Puppetry Research Guide - Unima

O grotesco: de Lorca a Kantor, O ator e seus duplos: máscaras, bonecos, objetos (The
Grotesque: from Lorca to Kantor). In Adagio – III. Seminario internacional de marionetas de
Evora. Evora: Centro Dramatico de Evora Associação, junho/dezembro 2001, pp. 103-111.
O grotesco: de Lorca a Kantor, e o seu legado (The Grotesque: from Lorca to Kantor,
and Their Legacy). In Teatro de Marionetas – tradicao e modernidade. Edited by Zurbach,
Christine. Evora: Casa do Sul, 2002, pp. 275-286.
Lorca and Kantor: Two Versions of the Grotesque. In Adagio. Evora: Cendrev, 2002.
Lorca the Puppeteer. DaSilva Books, 2002.
Puppet Theatre and Child Rights. In Cultures and Settlements. Astles Cariad in Miles,
Malcolm and Nikola Kirkham, eds. Bristol: Intellect, 2003, pp. 121-132.
Catalan Puppetry during the Spanish Civil War and the Dictatorship. Puppet Notebook.
London, April 2005.
Moving House. (transl.) Ed. Periale, Andrew. Puppetry International, Issue 20, Strafford,
USA, UNIMA-USA, 2006.
Catalan Puppet Theatre: a Process of Cultural Affirmation. Ed. Delgado, Maria, David
George and Lourdes Orozco. Contemporary Theatre Review, Special Issue: Catalan Theatre
1975-2006: Politics, Identity and Performance. Vol. 17, No. 3, August 2007.
(This issue of CTR won the Premi Joan B Cendrós, made by Omnium Cultural to that is
judged to be the best piece of work written about Catalan culture, language and identity or
the best contribution to Catalan studies outside Catalonia.)
“Puppetry in Great Britain”, “Doo Cot”, “Theatre-rites”, “Green Ginger”, “Welfare State
International”, “Emergency Exit Arts”, “Caricature Theatre”, “Improbable Theatre”, “Little
Angel Marionette Theatre”, “Faulty Optic”. Astles, Cariad (ed.). World Encyclopedia of
Puppetry Arts, Paris: EMAM, 2008.
(The Encyclopedia was awarded a prize for best theatre book by the French Critics’ Union in
2010. This was awarded at the Théâtre Artistique Athevains on 21st June 2010.)
Alternative Puppet Bodies. In Moin Moin. UNIMA Brazil (ed.), August 2008.
African Spectacle within Cuban Theatre. Edited by Osita Okagbue. In African Theatre
Journal: African Theatre in the Diaspora, October 2009.
Dancing Giants and Bigheads: Processions and Puppets in Catalonia. Edited by Dorothy
Max Prior. In Animated Advances. Puppet Centre, April 2009.
Wood and Waterfall: Puppetry Training and Its Anthropology. Edited by Gough, Richard and
Simon Shepherd. In Performance Research: On Training, 14. 2, September 2009.
Barcelona: Earth, Puppets and Embodiment. Edited by Counsell, Colin and Roberta Mock. In
Performance, Embodiment and Cultural Memory, CUP, November 2009.
Puppetry Training in Contemporary Live Theatre. Edited by Murray, Simon and Simon
Pitches. In Theatre, Dance and Performance Training, March 2010.
Research:
Popular Puppet Theatre and the Carnivalesque. The language of visual theatre Catalan
and Spanish puppet theatre during the Civil War, dictatorship and post-Franco.
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