Story: Monica Cady - Photos: Trey Cady44 • <strong>RAG</strong> MAGAZINE • JULY <strong>2004</strong>Music makes the people come together. And come together they did – some90,000-plus of them – for Bonnaroo <strong>2004</strong>, the third annual music festival heldJune 11-13 in Manchester, Tennessee. Already considered one of the most successfuland largest music and camping events in the nation, both in terms of thediversity of musicians showcased and overall logistics, Bonnaroo is strong proofthat the spirit of the ‘60s is alive and kicking. The festival has garnered suchword-of-mouth praise that attendance has increased by 10,000 every year.“I think it’s really the first festival in America to be this successful, if for no otherreason than celebrating music,” said performer Dave Matthews during a backstagepress conference. “People come to hang out in the middle of nowhere tosmell each other’s funk and listen to great eclectic music from all corners of theindustry.”From its Clean Vibes recycling crew and minimal corporate sponsorships, to lawregulation teams, who are simply identified with “Safety” shirts, Bonnaroo embracesideas of freedom, fun, self-expression and harmony. Attendees, whoranged from baby boomers to toddlers, endured the relentless summer heat and700-acres of dusty pastures to experience the music and collage of happeningsat Centeroo – the Bonnaroo hub.The term “Bonnaroo” is derived from a Creole term, meaning “good times.” Andthis notion was kept at the forefront with every detail – the stage names (This Tent,That Tent, Which Stage, What Stage, The Other Tent, etc.), the 98 campsites,identified as cartoon characters (Chilly Willy, Scooby Doo, Alvin, Simon, Theodore,etc.), the 20-foot lighted mushroom-shaped fountain, elaborate sculptures madeof recycled goods, giant bobble heads in the main stage area, the music sharingvillage, air-conditioned American Spirit smoking tent (complimentary cigs) and aplayground, among many other things.Friday night’s Mardi Gras parade (led by American Idol misfit William Hung) kickedoff the weekend. This uncanny procession could not have been a more fitting wayto officially initiate the festival activities, which were a nonstop hodgepodge oftopless guys and girls, body painting, imaginative costumes, mud wrestling andmindless indulgence.Those who have been to Bonnaroo know that this event is as much about experiencinga makeshift community as it is about the live music. And this mini-societyis definitely not designed for intolerant or finicky-natured folks. There were suchconvenient amenities as a general store tent, first-aid areas and 500 wash sta-
tions, but these “luxuries” seemed inconsequentialas the environment drasticallyaltered between dusty, muddy,hot, wet and even downright nippy, feelingmore like a survival-of-the-fittest atmospherethan simply an outdoor concertspree. The performance stagescould be quite long walks from thecampsites, making drinking water andtennis shoes imperative. (Flip flopswere soon declared totally useless anddiscarded all over the fields as the rainpersisted.)The nights were alive with more relaxedenergy than the scorching daylighthours. Despite the daytime heat,crowds were peaceful, even pleasant,and there were no angry havocs of theWoodstock ’99 level. However, twodrug-related deaths were reported(which should be no big shocker consideringthe abundance of headymollies, mushrooms and every otherdrug imaginable that was being pedaledon the campsite-to-Centerootrails).Of the 80 bands performing, some ofthis year’s must-see headliners includedThe Dead, Dave Matthews, TreyAnastasio, Primus, Wilco, Bob Dylanand Patti Smith. Others notables wereDamien Rice, Beth Orton, Doc Watson,Ani DiFranco, My Morning Jacket, GillianWelch, Ween and Burning Spear.The line-up was designed to attract anarray of fans, though most of thosepresent were of the hippie tie-dyedmindset (not surprising consideringthat this is a four-day outdoor adventurewithout a shower – the advertised$5 showers were out-of-order only minutesafter being set up). Lines for food,drinks and the 1,250 portablerestrooms were kept at tolerablelengths. The vendors had eclectic offeringsfrom reasonably priced organicmunchables to massages, acupunctureand palm readings. Performanceswere right on schedule, rain permitting.Matthews’ set was the only 8 p.m. Fridaynight event, and attracted tens ofthousands. The crowd was elated whenhe opened with Phish lead man TreyAnastasio as a guest artist. This wasperhaps the easiest headlining eventto attend. The other big name performanceswould prove to be a test of the<strong>RAG</strong> MAGAZINE • JULY <strong>2004</strong> • 43