01.12.2012 Views

Ragtime - Shaw Festival Theatre

Ragtime - Shaw Festival Theatre

Ragtime - Shaw Festival Theatre

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Design Notes<br />

SUE LePAGE<br />

talks about Designing <strong>Ragtime</strong><br />

<strong>Ragtime</strong> is easily one of the most complex plays that Jackie Maxwell and I have<br />

encountered in our many years of working together. The musical has many settings<br />

and our challenge was to depict the different locations in a dynamic way.<br />

To avoid constantly changing scenery, we decided to use people, costumes,<br />

and a backdrop of projected imagery to capture the flow of the story and to<br />

indicate changes in location. The set is an open, simple structure - with a series<br />

of levels and lots of exits and entrances to allow flexibility of movement<br />

and staging.<br />

There are many characters in <strong>Ragtime</strong> and the use of colour in the costumes<br />

will help the audience identify the various family/societal groups. For instance,<br />

the immigrants’ palette is cool and drab while the Harlem group is made up of<br />

much more rich, earthy tones.<br />

Click here for clips of Sue explaining the set and costume design:<br />

http://www.shawfest.com/education/study-guides/ragtime/<br />

FUN DESIGN FACTS<br />

� over 80 hours of discussion were spent between designer Sue LePage and<br />

director Jackie Maxwell to develop the design and staging to the play<br />

� over 200 costumes were designed for 28 actors<br />

� more than 50% of the costumes come from our costume warehouse and<br />

have been re-worked for this show<br />

� 17 racks were needed to store the costumes during rehearsals<br />

� the set is a multi-level series of platforms and bridges which scale the<br />

height of the <strong>Festival</strong> <strong>Theatre</strong><br />

� 176 quick changes (a costume change in under 3 minutes) occur during the<br />

first act alone!<br />

� one inspiration for the design came from model train tracks<br />

ACTIVITIES<br />

See pp 27 - 33<br />

Before the show:<br />

Post copies of these sketches around the classroom or distribute them to the<br />

class. Ask the students to write a mini bio about one of the characters based<br />

on what they can glean about that person by looking at them.<br />

After the show:<br />

ASK: How much of what you deduced based on the character’s appearance<br />

was true? How might costumes help to tell the story of the play?<br />

11<br />

C ONNECTIONS<br />

<strong>Shaw</strong> <strong>Festival</strong> Study Guide

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!