

Manish Arora<br />

Born in mumBAi, mAniSh wAS StuDyinG<br />

to GrADuAte in commerce,<br />

when he DeciDeD to chAnGe hiS<br />

cAreer pAth, AnD ApplieD for nAtionAl<br />

inStitute of fAShion technoloGy<br />

in new Delhi AnD pASSeD<br />

out in in 1994, After winninG the<br />

BeSt StuDent AwArD.<br />

mAniSh ArorA iS reGArDeD By<br />

mAny AS „the john GAlliAno of<br />

inDiA“, mAniSh iS An AlumnuS of<br />

nAtionAl inStitute of fAShion<br />

technoloGy in new Delhi; he<br />

StArteD hiS eponymouS lABel in<br />

1997, AnD toDAy he iS known for A<br />

rich pAlette of pSycheDelic colourS<br />

AnD kitSch motifS, in GArmentS<br />

thAt comBine trADitionAl<br />

inDiAn crAftS like emBroiDery,<br />

Appliqué AnD BeADinG with weStern<br />

SilhouetteS.<br />

toDAy hiS lABel iS AVAilABle in 84<br />

StoreS worlDwiDe, AnD for the<br />

lASt fiVe yeArS he hAS collABorAteD<br />

with SportSweAr GiAnt<br />

reeBok to proDuce the SucceSSful<br />

‚fiSh fry‘ line.<br />

kitsch motifs,<br />

vibrant colours,<br />

contemporary silhouettes<br />

and traditional Indian<br />

craft details.<br />

40 ligavision 41<br />

ligavision


Designers Report<br />

frOm NEw dElhi TO paris<br />

Manish Arora<br />

42 ligavision 43<br />

ligavision


Daily Fashion Report<br />

miChaEl<br />

day 1<br />

feelinG: i Don’t like tueSDAyS<br />

day 2<br />

feelinG: muSic iS in my BrAin<br />

day 3<br />

feelinG: it’S my thurSDAy, it’S my thurSDAy!<br />

day 4<br />

feelinG: StreSSeD<br />

day 5<br />

feelinG: reADy to fiGht, cleVer AnD SmArt!<br />

alEx<br />

day 1<br />

ich fühle mich Super ...jA GenAu ...weil Die<br />

Sonne Scheint. DAS outfit hAB ich Gewählt,<br />

weil ich fArBe in Den tAG BrinGen will<br />

day 2<br />

heute etwAS wärmer AnGezoGen.<br />

eS iSt kAlt, ich Bin totSterBenSkrAnk unD<br />

DAnn Steht Auch noch DAS wochenenDe<br />

Vor Der tür. ich will nur noch heim unD inS<br />

Bette.<br />

day 3<br />

heute krAnk ...DAS wetter tut Sein üBriGeS<br />

DAzu<br />

day 4<br />

....heute fühle ich mich ...So ...einGeenGt :-)<br />

day 5<br />

...heute BuSy BuSy BuSy<br />

44 ligavision 45<br />

ligavision


Daily Fashion Report<br />

aNNE & EllEN alEx<br />

day 1<br />

winDStärke 8 - Die friSur Sitzt<br />

day 2<br />

eyjAfjAllAjökull<br />

day 3<br />

Streifenhörnchen unD SchwArze kAtze<br />

krAtzen mit Der tAtze<br />

day 4<br />

7 c° brrrrrrrrrrrrrrrrrr<br />

day 5<br />

wir tAnzen im<br />

day 1<br />

i feel Very Sleepy toDAy. So i wAnteD SomethinG<br />

comfy. i weAr A Grey SweAter AnD<br />

jeAnS. ADDitionAl color: A Soft-pink t-Shirt<br />

unDerneAth.<br />

day 2<br />

i loVe reD AnD DArk Blue.<br />

day 3<br />

plAin BlAck AnD Some freSh mint tone<br />

day 4<br />

eVen more DArk Blue<br />

day 5<br />

yeAh! olDSchool Soft pink!<br />

46 ligavision 47<br />

ligavision


Daily Fashion Report<br />

jENNifEr<br />

day 1<br />

A Bit tireD like eVery monDAy... therefore my<br />

outfit iS Simple – trieD to Spice it up A little<br />

Bit with my hiGh-heeleD Ankle BootS.<br />

thAt mAke me feel not too Simple AnD cASu-<br />

Al ;-)<br />

day 2<br />

i AlwAyS feel comfortABle in thiS outfit. it’S<br />

perfect for eVery occASSion, no mAtter how<br />

i feel.... i feel GooD toDAy ;-)<br />

day 3<br />

finAlly SprinG! GreAt weAther - GooD mooD!<br />

mOriTz<br />

day 1<br />

friSch motiViert nAch Dem urlAuB mit neuen<br />

Schuhen unD neuer jAcke.<br />

day 2<br />

neue Schuhe Sehen zwAr Gut AuS, Drücken<br />

ABer unD müSSen erSt einGelAufen werDen.<br />

