14 FRANK RYANCitation to Frank Ryan<strong>in</strong> respect <strong>of</strong> the Griffith College Dubl<strong>in</strong> Pr<strong>of</strong>essional Excellence AwardChairman, dist<strong>in</strong>guished guests, ladies andgentlemen, it gives me great pleasure to <strong>of</strong>feryou some brief <strong>in</strong>sights <strong>in</strong>to the outstand<strong>in</strong>gcontribution made by Frank Ryan to thedevelopment <strong>of</strong> design education <strong>in</strong> <strong>Ireland</strong>.This award is recognition <strong>of</strong> Frank Ryan’scont<strong>in</strong>u<strong>in</strong>g legacy to design and to designeducation. This legacy can be seen today <strong>in</strong>the work <strong>of</strong> young designers study<strong>in</strong>g on theprogrammes he helped to establish, jo<strong>in</strong><strong>in</strong>gthe societies he formed and work<strong>in</strong>g with<strong>in</strong> apr<strong>of</strong>ession for which he set the standards.Back <strong>in</strong> the late 1930s when Frank studiedArchitecture and Commercial Art <strong>in</strong>Rathm<strong>in</strong>es, design education as we recogniseit today, simply did not exist.Part <strong>of</strong> the reason why this situation is sodramatically different today – why there arerecognised programmes today <strong>in</strong> exhibitiondesign, <strong>in</strong>terior design, <strong>in</strong>terior architecture,product design, visual communications,fashion design and new media – is down toFrank and his support, <strong>in</strong>terest andenthusiasm for the development <strong>of</strong> youngdesigners.As Paul Hogan commented:“…In your career Frank you have gonebeyond mere pr<strong>of</strong>essionalism and I see youas a wise and generous master craftsman,always prepared to share your skills andknowledge with others.”Frank’s own design education was basedon his studies <strong>in</strong> Rathm<strong>in</strong>es and <strong>in</strong> theNational College <strong>of</strong> Art where he studiedposter design with the Dutch Pr<strong>of</strong>essorRome<strong>in</strong> and draw<strong>in</strong>g with Sean Keat<strong>in</strong>g RHAIt was <strong>in</strong> the National College <strong>of</strong> Art thatFrank first began to play a teach<strong>in</strong>g role,start<strong>in</strong>g <strong>in</strong> 1965, as a specialist tutor <strong>in</strong>display and model-mak<strong>in</strong>g. However this<strong>in</strong>volvement with education quickly<strong>in</strong>creased. In 1976 he also served asexternal exam<strong>in</strong>er at the School <strong>of</strong> RetailDistribution and a committee member for theformation <strong>of</strong> a new School <strong>of</strong> Art and Design(now DIT at Mountjoy Square)In the same year Frank also began serv<strong>in</strong>gon a panel <strong>of</strong> exam<strong>in</strong>ers for the NationalCouncil <strong>of</strong> Education Awards now the HigherEducation and Tra<strong>in</strong><strong>in</strong>g Awards Council.Here he worked with Michal Ozm<strong>in</strong>, someonewho has fond memories <strong>of</strong> travell<strong>in</strong>g with himto Carlow RTC and Limerick College <strong>of</strong> Art forvalidation meet<strong>in</strong>gs.Frank enjoyed a warm relationship withNCAD, return<strong>in</strong>g from 1983 - 2004 to act asvisit<strong>in</strong>g project leader for an ExhibitionDesign Project with students.David Caron <strong>of</strong> NCAD’s VisualCommunication Department remarks that –‘among Frank Ryan's manyaccomplishments is his record as the longestserv<strong>in</strong>g visit<strong>in</strong>g lecturer <strong>in</strong> NCAD'sdepartment <strong>of</strong> visual communication; he wasalso, certa<strong>in</strong>ly <strong>in</strong> latter years, the oldest. Hisactual age, it seemed, was a closely guardedsecret but I remember him tell<strong>in</strong>g me dur<strong>in</strong>gone <strong>of</strong> his visits to the College that he had justbecome a great grandfather. This <strong>in</strong>formationappeared to be disclosed with a mixture <strong>of</strong>enormous