IDI Awards Handbook 2011 - Institute of Designers in Ireland

THE INSTITUTE 

OF DESIGNERS 

IN IRELAND 

(IDI) 

1 

The IDI is a non-profit professional 

body, representing the interests of 

Irish Designers. Its function is to 

promote high standards of 

design, to foster professionalism 

and to emphasise designers’ 

responsibility to society, to the 

client and to each other. The IDI 

represents members from all 

design disciplines who practice 

in Ireland. 

Formed in 1972, the Institute is recognised at 

national, EU and international levels as the 

representative body for the Irish design profession. 

The members, whether they be in private or in 

salaried employment, work in the field of 

consumer and capital projects, interiors and 

exhibitions, textiles and fashion, all aspects of 

visual communication, digital media, design 

management and design education. 

The benefits of membership are many but to 

highlight a few, your subscription provides: 

· frequent opportunities to network with design 

professionals, within and outside your discipline 

· a listing of your profile and contact details in our 

printed annual as well as in our online directory 

2 

· access to our database of members 

· news updates from us on design events listed on 

our website 

· support and advice on professional best practice, 

including access to codes of professional conduct 

and conditions of engagement 

· invitations to a wide range of design events, 

including the annual IDI Design Awards 

For a fuller list of benefits see also 

www.idi-design.ie

THE IDI 

AWARDS 

3 

The IDI Design Awards present 

an occasion to celebrate the 

excellent standard of design 

achieved by designers on the 

island of Ireland and are a 

great opportunity for the IDI 

to promote this standard to 

a commercial audience. All 

entrants must be members. 

A full listing of our current 

membership can be found at 

the back of this publication. 

The Categories awarded in the IDI Design Awards 

covered in this publication are as follows: 

Commercial Interior & Exhibition Design 

Incorporating Commercial Interiors, Interior Retail, 

Interior Leisure, Exhibition and Residential Design. 

Multimedia Design 

Incorporating Website Design, CD-ROM Design 

and Digital Animation. 

Product Design 

Incorporating the sub-sections of Consumer 

Products, Industrial Products and Furniture. 

TV/Theatre/Film Design 

Incorporating TV/Film Design and Branding and 

TV/Film/Theatre Production/Set Design. 

4 

Visual Communications 

Incorporating Corporate/Brand Identity, Promotional 

Literature, Annual Reports and Packaging. 

Graduate Design Awards 

Craft Product Design, Fashion Design, Interior 

Architecture, Product Design, Textile Design, 

Visual Communications, Masters Award, Grand 

Prix Award

WELCOMING 

MICHAEL D. 

HIGGINS’ 

PATRONAGE 

5 

The IDI is delighted to welcome 

President Michael D. Higgins 

as a sole patron of the Institute. 

We received confirmation of his 

acceptance of our invitation in 

January of this year. 

Since the foundation of the Institute of Designers 

in Ireland in 1972, patronage of the Institute was 

established at the highest state level, thus giving 

support and recognition to a relatively young 

and developing design profession and to the 

professional body representing it. The IDI has 

continued to enjoy support from each President 

of Ireland, with Dr Patrick J. Hillery at the opening 

ceremony of the Graduate Designer Awards in 

1986 and President Mary Robinson endorsing the 

IDI Conference “The Sense of Place” in Killarney 

in 1997, President Mary McAleese became the 

sole patron of the Institute of Designers for her 

term of office and bestowed Fellowships on 

nominated members during the Past President’s 

meeting for the 35th Anniversary of the IDI in 

2006 in Farmleigh. 

6 

In May 2011, the IDI was represented by Carol 

Coffey and John Walsh at a special event in 

the Conference Centre for Her Majesty Queen 

Elizabeth II at the behest of President McAleese. 

The IDI now welcomes the Patronage of President 

Michael D. Higgins and looks forward to a continuing 

acknowledgement and appreciation of the valuable 

work done by the IDI in promoting the highest 

standards in all aspects of design. As we celebrate 

our 40th year, we are particularly honoured to have 

President Higgins’ patronage given his record 

in showcasing, canvassing and promoting of the 

creative sector in Ireland. 

John Walsh 

IDI President Elect 2011

WELCOME 

FROM 

CAROL 

COFFEY 

7 Welcome to the IDI awards 2010/2011 – The Best 

of Irish Design Handbook that looks back at some 

of the best design work created and presented by 

members of The Institute of Designers in Ireland. 

This book allows us to showcase members work 

from across the spectrum of design disciplines 

which the institute represents. We also include 

the Graduate Design awards which has seen an 

impressive standard of work in recent years. This 

year’s commendations would indicate a healthy 

and promising future for the design industry and 

future award entries. 

of the designers calendar and this handbook is a 

document of that award winning design. The book 

is a glorious display of the achievements of our 

design community. The talent skill and experience 

that goes into producing award winning work 

is captured in these winning entries and an 

international jury has deemed them to be winners 

of an international standard. 

So on behalf of the IDI Council, Officers and 

Presidents past and present I would like to extend 

my congratulations to all the supporters, members, 

entrants, participants and winners of the 2011 

8 

2011 was another tough year for many with more 

job losses and cutbacks on budgets and the IDI 

itself was not immune to the downturn. We had 

to move premises and cut back on administration. 

But some changes were of benefit to our members 

including upgrades on our online service including 

online awards entry and online membership. 

awards. The awards wouldn’t happen without the 

awards committee so a big thanks you to all who 

gave of their time and enthusiasm. The design and 

preparation of this book wouldn’t happen without 

the brilliance of Tara Clarke and her design team at 

Zinc so a big thank you to them also. 

Despite the difficult trading conditions and 

continued woes of the Irish economy it has been 

heartening to see that the design community has 

a fighting spirit. There has been a show of strength 

and defiance in the face of adversity and the 

design community seems to have harnessed it’s 

greatest strengths as a professional community to 

prevail and achieve some great design solutions 

without any reduction in quality. There has been 

tremendous co-operation between the disciplines 

and some of the initiatives around budgets, space 

and accommodation have been ingenious. 

I am looking forward to 2012 in the hope that 

there will be further seeds and green shoots 

indicating a brighter future for designers in Ireland. 

Hopefully we will see the creativity that is captured 

in this book nurtured and developed so that we 

can look forward to another year of excellence in 

design in 2012. 

Carol Coffey, ANCAD, MII Grad, MIDI 

IDI President 

As a celebration of a years hard work and creative 

excellence the Design Awards are the highlight

SPECIAL 

THANKS 

SPECIAL THANKS 

TO HUDSON 

KILLEEN PRINTERS 

AND A.P. SWAN 

LTD. FOR KINDLY 

SPONSORING THIS 

YEAR’S AWARDS 

HANDBOOK. 

9 10

THE 

JURY 

11 The Institute of Designers in Ireland Awards in 

2011 attracted a considerable number of entries 

considering the economic climate of the past few 

years. We had a wide range of entries across all 

16 categories from designers across the island of 

Ireland. Once again the competition was judged 

online by an international jury. 

The judging of this competition is a service which 

the Jury provides for the Irish design profession 

on a voluntary basis, providing an important 

professional support for a Design Institute in 

another jurisdiction. 

The Chairman has no role in the marking of the 

competition. My role is entirely administrative 

The judging methodology employed was for 

each judge to give marks on a standardised basis 

to enable, within their individual categories, to 

produce an overall winner. The category winners, 

once established, were then sent to each judge 

to select a Grand Prix Winner of the overall 

competition. This competition is unique in that the 

Jury is entirely made up of design professionals 

from overseas who do not practice in Ireland. The 

object of the exercise is to benchmark Irish design 

against the best overseas. I am happy to report 

that the International Jury once again made an 

award in almost all of the categories. 

and to ensure fairness and compliance within the 

judging methodology. 

I would like to take this opportunity on behalf of 

the IDI to thank the International Jury for their time 

and expertise in judging the 2011 Irish Design 

Awards,The Best of Irish Design. 

Steve Conlon 

Chairman of the International Jury 2011 

12 

The Jury members gave up a considerable amount 

of their personal time in judging this competition 

and I would, on behalf of the IDI, record our 

thanks and appreciation of their expertise and 

patience. It is not an easy task and requires a 

degree of concentration and determination to 

decide who the category winners are, who is to 

be highly commended and who is to be awarded 

a commendation. Having spent time determining 

the category winners the Jury then have to go 

through the whole system again to decide on the 

overall Grand Prix Winner.

13 

14 

Jonathan Barnbrook 

Barnbrook is one of the most well-known creative 

studios in Britain. Their team of designers specialise 

in producing innovative books, corporate identities, 

CD covers, custom fonts, websites and magazines. 

Their clients range from international museums 

to charitable organisations. Over the years 

Barnbrook have worked and won many awards 

in the area of motion graphics working for clients 

such as the BBC and Grey Advertising alongside 

producing self-initiated projects. Barnbrook also 

releases original fonts through VirusFonts that are 

used extensively worldwide. Their contribution 

to graphic design was recognised by a major 

exhibition at the Design Museum, London in 2007. 

barnbrook.net 

Nic Benns 

Nic is the co-founder of Momoco, a Soho-based 

design and live action studio. Having set up the 

company over a decade ago, he has been creating 

and directing film title sequences, TV titles and 

commercials ever since. In 1997, Benns moved to 

the US to attend the California Institute of the Arts 

on a Disney scholarship and, after working for a 

few notable studios, set up Momoco in Hollywood 

before returning to the UK to expand the company 

in 2000. 

His numerous film credits as title designer include 

An Education, Nine, Alien vs Predator, Love Actually 

and 30 Days of Night. TV title design includes 

Luther, Zen, Monroe, Silk, Episodes and Strike Back. 

Benns has also, with Miki Kato, produced and 

created motion graphics and endframes for 

over 150 TV ads. In 2010, his short film Copelia 

(starring John Standing, Vincent Regan and Ralph 

Brown) was screened in 11 international festivals 

and won awards in various categories. He was 

also nominated for a BAFTA for the title design 

of Misfits (with partner Miki Kato). Benns has also 

given lectures on the conceptual process of film 

titles around the world at film institutions such as 

Pasadena Art Center, Maastrict Lumiere and Bafta. 

Stephen Conlon 

Stephen Conlon is a founder member and a former 

president of the Institute of Designers in Ireland. 

He holds a Masters in Business Studies (Hons) in 

International Marketing and Diplomas in: Exhibition 

Design/Effective Marketing Management/ 

International Marketing and Market Research. 

Stephen worked for 34 years with Enterprise 

Ireland, initially in the design and implementation 

of Ireland’s overseas promotional programme 

and eventually in International marketing 

advisory. Stephen has worked in almost every 

developed and some undeveloped markets 

across the globe. He established and headed up 

the Enterprise Ireland’s Design Unit to promote 

design development strategies to Irish businesses, 

working with companies to redesign and re-launch 

existing products and the development of entirely 

new ones. The Design Unit was also responsible 

for establishing Design Ireland, Stephen has 

spoken at a number of International design 

conferences on the promotion of design strategies, 

Singapore, Sydney, Brno and Prague and Nagoya. 

In 2003 Stephen founded Design and Marketing 

Management Limited—a strategic management 

consultancy specialising in business and new 

product development. 

John Jenkins 

John Jenkins was brought up in Pembroke and 

is currently based in London. He graduated from 

the Furniture School at the Royal College of Art 

and has over 30 years experience having worked 

in the fields of manufacturing, retail and design 

consultancy. 

He has worked in a design or manufacturing 

capacity with companies throughout Europe 

(including Ireland), from the Baltic to the Balkans 

states, Thailand, The Philippines, Vietnam, China 

and the Caribbean. He currently works (part time) as 

Design Manager at the most preeminent furniture 

retailer in the UK and also as an independent 

design consultant to manufacturers and sourcing 

agents in the UK,Europe and the Far East. 

John has been a visiting Professor at various top 

level educational establishments including the 

RCA, Kassel University (Germany), Cleveland 

Institute (USA) and the Sotheby Institute of Art 

(London).

15 16 

Miki Kato 

Born and grown up in Japan, Miki Kato moved to 

America for a BFA degree in Arts & Design at the 

University of Indiana before attending the California 

Institute of the Arts for an MFA because of its 

reputation for producing innovative creators. Since 

co-founding Momoco in 2000, Miki has created 

title sequences for film & TV and developed a very 

graphic style that blends the minimalism of her 

Japanese heritage with Western influences. 

Credits include Hard Candy, Beyond the Sea, 

One Day, Injustice and Misfits for which she was 

nominated for a BAFTA in the Best Title Design 

category. 

Miki has also contributed articles and book reviews 

for Eye and various other design magazines and 

given lectures on her ideas and concepts behind the 

title sequences for BAFTA, Submarine Channel and 

other organisations. It is the conceptual stage of the 

process that has always fascinated both Miki and 

Nic, they regard this as the most open and exciting 

phase behind their work. 

momoco.co.uk 

Kees Spanjers 

Kees Spanjers is a registered interior architect and 

architect and lives and works in Amsterdam and 

New York. He is the director of Zaanen Spanjers 

Architects in Amsterdam, specializing in cultural 

buildings and public interiors. He is the recipient 

of numerous awards in particular the Architectural 

Record Interiors Award, European Parking Award. 

Kees was the President of the European Council of 

Interior Architects from 2004–2008. He also served 

as co-opted board member of the International 

Federation of Interior Architects/Designers IFI 

from 2004–2009. During many years Kees has 

contributed to the design community with service 

on several boards, such as the Dutch Historic 

Interiors Society SHNI, Dutch Interiors Platform and 

the Dutch Board of Arbitrage for Architects. He is 

a past President and honorable member of BNI, 

the National Organization of Interior Architects in 

the Netherlands, and a honorable member of the 

Society of British Interior Designers and the Consejo 

General De Los Colegios Oficiales De Decoradores 

Diseñadores De Interior in Spain. Kees has written 

many professional articles in numerous publications, 

and has been active on many international panels 

and juries. 

Don Wilson 

Don Wilson is a product designer specialising in 

travelgoods and accessories. He currently lives in 

Paris where he works for Louis Vuitton Malletier. 

After studying Industrial Design in Melbourne, 

Australia, Don worked in Tokyo for the architecture 

and interior design studio, Studio 80. Moving to 

London in 2000 he worked as a product designer for 

branding consultancies PSD and Fitch, across a host 

of brands. With a colleague he joined Wood&Wood 

to create their design arm, specialising in product, 

wayfinding and ‘city’ branding. Don then worked 

with the global travelgoods brand Samsonite in 

2006 as Senior Luggage Designer in UK, Italy and 

Belgium. After a stint back in Melbourne consulting 

and designing with the cult Australian bag brand 

Crumpler, he returned to Europe in 2011 to begin 

work at Louis Vuitton Malletier as Senior Luggage 

Designer. He is the recipient of design awards in the 

UK and Australia.

17 


LIFETIME 

AWARD 

18

19 The IDI takes great pride in supporting and 

product planning and automotive design projects. 20 

LIFETIME 

AWARD 

BRIAN 

STEPHENS 

promoting Irish design and celebrating those 

designers and others in the design industry who 

make a significant contribution to design in Ireland. 

Because of this commitment, the IDI introduced a 

new award in 2010, The IDI Lifetime Award—for 

services to the design industry. 

His project work has won numerous international 

design awards including a joint IDSA gold award. 

Besides supporting the Design Partners team, his 

proudest creative achievement is to see several of 

the products the consultancy designed in the ’80s 

still earning revenue for clients today. 