Die neue jAcke wAr für DAS wetter GerADe<br />

Doch ein BiSSchen zu friSch.<br />

day 3<br />

“10 minuten zu Spät AufGeStAnDen - AlSo<br />

AnGezoGen wAS in reichweite lAG.”<br />

day 4<br />

“ frühlinGSwetter...”<br />

48 ligavision 49<br />

ligavision


Daily Fashion Report<br />

EriC jaNiNE<br />

day 1<br />

roBuSte, BrAune BuDApeSter Stiefeletten –<br />

weil’S nAch reGen AuSSieht<br />

GrAue hoSe – weil’S nAch reGen AuSSieht<br />

BorDeAuxroter rolli – kAlt heute<br />

flASchenGrüne SAmtjAcke – flASchenGrün<br />

pASSt Gut zu BorDeAux unD wärmt<br />

helle enGliSche reGenjAcke. SelBStreDenD.<br />

wie fühl ich mich heute?<br />

erkältet ABer trotzDem Voller elAn nAch<br />

einem wochenenDe im Bett<br />

day 2<br />

SchwArze chelSeA BootS – Die pASSen immer<br />

zum reSt<br />

GrAuer AnzuG – weil’S nAch kunDenmeetinG<br />

AuSSieht<br />

mArineBlAuer rolli – eS heiSSt, mit DieSer<br />

fArBe würDe mAn ernSt Genommen<br />

DunkelBlAuer trenchcoAt – iSt wie Die<br />

Stiefel<br />

wie fühl ich mich heute?<br />

noch Voller mit elAn (cleAn up AnD Smile)<br />

day 3<br />

Spitze BrAune 2-loch popperSchuhe mit oliV-<br />

Grünen Senkeln – finD ich cool<br />

DunkelGrAue hoSe – AlS BASiS<br />

BrAun-BlAu-weiSS kleinkArierteS hemD – moD<br />

zuBehör<br />

GrAuer mAtroSenpulloVer AuS DäniScher<br />

proDuktion mit rollBAren BünDchen – Auch<br />

BASiS<br />

BlAuer kurzmAntel, trenchcoAt oDer motorrADjAcke<br />

– prAktiSch unD VerweGen<br />

BretoniSche SeemAnnSkAppe oDer prinz heinrich<br />

mütze AuS Dem BeAtleS-film “help”<br />

wie fühl ich mich heute?<br />

ich GlAuBe, BAlD wirD’S wieDer wärmer – it’S<br />

GettinG Better All the time (SGt. pepper)<br />

day 4<br />

flAche rotBrAune hAlBSchuhe mit Dunkelroten<br />

Senkeln – meine lieBlinGSSchuhe<br />

DunkelGrAue hoSe – wie GeStern<br />

lichtGrAueBeiGefArBeneS hemD – AlS kontrASt<br />

zur hoSe<br />

Die lieBlinGSStrickjAcke, wollfArBen mit um-<br />

GeSchlAGenem krAGen<br />

Den mAntel Vom montAG<br />

wie fühl ich mich heute?<br />

Gleich trAG ich wAS GAnz AnDereS, SchmutzSteife<br />

jeAnS unD So 23 pAkete flieSen<br />

day 1<br />

peSSimiStiSch<br />

DA Der frühlinG immer noch Auf Sich wArten<br />

läSSt, muSS ein wArmer pulloVer her!<br />

day 2<br />

frieDlich<br />

hAuptSAche Bequem.<br />

day 3<br />

AufGereGt<br />

heute DArf eS wieDer etwAS eleGAnter Sein.<br />

day 4<br />

fAntASieVoll<br />

mAl wAS neueS.<br />

50 ligavision 51<br />

ligavision


Event Special<br />

ligaNOvaTiON<br />

Interview<br />

michael haiser & sÖren Fricke<br />

What exactly is liganovation?<br />

eVer Since itS founDinG DAyS innoVAtion<br />

hAS Been pArt of liGAnoVAS’<br />

Self-concept. liGAnoVAtion<br />

iS the StrAteGic emBoDiment<br />

of thiS concept.<br />

in itS SyStemAtic SeArch of An-<br />

SwerS AnD SolutionS the liGAnoVAtion<br />

teAm chAnnelS inno-<br />

VAtion potentiAl, AnAlySeS the<br />

cuStomerS’ neeDS AnD relieS on<br />

the help of liGAnoVAS´ key Account<br />

mAnAGerS.<br />

to GiVe you An exAmple: if A client<br />

on A SmAll BuDGet requeStS<br />

A Shop winDow with liVe ViSuAlS,<br />

liGAnoVAtionS’ AnSwer to thiS<br />

miGht Be An inDiViDuAlly pro-<br />

GrAmmeD AnD controllABle leD<br />

inStAllAtion.<br />

What Was the First Product or<br />

the First technology develoPed<br />

by liganovation? and hoW did it<br />

Work?<br />

- Dmx operAteD mooD liGhtS, A<br />

controllABle leD color chAnGe<br />

for A Shop winDow,<br />

- A liGht DiSplAy which mADe uSe<br />

of A 200 mm liGhtBox AS oppoSeD<br />

