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'1'"=£-'r«-,^g402li[t"T^rr='=sEgg s ^f^ ^^^hat, mir LeibuudS«'el gegeben^ im Mutterleib das Leben, ge_siindohnallemSeliad.^644 i9 8756 6 57 4 3P'^^^^rlrr^rkJ.g OTTIZX.[({Mv r''J ^J i r ciifrnHr r r ^^^^^^^^Golt,meiriHerzdir Dank zu _ seii_def, weil mitWohlthun die. ser TagAn_ê _ l;iii_gen und vol . len.det. so dass ich mit Jaur-h/eu sag:t- /.- . ? Tw--^f|rr-T-f--^--=FÎEÎ-t=r=j^r r\leli bin al _ ler Wiu.deu los, rii he sanft in Je. su Schooss,iF=Frj r" P rI f fn^t''Ir r k g r^ J ^'L; r twich bin Je _ sa Braut heiit worden, steh iu sei . nem Lie _bes _ür_den.MeLue See.le. lass es gje_ hen, wie es in der Welt jetzt gehl.Mej_iie See.le, lass es sie _ hen, wie es je _ tzo geht und sieht.-4.1 -. 1^#, P \fß- llf) f T ffff ilP .fii>v ^——r -^^^^^^^^f^— îr——t—L_j''-j-^-ûH-t—nLieb_ sie See.le, bal _ te sfil . le, den. ke. dass es Got _ tes WiLle.
403Ich gnü-ge miVh an meinem Stande, in denderHüohstemiffh ge . netxt,Und acht es gar Tür kei_ne Schande, bin iofa nicht je^demg'leicbge. schätzt.IF^1^ ^^ iL,1Ich darf so we.nf^ mei.nen Schö.pfer anklagen als der Thun denTupfer.VI.r^ ^^ ^ L^^jTLT rWa . mm be.trübstdn dich undDu M(rg^f.«ie»ill es doch noch^ôbeu.gest di f jsehr geplag _ter Geist,mein ab_ge_mat_terfährest ä _ berWelt und ü_ berHim-mel^fc^t^v=«hk@o^3=^P f-Tfr^:j:!: [jmSinn ^Tj j,gj jjj jjpj, ujpjjj ^.^^j^^ j.^,^, j ^^hiu.Got.tes WilJen grün-deu,kannbtdain E.vrigkeit nicht wahre Ro.he fiujdeu
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o.tL-(DCMCNJu.==\r> mUJ">=z=3^r.inr
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Digitized by tine Internet Arciiive
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MLV.3
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BOOK VI.THE FINAL PERIOD OF BACH'S
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4 JOHANN SEBASTIAN (pACH.of long co
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OJOHANN SEBASTIAN BACH.second prefe
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Vor—öJOHANN SEBASTIAN BACH.had r
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—DISPUTE WITH ERNESTI.IIin his ho
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;RESULTS OF THE QUARREL.I3only take
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musicum,oderGriindl.Gedrucktdenenwo
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—;THE ORIGIN OF THE CONCERT. 17ch
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THE ORIGIN OF THE CONCERT.I9the Br
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BACHS INCREASING CELEBRITY 21that h
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^:mizler's musical society. 23publi
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—bach'-s connection with mizler.
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THE SHORTENED MASS. 27certainty. Du
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EARLY ITALIAN MASSES. 2gback than L
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ach's masses in g major and minor.
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"bach's mass in a. 33which precedes
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—bach's mass in f.35tven of the L
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BACH S SHORT MASSES. 37by the bass,
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—;THE B MINOR MASSKYRIE AND GLORI
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—;THE B MINOR MASSSANCTUS.4Imenti
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B MINOR MASS—ITS PROTESTANT FEELI
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—THE PROTESTANT MASS. 45with the
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—THE STRUCTURE OF THE B MINOR MAS
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——THE B MINOR MASS—ITS SYMBOL
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THE B MINOR MASS— ITS SYMBOLISM.
