Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
Ragtime - Shaw Festival Theatre
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FUN FACTS from WARDROBE RUNNING<br />
Once a production is on stage, all the costumes need to be maintained on a daily basis. Laundry,<br />
small repairs, ironing, sorting, resetting costumes into dressing rooms, and assisting with quick costume<br />
changes - these are the responsibilities of Wardrobe Running.<br />
RAGTIME has 180 costume<br />
changes in the first act alone; 80<br />
of these are 3 minutes or less,<br />
including a few that are only 30<br />
seconds long! Many of the actors<br />
looking calm and collected on<br />
stage, have just frantically had<br />
their clothing ripped off and an<br />
entire new outfit put on in less<br />
time than it would take someone<br />
to turn on a cell phone and<br />
make a call.<br />
<strong>Ragtime</strong> uses approximately 24 full wigs and 25 different<br />
moustaches. None of the actors have their own facial hair and<br />
change their moustaches and side burns with their characters.<br />
They are mostly secured with toupee tape. Every moustache has<br />
to be cleaned and set for every show. Nothing is worse than<br />
when a moustache goes missing backstage because it can<br />
accidentally become stuck to anything and travel out on stage<br />
when it’s not supposed to (sometimes sticking to a jacket, skirt or boot!). Extra care is always taken<br />
to place facial hair in a specific spot during quick changes to avoid ‘unplanned stage appearances’.<br />
While the audience watches the show in front of the curtain, there is a well-choreographed ‘silent<br />
dance’ going on between the actors and stage crew behind the scenes. Major set pieces are silently<br />
rolled around, props are removed, carried about and pre-set, costumes are laid out or returned to<br />
the dressing rooms, and around all of this commotion actors are getting changed or moving into<br />
position to prepare for their next entrance. One wrong move could throw the entire rhythm off.<br />
The action backstage has to occur quietly so as not to disturb the action on stage, often during a<br />
musical like <strong>Ragtime</strong>, the actor’s body microphones are switched on and they are singing while they<br />
are moving about behind the curtain to provide background vocal to the music/singing that the audience<br />
sees happening onstage. There is a lot of communication that happens using hand signals<br />
and body language—all of which is done in very dim light!<br />
Contributed by the <strong>Shaw</strong> <strong>Festival</strong>’s <strong>Ragtime</strong> Wardrboe Running crew<br />
When all three shows at the <strong>Festival</strong> <strong>Theatre</strong> are up and<br />
running, each day Wardrobe Running’s staff of 5 will press and<br />
fold approximately 60 dress shirts, 40 pairs of socks, not to<br />
mention hosiery, hankies and other ’unmentionables’ that will<br />
be returned to the dressing rooms in time for the next<br />
performance. It’s at this time that repairs are done, shoes<br />
shined, suits and gowns touched up and a variety of other bits<br />
and pieces spruced up from the show the night before.<br />
After every <strong>Ragtime</strong> performance, 7 loads of laundry are done,<br />
plus a large basket of hand washing. Long after the audience<br />
members are in their cars and on their way home, Wardrobe<br />
Running is at work, preparing for the next show.<br />
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