CHAIN 10

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ANDRÉS AJENS & ERIN MOURÉ Poematriz en 3 papáginas y un(a) aparte / Wombpoem in 3 papages and one a-part 2 I a morosos abrevaderos (de) a a m l lllloviera antes dudo duda mos nos, entre veráceas paginoscuras blablancas (entre menudas medialunas dudo: antes d y alterófilo ya dado conveniente—d e s nudo mudo inasímil, bipicante) y d udando sin d u d a a fuera calza y descalza la sin táxis caí da de bandera—a es quina d d d d d lirios de inundados aamantes, a Carache, por Trujillo, roxa la vía, y a Santiago por Rosal—e indudablementes).
I to the a-morous watertroughs (of ) a l o te rrrrain hovers before doubts doubt full we, between veraceous blablablank obscuropages (between bitty parentheses I doubt: before d and alterofilial yay dice-given convenient—de nuded muted in-assimilable bi-biting) and d oubting w/o do ub t ou t there softsoled and soleless the syn tax is fl agged down— to cor ner d d d d d liriums of inundated lovers: to Carache, via Trujillo, red-roaded—and to Santiago via Rosal, and undoubtablies). 3
Page 1 and 2: CHAIN 10 translucinación editors J
Page 3 and 4: EDITORS’ NOTES The topic for this
Page 5 and 6: CONTENTS 2 Andrés Ajens & Erin Mou
Page 10 and 11: 4 II EN CAMADAS tras versales comis
Page 12 and 13: 6 III POR CLARO SOLAR A MAR, solar
Page 14 and 15: 8 CUENTO | CORTO The art of losing
Page 16 and 17: 10 Yet his work (dizzyingly!) resis
Page 18: SHIMON BALLAS & AMMIEL ALCALAY from
Page 21 and 22: There is no one more qualified than
Page 23 and 24: home: “You look tired,” she sai
Page 25 and 26: mystified relationship of Jews to l
Page 27 and 28: How about strain, does it mean a se
Page 29 and 30: Just a few lines later you have the
Page 31 and 32: Nas linhas parcelas de pastéis buc
Page 33 and 34: Algumas linhas a seguir surge a fra
Page 35 and 36: Onko roskaläjä roskaläjä tavano
Page 37 and 38: Una prueba de poesía ¿Qué quiere
Page 39 and 40: ¿El término encuadres se refiere
Page 41 and 42: Un test de poésie Que veux-tu dire
Page 43 and 44: Cadres renvoie-t-il à forme, compo
Page 45 and 46: INGER CHRISTENSEN, SUSANNA NIED, &
Page 47 and 48: II In Brajčino Valley’s heated a
Page 49 and 50: CHUANG TZU, ALLISON COBB, JEN COLEM
Page 51 and 52: Translation of Chuang Tzu with the
Page 53 and 54: Translation of Hearing Chuang Tzu W
Page 55 and 56: Translation of Hearing Chuang Tzu f
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translated into English in 1964 by
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54 ART:These amulets were a part of
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56 11 In midway of the journey of o
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58 40 Midway upon the pathway of li
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RUBÉN DARÍO & FRANCISCO ARAGÓN W
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62 His Country of Iron Where He Liv
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ALBERT FLYNN DESILVER Mto Mwivi / R
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RAINER GANAHL My First 500 Hours Ba
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Arabic: Each date represents one VH
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accept the same products as art, we
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Glocal Language—A Portable Librar
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NADA GORDON ViaVoice Tanka 76 A a a
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78 results. I composed this series
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80 Corazón Las cosas sencillas com
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82 Bite Its Heart Till It Learns On
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84 Poema en español Tengo dos ata
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86 Poem in Spanish The grave has mo
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J. N. KAPIHENUI, MATT KALEIALI‘I
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Hi‘iaka and Pā‘ūopalae wen go
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Hi‘iaka and Pā‘ūopalae entere
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94 given, other than the companions
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LI YU, AMY STALLING, & JONATHAN STA
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98 “Night Crow Calls” is an exa
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Much of the enduring appeal of Ci l
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Night’s Crow Calls from(4) rouge(
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105
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While the last translation recalls
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I would argue that I translate in o
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The Gillyshow Admish Forked stores
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“The Gillyshow Admish” is the p
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Eleven is the numbah of missionarie
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of the sex Xxx! Plus more . . . mor
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sordomudafrau strongly sorda the yo
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as the ASOLESZENZ principio silicon
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and night also drawn the boat in to
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Turning Somersaults on Knives dào
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2. Dear Dad (If You Can Even Vaguel
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4. Dear Jill, I found the poems by
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“Excerpts from Threads” begins
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9 Anneau de mer! C’est toi qui ti
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9 The sea belts the island with sou
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French and Creole, in dissonances a
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Mаджнун (КАЙС ИБН АЛ
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Целую землю—глину
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1 I’m pining. I’m pining; I’m
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145
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“Majnun Songs” (1996) is based
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KISHWAR NAHEED & MAHWASH SHOAIB fro
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Dialogue/Conversation with the Wayf
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Dialogue with the Spectator Until y
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Sitting on Death’s Sheet, the God
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death’s sheet on seated peace-god
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—KN 159
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We Slaves Have Just One Condition/S
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We Slaves Have Just One Demand The
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ealized, it would be too obvious an
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From Say it in Hebrew I have someth
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Arrested: Micola, Gust Miners are m
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Oulipo? Quiet, flea! Itches like a
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This poem is what Pastior calls a
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JOAN RETALLACK Mountains & Waters &
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mountains are high and broad of the
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eer (mons pubis the male mons) arre
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THOMAS SCHEIBITZ,ADAM DEGRAFF, & PA
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J. I can’t respond to that.You’
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How many of our hits have actually
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Ten Sefirot of Nothingness in the n
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ALAN SEMERDJIAN The Efficacy of Mis
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Una columba bianco m’ha disceso F
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In response to Yevtushenko’s “P
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CAROLINE SINAVAIANA & JAMES THOMAS
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My Pigeon, from Samoan LA’U LUPE
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Cornbread Song, from Mohawk Kana’
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traditional song texts, Samoan and
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LIKE TROMPE L’OEIL FOR THE BOUDOI
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GERTRUDE STEIN & KARI EDWARDS A Box
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1 2 15 24 = 42 7 5 18 20 21 4 5 19
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Notes ●A s, é, t, again ●B t,
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odily travel has been reduced/ terr
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MICHEL-ROLPH TROUILLOT, A. ISADORA
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1 The neologism is English in Haiti
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And then, in the cemetery, They won
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ole in shaping Haitian politics, ei
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Immigration (Poetic English) The im
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L’immigration Il m’a saisi au c
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Immgarasion A nay di gindi ga, Immg
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Heinl, Robert Debs, and Nancy Gordo
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2 choojai kaow kor seetaow, baow ba
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4 Choojai kaows kor Seetaow, baow b
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6 Choojai (kaow)s (kor) of (Seetaow
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235
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237
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Taking “Taking Chances” is the
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I’m recycling it. That’s why wr
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Fast food, Hush Puppies and Brazili
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What follows are the results.The la
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—K. S. Subramanian (TAMIL) Пер
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Diante do iminente desastre, homens
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Milk (The Chicano Chapbook Series,
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at theeastvillage.com, and elsewher
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a kanaka maoli who proudly traces h
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worked as a technical writer in Sil
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y U.S. artists and writers of color
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Terence Gower, she is co-author of
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EDITORIAL INFORMATION Jena Osman De
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FOA RM magazine issue no. one avail
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