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THE B MINOR MASS—GENERAL CHARACTE
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——THE B MINOR MASSGLORIA. 55set
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—THE B MINOR MASSCREDO.57parts ab
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—THE B MINOR MASS—FINAL SECTION
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—THE B MINOR MASS—FINAL SECTION
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—Vnere stillTHE B MINOR MASS AND
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secondly,THE CANTATA " DU FRIEDEFÜ
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"war GOTT NICHT MIT UNS." 67chorale
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— ——TWO WHITSUNTIDE CANTATAS.
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CANTATAS FOR 1735. 71The similar ar
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—CANTATAS FOR 1735. 73exhibits a
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—;"bleib bei uns. 75alle Gott," s
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—CANTATAS, I737—174I. 77from th
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ADAPTATIONS OF INSTRUMENTAL WORKS.y
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" ES 1ST EIN TROTZIG." 8lperverse a
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CANTATAS FOR SOLO VOICES. 83church
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CANTATAS FOR SOLO VOICES. 85of infi
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—CHORALE CANTATAS. 8?but its char
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—CHORALE CANTATAS. 89nature of th
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CHORALE CANTATAS.QIas to their date
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6CHORALE CANTATAS—USE OF RECITATI
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CHORALE CANTATAS—MADRIGAL PARAPHR
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—CHORALE CANTATAS—THE USE OF TH
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CHORALE CANTATAS—THE USE OF THE M
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CHORALE CANTATAS—TRANSITION FORMS
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;CHORALE CANTATAS—TRANSITION FORM
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—I06JOHANN SEBASTIAN BACH.middle
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Io8JOHANN SEBASTIAN BACH.possible s
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efindlichLiederCopiesGesang-Buch,Vo
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—112 JOHANN SEBASTIAN BACH.melodi
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114 JOHANN SEBASTIAN BACH." Meines
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Il6JOHANN SEBASTIAN BACH.but he had
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il8JOHANN SEBASTIAN BACH.be pliable
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120 JOHANN SEBASTIAN BACH.assured t
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122 JOHANN SEBASTIAN BACH.the redup
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—'124 JOHANN SEBASTIAN BACH.lessn
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120 JOHANN SEBASTIAN BACH.the violi
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128 JOHANN SEBASTIAN BACH.it is pre
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130 JOHANN SEBASTIAN BACH.third int
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;132 JOHANN SEBASTIAN BACH.inaliena
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JOHANN134 .SEBASTIAN BACH.Bach's co
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136 JOHANN SEBASTIAN BACH.Society.
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;138 JOHANN SEBASTIAN BACH.concerto
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stamp.^^^;140 'JOHANN SEBASTIAN BAC
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fitted142 JOHANN SEBASTIAN BACH.and
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VAfor144 JOHANN SEBASTIAN BACH.from
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146 JOHANN SEBASTIAN BACH.is not th
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——;148 JOHANN SEBASTIAN BACH.ex
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150 JOHANN SEBASTIAN BACH.into the
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152 JOHANN SEBASTIAN BACH.direction
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154 JOHANN SEBASTIAN BACH.deck out
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156 JOHANN SEBASTIAN BACH.At that t
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158 JOHANN SEBASTIAN BACH.of Bach's
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l6oJOHANN SEBASTIAN BACH.The gigue
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102 JOHANN SEBASTIAN BACH.intensifi
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;164 JOHANN SEBASTIAN BACH.differen
