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Ragtime - Shaw Festival Theatre

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“<br />

It was the<br />

music of<br />

something<br />

beginning, an<br />

era exploding,<br />

a century<br />

”<br />

spinning...<br />

-<strong>Ragtime</strong><br />

The Story<br />

RAGTIME<br />

The rhythms of ragtime weave their way through this powerful and sweeping<br />

musical epic about the beginnings of contemporary America. We see the<br />

struggles and successes of the country through the eyes of three archetypal<br />

American families—a white, upper-middle class family in New Rochelle, an<br />

African-American musician in Harlem, an Eastern European immigrant and his<br />

daughter in the Lower East Side. Intertwined with their stories are the successes,<br />

scandals and stars of the period—like magician Harry Houdini, civil<br />

rights leader Booker T. Washington, political activist Emma Goldman, mogul<br />

J.P. Morgan, inventor Henry Ford, and Evelyn Nesbit, the famous Girl on a<br />

Swing.<br />

Through each of the families and the rise and fall of these characters, the<br />

musical reveals how they all connect, with each other and with history. The<br />

family in New Rochelle—we only know them as Mother, Father, Younger<br />

Brother and Little Boy—learn to cope as Father leaves to travel to the Arctic<br />

with explorer Admiral Robert Peary. When Mother finds an African-American<br />

baby abandoned in her garden, she meets Sarah, the mother who can’t or<br />

won’t speak. Coalhouse Walker, a ragtime musician in New York, searches for<br />

Sarah, the woman he loved and when he finds her and his son, he sets out to<br />

win them back. Tateh, a Jewish immigrant from Latvia, comes to New York<br />

with his daughter and a dream—but life is harder than this artist expected,<br />

until he creates a little ‘movie’ and becomes part of the burgeoning movie<br />

business.<br />

We experience this America through the hope of immigrants to a new<br />

country, the magic of Harry Houdini, the amazing financial success of J.P.<br />

Morgan, the politics of Emma Goldman, the fight for freedom of Booker T.<br />

Washington—but also through the music that this Tony Award-winning score<br />

- from the ragtime rhythms of Harlem and Tin Pan Alley to the klezmer of the<br />

Lower East Side. And while this musical may have been written sixteen years<br />

ago, the themes in it feel almost more true, more important, more relevant<br />

now—hope and hardship, the possibilities of great economic success and the<br />

realities of those who don’t have enough; celebrity scandals and the hope<br />

that an African-American leader can bring to a country.<br />

TEACHERS, PLEASE NOTE:<br />

This play deals head-on with the problem of racism in the early 19th century. You<br />

and/or your students may find some of the language in this play uncomfortable to<br />

hear.<br />

Click on http://www.shawfest.com/education/study-guides/ragtime/ to hear <strong>Shaw</strong><br />

<strong>Festival</strong> Company members discussing the power of racist language. You could use<br />

this as a springboard for a class discussion.<br />

C<br />

4<br />

ONNECTIONS<br />

<strong>Shaw</strong> <strong>Festival</strong> Study Guide<br />

ONNECTIONS<br />

<strong>Shaw</strong> <strong>Festival</strong> Study Guide

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