pride comb<strong>in</strong>ed with mildamazement as if he himself couldn't quitebelieve it. Even tak<strong>in</strong>g <strong>in</strong>to account thepossibility that he got married while still <strong>in</strong>school, it had to mean that he was a man wellbeyond normal retir<strong>in</strong>g age. But would youth<strong>in</strong>k it? Not a bit. No visit<strong>in</strong>g Lecturer wasmore lively, more vibrant, or had more energythan Frank. And <strong>of</strong> course his <strong>in</strong>fectiousenthusiasm for exhibition design was, itappeared, effortlessly communicated to hisstudents who always produced remarkably<strong>in</strong>ventive project work under his tutelage.”Frank has always been a source <strong>of</strong><strong>in</strong>spiration and support for young designers,not least because <strong>of</strong> the genu<strong>in</strong>e <strong>in</strong>terest hehas always shown <strong>in</strong> their work.As his friend and fellow-designerJonathan Mason remarks“One <strong>of</strong> Frank’s most remarkable qualitiesis his youthfulness <strong>of</strong> spirit. He is always<strong>in</strong>terested <strong>in</strong> what is new, what is happen<strong>in</strong>gnow, <strong>in</strong> what young people are do<strong>in</strong>g. Alwaysgenerous with his knowledge and experienceas a designer, always tak<strong>in</strong>g particularpleasure <strong>in</strong> teach<strong>in</strong>g young designers.”In Griffith College, we also know this to betrue…In recent years. Frank has been <strong>in</strong>volvedwith us <strong>in</strong> establish<strong>in</strong>g the Diploma <strong>in</strong> InteriorDesign. He not only advised on the coursecontent, <strong>in</strong> conjunction with Sean McNulty,Gerry Brouder, Angela Woods and SheilaRob<strong>in</strong>son, but he also visited the college toact as external exam<strong>in</strong>er on this programme.To the Design Faculty, Frank’s support andexpertise have been regularly sought onissues relat<strong>in</strong>g to programme development,with Frank play<strong>in</strong>g an energetic role <strong>in</strong> thecollege’s evaluation <strong>of</strong> the programme <strong>in</strong>2004. Thanks to his experience, he hasenabled us to embrace new developmentswhile reta<strong>in</strong><strong>in</strong>g the students’ primary focus onthe development <strong>of</strong> core skills. For Frank,comput<strong>in</strong>g skills are to be fully welcomed andexploited, but the traditional draw<strong>in</strong>g skillsmust be ma<strong>in</strong>ta<strong>in</strong>ed. Accord<strong>in</strong>g to Frank, “adesigner is someone who, when pressed, canalways draw a design on the back <strong>of</strong> anenvelope”, a maxim we frequently quote toour students.In addition to his roles <strong>in</strong> education, Frankhas also played key roles <strong>in</strong> establish<strong>in</strong>gdesign as a pr<strong>of</strong>essional practice. S<strong>in</strong>ce the1950s, Frank has worked with undimmedenthusiasm <strong>in</strong> the promotion <strong>of</strong> better designthrough pr<strong>of</strong>essional societies. He was one <strong>of</strong>the seven designers who founded the<strong>Institute</strong> <strong>of</strong> <strong>Creative</strong> Advertis<strong>in</strong>g (now ICAD).In 1972 he became a founder member <strong>of</strong> theSociety <strong>of</strong> <strong>Designers</strong> <strong>in</strong> <strong>Ireland</strong> (now <strong>IDI</strong>) andwas elected President <strong>of</strong> the Society <strong>in</strong> 1978.Frank has also been significantly <strong>in</strong>volved <strong>in</strong>the Society <strong>of</strong> Industrial Artist and <strong>Designers</strong>the Office <strong>of</strong> Public Works and theCrafts CouncilFrank’s own work has ensured the sett<strong>in</strong>g<strong>of</strong> standards <strong>in</strong> exhibition and <strong>in</strong>terior design<strong>in</strong> <strong>Ireland</strong>.As his collaborator Jonathan Mason remarks“Frank’s clarity <strong>of</strong> design has always