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"History, Analysis and Performance Considerations of Gerald Finzi's ...

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43unison/octaves. The preceding organ pause, subdued choral dynamic <strong>and</strong>—quite unlike anyprevious thematic statement—the straightforward simplicity <strong>of</strong> all voices combining in a single,quasi-free-flowing chant line, instill an air <strong>of</strong> religious mystery <strong>and</strong> anticipation, a sense <strong>of</strong>importance for this moment dramatically <strong>and</strong> structurally within the anthem. Indeed, Section Das a whole functions as the point <strong>of</strong> pivot in the palindrome-arch, <strong>and</strong> the entrance <strong>of</strong> theme hwith its prayer, “Help Lord, my Faith,” its moment <strong>of</strong> introduction.After “faith,” “hope,” <strong>and</strong> “peace” are requested by the petitioning voices, the familiarrising melodic third (also voiced vertically in thirds) provides another instance <strong>of</strong> the “Finzian”transitional device as the opening phrase cadences on E major (see Figure 27).Figure 27. “In thy peace” rising major third transition (measures 93-94).

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