to the StAnDArD 150mm one<br />

hoW do you exPlain the success<br />

oF liganovas interactive WindoWs?<br />

liGAnoVAS’ interActiVe winDowS<br />

AppeAl to the nAturAl plAy in-<br />

Stinct in eVeryone of uS. AppArently<br />

thiS BecomeS eVen more<br />

true when comBineD with An element<br />

of technicAl innoVAtion<br />

(i.e. motion- SenSinG). SounD, liGht<br />

AnD moVinG elementS enhAnce<br />

itS lonG-rAnGe effect.<br />

in terms oF media coverage –<br />

the linkage oF all said elements<br />

Proved to be neW in brand design.<br />

are there any innovative<br />

aPPlications in stock? What can<br />

We exPect From liganovation in<br />

the near Future?<br />

one of the mAin chAllenGeS in<br />

interActiVe winDow DeSiGn iS itS<br />

Vicinity – which often proVeS to<br />

Be An unmAnAGeABle hinDrAnce.<br />

it iS our tASk to inVent A flexiBle,<br />

moVeABle winDow thAt will<br />

come to the cuStomer rAther<br />

thAn count on the cuStomer to<br />

come By. liGAnoVAtion hAS De-<br />

VelopeD A firSt prototype of A<br />

moBile interActiVe winDow, the<br />

“interActiVe cuBe”.<br />

52 ligavision 53<br />

ligavision


Event Special<br />

ligaNOvaTiON<br />

coming uP With innovative solutions<br />

must entail challenges.<br />

Please elaborate.<br />

innoVAtion exiStS on two conDitionS<br />

only: there neeDS to Be An<br />

Acute AwAreneSS of the timeS<br />

neceSSitieS. theSe muSt Be pAireD<br />

with the lAteSt meAnS in enGineerinG<br />

AnD proDuction. reAliSticAlly<br />

innoVAtion iS not profitABle<br />

At firSt. But it DoeS GrAnt<br />

new poSSiBilitieS. SeeinG A technicAlly<br />

SuBtle AnD eASily AcceSSi-<br />

Ble Solution Be welcomeD By the<br />

cuStomerS iS AlSo A quite SAtiSfActory<br />

experience.<br />

What are the short- and longterm<br />

goals oF liganovation?<br />

further DeVelopment of the innoVAtion<br />

proceSS AnD innoVAtionS<br />

in tune with the cuStomerS<br />

neeDS.<br />

54 ligavision 55<br />

ligavision


Event Designers Report<br />

EvENT<br />

happENiNg<br />

parTy<br />

fEsTival<br />

COmpETiTiON<br />

we ASkeD our eVent DeSiGnerS to<br />

preSent their fAVorite eVent iDe-<br />

AS, ArtiStS or inSpirAtion. on the<br />

followinG pAGeS you will finD A<br />

Selection of Different intereStinG<br />

hAppeninGS.<br />

click on the hAnD icon to hAVe<br />

A look on SeVerAl ViDeoS from<br />

youtuBe.<br />

ThE mOb<br />

Katja Bauknecht<br />

flAShmoB iS A lArGe Group of people<br />

who ASSemBle SuDDenly in A<br />

puBlic SpAce, perform An unuSu-<br />

Al AnD pointleSS Act for A Brief<br />

time, then quickly DiSperSe. the<br />

term flAShmoB iS GenerAlly ApplieD<br />

only to GAtherinGS orGAnizeD<br />

ViA telecommunicAtionS,<br />

SociAl meDiA, or VirAl emAilS.<br />

flAShmoBS BeGAn AS A form of<br />

performAnce Art.<br />

the firSt flAShmoB wAS creAteD<br />

in mAnhAttAn in mAy 2003, By Bill<br />

wASik, Senior eDitor of hArper‘S<br />

mAGAzine.<br />

youtuBe<br />

T-mObilE flashmOb(T) livErpOOl<br />

sTaTiON 2009:<br />

for the t-moBile uk cAmpAiGn<br />

“life’S for ShArinG” SAAtchi &<br />

SAAtchi lonDon orGAniSeD A<br />

flAShmoB in the liVerpool Street<br />

StAtion on thurSDy, 15 th jAnuAry<br />

At 11Am the t-moBile flAShmoB<br />

DAnce StArteD – ABout 350 DAncerS<br />

perfomeD the t-moBile DAnce.<br />

the whole crowD wAS filmeD<br />

with A hiDDen cAmerA to cApture<br />

the reActionS of the people<br />

who BecAme SpectAtorS of the<br />

eVent on film.<br />

56 ligavision 57<br />