beenoutstand<strong>in</strong>g. It is what it does, and it doeswhat it is supposed to. No clutter, nosuperfluous decoration, everyth<strong>in</strong>g thoughtthrough to the f<strong>in</strong>est detail. As he <strong>of</strong>ten says,simplicity is not for the simple. Another <strong>of</strong>Frank’s Maxims is ‘God is <strong>in</strong> the details’, andhe always expects the same attention to detail<strong>in</strong> others as he requires <strong>of</strong> himself.”Frank’s career <strong>in</strong> design started <strong>in</strong> 1942,with an apprenticeship <strong>in</strong> commercial art andw<strong>in</strong>dow display, mov<strong>in</strong>g on to work as themanager and designer for displaycontractors, Donfoys Limited. Frank hasalways had a special love for exhibitiondesign; <strong>in</strong> 1958 he designed for the ArtelGroup who specialised <strong>in</strong> this area and <strong>in</strong>1963 he formed his own company, FrankRyan Studios and Workshops, design<strong>in</strong>g retailInteriors, showrooms, exhibition stands andfashion shows. More than a decade later hewas to found Frank Ryan Design Associatesdesign<strong>in</strong>g exhibitions, exhibition stands,commercial and <strong>in</strong>dustrial <strong>in</strong>teriors,<strong>in</strong>terpretative / visitor Centres <strong>in</strong> <strong>Ireland</strong> andexhibition stands <strong>in</strong> twenty-two cities acrossn<strong>in</strong>e countries.Frank’s contribution to the design field hasbeen acknowledged throughout <strong>Ireland</strong>. In1976 he was appo<strong>in</strong>ted exterior designer andadvisor to Kilkenny Design Workshops. In1985, Frank was also appo<strong>in</strong>ted as a member<strong>of</strong> the design team for the Heritage TrustExhibition OPTIONS at the Gu<strong>in</strong>ness Hopstore, a major exhibition present<strong>in</strong>g the IrishEnvironment and Resources. This care forthe environment and cultural heritage wasfurther manifest <strong>in</strong> 1991, when he beganwork as a director and designer <strong>of</strong> EigseLimited, specialis<strong>in</strong>g <strong>in</strong> the heritage area.However, his major contribution to cultureand history <strong>in</strong> <strong>Ireland</strong> also rests on his workwith the Heritage Plann<strong>in</strong>g and DesignServices, which he founded <strong>in</strong> 1996, <strong>in</strong>partnership with Jonathan Mason and whichis responsible for the design <strong>of</strong> twenty-six<strong>in</strong>terpretative and visitor centres <strong>in</strong> <strong>Ireland</strong>Frank is revered not just nationally, but<strong>in</strong>ternationally, as the follow<strong>in</strong>g story showsJonathan Mason recalled first meet<strong>in</strong>gFrank <strong>in</strong> 1990 when he was <strong>in</strong>volved <strong>in</strong>sett<strong>in</strong>g up a campus company <strong>in</strong> Tr<strong>in</strong>ity,called Éigse.“In putt<strong>in</strong>g a team together, research skills<strong>in</strong> the environmental sciences, history,archaeology etc. were no problem, but designand communications skills were anothermatter. Specialist advice was needed. The
EVENTS15father <strong>of</strong> thematic exhibition design, and‘Grand Old Man’ <strong>of</strong> British museum designerswas James Gardner, or ‘G’ as he liked to beknown. He had more or less <strong>in</strong>vented modernthematic exhibition design with his designsfor the great Festival <strong>of</strong> Brita<strong>in</strong> exhibitionsLondon <strong>in</strong> 1951. The great man was dulycontacted and asked if he could recommendanyone <strong>in</strong> <strong>Ireland</strong>. He immediately replied,“Oh, the only man to work with <strong>in</strong> <strong>Ireland</strong> isFrank Ryan … and <strong>of</strong> course he was right.”Frank and Jonathan later collaborated onthe design team for the Irish Pavilion at Expo’92 <strong>in</strong> Seville.For these signal achievements and formany more, Frank has been honouredpreviously, with the election to severalfellowships:In recognition <strong>of</strong> his work, Franks