19 THE IDI 

This new award was introduced not only to honour 

the careers of our high profile designers and design 

companies, but also the most significant design 

educators. Among the highlights of the evening 

of the 13th Annual IDI Design Awards 2011 on 

Thursday 27th October was the presentation of an 

IDI Lifetime Awards to Brian Stephens of Design 

Partners. Brian was only our second recipient. 

Brian studied design at Birmingham Polytechnic 

having won a Córas Tráchtála student scholarship 

and a Royal Society of the Arts travel bursary. He 

is a former council member of the SDI and former 

chairperson of Dalkey School Project. He is a 

member of the Irish Technology leadership group 

and of the Industrial Designers Society of America. 

The IDI was delighted to present our Lifetime 

Achievement Award to Brian specifically for his 

contribution to design in Ireland and his service to 

the design profession. President of the IDI, Carol 

Coffey MIDI said “in today’s economic climate it is 

important now more than ever to highlight Ireland’s 

creative talent and the awards are a wonderful way 

to do this”. 

He is founder and CEO of Design Partners, a multi 

disciplinary industrial design practice based in Bray, 

Ireland and in San Jose, California. Besides growing 

and developing the firm, Brian advises clients on 

product strategy and on the integration of their 

brand values into the whole product experience. 

Prior to founding Design Partners with David 

Morgan in 1984, he spent two and a half formative 

years in GK design Tokyo where he worked on

21 

GRAND 

PRIX 

WINNER 

22

GRAND 

PRIX 

WINNER 

SPEAR 

TECHNOLOGIES 

23 Category 

Product Design/ 

Industrial Products 

Title 

Read Assist 

Company 

Spear Technologies 

Designers 

Honora Egan 

Gregory Tobin 

Design Objectives 

Incorporating the product into a 

standard 6 inch ruler allowed us 

to use a traditional school ruler 

to carry the product functionality. 

Commercial Objectives 

To develop a product that 

would help children with 

dyslexia or those with reading 

difficulties. The product was also 

designed to be easy to use, non 

threatening and inconspicuous 

in the classroom. 

Target Audience 

This product has been designed 

for those that have reading 

difficulties and/or dyslexia from 

5 to 15 years old. 

24

25 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

26 

Commercial Design 27 

Exhibition Design 39 

Residential Design 41

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 

27 Design Objectives 

28 

Purposely steering away from a 

clinical look was key to the design. 

By introducing bright & colourful 

elements to the contemporary 

industrial undertone, we created 

the edgy & impactful atmosphere 

that our client highly sought after. 

WINNER 

Title 

Trulife 

Company 

Millimetre Design 

Designer 

Ronan Holohan 


To create new international 

headquarters for Trulife reflecting 

the leading healthcare company’s 

unique corporate dynamic. 

To provide an engaging and 

inspiring new office base was 

fundamental in Trulife’s brief. 


Trulife’s international 

headquarters was developed to 

accommodate their new offices 

and employees as well as visitors 

from the healthcare sector.

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 

29 Title 

City Picnic, Belfast 

Company 

Soon Interior Design 

Designer 

Michael Hughes MIDI 

30 


Exposure of the previously covered 

listed building elements of the 

space and integration of them 

within the bright modern finishes 

and funky furniture of City Picnic. 


To create a Food Store/Café on 

a neglected arterial route which, 

within a limited footprint would 

offer in product and visual identity 

something outside the retail norm. 


Young professionals, ladies who 

do lunch, those who want to 

grab a bite on the way home and 

generally anyone who contributes 

to City Life! 

HIGHLY Commended

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 



to ensure larger party numbers 32 

A blend of plush boutique styled A place where lounging residents 

and an enhanced grandeur 

INTERIOR & 

textures, large cameo floral prints and the local connoisseurs of 

appearance. 

EXHIBITION 

and rich dark chocolate wood fine dining could mingle with the 

tones give an expensive yet oddly celebrations of newlyweds or hear 

DESIGN 

comfortable feeling of grandeur. the woes of the corporate elite. 

COMMERCIAL 

Centuries old styling’s coupled 

DESIGN 

with the influences of modern age. 

COMMENDED 

Title 

Bar Beoga 

Company 

iDezign 

Designer 

Theresa Cleary 


To breathe life into an outdated 

city hotel bar by capturing the 

needs of a growing but diverse 

clientele while enhancing the 

functionality of a busy food and 

entertainment establishment. 

COMMERCIAL 

COMMENDED 

Title 

Cabra Castle Hotel Ballroom 

Company 

Be Design 


Audrey Gaffney 

Orla McAdam 


Elegant and spectacular are 

words that influenced the design. 

Textured wallcoverings sit next 

to newly exposed stone, LED 

optics twinkle under a walnut 

timber ceiling, and plush specially 

designed carpet extends 

throughout the ballroom. A fairytale 

wedding destination! 


Located in the heartland of 

County Cavan, the hotel plays 

host to visitors from within 

Ireland and abroad. As a popular 

wedding venue the objective was 


Brides & grooms from not 

just Ireland and the UK, but 

internationally, that are looking 

for a Castle Wedding Venue. This 

building can also serve as a location 

for the civil ceremony making it an 

appealing option overall.

COMMERCIAL 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 





34 

INTERIOR & 

The age and look of the building The customer target was not 

The design was inspired by the The shop is aligned towards 

dictated the theme for the interiors. only clientele within Derry City 

candy land of Willy Wonka’s female customers as they are 

EXHIBITION 

All details were considered in or County, but food lovers in 

chocolate factory creating 

primarily the purchasers of 

DESIGN 

symphony to the era, and fittings the North-West and further 

delightful interior that compliment sugarcraft products yet it for 

COMMERCIAL 

& finishes were selected to play afield. It was viewed that the 

the sugarcraft products and all genders and age groups 

DESIGN 

homage and ensure maximum Custom House was to become a 

wonderful cupcakes. Colour who want to enjoy a fun playful 

grandeur to the interior fit-out. destination restaurant in Ireland. 

inspiration is used throughout the shopping and eating experience. 

COMMENDED 

COMMENDED 

interiors and graphical patterns to 

set the theme. 

Title 

Custom House Restaurant & 

Wine Bar 

Company 

Be Design 


Audrey Gaffney 

Amy O’Sullivan 


Custom House is a historic & 

prominent building located in the 

heart of Derry City since 1867, 

and currently a Grade B1 Listed 

Building. Located just outside 

the city walls and beside the 

Guildhall, making it an obvious 

dinners choice. 

Title 

Decobake 

Company 


Designer 

Ronan Holohan 


To create new sugarcraft & 

cupcake shop for our client’s 

Decobake. To have a vibrant 

colourful playful themed interiors, 

was vital to engaging customers.

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 

Ireland, visiting international 

employees and the property 

landlord. 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 

35 second largest Pharmaceutical facility caters for multiple user 36 

Company. From top executives demographics and ultimate 

through all levels of staff the flexibility in use. 

COMMENDED 

Title 

Fitout at Trinity Central 

Company 

RKD Architects 

Designer 

Jim Byrne 


Houghton Mifflin Harcourt has a 

young workforce. The company’s 

brand is bright and playful with 

a logo depicting a breaching 

dolphin. In Dublin HMH produce 

digital content for educational 

software. These factors each 

influenced the resulting design 

theme. 


The objective was to fit out a 

newly leased premises to cater for 

a rapidly expanding project-based 

workforce, which had outgrown 

its current premises, within an 

environment befitting their brand 

that allows for future expansion. 


The target audience for this 

project are the employees and 

clients of HMH Publishing in 

COMMENDED 

Title 

MSD EMEA Shared Business 

Service Centre 

Company 

FESP 


Amanda Graham 

Susan McGowan 

Justin Treacy 


We worked closely with our clients 

in-house graphics team, and used 

their portfolio of manufacturing 

imagery to influence our design 

so that it became the physical 

embodiment of the brand, image 

and culture of the organisation. 


This space is the first facility of 

its kind developed by the client 

to act as an international central 

resource, support and conference 

centre with a pivotal location in 

Dublin, equidistant from the US 

and the EMEA region. 


The target audience are the 

clients and staff from the world

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

COMMERCIAL 

DESIGN 

COMMENDED 

Title 

Savills Ireland Headquarters 

Company 

Arcology Design Ltd. 

Designer 

Colette van Jaarsveld IDI 

THE DESIGN 

PROCESS IS 

HARD WORK, 

BUT IN THE 

END I WANT MY 

INTERIORS TO 

LOOK INSPIRED 

AND RELAXED, 

NOT STUDIED. 



38 

A contemporary sustainably The new public facing 

designed environment was 

environment would improve their 

sought with a revised layout client journey and interaction 

working within the constraints of with the likes of developers, other 

varying floor levels, retention of agents, regulatory bodies and 

listed arches and cornices and an members of the public. 

array of columns. 


Savills Ireland Client facing areas 

and Reception were outdated 

and not aligned with Savills brand 

as a leading Commercial and 

Residential agent. 

Katie Ridder – Interior Designer

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

EXHIBITION 


40 

Inspired by ‘cabinets of 

curiosities’, we used the Registry’s 

alcoves as display areas and 

designed bespoke display 

consoles that celebrate the 

building’s unusual proportions. 

WINNER 

Sympathetic heritage tones are 

used throughout and set off the 

featured prints beautifully. 

Title 

No. 5 Vicars’ Hill; 

Collections and Curiosities 

Company 

Tandem Design 

Designer 

Andrew Todd 


To raise awareness of, and 

increase access to the highly 

specialised and unique collections 

of Armagh Public Library while 

celebrating the city’s built and 

Christian heritage, capitalising on 

its inclusion in NITB’s St Patrick’s 

signature project. 


The target audience is broad, 

from those with specialist 

collection interests to families 

following the St Patrick Christian 

Heritage trail. Discovery drawers, 

brass rubbings, jigsaws and an 

activity sheet engage children 

while panels and touchscreens 

appeal to all visitors.

41 COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

RESIDENTIAL 

WINNER 

Title 

Mullaghmore 

Company 

Peter Legge Associates 


Cornelia Hope MIDI 

Lisa McSharry 

John Monohan RIAI 


All finishes, fittings and furniture 

are influenced by the sea and 

the landscape ranging from the 

lapped timber on the local fishing 

boats to the surrounding stone 

walls and wild flowers. 


To renovate and improve upon 

an existing holiday retreat, 

accommodating the requirements 

of a large growing extended 

family with a shared love of the 

sea and the stunning landscape. 


A large growing family and their 

guests who indulge in all aspects 

of the outdoor lifestyle on offer, 

with the emphasis always on the 

connection to the sea and the 

surrounding mountains. 

42

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

RESIDENTIAL 

43 with their new space and the 

44 

constantly changing light and 

atmosphere. 

COMMENDED 

Title 

Barley Cove 

Company 

Maria MacVeigh Design 

Designer 

Maria MacVeigh 


The landscape. Oak brushed and 

stained to conjure the texture of 

sand. Easterly sunlight reflecting 

the sea. The evening landscape 

setting sunlight influenced the 

lighting design. The ceilings were 

finished in a fine plaster for extra 

soft reflection. 


The house is set within a 

development in West Cork. The 

original finishes and layout were 

to be completely refurbished and 

re-built to suit the environment. To 

create an open plan house within 

the constraints of the structure. 


My clients and their three children. 

After being very dedicated in the 

design and build process they 

have just spent the first summer 

there, familiarising themselves 

MAKE NO 

LITTLE PLANS; 

THEY HAVE NO 

MAGIC TO STIR 

MEN’S BLOOD 

AND PROBABLY 

THEMSELVES WILL 

NOT BE REALISED. 

MAKE BIG PLANS. 

Daniel Hudson Burnham – Architect, Urban Planner

45 

MULTIMEDIA 

DESIGN 

46 

Digital Animation 47 

Website Design 49

MULTIMEDIA 

DESIGN 

DIGITAL 

ANIMATION 

47 Title 

Glyndebourne Opera: 

Glyndebourne On tour 

Promotional Video 

Company 

Whitenoise Design 

48 

WINNER 

Designer 

Mark Case 


Animated ribbons travelling 

through the 3D world, and the 

energetic movement of the 

ribbon contrasts with the gentle 

movement of the production 

stills. The audio track supports the 

individuality of each of the touring 

productions. 


A 60 second trailer to promote 

Glyndebourne on Tour to new 

audiences and those who have 

heard of Glyndebourne but 

aren’t our ‘old faithfuls’. A sales 

and PR tool maintains a strong 

Glyndebourne brand presence 

throughout. 


This trailer is not designed to 

convert the non-opera attendee, 

though it will undoubtedly help 

give a flavour of opera in general. 

Key message: this is exceptional 

opera for everyone.

MULTIMEDIA 

DESIGN 

WEBSITE 

DESIGN 

49 Title 

www.templebargallery.com 

Company 

Pixel Design 

Designer 

Karen Hanratty 

50 

WINNER 


The design was influenced by the 

architecture of the building which 

houses the gallery and art studios. 

It is clean, minimal, functionally 

and contemporary. The new visual 

identity of the organisation was 

also a key influence. 


The purpose of the new TBG+S 

website is to provide clear and 

up-to-date information on the 

activities taking place, and to 

encourage new and existing 

audiences to learn about the 

organisation and to visit the gallery. 


The target audience for the 

website is primarily the visual arts 

community in Dublin, however, it 

also extends to all those residing 

in and visiting Dublin who are 

interested in contemporary art 

exhibitions and events.

MULTIMEDIA 

DESIGN 

WEBSITE 

DESIGN 

51 Title 

Claire Muckian 

Company 

Pierce Communications 

Designer 

Rory Jeffers 


We were heavily influenced 

by Claire’s very unique and 

contemporary style and wanted 

to ensure the same theme 

was carried on to the website. 


Claire is an award-winning artist 

with a fast-growing reputation. 

To complement a new brand 

identity Claire wanted a website 

as a means of showcasing her 


The target audience came from 

a wide variety of audiences and 

included art and design critics and 

other artists through to potential 

private clients. 

52 

HIGHLY COMMENDED 

Influence was taken from 

the natural environment to 

complement Claire’s work. 

work online.

53 MULTIMEDIA 

The resource should appeal to 

MULTIMEDIA 

knowledgeable locals and tourists 

DESIGN 

DESIGN 

alike, supporting them in their 

WEBSITE 

WEBSITE 

physical and virtual journeys. 

DESIGN 

DESIGN 

COMMENDED 

Title 

Northern Ireland Community 

Archive 

Company 

Front / Tandem Design 


Chris Armstrong (Front) 

Jamie Neely (Front) 

Andrew Todd (Tandem Design) 


Visitors needed to access the 

information not just at home 

on their PC, but out and about, 

often in areas with poor internet 

coverage. We developed a 

‘responsive’ layout, adaptable to 

mobiles, tablets and printed pages. 


To create a website that curates 

three distinct tourist trails across 

Northern Ireland linking to 

artefacts from the NICA. 


We profiled two typical end-users: 

an interested first-time tourist 

and a knowledgeable local. User 

testing with the second group led 

to the addition of a ‘get in touch’ 

facility, to encourage further 

contributions to the archive. 

COMMENDED 

Title 

Science Gallery Exhibition 

Microsites 

Company 

X Communications 

Designer 

Stewart Curry 


The design themes were based 

on the overall exhibition design 

material created by the Science 

Gallery team, and then adapted 

to be relevant for the web. The 

primary influence was the theme 

of the particular exhibition. 

54 


To create a series of exhibition 

microsites to drive visitors to the 

exhibitions in the Science Gallery 

and to document the exhibits, 

activities and works on display. 