ligavision


Event Designers Report<br />

CirquE du sOlEil<br />

Yvonne Kaupp<br />

from A Group of 20 Street performerS<br />

At itS BeGinninGS in 1984,<br />

cirque Du Soleil iS now A mAjor<br />

queBec-BASeD orGAnizAtion pro-<br />

ViDinG hiGh-quAlity ArtiStic entertAinment.<br />

the compAny hAS<br />

more thAn 4,000 employeeS from<br />

oVer 40 Different countrieS, incluDinG<br />

1,000 ArtiStS. cirque Du<br />

Soleil’S miSSion iS to inVoke the<br />

imAGinAtion, proVoke the SenSeS<br />

AnD eVoke the emotionS of people<br />

ArounD the worlD. cirque<br />

Du Soleil hAS BrouGht wonDer<br />

AnD DeliGht to AlmoSt 90 million<br />

SpectAtorS in oVer 200 citieS on<br />

fiVe continentS. in 2009, cirque<br />

Du Soleil will preSent 20 ShowS<br />

SimultAneouSly throuGhout the<br />

worlD. the compAny hAS receiVeD<br />

Such preStiGiouS AwArDS AS the<br />

emmy, DrAmA DeSk, BAmBi, Ace,<br />

GémeAux, félix, AnD roSe D’or De<br />

montreux. cirque Du Soleil internAtionAl<br />

heADquArterS Are in<br />

montreAl, cAnADA.<br />

youtuBe<br />

58 ligavision 59<br />

ligavision


Event Designers Report<br />

sTaNlEy KubriCK<br />

Andreas Neurohr<br />

my inSpirAtion comeS out of<br />

StronG pictureS. ken ADAmS with<br />

the “jAmeS BonD - moonrAker” Set<br />

DeSiGn or the ViSionAry StAnley<br />

kuBrick with “2001 A SpAce oDyS-<br />

Sey” Are juSt two people thAt<br />

formeD hole GenerAtionS AnD<br />

Still inSpire me.<br />

youtuBe<br />

3d - prOjECTiON ON<br />

buildiNgs Or ElEmENTs<br />

Ina Lorenz<br />

i Am fAScinAteD By the interAction<br />

Between liGht, colourS AnD<br />

elementS. plAyinG with our Sen-<br />

Sory perception.<br />

youtuBe<br />

youtuBe<br />

youtuBe<br />

60 ligavision 61<br />

ligavision


Event Designers Report<br />

COlOr yOur lifE<br />

Sören Fricke<br />

youtuBe<br />

i like - BeSt liVe BAnD, AlwAyS up<br />

for crAzy Shit<br />

youtuBe<br />

i like - funky ADVertiSinG with<br />

new iDeAS<br />

youtuBe<br />

i like - uSe of hiGh tech in An technicAlly<br />

inViSiBle low tech wAy<br />

62 ligavision 63<br />

ligavision


yotuuBe<br />

Event Designers Report<br />

ThE TimE warp<br />

Moritz Kiefner<br />

time WarP – Festival For jetztmusik<br />

and media art<br />

eVery yeAr in eArly SprinG thiS<br />

GreAt pArty tAkeS plAce with<br />

people from All oVer europe.<br />

AweSome liGht & leD Show. Some<br />

of the worlDS BeSt DjS like SVen<br />

Väth, monikA kruSe, chriS lieBinG,<br />

ellen Allien, cArl cox, ...<br />

the concept of “jetzt muSikfeStiVAl”<br />

iS to BriDGe the GAp<br />

Between film, literAture AnD<br />

DAnce. By ADDinG the cAteGorieS<br />

‘meDiA&ArtS’ AnD ‘lAB’ in 2007, the<br />

time wArp BecAme the “time wArp<br />

– feStiVAl for jetztmuSik AnD me-<br />

DiA Art”. the Aim of thiS eVent iS<br />

to proViDe A plAtform for inno-<br />

VAtiVe projectS thAt SpAn the<br />

BorDer Between electronic mu-<br />

Sic AnD relAteD Art formS.<br />

miChaEl jaCKsON shOws<br />

Stefanie Schrof<br />

hiS StronG AmBition, DiScipline,<br />

profeSSionAliSm AnD perfection<br />

youtuBe<br />

64 ligavision 65<br />

ligavision


Event Designers Report<br />

burNiNg maN fEsTival<br />

Dennis Baader<br />

tryinG to explAin whAt BurninG<br />

mAn iS to Someone who hAS neVer<br />

Been to the eVent iS A Bit like<br />

tryinG to explAin whAt A pArticulAr<br />

color lookS like to Someone<br />

who iS BlinD.<br />

the BurninG mAn project hAS<br />

Grown from A SmAll Group of<br />

people GAtherinG SpontAneouSly<br />