waselected a Fellow <strong>of</strong> the <strong>Institute</strong> <strong>of</strong> BritishDecorators and Interior <strong>Designers</strong>, a Fellow <strong>of</strong>the Society <strong>of</strong> Industrial Artist and <strong>Designers</strong>(now CSD) and most recently <strong>in</strong> 2005,awarded the Fellowship <strong>of</strong> The <strong>Institute</strong> <strong>of</strong><strong>Designers</strong> <strong>in</strong> <strong>Ireland</strong> .The recognition he enjoys from hispr<strong>of</strong>essional colleagues and friends isperhaps best expressed by Michal Ozm<strong>in</strong>when he says:“We could talk forever about work<strong>in</strong>gtogether with Frank, his extraord<strong>in</strong>ary <strong>in</strong>put toIrish cultural life, his achievements as adesigner and as an educator, the respect heholds among fellow-pr<strong>of</strong>essionals, educatorsand ex-students and the love which we, hisfriends hold for him <strong>in</strong> our hearts.”64 years after Frank first commenced hisillustrious career as a designer, it is <strong>in</strong>deedan honour and a privilege for Griffith CollegeDubl<strong>in</strong> to formally recognise Frank’soverwhelm<strong>in</strong>g contribution to design,pr<strong>of</strong>essional development and designeducation <strong>in</strong> <strong>Ireland</strong>.I now call upon the Chairman <strong>of</strong> GriffithCollege Dubl<strong>in</strong>, Mr. Diarmuid Hegarty, toconfer the Pr<strong>of</strong>essional Excellence Award onFrank Ryan and to present him formally withhis scroll.Citation given by President <strong>of</strong> Griffith College Dubl<strong>in</strong>,Diarmuid Hegarty at the award ceremony <strong>in</strong> FrankfortAvenue, Rathgar, Dubl<strong>in</strong> 6 on March 10th 2006.The ECIA Board Meet<strong>in</strong>gat the Digital Hub Dubl<strong>in</strong> –Birgitt begker, Selma Harr<strong>in</strong>gton, Kees Spanjers,Gerrit Schilder Jr. and Per Re<strong>in</strong>holtz<strong>IDI</strong> Hosts the European Council <strong>of</strong> Interior Architects Board Meet<strong>in</strong>g June.16-17.2006As a member <strong>of</strong> the ECIA, the <strong>IDI</strong> hosted theirJune Board Meet<strong>in</strong>g on the weekend <strong>of</strong> the16th/17th June and some social events toencourage Interior Architect and Designmembers to meet with them.Four ECIA Board members were welcomedby Selma Harr<strong>in</strong>gton M<strong>IDI</strong> and jo<strong>in</strong>ed by<strong>IDI</strong> Council members dur<strong>in</strong>g different stages<strong>of</strong> the program. The weekend kicked <strong>of</strong>f onFriday the 16th June with a series <strong>of</strong> socialevents and an <strong>in</strong>troduction to the urbanaspects <strong>of</strong> Dubl<strong>in</strong>, period build<strong>in</strong>gs <strong>in</strong>Georgian Dubl<strong>in</strong>, contemporary and period<strong>in</strong>teriors throughout which were followed withan <strong>in</strong>volvement <strong>in</strong> the Bloomsday celebrations.Much thanks is due to the Joycean Societyand John and Marianne O’Reilly for themorn<strong>in</strong>g activities where we were treated toread<strong>in</strong>gs from Ulysses and some truly artistic<strong>in</strong>-promptu performances. The group wasfurther met by Cel<strong>in</strong>e Cumm<strong>in</strong>s M<strong>IDI</strong>, whoshowed true Irish hospitality, not <strong>in</strong> the leastby demonstrat<strong>in</strong>g the skills <strong>of</strong> her pr<strong>of</strong>essionby re-arrang<strong>in</strong>g garden seat<strong>in</strong>g <strong>in</strong> the M&Scafé, much to the bewilderment <strong>of</strong> the staff!We were also jo<strong>in</strong>ed by our PresidentCameron Ross M<strong>IDI</strong> and Barry Sheehan M<strong>IDI</strong>,who gave us an enlightened architectural tour,followed by a cappucc<strong>in</strong>o break <strong>in</strong> thebeautiful space <strong>of</strong> the Millennium W<strong>in</strong>g <strong>in</strong> theNational Gallery.Mov<strong>in</strong>g on, our colourful