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eh<strong>in</strong>d natural forms. These studies segue <strong>in</strong>to anThere economical is a language and thought-provok<strong>in</strong>g that the people section of on all how lands, cultures, and times havespoken these k<strong>in</strong>ds to communicate of natural forces their <strong>in</strong>form deepest the work of truths archi-antects, artists, language and sculptors is the language who are follow<strong>in</strong>g Mother the Nature lead spoken speaks to communicate through all their her deepest truths and aspiraThere aspirations. is a language that This the very people of all lands, cultures,samecreations. This is universal language of form.same language is the language Mother Nature speaksof Rudolf Ste<strong>in</strong>er <strong>in</strong> their creations.creations. This is the universal language of form.In The the brief Secret epilogue Language Van James of Form dives is a more history deeply of art that The Secret organizes Language the of Form vast is a history of art that orarray <strong>in</strong>to the and esoteric diversity streams of art. that In support addition, his thesis. it explores He array the and spiritual diversity worldviewsof art. In addition, it explores the spiriand rem<strong>in</strong>ds values us that of different Rudolf Ste<strong>in</strong>er cultures said that as today expressed we and values of different cultures as expressed through arthrough artistic motifs andstyles. The Secret Language of Form not only looks to the pstyles. must create The Secret a world Language of art <strong>in</strong> which of Form the form not reveals only looks present. to the It <strong>in</strong>troduces past but us also to little-known the avenues both <strong>in</strong> scpresent. more than It nature <strong>in</strong>troduces expresses. us to This little-known is then followed avenues by and both artistic <strong>in</strong> scientific creation that research are founded on a new science anand a jewel artistic of an creation appendix on that the are renewal founded of the on mandala It is not by chance that The Secret Language of Forma new science and art of form.<strong>in</strong> Western esotericism. As a lifelong devotee of the when all cultures and peoples are <strong>in</strong> dire need of spiritIt is not by chance that The Secret Language rejuvenation. of Form comes For those at who a time seek a path of spiritual develpower of mandalic th<strong>in</strong>k<strong>in</strong>g, I could only jubilate thatwhen all cultures and peoples are <strong>in</strong> dire need art, of they spiritual will f<strong>in</strong>d heal<strong>in</strong>g a valuable start<strong>in</strong>g and po<strong>in</strong>t here.someth<strong>in</strong>g so elegant, spare, and potent as this chapterhas made its way <strong>in</strong>to pr<strong>in</strong>t. For me, this chapter isrejuvenation. For those who seek a path of spiritual development African tribal communities through stillart, they will f<strong>in</strong>d a valuable start<strong>in</strong>g po<strong>in</strong>t here. decorate homes with a language offthe ideal keystone of this most enjoyable, profound, form and color that <strong>in</strong>dicates theand highly engag<strong>in</strong>g work. Another appendix, this onMichael HowardRichly status illustrated, of those and who thoroughly live <strong>in</strong> the documented, house. The Secretthe practice of form draw<strong>in</strong>g, once aga<strong>in</strong> br<strong>in</strong>gs us is a highly from reward<strong>in</strong>g the Foreword book. It is at once a sweep<strong>in</strong>g refhistorians full of scholarly <strong>in</strong>sight, and an artistic banquetdown to earth, po<strong>in</strong>t<strong>in</strong>g away from the past <strong>in</strong>to thewish<strong>in</strong>g to become more adept <strong>in</strong> us<strong>in</strong>g symbols. This ifuture as the author br<strong>in</strong>gs his considerable knowledgeand expertise <strong>in</strong>to the realm of pedagogy. We root of artistic form is a spiritual content which <strong>in</strong>tr<strong>in</strong>sicallRichly illustrated, and thoroughly documented, Theof theSecretprofoundLanguageesotericofunderp<strong>in</strong>n<strong>in</strong>gsFormof Van James’ tis a highly reward<strong>in</strong>g book. It is at once a sweep<strong>in</strong>g the whole reference sensory sphere work <strong>in</strong>to forcould say that this f<strong>in</strong>al section ties an elegant bowa higher realm of activithistorians full of scholarly <strong>in</strong>sight, and an artistic ritual banquet practice, for esoteric visual <strong>in</strong>struction, artists and the whole procon a marvelous journey <strong>in</strong>to the potentials of artisticwish<strong>in</strong>g to become more adept <strong>in</strong> us<strong>in</strong>g symbols.In thisThisabsorb<strong>in</strong>gis toandsaybeautifulnoth<strong>in</strong>gwork Van James brilliantlform to br<strong>in</strong>g heal<strong>in</strong>g forces to an ail<strong>in</strong>g humanity. A stunn<strong>in</strong>g tapestry from the most ancient times up to todaof f<strong>in</strong>al the appendix profound is a visual esoteric blast underp<strong>in</strong>n<strong>in</strong>gs not to be missed. of Van not James’ to be missed. thesis that at theroot of artistic form is a spiritual content which <strong>in</strong>tr<strong>in</strong>sically po<strong>in</strong>ts beyondArtist and author Dennis Klocek directs the ConsciousnessStudies Program at Rudolf Ste<strong>in</strong>er College.Rudothe whole sensory sphere <strong>in</strong>to a higher realm of activity thatartist,supportsauthor, Director of Consciousness Sritual practice, esoteric <strong>in</strong>struction, and the whole process of <strong>in</strong>itiation.Van James (right) is an <strong>in</strong>ternational advocate forIn the this arts, absorb<strong>in</strong>g editor of Pacifica and beautiful work Van James brilliantly weaves a mostVan James is a teach<strong>in</strong>g artist and an <strong>in</strong>ternational advocatstunn<strong>in</strong>g Journal and tapestry award w<strong>in</strong>n<strong>in</strong>g from the most ancient times up is the to In editor today...a the tombs of Pacifica visual and Journal temples blast and of ancient award w<strong>in</strong>n<strong>in</strong>g anot author. to be A graduate missed. of thebooksEgypt,on art andthe hieroglyphicarchaeology, <strong>in</strong>clud<strong>in</strong>gwrit<strong>in</strong>g, theAncient Sites of Hand Art Pictures of the Transformation of Consciousness. He isSan Francisco Art Institute,pa<strong>in</strong>ted pictures, Dennis and KlocekSan Francisco Art Institute (BFA), the design USA; Emerson Collegeartist, author, Director of Consciousness the Goetheanum patterns Studies all Pa<strong>in</strong>t<strong>in</strong>g tell Program the School same at (Dipl.), story <strong>in</strong> Switzerland. Hisnumerous three Rudolf private different Ste<strong>in</strong>er collections visual College languages. and his graphic designs andEmerson College, and theGoetheanum Pa<strong>in</strong>t<strong>in</strong>g School,he has taught at the Honolulurecognized throughout the world. He has been teach<strong>in</strong>gWaldorf School for the past twenty-five years.Waldorf School for 25 years.Van James is a teach<strong>in</strong>g artist and an <strong>in</strong>ternational advocate for the arts. Heis the editor of Pacifica Journal and an award w<strong>in</strong>n<strong>in</strong>g author of severalbooks on art and archaeology, <strong>in</strong>clud<strong>in</strong>g Ancient Sites of Hawai’i and Spiritand Art Pictures of the Transformation of Consciousness. He is a graduate of theSan Francisco Art Institute Rudolf (BFA), USA; Ste<strong>in</strong>er Emerson College Press (Dipl.), UK; andthe Goetheanum Pa<strong>in</strong>t<strong>in</strong>g School (Dipl.), Switzerland. His pa<strong>in</strong>t<strong>in</strong>gs are <strong>in</strong>numerous private collections and his graphic designs and illustrations arerecognized throughout the world. He has been teach<strong>in</strong>g at the HonoluluWaldorf School for the past twenty-five years.ISBN 978-94589 789458 0388ISBN 978-945803-88-1090000Rudolf Ste<strong>in</strong>er College PressChromatography or CapillaryDynamolysis creates form pictures of thevitality of any given test solution. Hereraw cauliflower juice shows vivid formstructures when absorbed <strong>in</strong> filter paper.However, when cooked the result<strong>in</strong>gforms lose their dynamic character.Theodor Schwenk’s Drop Picture Methodcaptures images of fluid mobility <strong>in</strong>water. The waters vitality (ethericformative forces) is represented by thediverse form structures; polluted, lifelesswater has little form variation.Similarly, the forms <strong>in</strong> Sensitive9 789458 038810Crystallization experiments can beread to determ<strong>in</strong>e heathy or unsoundsolutions samples. Ehrenfried Pfeifferdeveloped this method to test the bloodof cancer patients (for which he receivedan honorary Doctor of Medic<strong>in</strong>e degreefrom the University of Philadelphia).12 Evolv<strong>in</strong>g News for Members & <strong>Friends</strong>

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