to A community of oVer 48,000<br />

people. there Are no ruleS ABout<br />

how one muSt BehAVe or expreSS<br />

oneSelf At thiS eVent. the eVent<br />

tAkeS plAce on An Ancient lAke-<br />

BeD. Art iS An unAVoiDABle pArt<br />

of thiS experience, AnD in fAct,<br />

iS Such A pArt of the experience<br />

thAt the founDer of the BurninG<br />

mAn project, GiVeS A theme<br />

to eAch yeAr. pArticipAntS Are<br />

encourAGeD to finD A wAy to<br />

help, mAke the theme come AliVe,<br />

whether it iS throuGh A lArGe-<br />

ScAle Art inStAllAtion, A theme<br />

cAmp, GiftS BrouGht to Be GiVen<br />

to other inDiViDuAlS, coStumeS,<br />

or Any other meDium thAt one<br />

comeS up with.<br />

http://www.BurninGmAn.com/<br />

66 ligavision 67<br />

ligavision


moDel: miSGhAnA hABteAB<br />

photoGrAphy: Anne lotte BippuS<br />

hAir & mAke up: miSGhAnA hABteAB & ellen kächele<br />

StylinG: Anne lotte BippuS & ellen kächele<br />

retouchinG: mArcel BorrmAnn<br />

compoSitinG: AlexAnDer hornBAcher<br />

68 ligavision 69<br />

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70 ligavision 71<br />

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72 ligavision 73<br />

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74 ligavision 75<br />

ligavision


Artists<br />

uTOp &<br />

maChiNE.pOwEr.maN.<br />

Axel Teichmann<br />

1974<br />

Born in StuttGArt<br />

1995 – 1998<br />

StuDieS of GrAphic Art At johAnneS-GutenBerG-Schule,StuttGArt<br />

1998 – 2004<br />

StuDieS At StuttGArt StAte AcADemy<br />

of Art AnD DeSiGn with the<br />

profeSSorS moritz BAumGArtl,<br />

Günter jAcki, niklAuS troxler,<br />

chriStoph BruDi, AlfreD SeilAnD,<br />

mAnfreD kröplien<br />

2000<br />

SpeciAl AwArD imAGe conteSt of<br />

the VillAGe of St. moritz<br />

2004<br />

completion of StuDieS AnD moVinG<br />

into A StuDio in StuttGArt<br />

2008<br />

Art in puBlic SpAce, fAcADe hAuS<br />

Am StADtSee, BAD wAlDSee<br />

www.Axel-teichmAnn-kunSt.De<br />

reAD the excluSiVe interView<br />

with Axel teichmein on our BloG<br />

BloG.liGAnoVA.com<br />

kreuzunG<br />

2008<br />

160 x 200 cm<br />

Acrylic/cAnVAS<br />

utop<br />

2009<br />

200 x 200 cm<br />

Acrylic/cAnVAS<br />

76 ligavision 77<br />

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Artists<br />

uTOp &<br />

maChiNE.pOwEr.maN.<br />

Der pASSAGier<br />

2008<br />

100 x 120 cm<br />

Acrylic/cAnVAS<br />

GeBet<br />

2009<br />

120 x 100 cm<br />

Acrylic/cAnVAS<br />

Die experten<br />

2009<br />

120 x 100 cm<br />

Acrylic/cAnVAS<br />

Virtuelle fiGur<br />

2009<br />

120 x 100 cm<br />

Acrylic/cAnVAS<br />

78 ligavision 79<br />

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Artists<br />

sKaTEbOrdiNg.3d<br />

Sebastian Denz<br />

2005 – 2007<br />

StuDieS of photoGrAphy (mA),<br />

uniVerSity of ApplieD ScienceS,<br />

BielefelD, GermAny<br />

2002 – 2003<br />

StuDieS of photoGrAphy<br />

(Dipl.-DeS.), uniVerSity of ApplieD<br />

ScienceS, BielefelD, GermAny<br />

1998 – 2002<br />

StuDieS of photoGrAphy AnD fine<br />

ArtS, uniVerSity of ApplieD ScienceS<br />

AnD ArtS, hAnnoVer, GermAny<br />

1997 – 1998<br />

StuDieS of Architecture, uniVer-<br />

Sity hAnnoVer, GermAny<br />

1974<br />

Born in GroSSBurGweDel,<br />

GermAny<br />

SkAteBoArDinG.3D iS ABout SpAce<br />

in A phenomenoloGicAl SenSe<br />

AnD ABout humAn BeinGS creAtinG<br />

their own conStruction of<br />

reAlity within theSe SpAceS.<br />

“with the exAmple of SkAte-<br />

BoArDinG-culture i BrinG up for<br />

DiScuSSion A hyBriD SpAce thAt<br />

