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Scareship_Issue8

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He walks into the middle of the street and down to the corner.<br />

Uptown? Downtown? The street stretches in both directions,<br />

incredibly long, and so much shorter than days and weeks of this.<br />

He decides to go west, then uptown to the Park. He hopes the<br />

space there will be different, somehow calming: a landscape which<br />

could have existed without people might not be as oppressive as<br />

these buildings, this absence of urban song. And it is relaxing there<br />

for a while, he’s always enjoyed it here, but he realizes after a<br />

while that what’s missing from the enjoyment is watching people<br />

reading or talking, children playing, dogs dragging their owners<br />

across the grass. Not having this unravels the edges of his pleasure.<br />

Here and there, he sees pigeons bobbing and wobbling near<br />

benches, where they were probably fed. He wonders if pigeons are<br />

so damned stupid that they could starve without people, and<br />

figures they’ll be okay. But he thinks it would be good to bring<br />

them food—maybe more for him than them. Purpose. Something<br />

to do with an empty day.<br />

He leaves the Park and goes down to the Library, realizing<br />

that he hasn’t been there in years. He could wind up living there<br />

now—shouting there, running down the aisles, who will tell him to<br />

hush, behave himself or get out? He used to love to read. He hopes<br />

he still does. And it turns out not to matter, since of course the<br />

doors are closed, and he is hesitant about breaking the glass. Right<br />

then, everybody will come back, and what will he say? Who would<br />

believe him? Rod Serling, but he’d be too busy laughing his ass<br />

off.<br />

He heads uptown a few blocks to a bookstore he’s visited<br />

occasionally, and out of patience with the city being closed,<br />

nervous, achy, and furious, he picks up a garbage can and throws it<br />

through the window. Bring the people, bring the cops. Please.<br />

Nobody reappears, and he kicks the window clear of the glass<br />

on one side (still nobody comes) and clambers inside. It’s one of<br />

the chains, and there are rows of books, most of which he has no<br />

interest in. Tommy isn’t nursing, he’s not Cooking for Company,<br />

79

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