<strong>Summer</strong> <strong>2012</strong> Advocate:Layout 1 19/07/<strong>2012</strong> 12:14 Page 14“But we cannot abandon these people now”who shot many of their victims as they triedto swim across the river Nile to safety. Amongthem were several of their parishioners – andFr Jacob and Fr Damian could easily havebeen among the dead. Fr Jacob had said Massin Fangak on the day of the massacre, and heand Fr Damian only left the village a fewhours before the arrival of the killers. “Goddoes not sleep”, as they say in Africa!It was in this tense atmosphere that wegathered as a <strong>Mill</strong> <strong>Hill</strong> group on that Sundayevening in Malakal. We had decided a yearback to withdraw the two young Camerooniansand send them for formation that wouldenable them to take over important posts inour vocations and Formation Programmes(we have over 140 young men in training forthe missionary priesthood at present). I madea little speech and then asked each of the otherspresent to say how they felt, how they sawtheir future in the diocese in the light of thecurrent violence and uncertainty. I said I wasthere as a representative of the General Counciland that we would understand if they allopted to leave Malakal. <strong>The</strong>y were both openand honest. Yes, they said, they were sometimesafraid and felt very fragile (and one ofthem pointed to the bullet holes in the house).Two of them had health issues.<strong>The</strong> future was uncertain and there weremany good reasons for packing up and going.But then it happened ….that old <strong>Mill</strong> <strong>Hill</strong>thing that I witnessed in Cameroon severaltimes…. “But we cannot abandon thesepeople now”, said one of them – and he wasspeaking for the whole group. “ Pass thewine,” he said, pointing to the bottle of goodSouth African red wine I had managed tobring in from Kenya. And I thought back tothe film Of Gods and Men – and those Frenchmonks sipping their wine, now at peace, becausethey too had made their choice…and Ifelt proud to be a <strong>Mill</strong> <strong>Hill</strong> missionary!13
<strong>Summer</strong> <strong>2012</strong> Advocate:Layout 1 19/07/<strong>2012</strong> 12:14 Page 15<strong>The</strong> Story of a Paintingby Fr. Christy Fox, mhmELIZA VAUGHAN, the saintlymother of our founder, CardinalHerbert Vaughan, was reputed tohave spent an hour each day, prayingbefore the Blessed Sacrament, in theprivate Oratory of the Vaughan home inCourtfield, which is near Ross-on Wye inEngland - close to the border with Wales.Her intentions were simple. She would liketo have a large family and she prayed thatmany of them would devote their lives to Godas priests or Religious. She was blest withfourteen children. One died in infancy. Of theothers, six of her eight sons became priests,and four of her five daughters became religiousSisters. It is a remarkable record for onefamily, possibly never surpassed anywhere inthe history of the Church. Sadly, Eliza died in1853, the year before her eldest son, Herbert,was ordained priest.<strong>Mill</strong> <strong>Hill</strong> <strong>Missionaries</strong> came into possessionof the ancestral home in 1950. Some timelater our Brothers built an accommodationblock and Courtfield became a Retreat Centre,with accommodation for over 50 visitors.During my time there as Rector, I was privilegedto welcome many groups and individualswho came to reflect and to pray.Our many missionary promoters in Englandand Wales, who give so generously tohelp our mission apostolate worldwide lovedto come and pray before the Blessed Sacramentat the very spot where Eliza Vaughanspent so many hours of quiet adoration. <strong>The</strong>ywould ponder on the great outreach to themissions that began in this house through the14prayer and inspiration of that holy woman.‘Do whatever he tells you’On one occasion, the Abbess of the BenedictineSisters at Stanbrook Abbey, JoannaJamieson, came for a quiet retreat. She is agifted artist and was persuaded to do a paintingover the tabernacle in the Chapel whereEliza had prayed. Appropriately, she chose thetheme of the ‘Christian Vocation’.As every vocation is answering the call ofGod, the painting is entitled: ‘DO WHAT-EVER HE TELLS YOU’. As you can see, thedominant centre of the painting is a beautifulrepresentation of the Risen Christ. <strong>The</strong> Resurrectionof Jesus, His victory over sin anddeath, is the fundamental belief of our ChristianFaith. All else flows from that. <strong>The</strong> firstand last letter of the Greek alphabet, Alphaand Omega, underlines the painting - Christis the beginning and the end.<strong>The</strong> artist captures the diversity of Christianvocation in the various small paintingssurrounding the dominant figure of the RisenChrist. <strong>The</strong> light radiating from Christ animatesand inspires all followers of Jesus. <strong>The</strong>Holy Spirit is simply the power of God releasedinto the world by the Resurrection ofJesus from the dead.In the left corner you can see the figure ofEliza Vaughan kneeling in prayer. What awonderful vocation she had as wife andmother. On the right is the picture of theChapel at <strong>Mill</strong> <strong>Hill</strong> College, founded by hereldest son, Herbert, in 1866. From this Collegeand Chapel over the years, priests and