4o8INDEX.<strong>Bach</strong>, Joh. Günther, I. 33-255<strong>Bach</strong>, Joh. Jakob, I. 182,235,621; II. 154-II.156.<strong>Bach</strong>, Joh. Lorenz, I. Preface ix., x., 156.<strong>Bach</strong>, Joh. Ludwig, of Meiningen, I. 10,389, 574-582 ;III. 263 ; his orchestral partie,II. 144-<strong>Bach</strong>, Joh. Michael, of Gehren, I. 33, 39 i-.58-73, 94, 107, 119 f., 125 his " Ach bleib;bei uns,'' I. 51-53-<strong>Bach</strong>, Joh. Michael, the organ builder,I. 140.<strong>Bach</strong>, Joh. Nikolaus, of Erfurt, I. 27.<strong>Bach</strong>, Joh. Nikolaus, of Jena, I. i3i-i40>594; III. 34, 235, 270; his mass, I. 132; hisoperetta, I. 134-137; Ws organ building, I.137-140.<strong>Bach</strong>, <strong>Johann</strong> <strong>Sebastian</strong>:—His Life :—Birth, I. i8i ; early education,I. 1S2; in the scholars' choir, I. 183; hepurloins the organ book, I. iS5; at schoolat Ohrdruf, 1. 1S6 f. ; travels to Lüneburg, I.189 f.; in the choir at Lüneburg, I. 190;studies at Lüneburg, I. 217 f. ;journey toCelle, I. 201 ; to Hamburg, I. 197, 200; firstvisit to Weimar, I. 220; appointmept toArnstadt, and residence there, 1. 222-331 ;hissalary there, I. 223 ;visit to Lübeck 1. 256 f.,262 f. ; return to Arnstadt, and difficultieswith the authorities, I. 311-318, 326-32S ;examinationby the Consistory, 1. 315-317 trial;performance at Mühlhausen, 1. 331 ;residencethere, I. 335-375". resignation of post, I.370, 373 f- ; second visit to Weimar, I. 370;appointment there, I. 373, 375 his position:there, I. 378, 3S0, III. 229, 299, 300 journey;to Cassel, I. 513-515. 634 f • ;invited tojourney to and performances at Leipzig, I.519; ordered to compose new works everyyear, I. 526; journey to Meiningen, I. 574-5S2 ; to Dresden, I. 5S3-586 departure from;Weimar, I. 5S7 ; summoned to Cothen, I.586; residence there, II. i-i59> m- 224 f-lpoem written there. III. 224 f. ;chambermusic there, II. 5 f. ; relations with PrinceLeopold, II. 6, 8; journey to Carlsbad, II.7 f.; to Weimar and Halle, II. 9; examinationof organ at Leipzig, II. 9;journey to Hamburg, and trial for postthere, II. 13-21 ; writes funeral music forPrince Leopold, II. 15S f. ; leaves Cothen,II. 156-159; candidate for post at Leipzig,II. 1S3 f. ; elected and appointed cantor ofThomasschule, II. 186-189, III. 301 f. ;hisposition, duties, and salary there, II. 190-200, 213-215, III. 243; examination of thechoir, II. 233-241 journey to Weissenfels,;III. 223 f.; frequent absences from Leipzig,III. 230 ;at Dresden, III. 223, 225-228;at Erfurt, III. 230; application for post atDantzig, II. 253 remains f. in Leipzig, II. ;Halle, I. 515 ; tries organ there, I. 521 ;; conducts Telemann's society there,III. 135 f. ; conducts Musical Union there,674; Passion music first performed, II.241 f. ; dispute with the council, and lettersto the king, II. 215-222 ; dispute withauthorities about church music, II. 230-233 ;reprimanded by authorities, II. 242-251dispute with Ernesti, III. 1-16, 2S0-287, 307-315; appeal to the council, III. 7; courttitle granted. III. 8 ; appointed Hofcomponist,III. 226 f.; last visit to Hamburg,III. 22S; at Potsdam, III. 192, 230-232; at Berlin, III. 232-234; his intercoursewith Frederick the Great, III. 231-234; hisblindness and death, III. ;274 his funeral,III. ;275 his grave, III, 276.His Artistic Career : His musical heritage, I.175-178; first musical proclivities, I. 182 ff..218 ; tuition by his brother, I. 184 f. ; histechnical skill, I. 24S-252; his method offingering and execution, I. 393, II. 35-41,44-46, 651 