Henry James Warre's and Paul Kane's Sketches in the Athabasca ...

28. George Simpson, Fur Trade and Empire: George Simpson’s Journal entitled RemarksConnected with the Fur Trade in the Course of a Voyage from York Factory to Fort Georgeand Back to York Factory 1824–1825; with related Documents, rev. ed., ed. FrederickMerk (1931; Cambridge, MA: Belknap Press, Harvard University Press, 1968), 34.29. Kane, Field Notes, 1846–1848; “‘I came to rite thare portraits,’” 50.30. Harper suggests that at least one of the animal sketches, depicting four pack horses,was made in 1846 (IV-253, Royal Ontario Museum, 946.15.133). See items IV-253 toIV-269 in the catalogue raisonné of Harper, ed., Paul Kane’s Frontier, 291–92.31. See I.S. MacLaren, “Cultured Wilderness in Jasper National Park,” Journal of CanadianStudies/Revue d’Études canadiennes 34, no. 3 (Fall 1999): 29–31; Lynda Jessup,“The Group of Seven and the Tourist Landscape in Western Canada, or The MoreThings Change…,” Journal of Canadian Studies/Revue d’Études canadiennes 37, no. 1(Spring 2002): 144–79.32. Wanderings of an Artist (1859), 154; Wanderings of an Artist among the Indians of NorthAmerica, Master-Works of Canadian Authors, vol. 7, ed. John W. Garvin, intro. andnotes Lawrence J. Burpee (Toronto: Radisson Society of Canada, 1925), 105.33. Paul Kane, Field Notes; “‘I came to rite thare portraits,’” 33–36.70 Henry James Warre’s and Paul Kane’s Sketches in the Athabasca Watershed, 1846