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Ragtime - Shaw Festival Theatre

Ragtime - Shaw Festival Theatre

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FUN FACTS from WARDROBE RUNNING<br />

Once a production is on stage, all the costumes need to be maintained on a daily basis. Laundry,<br />

small repairs, ironing, sorting, resetting costumes into dressing rooms, and assisting with quick costume<br />

changes - these are the responsibilities of Wardrobe Running.<br />

RAGTIME has 180 costume<br />

changes in the first act alone; 80<br />

of these are 3 minutes or less,<br />

including a few that are only 30<br />

seconds long! Many of the actors<br />

looking calm and collected on<br />

stage, have just frantically had<br />

their clothing ripped off and an<br />

entire new outfit put on in less<br />

time than it would take someone<br />

to turn on a cell phone and<br />

make a call.<br />

<strong>Ragtime</strong> uses approximately 24 full wigs and 25 different<br />

moustaches. None of the actors have their own facial hair and<br />

change their moustaches and side burns with their characters.<br />

They are mostly secured with toupee tape. Every moustache has<br />

to be cleaned and set for every show. Nothing is worse than<br />

when a moustache goes missing backstage because it can<br />

accidentally become stuck to anything and travel out on stage<br />

when it’s not supposed to (sometimes sticking to a jacket, skirt or boot!). Extra care is always taken<br />

to place facial hair in a specific spot during quick changes to avoid ‘unplanned stage appearances’.<br />

While the audience watches the show in front of the curtain, there is a well-choreographed ‘silent<br />

dance’ going on between the actors and stage crew behind the scenes. Major set pieces are silently<br />

rolled around, props are removed, carried about and pre-set, costumes are laid out or returned to<br />

the dressing rooms, and around all of this commotion actors are getting changed or moving into<br />

position to prepare for their next entrance. One wrong move could throw the entire rhythm off.<br />

The action backstage has to occur quietly so as not to disturb the action on stage, often during a<br />

musical like <strong>Ragtime</strong>, the actor’s body microphones are switched on and they are singing while they<br />

are moving about behind the curtain to provide background vocal to the music/singing that the audience<br />

sees happening onstage. There is a lot of communication that happens using hand signals<br />

and body language—all of which is done in very dim light!<br />

Contributed by the <strong>Shaw</strong> <strong>Festival</strong>’s <strong>Ragtime</strong> Wardrboe Running crew<br />

When all three shows at the <strong>Festival</strong> <strong>Theatre</strong> are up and<br />

running, each day Wardrobe Running’s staff of 5 will press and<br />

fold approximately 60 dress shirts, 40 pairs of socks, not to<br />

mention hosiery, hankies and other ’unmentionables’ that will<br />

be returned to the dressing rooms in time for the next<br />

performance. It’s at this time that repairs are done, shoes<br />

shined, suits and gowns touched up and a variety of other bits<br />

and pieces spruced up from the show the night before.<br />

After every <strong>Ragtime</strong> performance, 7 loads of laundry are done,<br />

plus a large basket of hand washing. Long after the audience<br />

members are in their cars and on their way home, Wardrobe<br />

Running is at work, preparing for the next show.<br />

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