f. 655, III. 240, 262 f. ;his organplaying,and use of the organ, I. 394-39S, II.29 f., 655, III. 212, 214 ; as a judge oforgans. III. 21 ;his method of tuning, II.42; method of accompanying, I. 313 £f., 592-597; II. 109 f., 293, 295-324, 678; methodof conducting, II. 327-332, 678 ; as anacoustician, III. 232 f.; as a vioUnist, II.68-70 ; as a lutanist, II. 46 f. ; inventionof the Viola pomposa, II. 69, III. 227,250; invention of the Lautenclavicymbel,II. 46 f., III. 167; studies and copies ofItalian masses, III. 28 f. ; his maturity ofstyle, I. 329-331, 504, 506 ; his attitudetowards theoretical learning, III. 24towards the ancient modes. III. 129-134;towards Rameau's treatise on harmony,III. 124 ; his treatment of figured-bass, II.101-110, 654; III. 118-122, 315-348; relationbetween his preludes and fugues, III. 187 ;fugal writing in the second part of " Wohlt-Clav." III. 188 f.; his form of clavier concertocompared with Mozart's, III. 141 ;his variation form. III. 173 f. ; his treatmentof recitative, I. 494-498 ;treatment ofthe cantata-form, I. 485 f., II. 454; adaptationof secular music to sacred purposes, II.447-450; comparison between his sacredand secular styles, II. 577 f. ; his treatmentof the chorale, II. 456-459; arrangement ofhis orchestra, II. 323-325 ; difficulties in hisvocal music, II. 236 f. ; love of nature in hismusic, II. 561 ; his last works. III. 275 ; hisposition in art, II. 144-146 ; his own view ofhis position, II. 225 f.; his criticisms ofother players, III. 264; his contemporaryfame. III. 21 f., 42, 235, 277 f.; mythicalanecdotes. III. 264, 268.As a Teacher: His style and method of instruction,II. 47-50, III. 116-122, 126-129;;
;:INDEX. 409his Weimar ptipils, \. 522-526; list of hispupils, II. 47; his Leipzig pupils, III. 239-852 ; their affection for him, III. 262.tits Character : General remarks on, I. 193,314,329; 11. 148; his piety, IH. 265, 267;his Lutheran tenets, III. 44; his attitude towardsPietism, I. 362-370, 485 f.; towardsthe Christmas festival, III. 221 ; his interestin Italian music, I. 407, 432, III.28 f.; in the opera at Dresden, II. 337;his love of travel. III. 223, 230; hisrelations with his intimates. III. 222, 249-252; his kindly disposition. III. 262; hisfearlessness in dispute, III. 261 : activity incomposition in old age. III. 68; domestichabits in old age, III. 230, 249 f. ; story ofthe musical beggars. III. 265 ; his hospitality,III. 273.Personal Details: His personal appearance,1 1 1. 265 ; his house, III. 267; his possessions,III. 274,351-360; his collection of musical instruments,III. 273; his library, III. 265-267,354; music in his own house, 11.440,443,474-477; III. 136,268.His Family: His father (see <strong>Bach</strong>, Joh. Ambrosius); his mother, I. 174 ff., 623 ; hisbrothers and sisters, I. 175, 182 ; his firstmarriage, 1. 327- 331, 339; receives accessionof fortune through first wife, II. 153 f.her death, II. 11; her character, II. 12children of first family, II. 8; second marriage,II. 147-153 (see also <strong>Bach</strong>, AnnaMagdalena); children of second family,II. 153, III. 268, 350 f. ; his daughters,111.271,277.As influenced by other Musicians— by: <strong>Bach</strong>,Joh. Christoph, II. 409; Böhm, Georg, I.210-217, 241 ; Buxtehude, Dietrich, I. 276,278, 2S3, 285, 296, 313-326; III. 153 note, 207,209, 211, 218; Erlebach, P. H., I. 351;Frescobaldi, I. 420 ; Froberger, III. 187note; Handel, II. 426 f.; Kuhnau, I. 243-245,320, II. 371, III. 155; Lotti, II. 638,iil. 28 ; Pachelbel, I. lii, 255 