Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Design Notes<br />
SUE LePAGE<br />
talks about Designing <strong>Ragtime</strong><br />
<strong>Ragtime</strong> is easily one of the most complex plays that Jackie Maxwell and I have<br />
encountered in our many years of working together. The musical has many settings<br />
and our challenge was to depict the different locations in a dynamic way.<br />
To avoid constantly changing scenery, we decided to use people, costumes,<br />
and a backdrop of projected imagery to capture the flow of the story and to<br />
indicate changes in location. The set is an open, simple structure - with a series<br />
of levels and lots of exits and entrances to allow flexibility of movement<br />
and staging.<br />
There are many characters in <strong>Ragtime</strong> and the use of colour in the costumes<br />
will help the audience identify the various family/societal groups. For instance,<br />
the immigrants’ palette is cool and drab while the Harlem group is made up of<br />
much more rich, earthy tones.<br />
Click here for clips of Sue explaining the set and costume design:<br />
http://www.shawfest.com/education/study-guides/ragtime/<br />
FUN DESIGN FACTS<br />
� over 80 hours of discussion were spent between designer Sue LePage and<br />
director Jackie Maxwell to develop the design and staging to the play<br />
� over 200 costumes were designed for 28 actors<br />
� more than 50% of the costumes come from our costume warehouse and<br />
have been re-worked for this show<br />
� 17 racks were needed to store the costumes during rehearsals<br />
� the set is a multi-level series of platforms and bridges which scale the<br />
height of the <strong>Festival</strong> <strong>Theatre</strong><br />
� 176 quick changes (a costume change in under 3 minutes) occur during the<br />
first act alone!<br />
� one inspiration for the design came from model train tracks<br />
ACTIVITIES<br />
See pp 27 - 33<br />
Before the show:<br />
Post copies of these sketches around the classroom or distribute them to the<br />
class. Ask the students to write a mini bio about one of the characters based<br />
on what they can glean about that person by looking at them.<br />
After the show:<br />
ASK: How much of what you deduced based on the character’s appearance<br />
was true? How might costumes help to tell the story of the play?<br />
11<br />
C ONNECTIONS<br />
<strong>Shaw</strong> <strong>Festival</strong> Study Guide