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l66JOHANN SEBASTIAN BACH.easiest to
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l68JOHANN SEBASTIAN BACH.clavier pi
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170 JOHANN SEBASTIAN BACH.Setting a
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172 JOHANN SEBASTIAN BACH.requireme
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—174 JOHANN SEBASTIAN BACH.lifted
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——176 JOHANN SEBASTIAN BACH.The
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—;178 JOHANN SEBASTIAN BACH.villa
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-f—•-1r— — ——to^-dtj—
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JOHANNl82,SEBASTIAN BACH.The bold i
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184 JOHANN SEBASTIAN BACH.The C maj
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;l86JOHANN SEBASTIAN BACH.Even in t
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;lööJOHANN SEBASTIAN BACH.resigne
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igOJOHAXX SEBASTIAN BACH.there is a
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1 92 JOHANN SEBASTIAN BACH.work, wh
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194 JOHANN SEBASTIAN BACH.which he
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igöJOHANN SEBASTIAN BACH.The Sonat
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igSJOHANN SEBASTIAN BACH.three subj
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'200 JOHANN SEBASTIAN BACH.in the c
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202 JOHANN SEBASTIAN BACH.four.^''^
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204 JOHANN SEBASTIAN BACH.tion, but
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206 JOHANN SEBASTIAN BACH.must have
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208 JOHANN SEBASTIAN BACH.and at th
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210 JOHANN SEBASTIAN BACH.structure
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212 JOHANN SEBASTIAN BACH.would giv
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214 JOHANN SEBASTIAN BACH.arrangeme
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2l6JOHANN SEBASTIAN BACH.unser Herr
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2l8 JOHANN SEBASTIAN BACH.Still he
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220 JOHANN SEBASTIAN BACH.—and wa
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222 JOHANN SEBASTIAN BACH.church mu
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:the224 JOHANN SEBASTIAN BACH.to We
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226 JOHANN SEBASTIAN BACH.In 1731 t
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228 JOHANN SEBASTIAN BACH.meister t
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230 JOHANN SEBASTIAN BACH."Was mir
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232 JOHANN SEBASTIAN BACH.Silberman
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234 JOHANN SEBASTIAN BACH.it has no
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236 JOHANN SEBASTIAN BACH.public wi
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238 JOHANN SEBASTIAN BACH.It is a c
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240 JOHANN SEBASTIAN BACH.came also
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242 JOHANN SEBASTIAN BACH.who has d
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244 JOHANN SEBASTIAN BACH.Capellmei
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246 JOHANN SEBASTIAN BACH.Johann Th
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248 JOHANN SEBASTIAN BACH.in June,
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250 JOHANN SEBASTIAN BACH.members o
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252 JOHANN SEBASTIAN BACH.cousin ha
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254 JOHANN SEBASTIAN BACH.oratory a
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256 JOHANN SEBASTIAN BACH.matters,
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258 JOHANN SEBASTIAN BACH.before ve
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200 JOHANN SEBASTIAN BACH.name of B
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202 JOHANN SEBASTIAN BACH,the choir
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264 JOHANN SEBASTIAN BACH.If a fugu
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266 JOHANN SEBASTIAN BACH.as Bach s
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268 JOHANN SEBASTIAN BACH.with him
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270 JOHANN SEBASTIAN BACH.his place
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272 JOHANN SEBASTIAN BACH.give me n
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.274 JOHANN SEBASTIAN BACH.music. T
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276 JOHANN SEBASTIAN BACH.within th