There was no specific target 

audience—the site was intended 

for the general public, whether 

they be parents, students, teachers, 

tourists—anyone with an interest in 

science, art, ideas and creativity.

55 MULTIMEDIA 

DESIGN 

WEBSITE 

DESIGN 

COMMENDED 

Title 

www.perfume.ie 

Company 

Crilly & Wardell Consultants 


Adrian Crilly 

Jane Wardell 


The modular construction of the 

site allows for the rich imagery 

for each fragrance brand to shine 

through a simple, clean and 

unobtrusive structure. 


Fragrances of Ireland asked us 

to redesign and develop their 

website – www.perfume.ie. As 

Ireland’s only international perfume 

house, they wanted the core role 

of perfume.ie to be to showcase 

their brands and sell online. 


Fragrances of Ireland is an Irish 

company, selling to a global market 

and thus universal visual appeal 

was paramount to achieving the 

desired user experience. 

PEOPLE WANT 

THE HELP THE 

DESIGNERS 

PROVIDE; GIVING 

THEM ONLY THE 

CHOICES THEY 

NEED, WHEN 

THEY NEED THEM. 

56 

Jesper Bentzen – Motion Designer

57 

PRODUCT 

DESIGN 

58 

Consumer Products 59 

Furniture 67 

Industrial Products 71

59 PRODUCT 

DESIGN 

CONSUMER 

PRODUCTS 

GRAND PRIX WINNER 

Title 

Read Assist 

Company 

Spear Technologies 


Honora Egan 

Gregory Tobin 


Incorporating the product into a 

standard 6 inch ruler allowed us 

to use a traditional school ruler to 

carry the product functionality. 


To develop a product that would 

help children with dyslexia or 

those with reading difficulties. The 

product was also designed to be 

easy to use, non threatening and 

inconspicuous in the classroom. 


This product has been designed 

for those that have reading 

difficulties and/or dyslexia from 5 

to 15 years old. 

60

PRODUCT 

DESIGN 

CONSUMER 

PRODUCTS 

61 Title 

My Cook 15 

Company 

Design Partners 


Cathal Loughnane 


The form was influenced by the 

simple weighing bowls used on 

early scales, this combined with 

the clean glass surface which is 

shaped to be friendly to pick up 


Brief from Terraillon was to create 

a contemporary, 5kg and 15kg 

kitchen scales that fit seamlessly 

into the modern kitchen. The 

new design reinforces Terraillon’s 


“My Cook 15” was designed 

for the discerning customer 

who cares about the look of the 

products they use in their kitchen 

but who also wants an easy to use, 

62 


Diarmuid MacMahon 

Joy Yang 

and use were the driving factors in 

the design. 

leadership of the market and 

keeps pace with consumers in their 

expectations of modern homes. 

modern scale for everyday use. 

Predominantly women 25–45.

PRODUCT 

DESIGN 

CONSUMER 

PRODUCTS 

63 Title 

Netia “Spot” 

Company 





The design was influenced 

by modern architecture and 

product. Simple geometry, glass 

surfaces and clean lines used on 

phones, tablets and televisions all 


As a wireless modem for a large 

telecom provider the unit had to 

appeal to the discerning customer 

from the age of 20+. 

64 


Cormac Ó Conaire 

influenced the form and material 

selection within the manufacturing 

budget available. 


To design a modem for Netia 

to keep pace with consumers 

expectation of products in the 

modern home. By embracing 

simplicity they wanted to attract 

a wider audience with the slogan, 

“even a monkey could use the 

Netia Spot”.

PRODUCT 

DESIGN 

CONSUMER 

PRODUCTS 

65 who don’t see themselves as 

66 

traditional gamers. Gaming 

peripherals typically target 

hardcore gamers, offering highend 

features that casual gamers 

find intimidating. The G300 aims 

COMMENDED 

to engage these gamers. 

Title 

Logitech Gaming Mouse G300 

Company 



David Fleming 

Marten Helwig 


Cormac Ó Conaire 


As the G300 was a new idiom for 

gaming products, it needed to 

be iconic. The form, signature 

backlighting & bold red underside 

were crafted with that intent. 

Growing mobility and control 

trends influenced the symmetrical 

shape & micro-texture patterning. 


The G300 was created to engage 

casual gamers worldwide. It has 

all the features that hardcore 

gamers crave but positioned in a 

more inviting and affordable 

package and to establish Logitech 

as the leader in new and 

emerging markets. 


The growth of online gaming 

spawned a mass following 

MY AIM IS 

TO OMIT 

EVERYTHING 

SUPERFLUOUS 

SO THAT THE 

ESSENTIAL IS 

SHOWN TO THE 

BEST POSSIBLE 

ADVANTAGE. 

Dieter Rams – Industrial Designer

67 PRODUCT 

DESIGN 

FURNITURE 

68 

WINNER 

Title 

Less Office Furniture System 

Company 

Made 

Designer 

John Walsh 


We were influenced by 

environmental considerations 

and human factors. We wanted to 

create a product that performed 

well through its lifetime—from 

manufacture to installation to 

usage to end of use and recycling. 


To create for the client a new, 

in-house manufactured office 

furniture system to compete 

with market leading products. 

To create a comprehensive, 

systemised product from a limited 

number of tooled components 

that would appeal to interior 

architects/ designers. 


This product is aimed at specifiers 

of office furniture, interior 

architects and designers, facilities 

managers and anyone who works 

in an office.

PRODUCT 

DESIGN 

FURNITURE 



70 

The objective was to create a The client is a furniture wholesaler 

range with a very identifiable supplying Independent retailers, 

character and a distinctive 

Hotels, commercial and 

aesthetic to set it apart from the residential Interior designers 


many lacquer finish products on throughout the UK, this was the 

the market. 

target audience for the range. 

Title 

Glacier Range 

Company 

No Fixed Abode Design 

Designer 

Peter MacCann 


To create a product range using 

the client’s existing manufacturing 

base. Modularity in the design was 

required to reduce the number of 

components for manufacturing 

and shipping, while also offering 

the customer a choice of options.

71 PRODUCT 

DESIGN 

INDUSTRIAL 

PRODUCTS 

COMMENDED 

Title 

Zest Retail 

LED Lighting System 

Company 

Dolmen 

Designer 

Christopher Murphy 


Zest’s parabolic “wave” form 

minimises glare, softening the 

linearity and minimising visual 

bulk to create an elegant yet 

discreet lighting solution for retail. 


Zest is the first truly effective LED 

alternative to HID spot lighting for 

fresh food displays in supermarkets. 

Watt for watt, Zest delivers the 

same lux levels but with 40% less 

energy and zero maintenance. 


The target audience is retail 

designers and lighting designers 

who specify the interior layout for 

supermarkets, specifically fresh 

food displays. 

IT IS IMPORTANT 

THAT WE WORK 

TOWARDS 

DREAMS IN 

ORDER FOR 

US NOT TO BE 

CONTINUALLY 

REACHING. 

72 

Naoto Fukasawa – Industrial Designer

73 

TV/ 

THEATRE/ 

FILM 

DESIGN 

74 

Motion Graphics 75 

Set Design 83

TV/ 

THEATRE/ 

FILM 

DESIGN 

MOTION 

GRAPHICS 

75 76 

WINNER 

Title 

TRTÉ: Channel Brand 

Company 

RTÉ Graphic Design Department 

Designer 

Alan Dunne 


The effect of realistically 

placing typography into a 

scene, a technique which was 

very influential. This was made 

possible with camera tracking 

and effects compositing. 


The brand needed to have a 

predatorial feel. It needed to give 

a sense that it was the victimising 

vulnerable older people in a 

sleepy residential community. 


The audience would be primarily 

families with older people and 

professional who work in areas 

relating to home care.

FILM/ 

TELEVISION/ 

THEATRE 

DESIGN 

MOTION 

GRAPHICS 

77 Title 

Prime Time Investigates: 

The Home Care Scandal 

Company 


Designer 

Alan Dunne 


The effect of realistically placing 

typography into a scene, a 

technique which was very 

influential. This was made possible 

with camera tracking and effects 

compositing. 


The brand needed to have a 

predatorial feel. It needed to 

give a sense that it was victimising 

vulnerable older people in a 

sleepy residential community. 


The audience would be primarily 

families with older people and 

professional who work in areas 

relating to home care. 

78 

HIGHLY COMMENDED

FILM/ 

TELEVISION/ 

THEATRE 

DESIGN 

MOTION 

GRAPHICS 

79 Title 

RTÉ Television New Season 2011 

Company 


Designer 

Alan Dunne 


The fire trail effect of long exposure 

photography was an influence. This 

is seen in the 3D trails in the live 

action as well as the long exposure 

hand rendered typography shot in 

a darkened room. 


Promotional graphic branding 

for showcasing RTÉ Television’s 

New Season of programming. It 

needed to excite the audience 

into watching RTÉ’s new Season 

as well as encourage advertising 

sales on RTÉ. 


The audience was very broad. 

It needed to cater for the Irish 

television watching public, it 

also needed to attract potential 

advertising clients. 

80 

HIGHLY COMMENDED

81 FILM/ 

TELEVISION/ 

THEATRE 

DESIGN 

MOTION 

GRAPHICS 

COMMENDED 

Title 

Geantrai 

Company 

Mode Vision 

Designer 

David Phelan 


Historically and culturally, the 

pub session is an integral part of 

traditional music in Ireland. These 

traditional pub settings was the 

overriding influence in the makeup 

and style of the animation. 


‘Geantraí’ meaning ‘Lively Music’ is 

a hugely popular traditional music 

show on Irish language television. 

The objective was to create a new 

contemporary style animation 

which would appeal to a younger 

audience while maintaining its 

existing catchment group. 


Musicians and traditional music 

followers in Ireland come from all 

walk of life. With the national 

effort to promote the Irish 

language and culture the 

audience is getting younger. 

I WANT TO 

MAKE BEAUTIFUL 

THINGS, EVEN IF 

NOBODY CARES. 

THAT’S MY 

INTENT AND I’M 

WILLING TO PAY 

FOR THAT. 

82 

Saul Bass – Graphic Designer, Filmmaker

FILM/ 

TELEVISION/ 

THEATRE 

DESIGN 

SET 

DESIGN 

83 Title 

Winning Streak 

Company 

RTÉ 

Designer 

Sinead O’Hanlon 


The acrylic bubble machines used 

in Winning Steak were the main 

design influence. This theme ran 

throughout the set. I used edge lit 

vacformed domes as backdrops 

and I repeated this effect with the 

circular patterned light boxes. 


To design a set for the Lottery 

Game show ‘Winning Streak’. 

The set required multiple areas 

for games that allowed easy 

access for game changes during 

filming. The studio also had to 

accommodate 5 contestants and 


The design needed to appeal 

to the existing Winning Streak 

audience and to also encourage 

a younger audience to the show. 

84 


a studio audience.

85 FILM/ 

TELEVISION/ 

THEATRE 

DESIGN 

SET 

DESIGN 

COMMENDED 

Title 

Premier Soccer Saturday 

Company 

RTÉ 

Designer 

Oliver Murphy 


The theme is contemporary 

and epic, reflecting the latest 

architectural developments in 

modern sporting venues both 

in Ireland and abroad. 


To design a contemporary set for 

the RTÉ Sports Department which 

would be primarily used for 

Premier Soccer Saturday. Other 

uses Rugby World Cup. 


Along with satisfying the 

producer’s brief, the design 

is targeted primarily at the 

viewership in Ireland and 

across channel, along with 

Satellite recipients worldwide. 

PICTURES MADE 

ENTIRELY IN A 

STUDIO ARE THE 

MOST FUN IN THE 

WORLD AND 

THEY’RE THE 

FINEST EXAMPLES 

OF PRODUCTION 

DESIGN... 

86 

Richard Sylbert – Production Designer, Art Director, Set Decorator

87 

VISUAL 

COMMUNICATIONS 

88 

Annual Reports 89 

Corporate/Branding Identity 103 

Packaging 117 

Promotional Literature/Publications 121

89 

VISUAL 


ANNUAL 

REPORTS 

WINNER 

Title 

Concern Worldwide Annual 

Report 

Company 

Red Dog Design Consultants 

Designer 

Mary Doherty 


The design was influenced by 

the work of Concern itself and 

the results they had achieved. 

The results lent themselves to an 

infographic style. complimented 

by the real stories and beautiful 

photography. 

90 


To reflect the innovative work that 

is done by the organisation. It has 

to be an accurate portrayal of the 

work carried out by Concern in that 

given year, detailing efficiency and 

transparency in spending its much 

needed funds. 


Concern’s stakeholders, the 

general public, other charities 

and organisations who work in 

the charity sector both here and 

in the UK.

VISUAL 


ANNUAL 

REPORTS 

91 Title 

Barnardos Annual Report 2010 

Company 

Zinc 


Tara Clarke 


Barnardos is represented by 

images of staff, supported by 

statements, and images of 

children. The stories, told by staff 

in their own words, combined with 


To engage the attention of 

legislators, government, agencies 

in order to highlight the value 

and importance of the work of 

Barnardos within the social care 


Government, funding bodies, 

philanthropic agencies, social 

care communities, policy makers, 

Barnardos staff, Barnardos 

fundraising community, 

92 


Lizzy Healy 

Maria Kirchner 

images of children, testify to the 

positive impact Barnardos has 

every day in Ireland. 

environment. 

professional social care workers, 

community activists.

VISUAL 


ANNUAL 

REPORTS 

93 Title 

Groundworks Annual Report 

Company 


Designer 

Mark Case 


The design uses positive and 

engaging photography and 

vibrant graphic treatments, 

textures and effects extensively 

to portray the difference the 


This annual review reflects the 

work that has been undertaken by 

Groundworks NI within different 

communities throughout Northern 

Ireland in the past 12 months. 


There is wide readership of 

the review, from Government 

Ministers to board members, 

perspective target clients and 

community representatives to 

94 


organisation makes in different 

communities. 

media and social commentators.

VISUAL 


ANNUAL 

REPORTS 

95 96 


Title 

IDI Annual Report 2010 

Company 

Penhouse 

Designer 

Gillian Reidy 


The year 2010 influenced the 

design and derivatives of this, 

shown through type, photography 

and graphically in different ways 

throughout. A simple palette 

and textured paper added to the 

overall raw design. 


To send out the annual report 

information to all members in an 

attractive book, at a low cost. No 

gimmicks, no flashy extras, just a 

simple design. 


The design should appeal to 

existing IDI members and those 

in the design community at large. 

I wanted existing members to 

feel part of this and so included 

their names as design features in 

different pages of the book.

VISUAL 


ANNUAL 

REPORTS 

97 Title 

NICMA Annual Review 

2009–2010 

Company 


Designer 


Influenced by the mixed media 

style in children’s illustration and 

animation. The tactile nature of 

the design enforces the message 

that NICMA is a very practical 


NICMA is a voluntary organisation 

which offers support to 

Childminders and families in 

Northern Ireland. The Review 

outlines the future plans and 


The target audiences are members 

of NICMA and families who wish 

to employ a child minder. NICMA 

is a voluntary organisation which 

offers support to Childminders 

98 


Mark Case 

solution to childcare. 

celebrates the events and 

successes of the year to promote 

their professionalism and 

dedication to providing childcare. 

and families seeking childcare in 

Northern Ireland.

