12.07.2015 Views

"History, Analysis and Performance Considerations of Gerald Finzi's ...

"History, Analysis and Performance Considerations of Gerald Finzi's ...

"History, Analysis and Performance Considerations of Gerald Finzi's ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

75pleasant dream upon being awakened from a deep sleep. As the organ interlude draws thissection to a close, it would not be out <strong>of</strong> character to begin a slight ritard<strong>and</strong>o in measure 157,prior to Finzi’s indicated tenuto at measure 158. While the final choral recapitulation in thismeasure is highly significant, the slowness <strong>of</strong> the final resulting tempo (starting from thesuggested M.M. 52 at measure 156), <strong>and</strong> prolongation <strong>of</strong> final organ notes may or may notnecessitate any additional significant pause prior to the choral entrance at the end <strong>of</strong> measure158. A sensitive conductor will ascertain the most effective dramatic timing <strong>of</strong> this moment.Section A’As the spirit <strong>of</strong> the a theme returns, so also should the dark <strong>and</strong> senza vibrato vocaltimbre employed in its original presentation, always however, with an underlying sense <strong>of</strong>fervent energy regardless <strong>of</strong> tempo. Finzi has placed Crashaw’s text with great sensitivity to thestresses <strong>of</strong> “dry,” “soul,” <strong>and</strong> “eyes” in the opening choral phrase (measures 158-160). As Finziindicates a small crescendo to the word “eyes,” a small diminuendo should complete the swell,following the fall <strong>of</strong> the small arch, <strong>and</strong> preparing for the next phrase at the dynamic <strong>of</strong> piano. Abreath should also be placed after the word “see,” to delineate the organization <strong>of</strong> the Crashawlines <strong>and</strong> separate the gesture Finzi uses for each. The second phrase, “And drink. . .” should beslightly stronger in overall dynamic, with emphasis given to “drink,” “un-sealed,” “source,” <strong>and</strong>“thee,” with a tenuto on this final word, followed again by a breath to prepare for the finaldramatic phrase <strong>of</strong> the work. “When” should be treated as the most significant anacrusis <strong>of</strong> thepiece, freely holding for perhaps twice its value, in order to give a full measure <strong>of</strong> crescendo into“Glory’s sun” whereupon time is also stretched to enjoy the unfolding <strong>of</strong> the glorious heavenlyvision in measures 162-164. As fading has been shown to be a recurring element <strong>of</strong> this work,each word <strong>of</strong> “faith’s shades shall chase” should decrease in dynamic level. A fermata placed on

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!