iS in Between VirtuAl AnD reAl -<br />

A ‘poStVirtuAl SpAce’.” (SeBAStiAn<br />

Denz)<br />

for AlmoSt three yeArS SeBAStiAn<br />

Denz hAS Been trAVelinG<br />

AcroSS europe to Shoot A SerieS<br />

of 3D photoGrAphS with more<br />

thAn 20 memBerS of the cArhArtt<br />

SkAteBoArD teAm. the reSult of<br />

hiS work iS A SerieS of SpAtiAl<br />

photoGrAphS in A quAlity neVer<br />

Seen Before. for hiS project<br />

SkAteBoArDinG.3D, Denz DeVelopeD<br />

A unique 8 x 10 inch lArGeformAt-Stereo-AppArAtuS,<br />

thAt<br />

hiS frienD AnD cuStom cAmerA<br />

SpeciAliSt Dr. kurt GilDe Built for<br />

him. hiS exhiBitionS Show Some of<br />

the profeSSionAl SkAterS in the<br />

‘reAl hyper-reAlity’ of life-SizeD<br />

hiGh-reSolution 3D-imAGeS.<br />

with hiS work SkAteBoArDinG.3D,<br />

SeBAStiAn Denz won the 20th<br />

internAtionAl Bff promotion<br />

AwArD 2008. the work wAS AlSo<br />

preSenteD At the ViSuAl GAllery<br />

At photokinA in 2008, At Scope<br />

new york Art fAir AnD in SeVerAl<br />

exhiBitionS.<br />

the Book SkAteBoArDinG.3D iS<br />

AVAilABle worlDwiDe. it wAS<br />

“nominAteD 2010” for the GermAn<br />

photo Book AwArD AnD won the<br />

DDc AwArD (GG10) “GolD meDAl”.<br />

80 ligavision 81<br />

ligavision


Artists<br />

sKaTEbOrdiNg.3d<br />

82 ligavision 83<br />

ligavision


Designer Special<br />

Born on 17 mArch 1969 in lewiShAm, lonDon,<br />

to ScottiSh tAxi DriVer ronAlD AnD SociAl<br />

Science teAcher joyce, mcqueen wAS the<br />

younGeSt of Six chilDren. he Grew up in A<br />

council flAt in A tower Block in StrAtforD.<br />

he StArteD mAkinG DreSSeS for hiS three SiSterS<br />

At A younG AGe AnD AnnounceD hiS intention<br />

to Become A fAShion DeSiGner.<br />

mcqueen AttenDeD rokeBy School AnD left<br />

AGeD 16 in 1985 with one o-leVel in Art, GoinG<br />

on to SerVe An ApprenticeShip with SAVile<br />

row tAilorS AnDerSon & SheppArD, Before<br />

joininG GieVeS & hAwkeS AnD, lAter, the the-<br />

AtricAl coStumierS AnGelS AnD BermAnS. the<br />

SkillS he leArneD AS An Apprentice on SAVile<br />

row helpeD eArn him A reputAtion in the<br />

fAShion worlD AS An expert in creAtinG An<br />

impeccABly tAiloreD look.<br />

“The pink sheep of the family”<br />

AlexAnDer mcqueen on himSelf<br />

photoGrAph: SteVen klein<br />

84 ligavision 85<br />

ligavision


Designer Special<br />

S/S 2001 S/S 2002<br />

f/w 2001 f/w 2002<br />

S/S 2003 S/S 2004<br />

f/w 2003 f/w 2004<br />

86 ligavision 87<br />

ligavision


Designer Special<br />

S/S 2005 S/S 2006<br />

f/w 2005 f/w 2006<br />

S/S 2007 S/S 2008<br />

f/w 2007 f/w 2008<br />

88 ligavision 89<br />

ligavision


Designer Special<br />

S/S 2009 S/S 2010<br />

f/w 2009 f/w 2010<br />

alExaNdEr mCquEEN<br />

cAmillA Belle in A 2009 DreSS By AlexAnDer<br />

mcqueen, liSteD AmonG<br />

“100 BeSt DreSSeS of the DecADe”<br />

By inStyle mAGAzine.<br />

while on SAVile row, mcqueen’S<br />

clientS incluDeD mikhAil Gor-<br />

BAcheV AnD prince chArleS; mcqueen<br />

recounteD in An inter-<br />

View thAt he once SeweD ‘i Am A<br />

cunt’ into the lininG of A jAcket<br />

he wAS workinG on for prince<br />

chArleS. At the AGe of 20, he Spent<br />

A perioD of time workinG for<br />

koji tAtSuno Before trAVellinG<br />

to milAn, itAly AnD workinG for<br />

romeo GiGli.<br />

mcqueen returneD to lonDon in<br />

1994 AnD ApplieD to centrAl SAint<br />

mArtinS colleGe of Art AnD De-<br />

SiGn, to work AS A pAttern cutter<br />

tutor. BecAuSe of the StrenGth<br />