VISUAL 


ANNUAL 

REPORTS 

VISUAL 


ANNUAL 

REPORTS 

99 Commercial Objectives 


100 

To showcase the quality and Government, crafts industry, 

highlight the commercial 

representative bodies, 

significance of the craft industry retailers, third level institutions, 

in Ireland. To use imagery to practitioners, international crafts’ 

reinforce the importance of the bodies, gallery owners, the arts 

COMMENDED 

industry to Ireland’s commercial and culture community. 

COMMENDED 

artistic and cultural agenda. 

Title 

Crafts Council of Ireland 

Annual Report 2010 

Company 



Tara Clarke 

Maria Kirchner 


A wealth of talent, innovation and 

skill combine with commercial 

considerations to create a 

unique community of artistic 

entrepreneurs. The report’s design 

promotes the quality of their work 

by allowing it to take centre stage. 

Title 

Kerry Group Annual Report 2010 

Company 

Huguenot 

Designer 

Andrew McQuillan 


Design Objective: Our main visual 

theme is to capture global food 

enjoyment in candid reportage 

style, using 25 commissioned and 

painstakingly sourced images to 

represent Kerry’s global influence. 


To present Kerry Group as a vibrant 

and international food ingredient 

and food technology company, 

with an unparalleled expertise on 

international cuisine and palette, 

and real local market understanding 

on a worldwide scale. 


The shareholders of the company 

are distributed globally, and 

the content is tailored to have 

touchpoints for all markets. 

Additionally the report is a general 

marketing tool for Kerry Group.

101 VISUAL 


ANNUAL 

REPORTS 

COMMENDED 

Title 

PBNI Corporate Plan 

Company 


Designer 

Mark Case 


‘Strip text’ in case studies relates 

well to the age group and topics 

of the people, photography is 

against chalkboards so the stories 

could be told in pictures and 

words. Yellow links stories and 

outcomes, sharing thoughts and 

dreams. 


The PBNI reports to a local 

Minister and is under the scrutiny 

of the Northern Ireland Assembly. 

This document is pivotal to the 

criminal justice process working 

with police, courts, prisons, youth 

justice, and the voluntary and 

community sectors. 


The target audiences are made 

up of a wide cross-section of the 

community and local government. 

The reviews and outcomes are 

presented to the Northern Ireland 

Assembly and the Criminal Justice 

Minister. 

DESIGN 

CAN BE ART. 

DESIGN CAN 

BE AESTHETICS. 

DESIGN IS SO 

SIMPLE, THAT’S 

WHY IT IS SO 

COMPLICATED. 

102 

Paul Rand – Graphic Designer

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

103 Title 

A Space Apart 

Company 


Designer 

Rory Jeffers 


We were heavily influenced by 

Claire’s unique and contemporary 

style. We also took influence 

from the natural environment 

to complement Claire’s use of 

ceramics, clays and use of space 


Claire is an emerging local 

sculptor who won the Royal Ulster 

Academy’s Award for Emerging 

Artist. As her reputation is 

growing fast, Claire commissioned 

us to develop an engaging 


The target audience came from 

a wide variety of audiences and 

included art and design critics and 

other artists through to potential 

private clients. 

104 


and light. 

brand identity as a platform for 

introducing her work.

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

105 Title 

Dorcas Barry Identity 

Company 

Huguenot 

Designer 

Clara FitzGerald 

106 



To design a contemporary set 

with clean lines, capable of 

many looks through use of LED 

lighting and reflective panels. 

Particular attention was paid to a 

uniformity in camera shots. The 

theme is contemporary and epic, 

reflecting the latest architectural 

developments in modern sporting 

venues both in Ireland and abroad. 


Dorcas has an unusual offering; 

food writer, cook and nutritionist. 

She wanted a brand reflecting, 

she is not only a cook, but also a 

nutritionist & food writer. We felt 

she lives her brand—so her name 

is the brand. 


Cross-section of the population; 

although probably more 

appealing to women and men 

who are mid-thirties plus and want 

to “change your life with food”.

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

107 108 


Title 

From Belfast To Narnia 

Company 


Designer 

Rory Jeffers 


We wanted the brand ID to look 

authentic so the font styles stayed 

true to his actual signature which 

was reproduced while influences 

were drawn from old book plate 

illustrations to give an “old” feel 

to the piece. 


The brand ID was to be used as 

the visual means by which Belfast 

could market its links to CS Lewis 

and The Chronicles of Narnia, 

and was to feature in the Belfast 

Telegraph along with a headline 

feature. 


The target audience included 

readers of the Belfast Telegraph 

and members of the public 

through to literary experts and 

historians.

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

109 Title 

Mooch 

Company 


Designer 

Ronan Holohan 


The fat free, 100% natural product 

influenced the design with the 

use of innocent white typographic 

style. This was contrasted with 

vibrant colours and innovative 

lighting concepts to keep it 


To create a new brand and 

identity for start up frozen yogurt 

company. The brand needed to 

be vibrant to capture the ethos of 

the company and the product. 


The target audience is the 

younger customer that is 

attracted by a vibrant trendy 

image and a product with healthy 

ingredients. 

110 


cutting edge.

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

111 Title 

The Children’s Rooms at Brown 

Thomas 

Company 

Brand New Creative 

Designer 

David Lawlor 


The design was based on a 

Georgian House and a series 

of ‘rooms’ differentiated by the 

beautiful hard wood parquet 

floor. We took inspiration from 

Georgian interior architraves and 


When the childrenswear 

department relocated from BT2 to 

the Brown Thomas flagship store, 

a new name and identity was 

needed to attract both new and 

existing customers. The identity, 


The aim was to create the ultimate 

destination for beautiful children’s 

ready to wear, shoes and gifting. 

Customers include everyone 

from new mums and dads, 

grandparents to doting aunties 

112 


panelling. The colours used also 

reflect that of the period. 

marketing & communications 

were vital in meeting this key 

objective. 

and uncles.

113 VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

114 

COMMENDED 

Title 

Grand Opera House Rebrand 

Company 


Designer 

Mark Case 


Inspired by the Victorian building, 

designed by Frank Matcham in 

1895, a landmark of a Victorian 

Theatre. Patterns in the interior 

were used in all communications. 

‘Enriching Lives’ remained at the 

forefront of all development. 


To put the ‘Grand’ back into 

the Grand Opera House, 

and to increase the audience 

demographic, to raise the profile 

of the theatre in Northern Ireland 

and among audiences and critics 

nationally and internationally. 


General public, staff and theatre 

trust, the artistic and entertainment 

community, funders, sponsors 

and the business community. The 

theatre and shows appeal to an 

international audience of all ages. 

COMMENDED 

Title 

Iceberg 

Company 


Designer 

Mark Case 


A computer-generated Iceberg, 

in both print and motion graphic 

forms. We produced a mockheroic 

film in the style of ‘The 

Apprentice’ which aired on TV and 

used online to great effect, and a 

website and Facebook page. 


To develop an exciting and 

impactful brand identity across 

print, web, broadcast and social 

media for an exclusive new 

housing development in South 

Belfast. 


Targeting the wealthy 30s–50s 

demographic in Ireland and the 

UK (the campaign has proved 

highly successful despite the 

current economic downturn, with 

two properties sold within the first 

2 months of launch).

115 VISUAL 


CORPORATE/ 

BRAND 

IDENTITY 

COMMENDED 

Title 

Mao/Mao At Home Brand 

Company 

Bradley McGurk 

Designer 

Andrew Bradley 


Our “Mao” design shows 

the theatre of Asian cooking, 

introducing flames, vibrant spice 

tones and simple icons. “Mao At 

Home” is character led, with fun 

customized illustrations and quirky 

tone-of-voice. Key colours link the 

brands, ensuring continuity. 


After 15 years the Mao restaurant 

brand needed to be reinvigorated 

on being acquired by new owners, 

Entertainment Enterprises. They 

also wanted to expand a new 

take-out offer to compliment the 

main restaurant. 


The new Mao brand attracts 

teenagers, young adults and 

stretches through to families, all 

in search of authentic Asian food 

served with flair. 

AESTHETICS 

PLAY A BIG ROLE 

IN FUNCTION 

BECAUSE WE 

DO NOT LIKE TO 

USE ANYTHING 

THAT IS UGLY. 

FUNCTION ALSO 

FOLLOWS FORM. 

116 

Erik Spiekermann – Typographer, Graphic Designer

VISUAL 


PACKAGING 



118 

Influenced by a growing 

Froberry packaging must be 


consumer demand for guilt free, ‘Original’. It must immediately 

PACKAGING 

sub 100 calorie treats. The words draw the shoppers eye and 

‘Frozen Yogurt’ is emblazoned complement the clean, crisp 

COMMENDED 

on the tub.The client wanted and authentic taste of Froberry 

COMMENDED 

shoppers to immediately spot this Frozen Yogurt. Packaging must 

and then identify with Froberry’s be memorable to encourage 

crisp, clean looking branding. repeat shoppers. It should be 

uncomplicated, fun and premium. 

Title 

Froberry Frozen Yogurt 

Company 

Brand New Creative 

Designer 

David Lawlor 


People with an interest in ‘Good 

for You’ eating, any person who 

may feel guilty eating ice cream, 

and any person that heard good 

things about frozen yogurt but 

could never find it before! 

VISUAL 

Title 

Green Spot Single Pot Still Irish 

Whiskey Packaging 

Company 

Genesis Advertising Ltd 

Designer 

Nigel Jamison 


To create a distinct brand 

personality in line with the Green 

Spot brand platform. To create 

secondary/gift packaging for the 

future. To give an old brand a new 

look, yet feature many traditional 

elements. Inspired by the name, 

deriving from the daub of green 


To introduce qualitative 

improvements to the current 

packaging commensurate with its 

premium positioning. Based on 

the packaging upgrade to target 

new markets e.g. USA. 


The target audience was existing 

Green Spot customers and whiskey 

connoisseurs in current markets 

and new markets e.g. USA.

VISUAL 


PACKAGING 

VISUAL 


PACKAGING 



120 

Barry Crockett was born in the To create a new packaging design 

Distillers cottage at Midleton, he code for a range of Midleton 

oversees the distillation of many Single Pot Still whiskeys which 

favourite Irish whiskeys. This pack differentiates from the Midleton 

COMMENDED 

is his ‘legacy’, crafted yet refined, Very Rare family and from other 

COMMENDED 

smooth with depth, much like Single Pot Still whiskeys. 

the man. These characteristics 

inspired our design. 

Title 

Midleton Barry Crockett Legacy 

Single Pot Still Irish Whiskey 

Company 


Designer 

Nigel Jamison 


This whiskey is an exceptionally 

premium whiskey which is targeted 

at the whiskey enthusiast with a 

real passion for whiskey and the 

best of the best, primarily male. 

Title 

Powers John’s Lane Single Pot 

Still Irish Whiskey 

Company 


Designer 

Nigel Jamison 


‘John’s Lane’, was the name of the 

distillery in Dublin where Powers 

was originally distilled. Borrowing 

on this historical connection, 

we feature an illustration of the 

original early 19th century distillery 

on the pack, bottle and leaflet. 


To create a new packaging design 

code for a range of Powers SPS 

whiskeys which differentiates 

itself from the blended varieties 

of Powers and also from other 

whiskeys in the Single Pot Still 

Collection range. 


Whiskey connoisseurs, whiskey 

novices and whiskey enthusiasts 

alike. The audience is primarily 

a male audience, therefore the 

packaging has a resounding sense 

of masculinity.

VISUAL 


PROMOTIONAL 

LITERATURE/ 

PUBLICATIONS 

121 Title 

Decade 

Company 


Designer 

Mark Case 


Decade is a visual treat, a plethora 

of responses to significant political 

events, music, fashion and cultural 

happenings since the year 2000. 

Each image triggering an ‘oh 

yeah’ response from the reader. 


Decade marks our first ten years 

as a commercial design studio. 

It acts as a flagship publication, 

communicating to our audience 

who we are and what we do 

through the medium of noncommercial 


The Whitenoise client base both 

present and future, students, 

future employees, the design 

industry as a whole, national and 

international press and design 

publications. 

122 

WINNER 

work rather than 

client projects.

123 VISUAL 


PROMOTIONAL 

LITERATURE/ 

PUBLICATIONS 


Title 

National Craft Gallery 

Exhibition Catalogues 

Company 

Creative Inc 

Designer 

Naoise Ó Conchubhair 


Our initial direction was influenced 

by the legacy of KDW. The 

craftwork itself had a significant 

influence on us, as well as the 

broad influence of contemporary 

European print design. 


To showcase the work of the 

exhibitors in the best possible 

light and to promote their work in 

both a domestic and international 

capacity. 


The catalogues are aimed 

at a new generation of craft 

enthusiasts who are visually aware 

and design savvy. The aim was 

to move away from the notion of 

craft being twee. 

124

125 VISUAL 


PROMOTIONAL 

LITERATURE/ 

PUBLICATIONS 

COMMENDED 

Title 

Human + Catalogue 

Company 

Science Gallery 

Designer 

Ruza Leko 


To present each of the exhibits, 

dealing with pertinent topics 

ranging from implants to 

immortality, in a way that 

seamlessly and uniformly 

expressed the aims of the 

exhibition. 


To showcase Science Gallery’s 

HUMAN+ exhibition, and the 

artists and experiments therein 

with a catalogue that would 

remain on sale in Science Gallery 

and international venues such as 

The Wellcome Trust, London after 

the exhibition. 


Artists, scientists, students, 

visitors to Science Gallery and 

associated venues during and 

after HUMAN+, and anyone with 

an interest in boundary between 

art and science, particularly 15–25 

year olds. 

VISUAL 


PROMOTIONAL 

LITERATURE/ 

PUBLICATIONS 

COMMENDED 

Title 

Ireland, Design and Visual Culture 

Company 

Atelier David Smith 

Designer 

David Smith 


As the first comprehensive 

collection of essays on Irish 

design and visual culture a core 

objective was to produce a book 

that would sit comfortably within 

the canon of academic publishing 

but also prove attractive to 

designers / broader public. 


Academics and Researchers 

interested in Design, Design 

History, Irish History and Visual 

Culture; Students of Design; 

Designers and general readers 

interested in this emergent field 

of Irish Studies. 

126 


Budget / Audience / Subject 

and Content all informed the key 

design and production decisions. 

As the extent of the title increased 

maintaining the illusion of the 

book being “full-colour” with a 

relatively limited budget informed 

many design decisions.

127 

GRADUATE 

DESIGN 

AWARDS 

128 

Craft Product Design 129 

Fashion Design 130 

Interior Architecture 131 

Product Design 132 

Textile Design 133 

Visual Communications 134 

Masters Award 135 

Grand Prix Award 136

GRADUATE 

DESIGN 

AWARDS 

CRAFT 

PRODUCT 

DESIGN 

GRADUATE 

DESIGN 

AWARDS 

FASHION 

DESIGN 

129 130 

WINNER 

Title 

Craft Collection 

College 

NCAD 

Designer 

Miriam Wade 

Jury Comments 

Miriam created craft metal forms 

that are complex, intricate and 

highly innovative. Her work 

combines the latest computer 

aided design and manufacturing 

techniques with hand craft 

metalworking processes. 

WINNER 

Title 

Fashion Collection 

College 

NCAD 

Designer 

Mona Atkinson 

Jury Comments 

The judging panel, led by Aileen 

Dempsey, was very impressed 

with the playful and delicate 

nature of Mona’s fashion 

collection. The work incorporates 

a mix of garments, materials and 

accessories to create a wonderful 

visual impact.

