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“You don’t see,” says the snake. “You fellas sink your roots<br />
shallow and live with your bad dreams...”<br />
The snake points its tail at me; rattling like dry bones. “...now<br />
you’ll see.”<br />
The words melt with the reed-whispering wind, and could<br />
have been nothing more. The water creatures sink, receding before<br />
the sun. The tendrils of night dissolve into nothingness. I’m lying<br />
by the dam, its surface still, a wad of al-foil and bootlaces bunched<br />
in one armpit.<br />
This feels like the end of a bender. My head certainly hurts. I<br />
rub a tender spot at the crown, then pat down my jeans. They're<br />
wet and muddy. I could have fallen in the dewy grass.<br />
I run to the house without looking back.<br />
* * *<br />
The Folk are euphoric, having thought me lost. But I stalk<br />
around the farmhouse, unsettled. The rooms are spick and clean,<br />
but I smell rum. The past night sinks into the weirdness between<br />
dreams and memory repressed. The house is too bright, the hour<br />
too early. I close my door on the Folk and fall on the covers.<br />
* * *<br />
It’s after noon when I get up, cranky as a post. The Folk flock<br />
to my door, eager to share in my story, but I’m not in the mood and<br />
push them away. They scatter, but then hang at the edges of vision,<br />
glancing, observing, and for the first time, that makes me mad.<br />
I want to be alone.<br />
I pace around the kitchen. If there’d been mess, I’d have<br />
cleaned to get my mind off things, but the Folk have done it all. I<br />
look at my study books, still strewn on the rug. I smell rum again,<br />
stale and lingering. It turns my stomach, so I go outside.<br />
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