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Das Jōruri im Spiegel ästhetischer Traktate der Edo-Zeit (Jōruri in the Mirror of Aesthetic<br />
Treatises of the Edi-period). In Hōrin. Vergleichende Studien zur japanischen Kultur, 2007,<br />
Bd. 14, pp. 11-21.<br />
Lemons Verfall in den Wahnsinn: Zum Phänomen der Verrücktheit in Tsuruya Nambokus<br />
Kabuki-Stück „Tōkaidō Yotsuya Kaidan” (Lemons Descent into Madness: on the<br />
Phenomenon of Insanity in Tsuruya Namboku’s Kabuki-play “Tōkaidō Yotsuya Kaidan”).<br />
In Hōrin. Vergleichende Studien zur japanischen Kultur, 2007, Bd. 14, pp. 51-60.<br />
Jōruri ni okeru geidō-ron – geijutsu ni taishite no shian. In Studies in Urban Cultures. 2005,<br />
Vol. 6, pp. 72-75.<br />
Theater an der hauchdünnen Grenze zwischen Wahrheit und Schein. Betrachtungen zur<br />
Ästhetik des Jōruri aus dem Naniwa miyage (1738) (Theatre on the Paper-thin Border<br />
between Truth and Appearance. Observations on the Aesthetic of Jōruri fromthe Naniwa<br />
Miyage). In J. Árokay und K. Vollmer (Hg.): Sünden des Worts. Festschrift für Roland<br />
Schneider zum 65. Geburtstag. Hamburg: Gesellschaft für Natur- und Völkerkunde<br />
Ostasiens, 2004 (MOAG Bd. 141), pp. 79-108, 2004.<br />
Jōruri to Ōsaka. In Ōsaka shiritsu daigaku Hamburg daigaku toshi mondai kenkyū (vormals:<br />
Purojekuto kenkyū) 2005-nen 2-gatsu Ōsaka shiritsu daigaku daigaku- in bungaku kenkyū-ka<br />
purojekuto kenkyū-kai ’Ōsaka-shi to Hamburg-shi wo meguru toshi, shimin, bunka, daigaku’<br />
Dai-ni-kai nichidoku kyōdō shimpojiumu hōkokusho. Ōsaka: Ōsaka shiritsu dai-gaku<br />
daigaku-in bungaku kenkyū-ka purojekuto kenkyū-kai, 2004, pp. 21-24.<br />
‚Shinjūten no Amijima’-kō: ‚Shinjūten no Amijima’ ni mieru Chikamatsu Monzaemon no<br />
tokuchō. In Ibunka to no deai: Nihongo, nihon bunka kenkyū ryūgakusei shūryō hōkokusho,<br />
Vol. 10, Tsukuba: Tsukuba daigaku nihongo, nihon bunka gakurui, 2000, pp. 86- 92.<br />
<strong>Research</strong>:<br />
Fragmente einer Poetologie von Puppe und Stimme: Ästhetisches Schrifttum aus<br />
demUmfeld des Puppentheaters im edozeitlichen Japan (Fragments of a poetology of puppet<br />
an voice: aesthetic writings from the domain of puppet theatre in Edo period Japan –<br />
dissertation title). Dissertation.<br />
132. RIBEIRO, Rute (Ms.)<br />
Address:<br />
Rua do Sol à Graça, 18 r/ch<br />
1170-365 Lisboa<br />
Portugal<br />
E-mail: ruteribeiro@tarumba.org<br />
Web: www.tarumba.org<br />
List of publications:<br />
Henrique Delgado: contributos para a história da marioneta em Portugal (Henrique Delgado:<br />
Contributions to the History of <strong>Puppetry</strong> in Portugal). Lisboa: Museu da Marioneta/EGEAC,<br />
2011.<br />
VIEIRA, Luís & RIBEIRO, Rute – As marionetas fazem parte da nossa vida, da nossa<br />
cidade… (Puppets Are Part of Our Lives, of Our City…) In Festival Internacional de<br />
Marionetas e Formas Animadas: FIMFA Lx Edição Comemorativa dos 10 Anos. Lisboa:<br />
143
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