GRADUATE 

DESIGN 

AWARDS 

INTERIOR 

ARCHITECTURE 

131 Title 

Title 

132 

Academy of Irish Dance 

Mount Kestrel 

DESIGN 

College 

College 

AWARDS 

DIT 

NCAD 

Designer 

PRODUCT 

Designer 

Catriona Sheehan 

DESIGN 

Ben Millet 

WINNER 

Jury Comments 

Michelle Hetherington said: 

“There is an interesting juxtaposition 

between the old building and a new 

extension… Form & volume are 

cleverly expressed both internally 

& externally. From a presentation 

point of view, the designer displays 

a well-honed 3d imaging capability, 

illustrating light, colour, volume, 

texture to great effect.” 

GRADUATE 

WINNER 

Jury Comments 

From his experience working 

as a part-time professional 

photographer Ben identified a 

gap in the market for hand held 

DSLR video motion steady. The 

Mount Kestrel is a duo pod that 

steadies the DSLR camera as the 

photographer actively moves 

around.

GRADUATE 

DESIGN 

AWARDS 

TEXTILE 

DESIGN 

133 Title 

Title 

134 

Oversized Backpack Collection 

Executive Philanthropy Network 

DESIGN 

College 

College 

AWARDS 

NCAD 

IADT 

Designer 

VISUAL 

Designer 

Honor Scanlon 

COMMUNICATIONS Emma Fenlon 

WINNER 

Jury Comments 

Honor produced a wonderfully 

coloured series of oversized 

backpacks inspired by tribal body 

painting. The work combines a 

wide range of textiles techniques 

all mastered to a very high 

standard. Honor has a keen sense 

of fun, flair and style in series that 

has evident commercial appeal. 

GRADUATE 

WINNER 

Jury Comments 

The judges were very impressed 

with the design concept for this 

years winning design project. 

Fatcat is an executive philanthropy 

network for the world’s wealthiest. 

It stands for “Financial Aid Through 

Charity and Trade”. The entire 

project is a magazine, website and 

promotional video.

GRADUATE 

DESIGN 

AWARDS 

MASTERS 

AWARD 

GRADUATE 

135 Title 

Jury Comments 

136 

Night Prayer: A Contemporary Mary says her “…work is a 

DESIGN 

Book of Hours by Letterpress contemporary presentation of 

AWARDS 

and Print 

an extract of the Devine Office, 

College 

following in the tradition of the 

CRAFT 

NCAD 

illuminated Book of Hours.” 

PRODUCT 

Designer 

Mary’s work is an outstanding 

DESIGN 

WINNER 

Mary Plunkett 

example of contemporary visual 

communication and a worthy 

GRAND PRIX WINNER 

winner of the Masters Award. 

Title 

Craft Collection 

College 

NCAD 

Designer 

Miriam Wade 

Jury Comments 

Miriam created craft metal forms 

that are complex, intricate and 

highly innovative. Her work 

combines the latest computer 

aided design and manufacturing 

techniques with hand craft 

metalworking processes.

137 

PROMOTE 

YOUR 

WORK 

SEE 

OUR 

WORK 

HERE 

138 

IDI 

AWARDS 

10 11 

This year the IDI has once 

again included a self 

promotion tool. Whether 

you have a business or work 

for yourself, it has never 

been more important to 

showcase your work and 

promote your business to 

a wider audience. 

On the inside back cover you’ll 

find detachable markers. There 

are three types: 

1. See Our Work Here 

2. See My Work Here 

3. One To Remember 

Use either the ‘See Our Work 

Here’ or ‘See My Work Here’ 

marker to highlight your work. Use 

the ‘One To Remember’ marker 

to highlight work in an area of 

design separate to your own. This 

broadens the client’s appreciation 

of Irish design and supports 

business throughout the industry. 

THE INSTITUTE 1 

OF DESIGNERS 

IN IRELAND 

(IDI) 


LIFETIME 

AWARD 

18 

VISUAL 


THE IDI 140 

MEMBER 

DIRECTORY 


AWARDS 

GRAND 

PRIX 

WINNER 

THANK 

YOU 

3 

22 

88 

172 

WELCOMING 

MICHAEL D. 

HIGGINS’ 

PATRONAGE 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

GRADUATE 

DESIGN 

AWARDS 

BECOME 

A MEMBER 

OF THE IDI 

5 WELCOME 

FROM 

CAROL 

COFFEY 

26 MULTIMEDIA 

DESIGN 

128 PROMOTE 

YOUR 

WORK 

176 

7 SPECIAL 

THANKS 

46 PRODUCT 

DESIGN 

137 

58 

9 THE 

JURY 

TV/ 

THEATRE/ 

FILM 

DESIGN 

11 

74

139 


MEMBER 

DIRECTORY 

140 

The Institute embraces as wide 

a range of members as possible, 

while being careful to uphold 

the professional standards and 

codes of practice on which our 

reputation depends. 

Design Academics 141 

Design Management 143 

Design Professionals 145 

Design Students 161

DESIGN 

ACADEMICS 

141 Catherine Bates MIDI 

DIT 

23 Mountjoy Square 

Dublin 1 

P: 01 402 7616 

E: catherine.bates@dit.ie 

Cliona Dempsey MIDI 

Griffith College Dublin 

South Circular Road 


P: 01 415 0400 

Deirdre Doherty MIDI 

Des Kennedy MIDI 




P: 01 415 0400 

Jane Leavey MIDI 

Brendan Beirne MIDI 

149 Gaybrook Lawns 

Malahide 

Co. Dublin 

P: 086 847 0414 

E: bbeirne@eircom.net 




P: 01 415 0441 

E: deirdre.doherty@gcd.ie 




P: 01 415 0400 

E: jane.leavey@gcd.ie 

Bill Bolger MIDI 

31 Morehampton Terrace 

Donnybrook 


P: 01 668 4405 

E: wbolgerdsl@eircom.net 

Natalie Cassidy MIDI 




P: 01 415 0400 

Joe Coll MIDI 

Letterkenny Institute 

of Technology 

T: 074 915 2738 

Mark Cullen MIDI 

University Of Ulster 

School of Creative Arts 

Foyle Arts Building 

Northland Road 

BT48 7JL Derry 

Northern Ireland 

P: 028 7137 5355 

Aoife Dorney MIDI 

Cork Institute of Technology 

Bishopstown Campus 

Cork 

P: 021 432 6100 

E: Aoife.Dorney@cit.ie 

Wendy Doyle MIDI 




P: 01 415 0400 

E: interiordesignit@gmail.com 

Orla Flynn MIDI 

CIT Crawford College 

of Art & Design 

Sharman Crawford Street 

Cork 

P: 021 496 6777 

E: Orla.flynn@cit.ie 

Selma Harrington MIDI 




P: 01 415 0400 

Gwen Lettis MIDI 



Cork 

P: 021 432 6100 

E:Gwen.Lettis@cit.ie 

Padraic Lynch MIDI 







P: 028 7137 5355 

E: Pj.lynch@ulster.ac.uk 

Dr Justin Magee MIDI 







P: 028 7137 5355 

E: jdm.magee@ulster.ac.uk 

John McDonald MIDI 




P: 01 415 0400 

E: john.mcdonald@gcd.ie 

Rose McGrath MIDI 

CIT Media Communications 


Bishopstown 

Cork 

P: 021 433 5812 

E: rose.mcgrath@cit.ie 

Prof. Iseult McCarthy MIDI 

11 Tresdale 

Stillorgan Road 


P: 01 288 1746 

E: iseultmccarthy@eircom.net 

Alex Milton MIDI 

National College 

of Art and Design 

100 Thomas Sreet 


P: 01 636 4270 

E: miltona@ncad.ie 

Cormac O’Kane MIDI 

Letterkenny Institute 

of Technology Port Road 

Letterkenny 

Co. Donegal 

P: 074 918 6203 

E: cormac.okane@lyit.ie 

Marc O’Riain MIDI 



Cork 

P: 021 432 6100 

E: Marc.ORiain@cit.ie 

Terry Quigley MIDI 







P: 028 7137 5355 

E: tm.quigley@ulster.ac.uk 

Nuala Rooney MIDI 

School of Architecture 

& Design 

Universty of Ulster 

York Street 

Belfast BT15 1ED 

P: 028 9536 7241 

E: n.rooney@ulster.ac.uk 

Alex Scott MIDI 

4 Newtown Court 

Eaton Brae 

Churchtown 


P: 087 249 0947 

E: alexscottceramics@gmail.com; 

