CHAIN 10

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CALL FOR WORK Chain 11: Public Forms As long as art is the beauty parlor of civilization, neither art nor civilization is secure. —John Dewey, Art as Experience Nobody knows who the public is or what it wants or needs. —David Antin We invite interested readers to submit work to Chain 11, on the topic of “public forms.” We are interested in pieces that address what is commonly called public art—visual artworks that are publicly displayed and frequently supported by public funds—but also various forms of art that happen outside of usual performance and publication contexts, such as street art, political speeches, poster campaigns, architectural design, mail art, community theater, speaker’s corners, poetry written for specific public occasions, etc. In other words, this issue will investigate art that is created for communities or “the public” in its broader definitions. We also encourage a variety of “reports from the field,” where artists observe how public art functions in their local environments. Such reports could take any genre or form, visual or textual. Reports from outside the United States are especially welcome. Please be aware that we can only print visual images in black and white. Send two copies of your submission and two copies of your cover letter to: Chain (c/o Jena Osman) Department of English Temple University 10th Floor,Anderson Hall (022-29) 1114 West Berks Street Philadelphia, PA 19122-6090 Deadline: December 1, 2003 If you have questions, send them to josman@temple.edu and spahr@hawaii.edu. But, please, NO email submissions (we tend to lose them). Enclose a self-addressed, stamped envelope if you would like your work returned. Do not send us originals. We read work in December and then contact everyone in early February at the latest. More details at http://www.temple.edu/chain . . .
FOA RM magazine issue no. one available now featuring new work by Robert Kelly,Alicia Cohen, Giancarlo Toniutti, G.X. Jupitter-Larsen, Shanghai high-school students, and others . . . accepting submissions for issue no. two (dis/embodiment): articles, scores, instructions, investigations, and attempts contact fo_a_rm@yahoo.com or write to 122 Gates Avenue, Brooklyn, NY 11238 $12/yr (two issues) domestic checks payable to Bethany Wright SUBPRESS Scott Bentley, The Occasional Tables, $10; Daniel Bouchard, Diminutive Revolutions, $10; Catalina Cariaga, Cultural Evidence, $12; Linh Dinh, All Around What Empties Out, $12; kari edwards, a day in the life of p., $12; Brett Evans, After-School Session, $15; Camille Guthrie, The Master Thief, $10; Jen Hofer, Slide Rule, $10; Jeff Hull, Spoor, $11; Steve Malmude, The Bundle: Selected Poems, $10; John McNally, Exes for Eyes, $11; Hoa Nguyen, Your Ancient See Through, $12; Deborah Richards, Last One Out, $12; Prageeta Sharma, Bliss to Fill, $10; Caroline Sinavaiana-Gabbard, Alchemies of Distance, $12; Edwin Torres, Fractured Humorous, $10; John Wilkinson, Oort’s Cloud: Earlier Poems, $15 available from Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710-1409, www.spdbooks.org, orders@spdbooks.org, 1-800-869-7553
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CHAIN 10 translucinación editors J
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EDITORS’ NOTES The topic for this
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CONTENTS 2 Andrés Ajens & Erin Mou
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ANDRÉS AJENS & ERIN MOURÉ Poematr
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4 II EN CAMADAS tras versales comis
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6 III POR CLARO SOLAR A MAR, solar
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8 CUENTO | CORTO The art of losing
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10 Yet his work (dizzyingly!) resis
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SHIMON BALLAS & AMMIEL ALCALAY from
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There is no one more qualified than
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home: “You look tired,” she sai
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mystified relationship of Jews to l
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How about strain, does it mean a se
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Just a few lines later you have the
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Nas linhas parcelas de pastéis buc
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Algumas linhas a seguir surge a fra
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Onko roskaläjä roskaläjä tavano
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Una prueba de poesía ¿Qué quiere
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¿El término encuadres se refiere
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Un test de poésie Que veux-tu dire
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Cadres renvoie-t-il à forme, compo
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INGER CHRISTENSEN, SUSANNA NIED, &
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II In Brajčino Valley’s heated a
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CHUANG TZU, ALLISON COBB, JEN COLEM
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Translation of Chuang Tzu with the
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Translation of Hearing Chuang Tzu W
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Translation of Hearing Chuang Tzu f
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translated into English in 1964 by
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54 ART:These amulets were a part of
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56 11 In midway of the journey of o
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58 40 Midway upon the pathway of li
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RUBÉN DARÍO & FRANCISCO ARAGÓN W
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62 His Country of Iron Where He Liv
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ALBERT FLYNN DESILVER Mto Mwivi / R
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RAINER GANAHL My First 500 Hours Ba
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Arabic: Each date represents one VH
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accept the same products as art, we
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Glocal Language—A Portable Librar
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NADA GORDON ViaVoice Tanka 76 A a a
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78 results. I composed this series
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80 Corazón Las cosas sencillas com
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82 Bite Its Heart Till It Learns On