f. ; Teleraann,11.437, 694 f.Uis Relations with: Ernesti, III. 1-16, 280-287, 307-315; Freylinghausen, I. 366-370;Fux., III. 124; Gesner, II. 259-263 ; Handel,I. 330, II. 9-11, 25-30, 144-146 f,523 f., III.17, 163 f. 243 ; Hasse, III. 226, 228; Marchand,I. 584-586, 644-647 ; Mattheson, III. 228 f.Rameau, III. 124; Reinken, II. i7f.; Scheibe,III. 252-255; Schemelli, III. iog-114, 287 f.;Telemann and the musical societies, II. 242,III. 20 f., 24 f., 219; VValther, I. 381-389.Letters, &c., by him: Application to theMühlhausen authorities for testimonial, I.373 f. ; application to the council aboutchurch music, II. 231 f. ; application to theDresden court for a title. III. 8 ; correctionof Gerber's accompaniments to Albinoni,III. 388-398; dedication of B minor mass,HI. 38; dedication of First Partita, III.224 f.;dedication of Musikal. Opfer, III. 233 f.; dedicationof " Faber" canon. III. 237 f. ; letterabout the council to the king, II. 215-222 ;letter to Elias <strong>Bach</strong>, III. 271-273; letter toErdmann, II. 253 f. ; letter to Erfurt council,II. 154 f.; letter to Halle, I. 516-518, 520;letter to Mühlhausen, III. 269 f. ; Memorialon the choir, II. 247-251 ; memorial aboutthe prefects in Leipzig, III. 307-315 ; Reporton the organ in the Paulinerkirche inLeipzig II. 288-290 ; specification for improvementsto the Mühlhausen organ, I.355 f.; testimonial to Altnikol, III. 271;testimonial to Bernhard <strong>Bach</strong>, III. 269 f.; ftestimonial to Dorn, III. 249; testimonial /to Krebs, III. 241 f.; testimonial to Thomasschulepupils, 11. 234 f., 240 f. ; treatises onthorough-bass, III. 315-347, 347 f.Documents relating to him: I. 315-317, 326,III. 8,301 f., 351-360; autographs of, I.Preface v., 329 f. ; his handwriting, I. 330;his first published work. III. 156; probablenumber of cantatas, II. 349 f. ; editions ofhis works, I. Preface vii. ; engraving of hisworks, III. 197, 203 f., 238; lives of, I.Preface ii.His Vocal WorksCantatas, Sacred—Ach Gott, vom Himmelsieh' darein, III. 285 ; Ach Gott, wiemanches Herzeleid (in A), III. 285 ; 16.(in C), II. 463, 690 f. ; Ach ich sehe, I.554 f., III. 263 note ; Ach lieben Christen,III, 285; Ach, wie flüchtig, III. 106, 2S5.Actus tragicus (see "Gottes Zeit"); Aergredich, o Seele, nicht, II. 358-360; Allein zudir, III. 287; Alles nur nach Gottes Willen,II. 415 f.; Alles was von Gott geboren,! 563 565 ; Also hat Gott die Welt geliebt,III. 69 f., 281 f. ; Am Abend aber, III. 85 f. ;Ascension cantata, III. 70, 72, 77; AufChristi Himmelfahrt allein, III. 72, 281,284; Auf, mein Herz, des Herren Tag, II.442, note ;476 Auf, Menschen, rühmet (see"Ihr Menschen," &c.); Aus der Tiefe, I.448-456; Aus tiefer Noth, II. 298, III. 285;Barmherziges Herze der ewigen Liebe,J. 545-548, II. 314; Bereitet die Wege,I. 557-560; Bisher habt ihr nichts gebeten,III. 71 f., 281, 285 f.;Bleib bei uns, III. 75 f.,285; Brich dem Hungrigen dein Brod, III.81 f.; Bringet her dem Herren, II. 411, 693 f.;Christen ätzet diesen Tag, II. 367-369, 684 ;Christ lag in Todesbanden, II. 392-397. 688,III. 105; Christmas cantatas, II- 684;Christum wir sollen loben schon, II. 685 ;III. 2S5 ; Christ unser Herr zur Jordan kam,III. 103, 285; Christus der ist mein Leben,2 B 2
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BOOK VI.THE FINAL PERIOD OF BACH'S
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THE SHORTENED MASS. 27certainty. Du
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28oAPPENDIX.t Brii-der-lein^j^ u g
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