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Johann Sebastian Bach - booksnow.scholarsportal.info

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f'Scarlatti,[Scheibe,I298, Scheibe,j255,IScheidt,1 ScHEMELLi,INDF-X. 417Open-air performances, II. 621 f.Opera, in Germany, I. 199, 466-469, II. sjS ;in Leipzig, II. 202-306.Opus-numbers, III. 156.Oratorio, history of, I. 43, II. 306, 499, 570Orchestra, organisation of, II. 303 fiT.Orchestral Suites (Orchesterpartien),139-146.Organ-playing, history of, I. 96 f., 102, 126,II.11.35 fr.; organ employed in services, II.278-281 ; its use in the chorale cantatas, III.104 f.; organs in Leipzig (specification), II.281-290, 675 f.. III. 305-307.Overtures, 1. 124.Pachelbel, HiERONyMt;s, his toccata for twnclaviers, III. 144.Pachelbel, J.,I. 38, 94, 107-109 ; his worksI. 110-125, 127; his organ chorales, I. 247,III. 100 f., 213 f., 217, 220; his influence on<strong>Bach</strong>, I. 111-123, 255 f.; compared withBöhm, I. 205-209; with Buxtehude, I.284f.,2Sq, 297.Paduana, II. 72.Palestrina, III. 29.Partie, partita, I. 127, II. 74 f.. III. 219 f.Passacaglio, I. 279-282, II. 405, III. 170.Passepied, II. 75, gi.Passion music, its origin and history. II.477 ff. ; at Meissen, II. 478; passion plays,II. 500-503, 567 ; settings before <strong>Bach</strong>'s, II.538-539-Paurbach, composer of a Passion setting, II.301.Performances, sacred, at Christmas, Easter,&c., II. 570 f.Pestel, J. E., II. 94.Petri, Samuel, II. 301-309, III. 234.Petzold, C, I. 583.Pfeiffer, A., III. 266.Pianoforte, suited to <strong>Bach</strong>'s works, II. 45.PicANDER (Henrici), II. 340-347,505-508, III.43. 94 f-Pietism, I. 30 f., 166-168; at Mühlhausen, I.358-370 ; its influence on music, I. 362 f.,479-486.Pisendel, J. G., I. 583, II. 205 f., III. 227.Pitch (see Tuning) of the Leipzig organs, II.676-678.PlTSCHEL, T. L., III. 262 f.PoNiCKAU, J. C, von, II. 411 f.Pr.\etorius, M., II. 34.Preamble, the, I. 105.Preludes, for organ, II. 291."Programme Music,'' I. 236-245, 246 f., 494,549-Protestantism, its effect on music, I. 112 f.Protestant element in German masses. III.26-29, 34 f.QuANTZ, flute player. III. 231.Quodlibets, I. 154, III. 172, 174-176.Rambach, J. J.,11. 346, III. 2G7.Rameau, J.P., III. 124 fr.Realism in music, I. 553.Recitative, I. 494-498, II. 311-320.Refor-mation Festival, II. 271.Reiche, G., II. 248.Reimann, J. B., III. 114, 236.Reineccius, G. T., I. 38g f.Reinken, J.A., 1. 195-200, 42g-43i, II. 15, 18;his suites, II. 87, f. ; his sonata. III. 36C-384.Rese, J. L., II. 4.Richter, J.C, II. 52.RiGAUDON, II. 75.RiNGK, J., II. 633.Ritter, C, II. 93.RiviNus, J.F., II. 621.ROCHLITZ, III. 277.Rockhausen, residence of the <strong>Bach</strong>s, I. 2 f.Rolle, C. C, II. 29g, 307.Rolle, C. E., II. 2.Rolle, C. F. (of Quedlinburg), I. 520, II.181 f.Romanesca, II. 72.RÖMHILD, J. T., I. 10, III. 235.Rothe, J. C., II. 491.Ruhla, residence of the <strong>Bach</strong>s, I. 10 f.Salaries of musicians, I. 20, 24, 29 f., 33, 39,108, 185, i83, 191 f., 223, 337,380,516,518,III. 19, 29g.Sarabande, II. 75, 91.Sax-Merseburg, Duke of. III. 228, 235.Scandelli, author of a Passion setting,II. 588.Dom., II. 77, III. 160 note, 182.J., organ builder, II. 282 f., 290, 292,f., 317. 334-J.A., 11.645-647,675, III. 21,252-109-114, 242.Schieferdecker, J. C, I. 311 ; II. 346.Schiff, C, I. 480 note, 17g.Schmidt, Balthasar, III. 219- 238, 250, 269,2go, 294.Schmidt, Joh., III. 238, 248.Schmidt, J. C, of Zella, I. 434 note, 135, II.305-307-Scheidemann, H., II. 16.S., I. 97-g9, 126.G. C. and C. F., I. 367-370, III.633-Schmidt, J. M., III. 258 f., 275.Schneider, J.,II. 5, 262, III. 242Schnitker, Arp., II. 18.Scholars' Choir, at Eeisenach, I 183.Schott, G. B., II. 183, 206, 673.Schröter, C. G., II. 301, III. 257 f.Schcbart, J. M., I, 343,522.SchCbler, J. G., III. 2ig, 238.Schüler, Hans, I. 2.Schultz, Chr., II. 478-481,Schulz, A. P., III. 129.

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