scotta@ncad.ie 

Joa Van Wyk MIDI 




P: 01 415 0400 

142

DESIGN 

MANAGEMENT 

143 Noel Brady MIDI 

Synthetic Reality 

4 Molesworth Place 


P: 01 678 8068 

E: syntheticreality@eircom.net 

Clarke Fyfe MIDI 

PricewaterhouseCoopers 

Waterfront Plaza 8 

Laganbank Road 

BT1 3LR 

Co. Antrim 

E: clarkefyfe@hotmail.com 

Oliver McElvaney MIDI 

37 Old Cabra Road 

Dublin 7 Dublin 

E: mcelvaney1@ireland.com 

Jonny Blair MIDI 

MXB 

355—367 Lisburn Road 

BT9 7EP 

Co. Antrim 


T: 028 9068 8400 

144 

Steve Conlon FIDI 

E: steve@dmm.ie 

E: jonny@hellomxb.com 

Martin Crotty MIDI 

BFK 

10 Westland Square 

Pearse Street 


P: 01 671 8844 

E: martin@bfk.ie 

Aileen Dempsey MIDI 

Designing Business 

Fumbally Exchange 

Fumbally lane 


P: 086 814 2589 

E: aileen@designingbusiness.ie 

Lorraine Egan MIDI 

Enterprise Ireland 

The Plaza 

East Point Business Park 


P: 01 727 2000 

E: lorraine.egan@ 

enterprise-ireland.co 

Martin Gaffney MIDI 

Designworks 

16 Oakdown Road 

Churchtown 


P: 01 668 8235 

E: martin@designworks.ie 

Jamie Helly MIDI 

Dynamo 

5 Upper Ormond Quay 


P: 01 872 9244 

E: jamie@dynamo.ie 

Paul Hogan MIDI 

47 Merrion Village 

Merrion Road 

Sandymount 


P: 01 260 6010 

E: pvhogan@gofree.indigo.ie 

John Humphreys MIDI 

Merck Sharp & Dohme Ireland 

(Human Health) Ltd 

Pelham House 

South County Business Park 

Leopardstown 


P: 01 299 8749 

E: john_humphreys@merck.com 

Brian McGee MIDI 

Crafts Council of Ireland 

Castle Yard 

Kilkenny 

Co. Kilkenny 

P: 087 799 2971 

E: brian@ccoi.ie 

Elsye Napier MIDI 

MXB 


BT9 7EP 

Co. Antrim 


T: 028 9068 8400 

E: elyse@hellomxb.com 

Barry McCabe MIDI 

MXB 


BT9 7EP 

Co. Antrim 


T: 028 9068 8400 

E: barry@hellomxb.com 

Sean Hutcheson MIDI 

MXB 


BT9 7EP 

Co. Antrim 


T: 028 9068 8400 

E: sean@hellomxb.com 

Gary Orr MIDI 

Link Design Studios 

3015 Lake Drive 

Citywest Business Campus 


T: 01 403 8484 

E: gary.orr@linkstudios.ie 

Simon Richards MIDI 

Richards Dee 

39 Upper Fitzwilliam Street 


E: simon@richardsdee.com 

Rina Whyte MIDI 

E: rinawhyte@yahoo.com

DESIGN 

PROFESSIONALS 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

145 Kieran Bennett MIDI 

Kieran Bennett Interior 

Architecture 

10 Astna Street 

Clonakilty 

Co. Cork 

P: 087 830 5625 

E: bennettkieran62@gmail.com 

Catherine Callan-Campbell MIDI 

7 Wesley 

Curraghbinny Road 

Carrigaline 

Co. Cork 

P: 021 437 2407/086 809 2178 

E: catherine-callan@hotmail.com 

Aidan Cavey MIDI 

Wendy Doyle MIDI 

Wendy Doyle Interiors 


20 The Tentorfields 

South Brown Street 


P: 086 822 0000 

E: interiordesignit@gmail.com 

Billy Griffin MIDI 

Artisan Solutions 

Unit 4–Phase 3 

North West Business Park 

Ballycoolin 


P: 01 861 2610 

E: billy@artisansolutions.net 

Cornelia Hope MIDI 

Peter Legge Associates 

The Studio 

Abbey Court 

Abbey Road 

Blackrock 


P: 01 230 2851 

E: plegge@indigo.ie 

146 

Kadri Bormeister MIDI 

Absolute Zero Design 

Abbeylands Cross 

Kilcolman 

Milltown 

Co. Kerry 

P: 087 282 6902 

E: kadri@absolutezerodesign.com 

Cavey Interior Design Limited 

4 Shaws Lane 

Bath Avenue 


P: 01 660 0600 

E: aidancavey@cavey.ie 

Paul Finnegan MIDI 

MOLA Architecture 

Fumbally Square 

Fumbally Lane 


P: 01 453 7300/086 300 0855 

E: pfinnegan@ 

molaarchitecture.com 

Denis Handy MIDI 

Denis Handy Consulting 

1 Campfield Terrace 

Upper Kilmacud Road 


P: 01 296 6073 

E: denishandy@gmail.com 

Colm Horan MIDI 

Opperman Associates 

Unit D1 

The Steelworks 

Foley Street 


P: 01 889 9800 

E: colm.horan@oppermann.ie 

Emily Bracken MIDI 

Murrisk 

Westport 

Co. Mayo 

E: embracken@gmail.com 

Douglas Carson MIDI 

Carson and Crushell Architects 


P: 089 418 3264 

E: douglas@ 

carsonandcrushell.com 

Joanne Byrne MIDI 

Martello Media Ltd 

4 Islington Avenue 

Sandycove 


P: 01 284 4668 

Theresa Cleary MIDI 

iDezign 

Unit 10 

Dun Ri 

Athenry 

Co. Galway 

P: 091 875 381/087 1310 017 

E: theresa@idezign.ie 

Celine Cummins MIDI 

PO Box 6961 

Griffith Avenue 

Drumcondra 


P: 086 244 8374 

E: celine_cummins@eircom.net 

Audrey Gaffney MIDI 

Be Design 

No. 7 Kilcarn Heights 

Navan 

Co. Meath 

P: 086 272 3821 

E: audrey@bedesign.ie 

Triona Glacken GIDI 

Tivoli 

Grosvenor Villas 

Rathgar 


P: 01 496 5696/087 913 5943 

E: trionagg@eircom.net 

Selma Harrington MIDI 

Anima Design 


15 Laburnam Road 

Clonskeagh 


E: anima@indigo.ie 

Ronan Holohan MIDI 

Millimetre Design Limited 

3D Main Street 

Ongar Village 


P: 01 826 3971/086 810 6082 

E: ronan@millimetredesign.com 

Ciarán Hynes MIDI 

Salmon Hynes and Associates 

2 Crofton Terrace 

Dun Laoghaire 


P: 087 248 3481 

E: chynes@salmonhynes.ie 

Brian Jennings MIDI 

Jennings Design Studio 

1–2 Marino Mart 

Fairview 


P: 01 853 5644 

E: brian@ 

jenningsdesignstudio.com

DESIGN 

PROFESSIONALS 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

147 Susan Jennings MIDI 

Jennings Design Studio 

1–2 Marino Mart 

Fairview 


P: 01 816 7637/087 743 9304 

E: susan@ 

jenningsdesignstudio.com 

Gwen Kenny MIDI 

Divine Design 

14 Castle Drive 

Clondalkin 


P: 087 679 4147 

E: divinedesign@eircom.net 

Anne Kirby MIDI 


McCabe Design Group 

The Academy 

42 Pearse Street 


P: 087 293 1173 

E: barry@mdg.ie 

Fiona McDonald MIDI 

Art Mooney MIDI 






P: 01 861 2610 

E: art@artisansolutions.net 

Helen Nic Giolla Rua MIDI 






P: 01 861 2610 

E: helen@artisansolutions.net 

148 

Peter Johnson MIDI 

Peter Johnson Interiors 

60 Lombard Street West 


P: 01 453 7088 

E: peterjohnsoninteriors@ 

eircom.net 

AK Design 

The Malthouse Design Centre 

Distillery Court 

537 North Circular Road 


P: 087 958 3082 

E: info@akdesign.ie 

22 The Moorings 

Bailick Road 

Midleton 

Co. Cork 

P: 086 891 8770 

E: fionamcdon@gmail.com 

Cornelia Murphy MIDI 

Cornelia Murphy Architects 


Fumbally Lane 


P: 087 4176134 

E: corneliamurphy@eircom.net 

Geraldine O’Brien MIDI 

Design Sense 

2 Hollow View 

Oakview Village 

Tralee 

Co. Kerry 

P: 087 952 1729 

E: info@designsense.ie 

Janine Kennedy MIDI 

Janine Kennedy Design 

13 Farney Park 

Sandymount 


P: 086 046 6315 

E: janinekennedydesign@ 

gmail.com 

Adrian Kenny MIDI 

Uvipod 

Sligo Innovation Centre 

Ballinode 

Sligo 

P: 086 812 6450 

E: adriank@uvipod.com 

Elizabeth Kirby MIDI 

Elizabeth Kirby Designers 

The Office 

6 White Swan Business Centre 



P: 086 602 6443 

E: elizabethkirby@ekd.ie 

Mark Leslie MIDI 



Sandycove 


P: 01 284 4668 

E: markl@martellomedia.com 

John McDonald MIDI 


E: john.mcdonald@gcd.ie 

Elaine McHale MIDI 

Home Interiors 

48 Roseville 

Dublin Road 

Naas 

Co. Kildare 

P: 087 610 2428 

E: elaine@homeinteriors.ie 

John Monahan MIDI 

NOJI 

The Fumbally Exchange 


Fumbally Lane 


P: 087 770 8805 

E: john@noji.ie 

Stephen Nelson MIDI 

Nelson O’Neill Architects 

25 St Fintan’s Park 

Blackrock 


P: 01 289 9341 

E: stephennelson1@gmail.com 

Stephen Newell MIDI 

Stephen Newell Architects 

Jollylands 

Ballycorus Road 

Kilternan 


P: 01 286 4791 

E: studio@sna.ie 

Denise O’Connor MIDI 

Optimise Design 

65 Merrion Square 


P: 01 661 9020 

E: denise@optimise-design.com 

Karl O’Donovan MIDI 

The Building Consultancy 

79 Merrion Square 


P: 01 634 1000 

E: karl@thebuildingconsultancy.ie 

Tony Reddy MIDI 

Reddy Architecture 

Dartry Mills 

Dartry 


P: 01 498 7000/087 255 5946 

E: info@reddyarchitecture.com; 

treddy@reddyarchitecture.com

DESIGN 

PROFESSIONALS 

COMMERCIAL 

INTERIOR & 

EXHIBITION 

DESIGN 

149 Rob Reid MIDI 

Andrew Todd MIDI 

Derek Brady MIDI 

Frank Long MIDI 

150 


Tandem Design 

Webfactory 

Frontend.com 

PROFESSIONALS 


Rollo House 

7 Bachelors Walk 

7 Westland Court 

DIGITAL 

Sandycove 

6 High Street 


South Cumberland Street 


Holywood 

MEDIA 

P: 01 678 9992 


P: 01 284 4668 

BT18 9AZ 

Co. Down 

E: derek@webfactory.ie 

P: 01 611 4630/086 224 9334 

E: frank.long@frontend.com 

Caitriona Shaffrey MIDI 

Design Interiors 

18 Dartmouth Square 

Ranelagh 


P: 01 660 5177 

E: cbda@eircom.net 

P: 028 9042 5590 

E: andrew@tandemdesign.co.uk 

Justin Treacy MIDI 

RKD Architects 

120 Baggot Lane 


David Delahunty MIDI 

Frontend.com 




P: 01 611 4630 

E: david.delahunty@frontend.com 

Emmet O’Connell MIDI 

Index D 




P: 087 977 8544 

P: 01 614 0200/086 816 6091 

E: hello@indexd.ie 

E: justinctreacy@gmail.com 

Barry Sheehan MIDI 

Sheehan Architects 

The Studio 

Dunleckney 

Muine Bheag 

Co. Carlow 

P: 087 259 2546 

E: barry@sheehan.ie 

Alexander Simpson MIDI 

Campbell Simpson & Associates 

113 Meadowbank 

Bushy Park Road 

Rathgar 


P: 01 492 6956 

E: a.simpson@dublin.com 

Mark Tiernan MIDI 

Tiernan Design 

6 Castlewood Place 

Rathmines 


P: 087 688 8511 

E: mark@tiernandesign.ie 

Peter Whittaker MIDI 



Sandycove 


P: 01 284 4668 

E: peterw@martellomedia.com 

Amie Willmott-Malone MIDI 

AKA Interiors 

Woodbine Cottage 

8 Glassons Avenue 

Cobh 

Co. Cork 

P: 085 142 8317 

E: amiewillmottmalone@ 

gmail.com 

DESIGN 

Karen Hanratty MIDI 

Pixel Design 

The Daintree Building 

Pleasants Place 


P: 01 400 5028 

E: karen@pixeldesign.ie 

Kevin Horan MIDI 

Associate 

Number One 

43/44 Temple Bar 


P: 086 386 1003 

E: kevin@associate.ie 

Clayton Lloyd MIDI 

Frontend.com 




P: 01 611 4630 

E: clayton.lloyd@frontend.com 

Henry Poskitt MIDI 

Frontend.com 




P: 01 611 4630 

E: henry.poskitt@frontend.com 

Simon Rand MIDI 

Iorum 

Space 28 

North Lotts 

Dublin 

T: 01 443 4520 

E: simon@iorum.ie 

Cameron Ross MIDI 

Framework Design 

27 Wolseley Street 



P: 01 667 5360/086 240 7036 

E: cameron@frameworkdesign.ie

DESIGN 

PROFESSIONALS 

FASHION & 

TEXTILE 

DESIGN 

151 Julian Berwick MIDI 

Edward Cahill MIDI 

Simon Dennehy MIDI 

152 

Equipage 

Snap-on Diagnostics 

Perch 

PROFESSIONALS 

Dranagh 

Cullenagh 

The Priory Building 

PRODUCT 

St Mullin’s 

Ballina Killaloe 

St John Street West 

Carlow 

DESIGN 

Co. Tipperary 


P: 086 816 5273 

E: jaberwick@eircom.net 

P: 061 375 175/087 686 9177 

E: edwardcahill@eircom.net 

P: 087 940 2224 

E: simon@perch.ie 

DESIGN 

Natalie Cassidy MIDI 

Seamere 

Strand Road 

Merrion Gates 


P: 01 547 9501/087 054 7668 

E: nataliecassidy@gmail.com 

Jane Leavey MIDI 




P: 01 415 0478 

E: jane.leavey@gcd.ie 

Reenagh McCall MIDI 

Embrace Design Innovations Ltd 

32 Thornberry 

Barna 

Co. Galway 

E: reenagh@embrace.ie 

Clare Silke GIDI 

Knocknavaddy 

Furbo 

Co. Galway 

P: 087 298 0604 

E: c.silkay@live.co.uk 

Billy Canning MIDI 

Canning Design Ltd 

Main Street 

Borris 

Co. Carlow 

P: 087 812 8597/059 977 3643 

E: billy@canningdesign.ie 

Martin Clowry MIDI 

Boxclever 

24 Castleyard 

St Patrick’s Road 

Dalkey 


P: 01 476 4890 

E: martin@boxclever.ie 

Dermot Costello MIDI 

Buttonbox Creative 

Unit 41 

Guinness Enterprise Centre 

Taylor’s Lane 


P: 087 633 5725 

E: dermot@buttonbox.ie 

Garvan de Bruir MIDI 

De Bruir Design Ltd 

Monasterevin Road 

Kildare Town 

P: 087 618 2290 

E: info@debruir.com 

Simon Hall MIDI 

Boxclever 

24 Castleyard 


Dalkey 


P: 01 443 3933/ 087 751 0763 

E: simon@boxclever.ie 

Ben Harris MIDI 

White Zebra Studios 

The Malthouse Design Centre 

537 NCR 


P: 087 240 5487 

E: ben@whitezebrastudios.com 

Leo Kennedy MIDI 

Roslea 

La Touche Road 

Wicklow 

P: 087 992 4238 

E: leo.kennedy.0@gmail.com 

Natalie Keville MIDI 

Perch 




P: 087 267 7812 

E: natalie@perch.ie

DESIGN 

PROFESSIONALS 

PRODUCT 

DESIGN 

153 Simon Kingston MIDI 

Perch 




P: 085 703 1929 

E: simonk@perch.ie 

Diarmuid MacMahon MIDI 


IDA Bray Business Parkk 

Southern Cross Route 

Bray 

Co. Wicklow 

P: 01 282 8913 

E: diarmuid@designpartners.com 

Greg Tobin MIDI 

Spear Product Design 

725 Northwest Business Park 

Kilshane Drive 


P: 01 857 3766/ 087 239 6371 

E: greg@spear.ie 

154 

Padraig Leahy MIDI 

Perch 




P: 087 231 3008 

E: padraig@plas.ie 

Aideen McCole MIDI 

21 Boyne Lodge 

Slane Road 

Drogheda 

Co. Louth 

P: 087 992 2688 

Trevor Vaugh MIDI 

Advanced Surgical Concepts 

/TVID 

Wicklow and Dublin 

P: 01 884 4469/087 903 9314 

E: trevorvaugh@gmail.com 

E: aideen.eadaoin@gmail.com 

William Lee MIDI 

The Design Factor 

8 Cromac Quay 

Ormeau Road 

Belfast BT7 2JD 

P: 048 9023 9911 

E: william@thedesignfactor.com; 

info@thedesignfactor.com 

Peter Mac Cann MIDI 

Peter Mac Cann Studio 

4 Belgrave Square 



P: 087 419 0364 

E: studio@petermaccann.com 

Dominic Southgate MIDI 

Boxclever 

24 Castleyard 


Dalkey 


P: 01 476 4890 

E: dominic@boxclever.ie 

Brian Stephens FIDI 


IDA Bray Business Park 

Southern Cross Route 

Bray 

Co. Wicklow 

P: 01 282 8913 

E: brian@designpartners.com 

John Walsh MIDI 

Made 

29 Windsor Terrace 

Portobello 


P: 01 4402 388 

E: john.walsh@made.ie; 

