CHAIN 10

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30 supermarketissa ja kävelee pitkin eksentrisiä kulkuväyliä hyllyjen lomitse joille tavarat on aseteltu; hän ei tahdo ostaa pastramia koska vaikuttaa kuulleen Yhdysvalloissa ulvovain villihärkäin kaikuja puhutellessaan Walt Whitmania? —LL
Una prueba de poesía ¿Qué quiere decir con rusos rasos? ¿Es industria trabajo sistemático, trabajo intenso, o una fábrica? ¿Es ondular agitarse levemente? ¿Cuando escribimos poemas terminamos transportados por el tono? ¿Y quién o qué lleva labradas brillantes insignias de aire? ¿La Fábrica que menciona en el epígrafe de su poema es un edificio, o un símbolo celeste? ¿Flete se refiere a cargamento o al transporte de una carga por tierra, aire o agua? ¿O se refiere al pago por ese transporte? ¿O aun tren de carga? ¿O a un caballo? ¿Cuando dice un viaje cómodo se refiere a una travesía confortable o a un tren equipado con muchos servicios? Pero, entonces ¿por qué suprime “un” justo antes de amigo somnoliento?Y cuando en “Por qué no soy cristiano” escribe Siempre lo tiras / pero nunca lo levantas ¿De qué se trata? En “La bahía de la ilusión”, vena se refiere a la vena sanguínea o es una metáfora de río? ¿Y la palabra loteo se refiere a un pedazo de tierra o a la suerte asociada con la lotería? ¿Y la palabra alcanfor se refiere a los árboles del alcanfor? Aun más importante, ¿quién o qué está acercándose? ¿Quién o qué ha caído? O caído ¿se refiere al cuero o piel de un animal? ¿Y quién o qué se ha detenido? ¿Entonces, el atolón de la avenida al mediodía es el equivalente a un patrón o modelo? En “Miedo a rayarse” ¿rayarse quiere decir enloquecer? ¿Y en el caso de forzar, quiere decir una prueba severa o una tensión o pasaje desgastante (como en trabajo desgastante), o un pasaje en una pieza de música? ¿La palabra Mercury refiere a una marca de aceite? 31
Page 1 and 2: CHAIN 10 translucinación editors J
Page 3 and 4: EDITORS’ NOTES The topic for this
Page 5 and 6: CONTENTS 2 Andrés Ajens & Erin Mou
Page 8 and 9: ANDRÉS AJENS & ERIN MOURÉ Poematr
Page 10 and 11: 4 II EN CAMADAS tras versales comis
Page 12 and 13: 6 III POR CLARO SOLAR A MAR, solar
Page 14 and 15: 8 CUENTO | CORTO The art of losing
Page 16 and 17: 10 Yet his work (dizzyingly!) resis
Page 18: SHIMON BALLAS & AMMIEL ALCALAY from
Page 21 and 22: There is no one more qualified than
Page 23 and 24: home: “You look tired,” she sai
Page 25 and 26: mystified relationship of Jews to l
Page 27 and 28: How about strain, does it mean a se
Page 29 and 30: Just a few lines later you have the
Page 31 and 32: Nas linhas parcelas de pastéis buc
Page 33 and 34: Algumas linhas a seguir surge a fra
Page 35: Onko roskaläjä roskaläjä tavano
Page 39 and 40: ¿El término encuadres se refiere
Page 41 and 42: Un test de poésie Que veux-tu dire
Page 43 and 44: Cadres renvoie-t-il à forme, compo
Page 45 and 46: INGER CHRISTENSEN, SUSANNA NIED, &
Page 47 and 48: II In Brajčino Valley’s heated a
Page 49 and 50: CHUANG TZU, ALLISON COBB, JEN COLEM
Page 51 and 52: Translation of Chuang Tzu with the
Page 53 and 54: Translation of Hearing Chuang Tzu W
Page 55 and 56: Translation of Hearing Chuang Tzu f
Page 57 and 58: translated into English in 1964 by
Page 60 and 61: 54 ART:These amulets were a part of
Page 62 and 63: 56 11 In midway of the journey of o
Page 64 and 65: 58 40 Midway upon the pathway of li
Page 66 and 67: RUBÉN DARÍO & FRANCISCO ARAGÓN W
Page 68 and 69: 62 His Country of Iron Where He Liv
Page 70 and 71: ALBERT FLYNN DESILVER Mto Mwivi / R
Page 72 and 73: RAINER GANAHL My First 500 Hours Ba
Page 76 and 77: Arabic: Each date represents one VH
Page 78 and 79: accept the same products as art, we
Page 80 and 81: Glocal Language—A Portable Librar
Page 82 and 83: NADA GORDON ViaVoice Tanka 76 A a a
Page 84 and 85: 78 results. I composed this series
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80 Corazón Las cosas sencillas com
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82 Bite Its Heart Till It Learns On
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84 Poema en español Tengo dos ata
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86 Poem in Spanish The grave has mo
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J. N. KAPIHENUI, MATT KALEIALI‘I
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Hi‘iaka and Pā‘ūopalae wen go
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Hi‘iaka and Pā‘ūopalae entere
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94 given, other than the companions
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LI YU, AMY STALLING, & JONATHAN STA
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98 “Night Crow Calls” is an exa
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Much of the enduring appeal of Ci l
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Night’s Crow Calls from(4) rouge(
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105
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While the last translation recalls
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I would argue that I translate in o
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The Gillyshow Admish Forked stores
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“The Gillyshow Admish” is the p
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Eleven is the numbah of missionarie
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of the sex Xxx! Plus more . . . mor
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sordomudafrau strongly sorda the yo
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as the ASOLESZENZ principio silicon
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and night also drawn the boat in to
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Turning Somersaults on Knives dào
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2. Dear Dad (If You Can Even Vaguel
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4. Dear Jill, I found the poems by