Bloomsdayfashions attracted the attention <strong>of</strong> curatorSimon L<strong>in</strong>coln <strong>in</strong> the Irish ArchitecturalArchive and he <strong>of</strong>fered to give us a wonderfultour <strong>of</strong> this very successful extension which isan <strong>in</strong>tegration <strong>of</strong> architectural conservationand elegant yet unobtrusive design. We werealso lucky to view an exhibition <strong>of</strong>Eileen Grey’s architectural models <strong>in</strong> thearchives and Maurice Craig’s exhibition <strong>of</strong>photography document<strong>in</strong>g forgotten Irishheritage, from 1940’s & 1950’s – br<strong>in</strong>g<strong>in</strong>g usright back to the past lives that lived here <strong>in</strong>this historically sympathetic modern <strong>in</strong>terior.The last stop <strong>of</strong> our tour found us <strong>in</strong> No 13Henrietta Street, where the late Frank Ryan’sdaughter Eileen and her husband MichaelCasey, very k<strong>in</strong>dly opened their home for usto transport us back through time and layers<strong>of</strong> history, revealed through the layers <strong>of</strong> pa<strong>in</strong>t<strong>in</strong> the <strong>in</strong>terior <strong>of</strong> their f<strong>in</strong>e 300 year oldGeorgian house.Our guests managed to accomplish a veryfull it<strong>in</strong>ery, even by Leopold Bloom’s standardsand tak<strong>in</strong>g <strong>in</strong> much <strong>of</strong> the best <strong>of</strong> what Dubl<strong>in</strong>has to <strong>of</strong>fer <strong>in</strong> both design and culture leftthem speechless!ECIA Board meet<strong>in</strong>gThe important bus<strong>in</strong>ess followed with a busyschedule for the ECIA Board Meet<strong>in</strong>g onSaturday 17th June, held <strong>in</strong> the Digital Hubon Thomas Street and organised byR<strong>in</strong>a Whyte <strong>in</strong> an efficient and appropriateenvironment to carry out our full days Boardwork. Dur<strong>in</strong>g our lunch break the Boardmembers visited the Griffith College InteriorArchitecture exhibition <strong>in</strong> The PowerscourtDesign Centre, k<strong>in</strong>dly hosted byTracy Fahy M<strong>IDI</strong> and her colleagues.Elections to the ECIA Board were amongmany items on the agenda <strong>of</strong> the ECIA Boardmeet<strong>in</strong>g. The four current Board members,from Holland, Switzerland, Sweden and<strong>Ireland</strong> have all served two years <strong>in</strong> theirrespective roles but are will<strong>in</strong>g to give anothertwo years to the Board, subject to re-affirmedsupport from their national organizations andre-election. The elections will be held dur<strong>in</strong>gthe ECIA General Assembly, scheduled for21st October ‘06 <strong>in</strong> Kortrijk, Belgium.The Boards proposed direction for next twoyears is for adoption at the GA. It is proposedto focus on Pr<strong>of</strong>essional Practice <strong>in</strong> the<strong>in</strong>dustry <strong>in</strong>ternationally, to strengthen andgrow communications with member andnational organisations, to establish an ECIAGraduates Award, to secure strategicpartnerships with <strong>in</strong>dustry and to undertakean oral history project <strong>of</strong> Interior Architecturewith national organisations.It is also planned to organize a meet<strong>in</strong>g <strong>of</strong>all executive <strong>of</strong>ficers and permanentemployees with<strong>in</strong> national organizations <strong>in</strong>Hanover, Germany, next January 2007, whichwill give an <strong>in</strong>sight and exchange <strong>of</strong> ideas andneeds at that level, hopefully contribut<strong>in</strong>g tocloser cooperation and better communicationamong national organizations.Selma Harr<strong>in</strong>gton <strong>IDI</strong> Honorary Secretary ECIASecretary General, Dubl<strong>in</strong> 5 July 2007ECIA Board meet<strong>in</strong>g at The Digital HubPer Re<strong>in</strong>holtz talk<strong>in</strong>g to Griffith College studentsdur<strong>in</strong>g their f<strong>in</strong>al exhibition <strong>in</strong> Powerscourt Centre