Johann Sebastian Bach - booksnow.scholarsportal.info

i1i11I11'322 APPENDIX.on the contrary, the sixth comes before the fifth, none of this holdsgood, but it is to be played as written i.e., the 836 are taken withthe bass and the fifth afterwards, the sixth may be doubled and onlythe 3 taken with it e.g.—fSafjfe^^^ J— ;i^F^1®—^\^ 1-i =«— =5=?— s—— m « =^15IT}6—S—6 5—•1P11"6 56 5—1 —'"^ n=f^-jrJRegula V.When 5 and 6 stand aboye a note, the fifth must be inbefore, and the 3 and 6 must be added with the bass e.g.—the chordRegula VI.When the fourth and the third stand together, the fourth must alwaysbe prepared, and the third struck afterwards ; the fifth and octave areto be played simultaneously with the bass, whether they areindicatedby figures or not; the term "preparation" signifies that a note isplayed in the treble part by the right hand, and then remains held bythe right hand over the next following figured bass note.wm^siUii^S:gl«-J^^I''f>1»_ J L^n12 The slur is wanting in the MS.13 In the MS. I g-1* The slurs wanting in the MS. 13 The slurs wanting in the MS.