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84 Poema en español Tengo dos ata
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86 Poem in Spanish The grave has mo
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J. N. KAPIHENUI, MATT KALEIALI‘I
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Hi‘iaka and Pā‘ūopalae wen go
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Hi‘iaka and Pā‘ūopalae entere
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94 given, other than the companions
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LI YU, AMY STALLING, & JONATHAN STA
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98 “Night Crow Calls” is an exa
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Much of the enduring appeal of Ci l
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Night’s Crow Calls from(4) rouge(
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105
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While the last translation recalls
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I would argue that I translate in o
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The Gillyshow Admish Forked stores
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“The Gillyshow Admish” is the p
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Eleven is the numbah of missionarie
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of the sex Xxx! Plus more . . . mor
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sordomudafrau strongly sorda the yo
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as the ASOLESZENZ principio silicon
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and night also drawn the boat in to
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Turning Somersaults on Knives dào
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2. Dear Dad (If You Can Even Vaguel
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4. Dear Jill, I found the poems by
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“Excerpts from Threads” begins
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9 Anneau de mer! C’est toi qui ti
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9 The sea belts the island with sou
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French and Creole, in dissonances a
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Mаджнун (КАЙС ИБН АЛ
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Целую землю—глину
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1 I’m pining. I’m pining; I’m
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145
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“Majnun Songs” (1996) is based
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KISHWAR NAHEED & MAHWASH SHOAIB fro
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Dialogue/Conversation with the Wayf
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Dialogue with the Spectator Until y
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Sitting on Death’s Sheet, the God
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death’s sheet on seated peace-god
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—KN 159
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We Slaves Have Just One Condition/S
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We Slaves Have Just One Demand The
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ealized, it would be too obvious an
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From Say it in Hebrew I have someth
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Arrested: Micola, Gust Miners are m
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Oulipo? Quiet, flea! Itches like a
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This poem is what Pastior calls a
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JOAN RETALLACK Mountains & Waters &
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mountains are high and broad of the
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eer (mons pubis the male mons) arre
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THOMAS SCHEIBITZ,ADAM DEGRAFF, & PA
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J. I can’t respond to that.You’
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How many of our hits have actually
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Ten Sefirot of Nothingness in the n
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ALAN SEMERDJIAN The Efficacy of Mis
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Una columba bianco m’ha disceso F
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In response to Yevtushenko’s “P
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CAROLINE SINAVAIANA & JAMES THOMAS
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My Pigeon, from Samoan LA’U LUPE
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Cornbread Song, from Mohawk Kana’
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traditional song texts, Samoan and
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LIKE TROMPE L’OEIL FOR THE BOUDOI
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GERTRUDE STEIN & KARI EDWARDS A Box
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1 2 15 24 = 42 7 5 18 20 21 4 5 19
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Notes ●A s, é, t, again ●B t,
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odily travel has been reduced/ terr
Page 219 and 220: MICHEL-ROLPH TROUILLOT, A. ISADORA
Page 221 and 222: 1 The neologism is English in Haiti
Page 223 and 224: And then, in the cemetery, They won
Page 225 and 226: ole in shaping Haitian politics, ei
Page 227 and 228: Immigration (Poetic English) The im
Page 229 and 230: L’immigration Il m’a saisi au c
Page 231 and 232: Immgarasion A nay di gindi ga, Immg
Page 233 and 234: Heinl, Robert Debs, and Nancy Gordo
Page 235 and 236: 2 choojai kaow kor seetaow, baow ba
Page 237 and 238: 4 Choojai kaows kor Seetaow, baow b
Page 239 and 240: 6 Choojai (kaow)s (kor) of (Seetaow
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Page 245 and 246: Taking “Taking Chances” is the
Page 247 and 248: I’m recycling it. That’s why wr
Page 249 and 250: Fast food, Hush Puppies and Brazili
Page 251 and 252: What follows are the results.The la
Page 253 and 254: —K. S. Subramanian (TAMIL) Пер
Page 255 and 256: Diante do iminente desastre, homens
Page 257 and 258: Milk (The Chicano Chapbook Series,
Page 259 and 260: at theeastvillage.com, and elsewher
Page 261 and 262: a kanaka maoli who proudly traces h
Page 263 and 264: worked as a technical writer in Sil
Page 265 and 266: y U.S. artists and writers of color
Page 267 and 268: Terence Gower, she is co-author of
Page 269: EDITORIAL INFORMATION Jena Osman De
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CHAIN 10

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