Topeng Sidha Karya: A Balinese Mask Dance - Yavanika

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TOPENG: SIDHA K ARYA 197punta: What is the flower for?sangkya: It is simply a tool to make it more tangible. I now cure thesick pigs and make the empty coconuts full. Saksana. [This “in theblink of an eye” cues musicians to provide the specific accompaniment forsangkya’s ceremony].punta: Wow! This ceremony is suddenly coming all together, it’s gettingbetter and better. It’s successful. All right! Rights for all!sangkya: In the future too, keep this true.dalem: (Recited by punta) Singgih inganika brahmana antyan suksemadahat yayateki ingulun sawetnyan sidhakaryan ingulun mangke hanaganjaran ingulun lawan inganika. Sekayaning mangke katekeng dlahainganika agelar Dalem Sidha Karya, wus mengaran Ida Sangkya.punta: (Translating for the dalem) Many thanks Brahmana, we are sopleased you made our yadnya successful, and we now honor youwith our highest ceremonial title. From now on we honor you asDalem Sidha Karya, “The one who completes the ceremony, theritual work.” You are Ida Sangkya no more.dalem: (Recited by punta) Muah yan hana wang anangun karya utamaoyeng Bali lamakana anuwur inganika anodya kunang karya, yan tanmangko jahtesemat tan labda kunang karya.punta: (Translating) Also, whosoever holds a high ceremony in Balimust henceforth invite you to oversee the ceremony, and if anyonedisregards this order, may their ceremony fail!sangkya: Your Excellency gives me such a noble title, so high andsolemn sounding for the likes of me! But I cannot refuse it, becauseit comes from you.Now, with your permission, I will perform yoga in order tochange my outward image to better fits the title you have given me.After my transformation I will take up my abode in Badung, in thevillage Sidha Karya. Henceforth, in accordance with your decree,anyone performing high yadnya in Bali, should request ritual toolsfrom the temple of Sidha Karya in the form of catur wija, four kindsof rice. That means yellow rice (beras), white rice (ketan), black rice(injin), and red rice (beras barak). Also request the five woods orpanca taru: including a young coconut leaf (lidin busung), a youngpalm leaf (lidin ron), bamboo needles to staple the palm leaves forthe offering (semat), bamboo woven into rope, and coconut petals(kloping). This is my pronouncement as Sidha Karya, the one whoaccomplishes the ritual work. [These materials that are used in theSidha Karya ceremony during which the dancer scatters the rice to the fourcardinal points and prays while still wearing the mask of the Brahman.The colored rice and leaves represent the four directions and the center pointwhere the dancer stands. Five represents the unified cosmos. The five direc-
198 Kodi et al.Figure 4. No longer wearing the mask, I Ketut Kodi completes the ceremonyby burning incense and dedicating offerings. (Photo: Kathy Foley)tions and the three worlds meet in the body of the dancer, who for the momentof the ceremony is the axis of the universe showering blessings on the world.]punta: Thus, this topeng performance reaches its end.REFERENCESBandem, I Made, and Fredrik deBoer. 1981.Kaja and Kelod: Balinese Dance in Transition. Kuala Lumpur: OxfordUniversity.Dunn, Deborah. 1983.“Topeng Pajegan: The Mask Dance of Bali.” PhD diss., Union GraduateSchool.Eiseman, Fred B., Jr. 1990.Bali: Sekala and Niskala. Vol. 1. Jakarta: Periplus.Emigh, John. 1996.Masked Performance: The Play of Self and Other in Ritual and Theatre. Philadelphia:University of Pennsylvania.Picard, Michel. 1996Bali: Cultural Tourism and Touristic Culture. Trans. Diana Darling. Singapore:Archipelago.Slattem, Judy, and Paul Schraub. 2003.Balinese Masks: Spirits of an Ancient Drama. Singapore: Periplus.
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Page 3 and 4: 172 Kodi et al.when referring to th
Page 5: 174 Kodi et al.island, close to the
Page 8 and 9: TOPENG: SIDHA K ARYA 177of the isla
Page 10 and 11: TOPENG: SIDHA K ARYA 179dalem watu
Page 12 and 13: TOPENG: SIDHA K ARYA 181punta: (Spe
Page 15 and 16: 184 Kodi et al.kartala: (To the aud
Page 17 and 18: 186 Kodi et al.dalem: (Recited by p
Page 19 and 20: 188 Kodi et al.dalem: (Recited by k
Page 21 and 22: 190 Kodi et al.punta: (Translating)
Page 23 and 24: 192 Kodi et al.punta: . . . Demon d
Page 25 and 26: 194 Kodi et al.each pig’s mouth.
Page 27: 196 Kodi et al.The ceremony at Besa

Topeng Sidha Karya: A Balinese Mask Dance - Yavanika

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