info@made.ie 

Michael Walsh GIDI 

IQ Concept & Design Ltd 

Unit 5A Killinarden Enterprise 

Centre 

Whitestown Way 

Tallaght 


P: 01 451 3767/085 149 9538 

E: michael.walsh62@mail.dcu.ie

DESIGN 

PROFESSIONALS 

TV/ 

THEATRE/ 

FILM 

DESIGN 

155 Carol Coffey MIDI 

Sinead O’Hanlon MIDI 

Alan Bennis MIDI 

Dermot Byrne MIDI 

156 

RTÉ 

RTÉ 

Bennis Design 

PriceWaterhouseCoopers 

PROFESSIONALS 

Donnybrook 

Donnybrook 

The Malthouse Design Centre 1 Spencer Dock 

VISUAL 



537 North Circular Road 

North Wall Quay 

P: 01 208 4150/086 382 4499 P: 086 358 5165 




E: carol.coffey@rte.ie 

E: sineadoh@yahoo.com 

P: 01 857 1450/086 835 5494 

E: alan@bennisdesign.ie 

P: 01 792 7939 

E: dermot.byrne@ie.pwc.com 

Donovan Delaney MIDI 

261 Crodaun Forest Park 

Celbridge 

Co. Kildare 

P: 085 149 4665 

E: nemix.media@gmail.com 

Geraldine O’Malley MIDI 

RTÉ 

Donnybrook 


P: 01 208 2959 

E: omalleq@rte.ie 

Bill Bolger MIDI 

31 Morehampton Tce 


P: 087 294 0752 

E: billbolger@ireland.com 

Alan Dunne MIDI 

RTÉ 

Donnybrook 


E: Alan.dunne@rte.ie 

Aileen Fogarty MIDI 

RTÉ 

Donnybrook 


Patrick Molloy MIDI 

16 Coppinger Wood 

Blackrock 


P: 01 288 4015/086 397 7710 

E: patmolloy@eircom.net 

Oliver Murphy MIDI 

RTÉ 

Donnybrook 


P: 087 647 4389 

E: oliver.murphy@rte.ie 

David Phelan MIDI 

Mode Vision 

99 Kylemore 

School House Road 

Monialeen 

Castletroy 

Co. Limerick 

P: 087 932 4592 

E: davidphelan@modevision.tv 

Marcella Power MIDI 

RTÉ 

Donnybrook 


P: 01 208 2588 

E: powerma@rte.ie 

Darragh Treacy MIDI 

RTÉ 

Donnybrook 


P: 01 208 2307 

E: darragh.treacy@rte.ie 

DESIGN 

Kevin Boyle MIDI 

Design Factory 


Portobello 


P: 01 809 0010 

E: kevin.boyle@designfactory.ie 

Andrew Bradley MIDI 

Bradley Brand & Design Ltd 

109 Q House 

Furze Road 

Sandyford 



P: 01 293 7787 

E: andrew@bradleybrand.ie 

Anne Brady MIDI 

Vermillion Design 

No. 1 The Stables 

Distillery Lofts 

Distillery Road 


P: 01 852 2011 

E: anne@vermilliondesign.com 

Robert Carr MIDI 


1 Spencer Dock 



P: 01 792 7939 

E: robert.x.carr@ie.pwc.com 

Lorraine Carter MIDI 

Persona Design 

Persona House 

21 Carrickbrack Lawn 

Sutton 


P: 01 832 2724/087 255 2184 

E: lorraine@personadesign.ie 

Joanne Cassells MIDI 


109 Q House 

Furze Road 

Sandyford 



P: 01 293 7787 

E: joanne@bradleybrand.ie

DESIGN 

PROFESSIONALS 

VISUAL 


157 Conor Clarke MIDI 



Portobello 


P: 01 809 0010 

E: conor.clarke@designfactory.ie 

Fiona Darcy MIDI 

Penhouse Design 

Powelstown House 

Ratheniska 

Stradbally 

Co. Laois 

P: 057 862 5522 

E: fiona@penhouse.ie 

Alan Dunne MIDI 

RTÉ Graphic Design Dept 

E: alan.dunne@rte.ie 

Fiona Finegan MIDI 

4 The Orchard 

Seapoint Avenue 

Blackrock 


Richard Hynes MIDI 

The Brand Union 

9 Upper Pembroke Street 


P: 01 613 1650 

E: richard.hynes@ 

thebrandunion.com 

Con Kennedy MIDI 

24 Sycamore Lawn 

Castleknock 


P: 087 243 0082 

E: info@conkennedy.ie 

David Lawlor MIDI 

158 

Tara Clarke MIDI 


10 Castlewood Place 



P: 01 491 4164 

E: tara@zinc.ie 

P: 086 891 3827 

E: fionafinegan@gmail.com 

Rory Jeffers MIDI 

Pierce Communicatons 

17 Dargan Crescent 

Belfast 

BT3 9RP 

Co. Antrim 

P: 028 909 0371 010 

BrandNew Creative 

23 Woodstown Gardens 

Knocklyon 


P: 087 791 6433 

E: david@brandnew.ie 

Nicholas Cloake MIDI 

Baseline CS 

15 Mountjoy Square North 


P: 01 855 7663 

E: n.cloake@baseline.ie 

David Cooke MIDI 

21 Shanard Road 

Santry 


P: 01 842 9083 

E: dvdcooke@eircom.net 

Adrian Crilly MIDI 

Crilly & Wardell Consultants Ltd 

The Oaks 

Stacumny 

Celbridge 

Co. Kildare 

P: 01 630 3975 

E: adrian@crillywardell.ie 

Nik Dillon MIDI 

Wemakedesign 

63 Ravenswell 

Palmer Road 

Rush 


P: 01 807 1528/087 643 2829 

E: nik@wemakedesign.com 

Mary Doherty MIDI 

Red Dog 

23 Blackpitts 


P: 01 416 3288 

E: mary.doherty@reddog.ie 

Fiona Dowling MIDI 

1 Saran Wood 

Bray 

Co. Wicklow 

P: 01 285 0404 

E: fdowling@wit.ie 

Sinead Doyle MIDI 



Portobello 


P: 01 809 0010 

E: sinead@designfactory.ie 

Clara Fitzgerald MIDI 

Clarafitzdesign 

32 St Kevin’s Road 

Portobello 


P:01 613 9144/087 298 4600 

E: clarafitzdesign@gmail.com 

Paul Gately MIDI 

Motif 

34 Upper Baggot Street 


P: 01 667 4918/087 636 1775 

E: paul@motif.ie 

Anne Harnett MIDI 

Fuse Graphic Design 

27A Synge Street 

Portobello 


P: 01 478 0802 

E: anne@fuse.ie 

Sean Hutcheson MIDI 

Mxbrandcom 

9 Upper Crescent 

Belfast BT7 1NT 

P: 048 9031 2948 

E: sean@mxbrandcom.co.uk 

Rhys Jenkins MIDI 



Portobello 


P: 01 809 0010 

E: rhys@designfactory.ie 

Stephen Kavanagh MIDI 



Portobello 


P: 01 809 0010 

E: Stephen@designfactory.ie 

Brian Kearns MIDI 

Creative Freedom Design 

Castle Street 

Roscommon Town 

Roscommon 

P: 090 662 8493/086 401 0144 

E: brian@creativefreedom.ie 

Ciara Layden MIDI 

The Brand Union 

9 Upper Pembroke Street 


P: 01 613 1650/087 969 7449 

E: ciara.layden@ 

thebrandunion.com 

Caroline Leckey MIDI 

Creative Freedom Design 

Castle Street 

Roscommon Town 

Roscommon 

P: 090 662 8493 

E: caroline@creativefreedom.ie 

Ruza Leko GIDI 

Science Gallery 

Pearse Street 

Trinity College 


P: 01 896 4541/087 122 2467 

E: ruza.leko@sciencegallery.com

DESIGN 

PROFESSIONALS 

VISUAL 


159 Stephanie Lennon MIDI 

OVO 

2 Main Street 

Donnybrook 


P: 01 525 0400/086 172 1122 

E: stephanie@ovo.ie 

Cian McGrath MIDI 

CMG Designs 

Acorn Business Campus 

Blackrock 

Co. Cork 

P: 021 239 4546 

E: cian@cmgdesigns.ie 

Lauren O’Neill MIDI 


109 Q House 

Furze Road 

Sandyford 



P: 01 293 7787 

Gillian Reidy MIDI 



Ratheniska 

Stradbally 

Co. Laois 

P: 057 862 5522 

E: gill@penhouse.ie 

Donal Thornton MIDI 

Practice & Theory 

24 South Lotts Road 


P: 01 667 4779/086 200 6117 

E: donal@practiceandtheory.com 

Andrew Todd MIDI 

160 

Barry Lynch MIDI 





P: 01 792 7939 

E: barry.lynch@ie.pwc.com 

Piera McVeigh MIDI 

24 Wallace’s Cove 

Blackrock 

Dundalk 

Co. Louth 

P: 086 316 2253 

E: piera@pieramcveigh.com 

E: lauren@bradleybrand.ie 

Daragh O’Toole MIDI 

Persuasion Republic 

3 Kilmainham Square 


Ireland 

Julie Richards MIDI 





P: 01 792 6336 

Tandem Design 

Rollo House 

6 High Street 

Holywood 

BT18 9AZ 

Co. Down 

P: 028 9042 5590 

P: 01 4536836 

E: julie.a.richards@ie.pwc.com E: andrew@tandemdesign.co.uk 

E: Daragh@persuasionrepublic.ie 

Laura Macaulay MIDI 

Navigatebydesign 

3 Dundrum Court 

Ballinteer Road 


P: 087 246 4422 

E: laura@navigatebydesign.com 


Mxbrandcom 

9 Upper Crescent 

Belfast BT7 1NT 

P: 048 9031 2948 

E: barry@mxbrandcom.co.uk 

Feena McCarthy MIDI 

RR Donnelley 

34 Kirkpatrick House 

Spencer Dock 


P: 087 688 3421 

E: feena.m.mccarthy@rrd.com 

Martina Moloney MIDI 


109 Q House 

Furze Road 

Sandyford 



P: 01 293 7787 

E: martina@bradleybrand.ie 

Annette O’Hara MIDI 



Ratheniska 

Stradbally 

Co. Laois 

P: 057 862 5522 

E: annette@penhouse.ie 

Alvin Perry MIDI 

Fresh 

Number 11 

Harrington Street 


P: 086 822 1282 

E: alvin@fresh.ie 

Leonie Rafter MIDI 



Ratheniska 

Stradbally 

Co. Laois 

P: 057 862 5522 

E: leonie@penhouse.ie 

John Sherwin MIDI 

Roomthree Design 

29/30 Dame Street 


P: 01 670 9019 

E: john.sherwin@roomthree.com 

Patrick Swan MIDI 

Mindmap Communications Ltd. 