of hiS portfolio he wAS perSuADeD<br />

By the heAD of the mASterS<br />

courSe to enrol in the courSe<br />

AS A StuDent. he receiVeD hiS mASterS<br />

DeGree in fAShion DeSiGn<br />

AnD hiS GrADuAtion collection<br />

wAS BouGht in itS entirety By<br />

influentiAl fAShion StyliSt iSA-<br />

BellA Blow, who wAS SAiD to hAVe<br />

perSuADeD mcqueen to Become<br />

known AS AlexAnDer (hiS miD-<br />

Dle nAme) when he SuBSequently<br />

lAuncheD hiS fAShion cAreer.<br />

icelAnDic SinGer Björk SouGht<br />

mcqueen’S work for the coVer of<br />

her AlBum homoGenic in 1997. mc-<br />

queen AlSo DirecteD the muSic<br />

ViDeo for her SonG “AlArm cAll”<br />

from the SAme AlBum.<br />

mcqueen’S eArly runwAy collectionS<br />

DeVelopeD hiS reputAtion<br />

for controVerSy AnD Shock tActicS<br />

(eArninG the title “l’enfAnt<br />

terriBle” AnD “the hooliGAn of<br />

enGliSh fAShion”), with trouSerS<br />

Aptly nAmeD “BumSterS” AnD A<br />

collection entitleD “hiGhlAnD<br />

rApe”. mcqueen wAS known for<br />

hiS lAViSh, unconVentionAl, runwAy<br />

ShowS, Such AS A recreAtion<br />

of A Shipwreck for hiS SprinG<br />

2003 collection, SprinG 2005’S<br />

humAn cheSS GAme AnD hiS fAll<br />

2006 Show, “wiDowS of culloDen”,<br />

which feAtureD A life-SizeD holo-<br />

GrAm of SupermoDel kAte moSS<br />

DreSSeD in yArDS of ripplinG fABric.<br />

mcqueen’S “BumSterS” SpAwneD A<br />

trenD in low riSe jeAnS; on their<br />

DeBut they AttrActeD mAny commentS<br />

AnD DeBAte. michAel oliVeirA-SAlAc,<br />

the Director of Blow pr<br />

AnD A frienD of mcqueen’S SAiD<br />

thAt “the BumSter for me iS whAt<br />

DefineD mcqueen.” mcqueen AlSo<br />

BecAme known for uSinG SkullS<br />

in hiS DeSiGnS. A ScArf BeArinG the<br />

motif BecAme A celeBrity muSt<br />

hAVe AnD wAS copieD ArounD the<br />

worlD.<br />

90 ligavision 91<br />

ligavision


Designer Special<br />

alExaNdEr mCquEEN<br />

mcqueen hAS Been creDiteD with<br />

BrinGinG DrAmA AnD extrAVA-<br />

GAnce to the cAtwAlk. he uSeD<br />

new technoloGy AnD innoVAtion<br />

to ADD A Different twiSt<br />

to hiS ShowS AnD often ShockeD<br />

AnD SurpriSeD AuDienceS. the SilhouetteS<br />

thAt he creAteD hAVe<br />

Been creDiteD for ADDinG A SenSe<br />

of fAntASy AnD reBellion to<br />

fAShion. mcqueen BecAme one of<br />

the firSt DeSiGnerS to uSe inDiAn<br />

moDelS in lonDon.<br />

mcqueen AlSo DeSiGneD A rAnGe<br />

of DreSSeS unDer the nAme of<br />

“mAntA”, priceD At ArounD £2800.<br />

the line, nAmeD After the mAntA<br />

rAy, wAS inSpireD By A holiDAy mcqueen<br />

took in the mAlDiVeS in<br />

2009. the DeSiGnS hAVe Been worn<br />

By VAriouS moDelS AnD celeBritieS,<br />

incluDinG lily cole.<br />

the preSiDent of lVmh, BernArD<br />

ArnAult, cAuSeD A Stir when he<br />

AppointeD mcqueen heAD DeSiGner<br />

At GiVenchy in 1996, SucceeDinG<br />

john GAlliAno. upon ArriVAl<br />

At GiVenchy, mcqueen inSulteD<br />

the founDer By cAllinG him “irreleVAnt”.<br />

hiS firSt couture collection<br />

with GiVenchy wAS un-<br />

SucceSSful, with eVen mcqueen<br />

tellinG VoGue in octoBer 1997<br />

thAt the collection wAS “crAp”.<br />

mcqueen toneD Down hiS De-<br />

SiGnS At GiVenchy, But continueD<br />

to inDulGe hiS reBelliouS StreAk,<br />

cAuSinG controVerSy in Autumn<br />

1998 with A Show which incluDeD<br />

cAr-roBotS SprAyinG pAint oVer<br />

white cotton DreSSeS AnD Dou-<br />

Ble Amputee moDel Aimee mullinS<br />

StriDinG Down the cAtwAlk on<br />

intricAtely cArVeD wooDen leGS.<br />

mcqueen StAyeD with GiVenchy<br />