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278 JOHANN SEBASTIAN BACH.actively
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28oAPPENDIX.t Brii-der-lein^j^ u g
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282 APPENDIX.the sheet. These eight
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284 APPENDIX.With regard to No. 4,
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286 APPENDIX.i8. Ich bin ein guter
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288 APPENDIX.five melodies are not
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290 APPENDIX.made. The writing is t
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292 APPENDIX.auf W. Friedemann Bach
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294 APPENDIX.These were exhausted b
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APPENDIX B.[In the German edition o
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29ÂPPENDIX.Berlin has two church c
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300 APPENDIX.Bach's emoluments were
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302 Appendix.2. And bring the music
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304 APPENDIX.that the small sum of
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306 APPENDIX.that the dust and dirt
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308 APPENDIX.Magnifici.Most Noble,
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310 APPENDIX.he had himself owned t
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312 APPENDIX.and perhaps irreparabl
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3^4APPENDIX.Cantor, as it would be
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3i6APPENDIX.Short Instructions for
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3l8APPENDIX,Cap.II.DEFINITION OF TH
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, Regula320 APPENDIX.Cap. vi.SUNDRY
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i1i11I11'322 APPENDIX.on the contra
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324 APPENDIX.called passing-notes b
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-326 APPENDIX.EXEMPLUM II.When the
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328 APPENDIX.EXEMPLUM VI.When |, or
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-tir-Hr^330 APPENDIX.The following
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J332 APPENDIX.t=f=-^ ZZti :§==«:r
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i 1 1 1 1 i : 1 ill1 !*—1-t—1^v
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JII.^-^^î^^=^=^^^5^^5|=^=-^^^ü^^^
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^ =^=^^—j1 '»33^ÊiÂPPENDIX.^fe
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1 I I I—340 APPENDIX.Rules for Pl
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I ^342 APPENDIX.The 5 may be taken
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'i'''1 1r344 APPENDIX.This chord is
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346 APPENDIX.Instead of the perfect
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34ÂPPENDIX.3. A borrowed chord is
Page 360 and 361: 350 APPENDIX.major sixth, and A wit
Page 362 and 363: 352 APPENDIX.ICap. V.In silver plat
Page 364 and 365: o354 APPENDIX.Cap.House furniture.
Page 366 and 367: 356 APPENDIX.Brought forwardFol. 2
Page 368 and 369: 358 APPENDIX.4.The coins enumerated
Page 370 and 371: 360 APPENDIX.Mevi.—Whereas Herr G
Page 372 and 373: 364Supplement II. (Vol. I. p. 427).
Page 374 and 375: Supplement III. (Vol.1, p. 43i).SON
Page 376 and 377: Fr368^j^ r r r ^r^ r^^m—iv= r r r
Page 378 and 379: -^rr-ji Llsj '^^ T~n nr^ ^gÂ^yw^^S
Page 380 and 381: 372Larffo.Soloi^Ja^^^â= LaI^^^^ â
Page 382 and 383: 371Allegro.^.'V,;P^ r\^:*^'^Vr±p=
Page 385 and 386: 377Sß565656S6öi>
Page 387 and 388: ti^w^^w^ m ^m^ P*iSS5=^T" r—43379
Page 389 and 390: ''—^381y^jrni ^Êtyp^^. fi -E^f^^
Page 391 and 392: 383P^^î^^n=P^^mSffi« 7^^^^-^±Htr
Page 393 and 394: ii^ÎI.!.^^1f ^ » ISupplementM—t
Page 395 and 396: »^^fr.r-K^Supplement V.) \^^:5=:£
Page 397 and 398: 3ft9^— i t^^' ?r^^^ ^:^=^ ? ß ß
Page 399 and 400: IIIIJi. Illi '-V-J391Wp..^N -L^f C^
Page 401 and 402: [f^^^^^^r^j^^-^-r I'.(i. I rm%l^ ;U
Page 403 and 404: -"-^P fee« aE ^r r'»i£fc~T]j~jTJ
Page 405 and 406: ii^:^sESi ifc^Ê^t^^ 3§T f^ ---»-
Page 407 and 408: —^399Supplement VIT. (Vol. II. p.
Page 409: Supplement VIIll^ (Vol. III. p.ii:t
Page 413: tff^ m'„Î1i11^^ rrrf ..rirflfrif
Page 416 and 417: 4o8INDEX.Bach, Joh. Günther, I. 33
Page 418 and 419: ;410 INDEX.;II. 462 f., ;70s Das is
Page 420 and 421: Lnstruments412 INDEX.;major mass, I
Page 422 and 423: ;: ASCH,;414 INDEX.BUTTSTEDT, J. H.
Page 424 and 425: ;4i6INDEX.KnCpffer, in. 28.Koch, J.
Page 426 and 427: ;4t8INDEX.Schumann, R., I. 61S, II.
Page 429 and 430: —ERRATA.VOL. LPage 35, line 6 fro
Page 431 and 432: Acme LibranUnder Pat. "¥Made by LI
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