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“Excerpts from Threads” begins
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9 Anneau de mer! C’est toi qui ti
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9 The sea belts the island with sou
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French and Creole, in dissonances a
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Mаджнун (КАЙС ИБН АЛ
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Целую землю—глину
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1 I’m pining. I’m pining; I’m
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145
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“Majnun Songs” (1996) is based
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KISHWAR NAHEED & MAHWASH SHOAIB fro
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Dialogue/Conversation with the Wayf
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Dialogue with the Spectator Until y
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Sitting on Death’s Sheet, the God
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death’s sheet on seated peace-god
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—KN 159
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We Slaves Have Just One Condition/S
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We Slaves Have Just One Demand The
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ealized, it would be too obvious an
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From Say it in Hebrew I have someth
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Arrested: Micola, Gust Miners are m
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Oulipo? Quiet, flea! Itches like a
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This poem is what Pastior calls a
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JOAN RETALLACK Mountains & Waters &
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mountains are high and broad of the
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eer (mons pubis the male mons) arre
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THOMAS SCHEIBITZ,ADAM DEGRAFF, & PA
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J. I can’t respond to that.You’
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How many of our hits have actually
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Ten Sefirot of Nothingness in the n
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ALAN SEMERDJIAN The Efficacy of Mis
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Una columba bianco m’ha disceso F
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In response to Yevtushenko’s “P
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CAROLINE SINAVAIANA & JAMES THOMAS
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My Pigeon, from Samoan LA’U LUPE
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Cornbread Song, from Mohawk Kana’
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traditional song texts, Samoan and
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LIKE TROMPE L’OEIL FOR THE BOUDOI
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GERTRUDE STEIN & KARI EDWARDS A Box
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1 2 15 24 = 42 7 5 18 20 21 4 5 19
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Notes ●A s, é, t, again ●B t,
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odily travel has been reduced/ terr
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MICHEL-ROLPH TROUILLOT, A. ISADORA
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1 The neologism is English in Haiti
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And then, in the cemetery, They won
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ole in shaping Haitian politics, ei
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Immigration (Poetic English) The im
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L’immigration Il m’a saisi au c
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Immgarasion A nay di gindi ga, Immg
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Heinl, Robert Debs, and Nancy Gordo
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2 choojai kaow kor seetaow, baow ba
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4 Choojai kaows kor Seetaow, baow b
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6 Choojai (kaow)s (kor) of (Seetaow
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235
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237
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Taking “Taking Chances” is the
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I’m recycling it. That’s why wr
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Fast food, Hush Puppies and Brazili
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What follows are the results.The la
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—K. S. Subramanian (TAMIL) Пер
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Diante do iminente desastre, homens
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Milk (The Chicano Chapbook Series,
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at theeastvillage.com, and elsewher
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a kanaka maoli who proudly traces h
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worked as a technical writer in Sil
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y U.S. artists and writers of color
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Terence Gower, she is co-author of
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EDITORIAL INFORMATION Jena Osman De
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FOA RM magazine issue no. one avail
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CHAIN 10

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