Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
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“<br />
It was the<br />
music of<br />
something<br />
beginning, an<br />
era exploding,<br />
a century<br />
”<br />
spinning...<br />
-<strong>Ragtime</strong><br />
The Story<br />
RAGTIME<br />
The rhythms of ragtime weave their way through this powerful and sweeping<br />
musical epic about the beginnings of contemporary America. We see the<br />
struggles and successes of the country through the eyes of three archetypal<br />
American families—a white, upper-middle class family in New Rochelle, an<br />
African-American musician in Harlem, an Eastern European immigrant and his<br />
daughter in the Lower East Side. Intertwined with their stories are the successes,<br />
scandals and stars of the period—like magician Harry Houdini, civil<br />
rights leader Booker T. Washington, political activist Emma Goldman, mogul<br />
J.P. Morgan, inventor Henry Ford, and Evelyn Nesbit, the famous Girl on a<br />
Swing.<br />
Through each of the families and the rise and fall of these characters, the<br />
musical reveals how they all connect, with each other and with history. The<br />
family in New Rochelle—we only know them as Mother, Father, Younger<br />
Brother and Little Boy—learn to cope as Father leaves to travel to the Arctic<br />
with explorer Admiral Robert Peary. When Mother finds an African-American<br />
baby abandoned in her garden, she meets Sarah, the mother who can’t or<br />
won’t speak. Coalhouse Walker, a ragtime musician in New York, searches for<br />
Sarah, the woman he loved and when he finds her and his son, he sets out to<br />
win them back. Tateh, a Jewish immigrant from Latvia, comes to New York<br />
with his daughter and a dream—but life is harder than this artist expected,<br />
until he creates a little ‘movie’ and becomes part of the burgeoning movie<br />
business.<br />
We experience this America through the hope of immigrants to a new<br />
country, the magic of Harry Houdini, the amazing financial success of J.P.<br />
Morgan, the politics of Emma Goldman, the fight for freedom of Booker T.<br />
Washington—but also through the music that this Tony Award-winning score<br />
- from the ragtime rhythms of Harlem and Tin Pan Alley to the klezmer of the<br />
Lower East Side. And while this musical may have been written sixteen years<br />
ago, the themes in it feel almost more true, more important, more relevant<br />
now—hope and hardship, the possibilities of great economic success and the<br />
realities of those who don’t have enough; celebrity scandals and the hope<br />
that an African-American leader can bring to a country.<br />
TEACHERS, PLEASE NOTE:<br />
This play deals head-on with the problem of racism in the early 19th century. You<br />
and/or your students may find some of the language in this play uncomfortable to<br />
hear.<br />
Click on http://www.shawfest.com/education/study-guides/ragtime/ to hear <strong>Shaw</strong><br />
<strong>Festival</strong> Company members discussing the power of racist language. You could use<br />
this as a springboard for a class discussion.<br />
C<br />
4<br />
ONNECTIONS<br />
<strong>Shaw</strong> <strong>Festival</strong> Study Guide<br />
ONNECTIONS<br />
<strong>Shaw</strong> <strong>Festival</strong> Study Guide