27 Longford Terrace 

Monkstown 


P: 01 642 5730/085 112 4840 

E: bstormy@gmail.com 

Joey Teehan MIDI 

Subliminal Design Studio 

123 Kilmainham Square 


P: 01 444 9890/087 666 3057 

E: joey@subliminal.ie

DESIGN 

STUDENTS 

161 Lisa Bafagih SIDI 

St John’s College Cork 

9 Myrtlehill Terrace 

Lower Glanmire Road 

Cork City 

P: 021 467 9639/085 850 5202 

E: lisabafagih@gmail.com 

Emma Brosnan SIDI 

CIT/emmanora 

Brosnan’s Farmhouse 

Woodlawn Road 

Killarney 

Co. Kerry 

P: 087 246 5500 

E: emmanora.art@gmail.com 

Margaret Byrne SIDI 

Dublin Institute of Design 

29 The Glade 

Belgard Heights 

Tallaght 


P: 01 451 2036/087 246 7547 

E: margiebyrne@gmail.com 

Aisling Connell SIDI 

NCAD 

4 Beverly Park 

Knocklyon 


P: 087 624 0028/01 494 3895 

E: aislingconnell@gmail.com 

Patrick Devine SIDI 

NUI Maynooth/Devine Creations 

2 Church View 

Rathmoylon 

Co. Meath 

P: 046 955 5860/087 160 2599 

E: patrick.devine57@gmail.com 

162 

Manpreet Bajwa SIDI 

Griffith College 

190 The New Hardwicke 

Church Street 


P: 085 180 2060 

E: manpreet.bajwa.mb@gmail.com 

Niamh Burgess SIDI 

NCAD 

14 Bow Bridge 

Kilmainham 


E: niamhburgess@live.co.uk 

Louise Carey SIDI 

NCAD 

29 Knockcullen Park 

Knocklyon 


P: 086 844 1210 

Joseph Crennan SIDI 

UL 

Avondale 

Newmarket on Fergus 

Clare 

P: 085 773 4510 

E: joe.crennan89@hotmail.com 

Niall Diggins SIDI 

NUI Maynooth 

1A Ashleigh Grove 

Maynooth 

Co. Kildare 

P: 085 116 5106 

E: nialldiggins@gmail.com 

E: loucarey@gmail.com 

Albert Belokon SIDI 

DIT 

72 Clareville Road 

Harold’s Cross 

Dublin 6W 

P: 087 904 7510 

E: ab114@msn.com 

Clare Brennan SIDI 

IADT Dun Laoghaire 

Rahan Cottage 

Killarney Road 

Bray 

Co. Wicklow 

P: 087 903 8096 

E: clare.elizabethbrennan@ 

gmail.com 

Emmaleigh Butler SIDI 


21 Henley Park 


P: 086 194 4429 

E: emmaleighbutler@gmail.com 

Aine Byrne SIDI 

NCAD 

100 Thomas Street 


P: 085 284 4145/087 955 6922 

E: ainekbyrne@gmail.com 

Gerard Byrne SIDI 

IADT 

23 Clanbrassil Street Lower 


P: 087 212 9075 

E: info@ger.me 

Clodagh Carroll SIDI 

NCAD 

Poulshone 

Courtown 

Gorey 

Co. Wexford 

P: 085 838 8225/087 620 3468 

E: clodaghcarroll@live.com 

Denis Carroll SIDI 


86 Bakers Road 

Gurranabraher 

Cork City 

P: 021 430 1824/086 064 6451 

E: hello@deniscarroll.com 

Sinead Crowley SIDI 


Castleview 

Clonakilty 

Co. Cork 

P: 023 884 6546/087 747 5151 

E: sinead.crowley@mycit.ie 

Sara DeGreeve SIDI 


Apt 69 Dundrum View 

Ballinteer Road 

Dundrum 


P: 086 784 4566 

E: sdegreeve@hotmail.com 

Patrick Dennis SIDI 

NCAD 

114 Howth Road 

Clontarf 


P: 087 227 9813 

E: paddy_dennis@hotmail.com 

Kevin Doherty SIDI 

UCD 

8 Clonard Avenue 

Sandyford Road 


P: 086 324 9245 

E: kevin.sean.doherty@gmail.com 

Kieran Dold SIDI 

31 Killiney Road 

Killiney 


P: 085 707 1707 

E: kieran.dold@gmail.com 

Eibhlín Doran SIDI 

NCAD 

Lavagilduff 

Northlands 

Via Shercock 

Monaghan 

E: eibhlindoran@gmail.com

DESIGN 

STUDENTS 

163 Aoife Doyle SIDI 

NCAD 

34 Dartmouth Road 


P: 087 202 6538 

E: aoife_ie@hotmail.com 

Caroline Fitzgerald SIDI 

CIT 

Granafulla 

Waterville 

Co. Kerry 

P: 087 901 3859 

E: carfitz1@hotmail.com 

Aine Geoghegan SIDI 


Carmen Lodge 

Broadleas 

Ballymore Eustace 

Co. Kildare 

P: 045 863 206/085 760 4768 

Louise Hanratty SIDI 

Dublin Institute of Technology 

Kilcroney 

Readypenny 

Dundalk 

Co. Louth 

P: 085 726 5800 

Helle Jonson SIDI 


69 Grove Park 



P: +474 738 2952/085 158 2225 

E: helle_jonson88@hotmail.com 

164 

Jonathan Doyle SIDI 

NUI Maynooth 

23 Kennington Road 

Templeogue 


P: 087 311 8606 

E: jnthn_doyle@yahoo.ie 

E: paisley01@gmail.com 

E: louisehanrattydesign@ 

gmail.com 

Jonathan Dudley SIDI 

Jonas Dybedal SIDI 




P: 087 221 5765 

E: jonas@bico.no 

Alina Dylnova SIDI 


18 Maxwell Street 


P: 087 216 3871 

E: arinoshi@yandex.ru 

Amy Fekkes SIDI 

University of Ulster Magee 

27 Drumcrow Road 

Glenarm 

Ballymena 

BT44 0DX 

Antrim 

P: 028 2884 1531/079 9965 6617 

E: fekkes@live.co.uk 

Catherine Flynn SIDI 

AIT 

17 Ankers Court 

Brideswell 

Athlone 

Co. Westmeath 

P: 086 030 8081/087 950 6300 

E: cath.flynn@yahoo.co.uk 

Matthew Foster SIDI 

NCAD 

18 Kilnamanagh Road 

Walkinstown 


mfoster.id@gmail.com 

Sara Furlong SIDI 

NCAD 

Ballynagrane 

Borris 

Co. Carlow 

P: 087 647 7591 

E: myniceaddress@hotmail.com 

Aine Gallagher SIDI 

NCAD 

207 Beech Park 

Lucan 


P: 087 641 7918 

E: ainegall@gmail.com 

Grace Gilmore SIDI 

University of Limerick 

8 Shannon Park 

Lifford 

Co. Clare 

P: 085 783 1506 

E: gilmore.grace6@gmail.com 

Natalia Golden SIDI 

University of Ulster Magee 

Grattan Street 

Ballymote 

Co. Sligo 

P: 075 3130 0103/087 254 2034 

E: golden-cheeks@hotmail.com 

Jessica Hales SIDI 

NCAD 

35 The Warren 

Malahide 


P: 087 903 8514 

E: jessicahales24@hotmail.com 

Ger Hanley SIDI 


38 Wainsfort Manor Crescent 

Terenure 


E: geraldine.hanley@gmail.com 

Katie Harbison SIDI 


46 Thormanby Lawns 

Howth 


P: 087 780 4696 

E: ktharbison@hotmail.com 

John Hearne SIDI 


91 Glasnevin 


P: 086 351 3480/01 830 7726 

E: john-hearne@hotmail.com 

Susannah Hill SIDI 

GCD 

Dunganstown Castle 

Wicklow 

P: 085 151 0015 

E: blondedaze@hotmail.com 

Kelly Irish SIDI 

LSAD 

Mount Swan 

Nicholastown 

Slieverue 

Co. Kilkenny 

P: 087 131 4625 

E: kellyirish89@gmail.com 

Nathaniel Kaar SIDI 

DIT 

Suaimhneas 

Laburnum Drive 

Model Farm Road 

Cork 

P: 087 260 0042 

E: nedkaar@gmail.com 

Emile Karlsson SIDI 




P: 087 221 5765 

E: russelviper@hotmail.com 

Terence Kealy SIDI 

NCAD 

35 Belville 

Donnybrook 


P: 086 881 4998 

E: terkealy@hotmail.com 

Philip Kearns SIDI 

Ballycrystal 

Bunclody 

Co. Wexford 

P: 087 926 1257 

E: philipkearnsdesign@gmail.com

DESIGN 

STUDENTS 

165 Daniel Kelly SIDI 

University of Limerick 

Grallagh 

Ballyvary 

Castlebar 

Co. Mayo 

P: 086 308 4021 

E: danielkelly.design@gmail.com 

Sinead Kiely SIDI 


Goggins Hill 

Ballinhassig 

Co. Cork 

P: 085 732 3831 

E: sinead.kiely1@mycit.ie 

Darragh Kirby SIDI 

Thi Dung Luu SIDI 


35 Brehon Grove 

Kingston 

Ballinteer 


E: thidung.luu@gmail.com 

Heather Lynch SIDI 

Cat Mangan SIDI 

CIT 

Riverside House 

Castleconway 

Killorglin 

Co. Kerry 

P: 087 933 5463 

E: catmangan@hotmail.com 

Brian McAuley SIDI 

14 Woodgreen 

Forest Park 

Dromahair 

Co. Leitrim 

P: 087 912 6111 

E: brianmcauley81@gmail.com 

Berni McCabe SIDI 

166 

Grace Kelly SIDI 

IADT 

Greenogue 

Kilsallaghan 


P: 01 835 0849/086 157 5707 

E: hello@gracekelly.ie 

NCAD 

14 Castleknock Downs 

Castleknock 


P: 087 674 3007 

E: darraghkirby@gmail.com 


Thorncroft 

Newtown Lane 

Oldtown 


P: 086 104 1987 

E: heather.elle12@gmail.com 

Stephen Martin SIDI 

NUI Maynooth 

107 Carnmoney Road 

Newtownabbey 

BT36 6HT 

Co. Antrim 

P: 028 9080 1851/085 723 7105 

Interior Design Academy 

of Ireland 

128 Wellpark Grove 

Galway 

P: 086 240 9690 

E: bernimccabe@hotmail.com 

E: nisjm85@gmail.com 

Fintan Kennedy SIDI 

56 Kylebrook 

Portlaoise 

Co. Laois 

P: 086 3081970 

E: fintan.kennedy@gmail.com 

Orla Kennedy SIDI 

Limerick School 


Bawn 

Nenagh 

Co. Tipperary 

P: 085 102 7788 

E: info@orlakennedy.com 

Michelle Kiely SIDI 

NCAD 

150 Silversprings Lawn 

Tivoli 

Co. Cork 

P: 086 060 3852 

E: shelly.kiely@gmail.com 

Anna Kuc-Lisowska SIDI 

AIT 

23 Meadow Lane 

Athlone 

Co. Westmeath 

P: 087 785 3860 

E: anyakuc@gmail.com 

Kieran Leather SIDI 

Flat 5 

No. 12 Lower Rathmines Road 


P: 087 997 6446 

E: kieranleather@gmail.com 

Alana Leddin SIDI 

NCAD 

87 Glenside 

Castletroy 

Co. Limerick 

P: 087 930 5435 

E: alana.leddin@gmail.com 

Cian Mac Donnacha SIDI 

GMIT 

Cuileán 

An Cheathrú Rua 

Co. Galway 

P: 087 133 2155 

E: cianmacdonnach 

@hotmail.com 

Caroline Maguire SIDI 


85 Woodford 

Brewery Road 


P: 086 313 5095 

E: carolinemag85@hotmail.com 

Paul Mason SIDI 


Wheatfield 

Church Hill 

Passage West 

Co. Cork 

P: 021 484 1386/087 748 5431 

E: paul.mason@mycit.ie 

Nicola McAree SIDI 

University of Ulster 

11 Summerhill Walk 

Belfast 

BT17 0WD 

Co. Antrim 

P: +44 75 4025 6063 

E: njmcaree@gmail.com 

Brian McCloskey SIDI 

NCAD 

Clonsilla West 

Gorey 

Co. Wexford 

P: 085 731 5964 

E: bri-mcc@hotmail.com 

Joy McGovern SIDI 

NCAD 

Wrens Nest 

Ballyroan Park 

Rathfarnham 


P: 086 107 5105 

E: joymcgovernncad@gmail.com 

Ronan McIntyre SIDI 

DIT 

39 Belmont Park 

Raheny 


P: 01 831 1817/085 721 0128 

E: ronanm9@gmail.com

DESIGN 

STUDENTS 

167 Laura Moran SIDI 


20 St Columba’s Road Lower 

Drumcondra 


P: 085 716 2489 

E: laurarmoran@gmail.com 

Ronan Murphy SIDI 

NCAD 

9 Fontenoy Street 

Phibsboro 


P: 086 159 5591 

E: ronan.daniel.murphy@ 

gmail.com 

Aisling Nyhan SIDI 

CIT 

Ballinspittle Kinsale 

Co. Cork 

P: 085 824 5529 

E: aisling.nyhan@3mail.ie 

Gráinne O’Carroll SIDI 

Dearbhla O’Beirne SIDI 

NCAD 

43 Bertram Court 

Lamb Alley 

Thomas Street 


P: 01 627 2100/087 913 2341 

E: dearbhlaobeirne@hotmail.com 

Marion O’Keeffe SIDI 

NUI Maynooth 


P: 086 192 4027 

E: marion.okeeffe.2009@nuim.ie 

Pearl O’Rourke SIDI 

DIT 

168 

Alexis Morand SIDI 

NCAD 

3 Lennonstown Close 

Red Barns Road 

Dundalk 

Co. Louth 

P: 087 635 9830 

E: alexis.francois.morand@ 

gmail.com 

Sarah Neville SIDI 

LSAD 

Rosbrien Road 

Lisnalty 

Co. Limerick 

P: 061 229 095/086 163 1604 

E: sarah.neville.01@gmail.com 

DIT 

2 Grangemore Lawn 


P: 087 753 1825 

E: grainneocarroll89@gmail.com 

Sarah O’Carroll SIDI 

NCAD 

2291 Maryville 

Kildare Town 

P: 087 611 7068 

E: sesocarroll@gmail.com 

32 Warren Street 


P: 087 966 5866 

E: pearl.orourke@student.dit.ie 

Jamie Murphy SIDI 

NCAD 

44 Newbury Wood 

Clonshaugh 


P: 087 962 6365 

E: jamie@fjord.ie 

Nicola Murphy SIDI 

DIT 

108 Kildare Road 

Crumlin 


P: 085 754 3600 

E: murphydesign87@yahoo.co.uk 

Seán Niermeyer SIDI 


Stillorgan 


P: 086 081 1860 

E: sean.niermeyer@gmail.com 

Kevin Noone SIDI 

Letterkenny I.T. 

Drumcliffe 

Co. Sligo 

P: 087 670 7323 

E: kevin.noone@hotmail.com 

Samantha Norris SIDI 


1 Churchlands 

Sandyford Villiage 


P: 086 809 5293/086 246 2433 

E: samantha.norris@upcmail.ie 

Kady O’Connell SIDI 

LSAD 

The Rivers 

Annacotty 

Co. Limerick 

P: 085 703 1787 

E: kadyoconnell@yahoo.co.uk 

Cian O’Driscoll SIDI 


The Old Schoolhouse 

New Inn Glanmire 

Co. Cork 

E: cianodriscoll81@gmail.com 

Laura O’Sullivan SIDI 


26 Estuary Court 

Rochestown Road 

Cork 

P: 087 774 5002 

E: los7890@gmail.com 

Aoife O’Connell SIDI 


Ballylegan 

Watergrasshill 

Cork 

P: 021 488 9213/086 324 1631 

E: aoife.oconnell@mycit.ie 

Emmet O’Connell SIDI 

Index D 




P: 087 977 8544/087 125 2041 

E: hello@indexd.ie 

Eimear O’Connor SIDI 


53 Clonard Park 

Sandyford 


P: 085 711 1289 

E: eimearoc07@hotmail.com 

Alina O’Shaughnessy SIDI 

Limerick School 


Moyhill 

Cratloe 

Co. Clare 

P: 087 904 0276 

E: alina.oshaughnessy@gmail.com 

Katie O’Sullivan SIDI 

CIT 

Crosstown 

Killarney 

Co. Kerry 

P: 086 367 9106 

E: katie.osullivan@mycit.ie 

Robert Palmer SIDI 


228 Charlesland Park 

Greystones 

Co. Wicklow 

P: 01 269 3117 

E: robert.a.palmer@hotmail.com

DESIGN 

STUDENTS 

169 James Pittam SIDI 

CIT 

Johnstown 

Kilmicheal 

Macroom 

Co. Cork 

P: 086 403 3569 

E: james.pittam@mycit.ie 

Orla Reynolds SIDI 

DIT 

2 Brookwood Rise 

Killester 


P: 01 831 2265/086 408 8838 

E: orla@orlareynolds.com 

Paul Rice SIDI 

Mark Shaw SIDI 

LYIT 

Carrowkeel 

Riverstown 

Sligo 

P: 086 608 1777 

E: markshaw517@gmail.com 

Chloe Sheridan SIDI 

Freddie Stevens SIDI 

IADT 

121 Castle Farm 

Shankill 


P: 087 134 0119 

E: freddiestevens@hotmail.com 

Niamh Tansey SIDI 

Aengus Tukel SIDI 

LSAD 

9 The Haymarket 

Cathedral Place 

Limerick 

P: 086 178 4095 

E: aengustukel@yahoo.com 

Victoria Ueberegger SIDI 

170 

Michael Power SIDI 

NCAD 

Knockina 

The Rock 

Wexford 

P: 086 353 6552 

E: michaeltpower@gmail.com 

LSAD 

Tullinacurra 

Swinford 

Co. Mayo 

P: 087 985 6244 

E: paul@paulricedesign.com 


26 Estuary Court 

Rochestown Road 

Cork 

P: 087 268 2115 

E: chloe.sheridan@mycit.ie 

DIT Mountjoy Square 

87 Cedar Square 

Ridgewood 

Swords 


E: niamhtansey@yahoo.ie 


52 Flat 3 



P: 085 244 4056 

E: victoria.ueberegger@ 

gmail.com 

Edel Quinn SIDI 

BCFE 

34 Old Kilmainham 


E: delquinn@gmail.com 

Jack Redmond SIDI 


The Bungalow 

Glenconnor 

Clonmel 

Co. Tipperary 

P: 052 612 1213/087 762 2698 

E: jonathan.redmond@mycit.ie 

Eithne Reynolds SIDI 

2 Brookwood Rise 

Killester 


E: eithne.reynolds@webucation.ie 

Ilenia Russo SIDI 

GCD 

11 Portobello Harbour 

Portobello 


P: 085 288 0129 

E: ile.russo@gmail.com 

Taliya Savaheli SIDI 

Limerick College 

of Further Education 

89 Cois Sruthain 

Croom 

Co. Limerick 

P: 087 320 2495 

E: taliyafsavaheli@gmail.com 

Máire Scanlon SIDI 

St John’s Central College 

2 Evergreen Court 

Evergreen Road 

Cork City 

P: 085 101 2871 

E: mairescanlon22@gmail.com 

Martina Shields SIDI 

University of Ulster 

28 Lenaghan Park 

Belfast 

BT8 7JB 

P: 048 9079 2973 

E: martina.shields@gmx.com 

Adriana Renee Skaar SIDI 


188 South Circular Road 


P: +474 086 1021/087 118 4209 

E: adriana@lyse.net 

Aleksandra Stanczyk SIDI 


34 Brooklawn 

New Ross 

Co. Wexford 

P: 085 762 3476 

E: aleksandra.stanczyk8@ 

gmail.com 

Pia Thornton SIDI 

CIT 

Listowel 

Co. Kerry 

P: 087 612 8662 

E: piathornton77@yahoo.co.uk 

Rachael Tierney SIDI 

CIT 

42 Cusack View 

Ennis 

Co. Clare 

P: 085 133 4585 

E: rachael.tierney@mycit.ie 

Sarah Treanor SIDI 

Limerick School of 

Art and Design 

Limmon 

Drumcliffe Road 

Co. Clare 

P: 086 192 5533 

E: sarahtreanor@hotmail.com 

Iseult Uhlemann SIDI 

DIT 

92 The Clayton 

Gasworks 

Barrow Street 


P: 01 442 2017/086 844 2458 

E: hello@iseultuhlemann.com 

Ashlynn Walsh SIDI 

Waterford Institute 

of Technology 

34 Beech Park 

Waterford 

P: 086 084 4584 

E: ashlynnwalsh@gmail.com

171 

DESIGN 

STUDENTS 

Sharon Walsh SIDI 

IADT 

1 Heatherview Drive 

Aylesbury 

Tallaght 


P: 087 4192599/086 1639857 

E: sharon@sh-sh.me 

THANK 

YOU 

172 

Laura Weber SIDI 

NCAD 

23 Fairways 

Rathfarnham 


P: 01 494 5901/087 917 3766 

E: lauraweber1@live.com 

Conor Whelan SIDI 

NCAD 

14 Stonepark Abbey 

Grange Road 

Rathfarnham 


E: conwhelan@eircom.net 

Rita White SIDI 

GMIT 

3 Radcliff 

Sutton 


P: 086 958 3765 

E: rwhite155@hotmail.com 

Lisa Wynne SIDI 

NCAD 

68 Ballinclea Heights 

Killiney 


P: 087 657 2412 

E: wynne.lisa@gmail.com

173 

THANK 

YOU 

174 

The IDI would like to extend our thanks to 

everyone who contributed to this year’s 

Awards Handbook. We would also like 

to acknowledge those who continue to 

support us. The IDI will continue to promote 

the highest standards in design throughout 

Ireland. This would not be possible without 

the help of our sponsors and the ongoing 

support of our members. Thank you. 

Awards Committee 

Carol Coffey 

(President) 

Steve Conlon 

Celine Cummins 

Lorraine Egan 

Karen Hanratty 

Con Kennedy 

(Awards Chairperson) 

Derek McGarry 

Daragh O’Toole 

David Phelan 

John Walsh 

(President Elect 2011) 

Administrative 

Support: 

Lucy Deegan 

Ailbhe Lee 

Rina Whyte 

Jury 

Jonathan Barnbrook 

(Graphic Designer) 

Steve Conlon 

(Jury Chairperson) 

John Jenkins 

(Design Consultant) 

Kees Spanjers 

(Interior Architect) 

Don Wilson 

(Product Designer) 

Nic Benns & Miki Kato 

(TV/Film Motion 

Graphics) 

Sponsors 

Enterprise Ireland 

Miele 

Pixel Design 

RTÉ 

Supported by 

Mode Vision 

Pallas Foods 

Publicis Communications 

Centre 

SDL 

The Type Bureau 

Zinc

175 

BECOME 

A MEMBER 


176

177 

BECOME 

A MEMBER 


178 

The Institute of Designers in Ireland 

welcomes members from a broad range of 

design disciplines. Input from members is 

crucial to our growth and ongoing success. 

In many ways, the IDI might be compared 

to an open co-operative; a networked 

community of designers sharing ideas and 

helping each other for mutual benefit. 

The Institute embraces a wide range of members 

working across the design disciplines. We aim to 

promote professional standards and uphold the code 

of practice on which our reputation is founded. We 

aim to secure and maintain recognition for the design 

profession, to promote our members and a greater 

understanding of the role of design as a key to future 

economic success in Ireland. 

We invite you to join the Institute of Designers in 

Ireland and become part of a dynamic, creative and 

resourceful professional community. 

Becoming a Member 

Membership of the Institute of Designers is open to 

all students, graduates and professionals who can 

satisfy its entry requirements. Currently there are 

over 300 members from a wide range of disciplines, 

including Graphic Design, Interactive Design, Product 

Design, Interior Design, Fashion and Textile Design 

as well as Design Management and those involved in 

Design Education. 

For more information on the benefits of IDI 

membership and how to apply see www.idi-design.ie 

or just contact info@idi-design.ie.

179 

Design: 


Printer: 

Hudson Killeen 

Paper: 

A.P. Swan Ltd. 

Condat Silk 350gsm (Cover) 

Condat Silk 150gsm (Pgs 1–139) 

UPM Fine 90gsm (Pgs 140–179) 

Typeface: 

Avenir

IDI Awards Handbook 2011 - Institute of Designers in Ireland

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