until mArch 2001, when the contrAct<br />

he SAiD wAS “conStrAininG<br />

hiS creAtiVity” enDeD.<br />

Some of mcqueen’S AccompliShmentS<br />

incluDeD BeinG one of the<br />

younGeSt DeSiGnerS to AchieVe<br />

the title “BritiSh DeSiGner of the<br />

yeAr”, which he won four timeS<br />

Between 1996 AnD 2003; he wAS<br />

AlSo AwArDeD the cBe AnD nAmeD<br />

internAtionAl DeSiGner of the<br />

yeAr By the council of fAShion<br />

DeSiGnerS in 2003.<br />

DecemBer 2000 SAw A new pArtnerShip<br />

for mcqueen, with the<br />

Gucci Group AcquirinG 51% of hiS<br />

compAny AnD mcqueen SerVinG<br />

AS creAtiVe Director. plAnS for<br />

expAnSion incluDeD the openinG<br />

of StoreS in lonDon, milAn AnD<br />

new york, AnD the lAunch of<br />

hiS perfumeS kinGDom AnD, moSt<br />

recently, my queen. in 2005 mcqueen<br />

collABorAteD with pumA<br />

to creAte A SpeciAl line of trAinerS<br />

for the Shoe BrAnD. in 2006 he<br />

lAuncheD mcq, A younGer, more<br />

reneGADe lower priceD line for<br />

men AnD women.<br />

By the enD of 2007, AlexAnDer mcqueen<br />

hAD BoutiqueS in lonDon,<br />

new york, loS AnGeleS, milAn AnD<br />

lAS VeGAS. celeBrity pAtronS, incluDinG<br />

nicole kiDmAn, penélope<br />

cruz, SArAh jeSSicA pArker AnD<br />

rihAnnA, hAVe frequently Been<br />

SpotteD weArinG AlexAnDer mcqueen<br />

clothinG to eVentS. Bjork<br />

AnD lADy GAGA hAVe often incorporAteD<br />

AlexAnDer mcqueen<br />

pieceS in their muSic ViDeoS.<br />

mcqueen’S DeAth wAS AnnounceD<br />

on the Afternoon of 11 feBru-<br />

Ary 2010. he wAS founD DeAD<br />

thAt morninG in hiS wArDroBe<br />

By hiS houSekeeper At hiS home.<br />

mcqueen DieD DAyS Before lon-<br />

Don fAShion week, thouGh he<br />

wAS not ScheDuleD to Show, AnD<br />

nine DAyS After the DeAth of hiS<br />

mother, joyce (75) from cAncer.<br />

rest in Peace<br />

92 ligavision 93<br />

ligavision


sources & links<br />

hot Stuff:<br />

hommeStAr.com<br />

SelectiSm.com<br />

fAirS & ShowS:<br />

wAllpAper.com<br />

exhiBitionS:<br />

ySl.com<br />

mAiSonmArtinmArGielA.com<br />

VillAnoAilleS-hyereS.com<br />

mAtthieulAVAnchy.com<br />

roBinSchwArtz.net<br />

VAnDeroer.com<br />

BeAchweAr trenDS:<br />

Style.com<br />

editor-in-chieF:<br />

inDrA rAhn<br />

executive directors:<br />

Anne lotte BippuS<br />

ellen kächele<br />

AlexAnDer hornBAcher<br />

based on the idea oF:<br />

AlexAnDer hornBAcher<br />

izABellA ArSoVSkA<br />

layout & design:<br />

ellen kächele<br />

suPPort:<br />

SAnDrA ScheiBer<br />

thanks to:<br />

mArcel BorrmAnn<br />

www.mArcelmArcel.De<br />

DeSiGnerS:<br />

Style.com<br />

men.Style.com<br />

flickr.com<br />

GooGle.com<br />

wikipeDiA.com<br />

eVent report:<br />

flickr.com<br />

GooGle.com<br />

liVin’lArGe:<br />

flickr.com - uSerS:<br />

SelVA/3431125050/<br />

27764727@n05/2630802782/<br />

wenzDAy01/4340351475/<br />

pyAll/4182821146/<br />

ArtiStS:<br />

SeBAStiAnDenz.De<br />

AlexAnDer mcqueen:<br />

Style.com<br />

men.Style.com<br />

flickr.com<br />

GooGle.com<br />

wikipeDiA.com<br />

© liganova 2010<br />

All riGhtS reSerVeD. thiS meSSAGe AnD itS<br />

AttAchmentS iS intenDeD Solely for the<br />

ADDreSSee(S) AnD for non-commerciAl uSe.<br />

the mAteriAl of thiS meSSAGe AnD iSt AttAchmentS<br />

mAy not Be reproDuceD, DiStriButeD,<br />

trAnSmitteD, cAcheD or otherwiSe uSeD,<br />

except AS expreSSly permitteD in writinG By<br />

liGAnoVA.<br />

contact:<br />

info@liGAnoVA.com

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